Various Artists – Boys On The Side (OST) (1995)

Boys on the Side is a 1995 American comedy-drama film directed by Herbert Ross (in his final film as a director). It stars Whoopi Goldberg, Drew Barrymore and Mary-Louise Parker as three friends on a cross-country road trip. The screenplay was written by Don Roos.

 

Three unique women embark on a cross-country road trip: Jane (Whoopi Goldberg), a lesbian lounge singer in search of a new life after breaking up with her girlfriend and getting fired; Holly (Drew Barrymore), a pregnant girl who just wants to escape her brutal boyfriend; and Robin (Mary-Louise Parker), an uptight real estate agent who has her own secrets (namely being infected with HIV).

Robin puts an ad in the newspaper that she is looking for a traveling companion to accompany her on a cross country trip to California. Jane answers the ad and agrees to join Robin after her car gets towed during their meeting. Jane and Robin leave New York City and travel through Pittsburgh to take Jane’s friend Holly to lunch. They stumble across a knock out-fight between Holly and her abusive boyfriend, Nick, over some missing drugs.

They leave him there bound to a chair with tape after Holly hits him in the head with a bat to stop him from attacking Jane. Later, he frees himself from the chair, stumbles across the floor, falls and hits his head on the bat and dies. The three unlikely travelers then form a special friendship on their journey which sees them through ultimately tragic times.

After discovering that Nick is dead and that Holly is pregnant, the three women decide to continue across country and end up in Tucson, Arizona when Robin has to be hospitalized. They decide to stay in Tucson, hoping to start a new life. However, Jane has a secret crush on Robin, Holly falls in love with and eventually confesses to a local police officer named Abe Lincoln (Matthew McConaughey), and Robin finds the courage to face her impending death.

Shortly after Jane and Robin have a falling out over Jane telling a friendly bartender (James Remar) who was interested in Robin that she has HIV, Holly is arrested by Abe. She is taken back to Pittsburgh to face the consequences of her actions. The return to Pittsburgh involves Robin and Jane making peace with each other on the courthouse’s “Bridge of Sighs” while the Pittsburgh Police process Holly.

A few months pass, in Tucson, Holly is free and with Abe and her daughter, which is celebration to all family and friends. Robin is now farther along with AIDS and is not expected to live much longer. The party asks Robin to sing the Roy Orbison song “You Got It” as she performed that song in a Star Search contest; though weak, she manages to sing with Jane backing her singing. In the final scene, Robin has died from AIDS as her wheelchair is now empty, Holly and Abe plan to stay in Arizona and become a family, while Jane hits the road to finally seek a life of her own.

The film’s soundtrack album is made up entirely of contributions from female pop/rock artists, including lesbian icons Melissa Etheridge (“I Take You With Me”), Joan Armatrading (“Willow”) and the Indigo Girls (“Power of Two”). Previous hit singles by Annie Lennox (“Why”) and The Cranberries (“Dreams”) are also included, as are new recordings by Sheryl Crow, Sarah McLachlan, Stevie Nicks and The Pretenders among others. The hit single from the movie soundtrack was Bonnie Raitt’s cover of the Roy Orbison hit “You Got It”, which peaked at #34 on the Billboard Hot 100 singles chart. (by wikipedia)

Boys on the Side is a collection of mainstream ’90s rock dominated by female artists, which is appropriate for the feminist nature of the film. Not all of the music is first-rate, but much of it is, particularly Bonnie Raitt’s cover of Roy Orbison’s “You Got It.” Fans of the film will find much to enjoy here, but the record doesn’t quite hold together as an individual entity. (by Stephen Thomas Erlewine)

This is just such an amazingly wonderful collection of beautiful songs, from the movie of the same title. This CD is like a warm, happy, occasionally sad, emotional journey through the eyes & hearts of some really talented women! I’m going to stockpile some more copies of this CD, as I never want to be without it! (by Mary Jo Ashleyon)

This has always been one of my favorite CDs, given the assortment of some of the best tracks of a series of female artists. Recently on a trip out west I inadvertently left the CD playing when my daughter (4th grade) got in the car–it is now her favorite album as well, and I don’t have to listen to the teeny bop music she usually pleads for–what a relief!!
I had never heard many of these artists before, given that I stopped hearing new artists about when my daughter was born and Raffi took over our lives, and it was such a delight to discover so much talent–it really sent me out to get acquainted with more of their music on their own individual albums. (by an Amazon customer)

This is a strong album for strong women … And I love strong women …

Tracklist:
01. Bonnie Raitt: You Got It (Lynne/Orbison/Petty) 3.25
02. Melissa Etheridge: I Take You With Me (Etheridge) 4.48
03. Sheryl Crow: Keep On Growing (Clapton/Whitlock) 5.24
04. Indigo Girls: Power Of Two (Saliers) 5.22
05. Stevie Nicks:  Somebody Stand By Me (Crow/Wolfe) 5.05
06. The Pretenders: Everyday Is Like Sunday (Morrissey/Street) 3.41
07. The Cranberries; Dreams (Hogan/O’Riordan) 4.30
08. Annie Lennox: Why (Lennox) 4.53
09. Sarah McLachlan: Ol’ 55 (Waits) 4.11
10. Joan Armatrading: Willow (Armatrading) 4.01
11. Jonell Mosser: Crossroads (Johnson) 2.49
12. Whoopi Goldberg: You Got It (Lynne/Orbison/Petty) 3.08
13. Bonnie Raitt: You Got It (Lynne/Orbison/Petty) 3.25

*
**

Promotion pic

Glenn Frey – Soul Searchin’ (1988)

Soul Searchin’ is the third solo studio album by Glenn Frey, the guitarist and co-lead vocalist for the Eagles. The album was released in mid 1988 on MCA in the United States and the United Kingdom, four years after Frey’s successful album, The Allnighter and eight years after the demise of the Eagles. The album features eight original songs co-written by Frey with Jack Tempchin and the song “Two Hearts” contributed by Frey’s friend, Hawk Wolinski. The album also features contributions from fellow Eagles member Timothy B. Schmit, Max Carl, Robbie Buchanan, Michael Landau, and Bruce Gaitsch.

The album was received negatively by the majority of music critics, while other reviewers noted good points to the album. It was also not as successful as Frey’s previous albums (although one of his favorites), peaking at #36 on the Billboard 200, which marked the beginning of a downturn in Frey’s fortunes on the album charts. The album’s first and leading single, “True Love”, unlike the album, was a commercial success, peaking at #2 on the Adult Contemporary chart, and so was the second single, the title track (“Soul Searchin'”), which peaked at #5 also on the Adult Contemporary.

Frey began work on the album in the midst of a string of hits in the 1980s, as well as animosity between him and other members of the Eagles. The album’s title refers to his efforts to find his own identity

When Frey was asked about his musical direction, he said “In a sense I’m working my way back home, Though I left Detroit and went to California to cut my teeth on country-rock, I’ve remained obsessed with the music of my adolescence, the great soul hits of the 60’s and early 70’s. It’s a style that most black musicians have abandoned for dance music and rap. There are a whole lot of people who miss the sound of Sam & Dave, and Wilson Pickett. It’s left a gap that is being filled by people like Steve Winwood.”

Reviewing for AllMusic, critic William Ruhlmann wrote of the album “the songs here were so interchangeable with those on his first two albums he apologized for it in his note about “True Love,” which became the album’s sole Top 40 hit. The music was pleasant, but inconsequential, and suggested that Frey, living off his Eagles royalties, had come to think of his solo career as a hobby.” In a review for The Rolling Stone Album Guide (1992), Mark Coleman gave the album one and a half out of five stars and wrote that “Frey sounded like he wasn’t even trying anymore; his pump-your-body TV gym commercials at the time displayed more sweat and effort”.

Personnel:
Barry Beckett (synthesizer, piano, keyboards)
Bill Bergman (saxophone)
Robbie Buchanan (Keyboards)
Duncan Cameron (guitar, background vocals)
Dave Chamberlain (bass)
Steve Forman (Percussion)
Glenn Frey (vocals, synthesizer, bass, guitar, percussion, piano, drums, keyboards)
Bruce Gaitsch (guitar)
Al Garth (saxophone)
Roger Hawkins (drums)
Heart Attack Horns (horns)
David Hood (bass)
Paul Jackson Jr. (guitar)
Russ Kunkel (drums)
Michael Landau (guitar)
Ralph MacDonald (percussion)
Chris Mostert (saxophone)
Steve Nathan (keyboards)
Prairie Prince (drums)
John “J.R.” Robinson (drums)
Ron Skies (keyboards)
Neil Stubenhaus (bass)
Steve Thomas (keyboards)
David “Hawk” Wolinski (synthesizer, keyboards)
+
background vocals:
Max Carl – Roy Galloway – Institutional Radio Choir – Timothy B. Schmit – Julia Waters – Maxine Waters – Oren Waters

Tracklist:
01. Livin’ Right (Frey/Tempchin) 5.07
02. Some Kind Of Blue (Frey/Tempchin) 4.40
03. True Love (Frey/Tempchin) 4.40
04. Can’t Put Out This Fire (Frey/Tempchin) 5.04
05. I Did It for Your Love (Frey/Tempchin) 4.00
06. Let’s Pretend We’re Still in Love (Frey/Tempchin) 4.51
07. Working Man (Frey/Tempchin) 3.25
08. Soul Searchin’ (Frey/Tempchin/Cameron) 5.38
09. Two Hearts (Wolinski/Newton-Howard) 4.01
10. It’s Your Life (Frey/Thoma) 4.58
11. It’s Cold In Here (Frey/Cameron) 3.48

*
**

 

Glenn Lewis Frey (November 6, 1948 – January 18, 2016)

Bonnie Raitt – Nick Of Time (1989)

Nick of Time is the 10th album by the American singer Bonnie Raitt, released on March 21, 1989.

Nick of Time topped the Billboard 200 chart, selling five million copies, and won three Grammy Awards, including Album of the Year, which was presented to Raitt & producer Don Was. In 2003, the album was ranked number 230 on Rolling Stone magazine’s list of the 500 greatest albums of all time. The album was also included in the book 1001 Albums You Must Hear Before You Die.

Pior to Nick of Time, Bonnie Raitt had been a reliable cult artist, delivering a string of solid records that were moderate successes and usually musically satisfying. From her 1971 debut through 1982’s Green Light, she had a solid streak, but 1986’s Nine Lives snapped it, falling far short of her usual potential. Therefore, it shouldn’t have been a surprise when Raitt decided to craft its follow-up as a major comeback, collaborating with producer Don Was on Nick of Time. At the time, the pairing seemed a little odd, since he was primarily known for the weird hipster funk of Was (Not Was), but the match turned out to be inspired. Was used Raitt’s classic early-’70s records as a blueprint, choosing to update the sound with a smooth, professional production and a batch of excellent contemporary songs.

In this context, Raitt flourishes; she never rocks too hard, but there is grit to her singing and playing, even when the surfaces are clean and inviting. And while she only has two original songs here, Nick of Time plays like autobiography, which is a testament to the power of the songs, performances, and productions. It was a great comeback album that made for a great story, but the record never would have been a blockbuster success if it wasn’t for the music, which is among the finest Raitt ever made. She must have realized this, since Nick of Time served as the blueprint for the majority of her ’90s albums. (by Stephen Thomas Erlewine)

Personnel:
Arthur Adams (guitar on o3.)
Sweet Pea Atkinson (background vocals on 03., 08., 09. + 11.)
Bill Bergman (Saxophone on 03.)
John Berry, Jr. (trumpet on 03. + 09.)
Sir Harry Bowens (background vocals on 01., 03., 08., 09. + 11.)
Tony Braunagel (percussion on 02., + 05., drums on 04.)
Fran Christina (drums on 11.)
David Crosby (background vocals on 04.)
Paulinho Da Costa (Percussion on 01., 04. + 07.)
Chuck Domanico (bass on 4. + 06.)
Dennis Farias (trumpet on 03. + 09.)
Ricky Fataar (drums on 01. – 03., 05. + 07. – 09, Percussion on 01.)
Marty Grebb (Saxophone on 03. + 09.)’
Herbie Hancock (piano on 10.)
Heart Attack Horns (Horns on 03. + 09.)
Preston Hubbard (bass on 11.)
James “Hutch” Hutchinson (bass on 01. – 03., 05., 07. – 09.)
John Jorgenson (guitar on 08.)
Michael Landau (guitar on 01. + 03.)
David Lasley background vocals on 07.)
Jay Dee Maness (pedal steel guitar on 08.)
Arnold McCuller (background vocals on 01., 07., 08. + 11.)
Larry John McNally (background vocals on 05.)
Graham Nash (Background vocals on 04.)
Bonnie Raitt (vocals, piano on 01. + 09., slide-guitar on 02. – 04., guitar, on 05., 06. +11.)
Michael Ruff (Keyboards on 04.)
Johnny Lee Schell (guitar on 02., 03. + 09, vocals on 02.)
Greg Smith (Saxophone on 03. + 09.)
Swamp Dogg (piano on 05.)
Scott Thurston (keyboards on 03. + 07.)
Don Was (keyboards on 08.)
Kim Wilson (harmonica on 05. + 11.)

Tracklist:
01. Nick Of Time (Raitt) 3.52
02. Thing Called Love (Hiatt) 3.52
03. Love Letter (Hayes) 4.04
04. Cry On My Shoulder (Ruff) 3.44
05. Real Man (Williams) 4.27
06. Nobody’s Girl (McNally) 3.15
. Have A Heart (Hayes) 4.50
08. Too Soon To Tell (Bourke/Reid) 3.45
09. I Will Not Be Denied (Williams) 4.55
10. I Ain’t Gonna Let You Break My Heart Again (D.Lasley/J.Lasley) 2.238
11. The Road’s My Middle Name (Raitt) 3.31*
**

 

 

 

Gheorghe Zamfir – Pan-Pipe – Flute de Pan (1966)

Gheorghe Zamfir (Romanian pronunciation: [ˈɡe̯orɡe zamˈfir] (About this sound listen); born April 6, 1941) is a Romanian pan flute musician.

Zamfir is known for playing an expanded version of the traditional Romanian-style pan flute (nai) of 20 pipes to 22, 25, 28 and 30 pipes to increase its range, and obtaining as many as eight overtones (additionally to the fundamental tone) from each pipe by changing the embouchure.

He is known as “The Master of the Pan Flute”.

Zamfir came to the public eye when he was approached by Swiss ethnomusicologist Marcel Cellier, who extensively researched Romanian folk music in the 1960s. The composer Vladimir Cosma brought Zamfir with his pan flute to Western European countries for the first time in 1972 as the soloist in Cosma’s original music for the movie Le grand blond avec une chaussure noire. This was very successful,[citation needed] and since then, he has been used as soloist in movie soundtracks by composers Francis Lai, Ennio Morricone and many others. Largely through television commercials where he was billed as “Zamfir, Master of the Pan Flute”, he introduced the folk instrument to a modern audience and revived it from obscurity.

In 1966, Zamfir was appointed conductor of the “Ciocîrlia Orchestra”, one of the most prestigious state ensembles of Romania, destined for concert tours abroad. This created the opportunity for composition and arranging. In 1969, he left Ciocîrlia and started his own taraf (small band) and in 1970 he had his first longer term contract in Paris.

Zamfir discovered the much greater freedom for artistic adventure. His taraf consisted of: Ion Drăgoi (violin), Ion Lăceanu (flutes), Dumitru Fărcaș (tarogato), Petre Vidrean (double bass) and Tony Iordache (cymbalum) all number 1 soloists in their country. This taraf made some excellent recordings (CD Zamfir a Paris).[citation needed] He changed the composition of the band soon after: Efta Botoca (violin), Marin Chisar (flutes), Dorin Ciobaru and Pavel Cebzan (clarinet and tarogato), Petre Vidrean (bass) and Pantelimon Stînga (cymbalum). It is said that this change was made to increase the command of Zamfir and have more artistic freedom.[citation needed] A turning point was the recording of Zamfir’s composition “Messe pour la Paix” (Philips).[citation needed] His taraf joined a choir and a symphonic orchestra. This was evidence of the growing ambition.[citation needed] While the Philips recordings of that time were rather conservative, Zamfir preached revolution in the concert halls with daring performances.[citation needed] Some[who?] say that this short period was the highlight of his career. In 1977, he recorded “The Lonely Shepherd” with James Last. Zamfir put himself on the world map and since then his career became highly varied, hovering over classical repertoire, easy listening and pop music.

 

Zamfir’s big break in the English-speaking world came when the BBC religious television programme “The Light of Experience” adopted his recording of “Doina De Jale”, a traditional Romanian funeral song, as its theme.[citation needed] Popular demand forced Epic Records to release the tune as a single in 1976, and it climbed to number four on the UK charts.[citation needed] It would prove to be his only UK hit single, but it helped pave the way for a consistent stream of album sales in Britain. His song “Summer Love” reached number 9 in South Africa in November 1976.[3] In 1983, he scored a No. 3 hit on the Canadian Adult Contemporary chart with “Blue Navajo,” and several of his albums (including 1982’s Romance and 1983’s Childhood Dreams) have charted in Canada as well.

After nearly a decade-long absence, Zamfir returned to Canada in January 2006 for a seven-city tour with the Traffic Strings quintet. The program included a world premiere of Vivaldi’s Four Seasons for PanFlute and string quintet arranged by Lucian Moraru, jazz standards, and well-known favourites.

In 2009, Zamfir was sampled by Animal Collective in the song “Graze” on their EP Fall Be Kind.

In 2012, Zamfir performed at the opening ceremony of the 11th Conference of Parties to the Ramsar Convention at the Palace of the Parliament in Bucharest, Romania (by wikipedia)

And this is his first album … recorded as a totally unknown young musician And we hear this beautiful, unadulterated Sound of the pan flute …

Enjoy this Music, too

Personnel:
Gheorghe Zamfire (pan flute)
+
Orchestra Florian Economu

Tracklist:
01. Doină De Jale 5.17
02. Frunzuliţă Lemn Adus 1.33
03. Cîntec De Nuntă 2.47
04. Păscui Calul Pe Răzoare 1.33
05. Doină De La Vişina 5.15
06. Mîndra Mea Din Băduleşti 2.46
07. Mîndrele 1.49
08. Sîrba Bătrînească 2.62

*
**

The English Concert + Trevor Pinnock – A Grad Concert Of Music – English Baroque Concerti (1979)

Archiv Produktion released A Grand Concert of Musick in 1985, and the performances by Trevor Pinnock and the English Concert are a high point in the label’s catalog. This album of concertos by John Stanley, Thomas Arne, Francesco Geminiani, Pieter Hellendaal, and Charles Avison, along with a symphony by William Boyce, provides a quick survey of some of the music that was popular in England in the late Baroque era.

Performing on original instruments and led from the harpsichord by Pinnock, the ensemble plays with crisp articulation, vigorous bowing, and bright tone colors, and the strings are surrounded by a wonderful aural halo produced by resonant acoustics. Pinnock and the English Baroque Concert took pride not only in playing in authentic period style, but also in providing the historical context behind the music, so this program represents musical activity centered in London circa 1730, when the English national style was developing in the wake of Purcell and contemporaneously with Handel. (by Blair Sanderson)

Personnel:
The English Concert conducted by Simon Standage
+
Trevor Pinnock (harpsichord)

Tracklist:

John Stanley: Concerto in G major, Op. 2 No. 3:
01. Adagio – Allegro
02. Andante 1.43
03. Allegro

Thomas Arne: Concerto in G minor, for keyboard and orchestra:
04. Largo – Allegro con spirito 5.39
05. Adagio 1.20
06. Vivace 4.34

William Boyce: Symphony in B flat Major:
07. Allegro 2.37
08. Moderato e dolce 2.21
09. Allegro 2.02

Francesco Geminiani:
10. Concerto grosso in D minor (after Corelli: La Follia Variations, Op. 5 No. 12) 12.23

Pieter Hellendaal: Concerto in E flat major, Op. 3 No. 4
11. Grave sostenuto 3.57
12. Alla breve 1.40
13. Affettuoso 1.33
14. Presto 1.23
15. Pastorale 3.01

Charles Avison: Concerto grosso No. 9 in C major/A minor (after Domenico Scarlatti: Lessons for the Harpsichord)

16. Largo 2.10
17.Con spirito – Andante – Con spirito
18. Siciliana 3.17
19. Allegro 3.43

*
**

Os Brasileiros – Na Europa (1957)

An all-star ensemble that was equally adept in samba, forro and choro. Trio Irakitan provide earnest vocals in front of a band that featured Abel Ferreira – clarinet, Sivuca on accordion, and solid samba rhythms by Pernambuco do Pandeiro and drummer Dimas, along with some percussion by the Irakitan crew. (by www.discogs.com)

A joyful, upbeat album by an all-star ensemble that was equally adept in samba, forro and choro. Trio Irakitan provide earnest vocals in front of a band that featured Abel Ferreira – clarinet, Sivuca on accordion, and solid samba rhythms by Pernambuco do Pandeiro and drummer Dimas, along with some percussion by the Irakitan crew. It’s all really fun stuff; in some ways I prefer the instrumental numbers where Ferreira and Sivuca deftly meld choro and forro. This album documents one of the numerous tours of Brazilian artists in Europe, and inspired the group to record at least one other album. Be great to see this in digital reissue some day!  (by slipcue.com)

Personnel:
Abel Ferreira (clarinet)
Pernambuco do Pandeiro (percussion)
Sivuca (accordion, guitar )
+
Trio Irakitan (vocals):
Edson Reis de França – Paulo Gilvan – João Manoel de Araújo Costa Netto

Tracklist:
01. Maracangalha (Caymmi) 2.11
02. Brasileirinho (Azevedo) 2.00
03. A Fonte Secou (Monsueto/Lauar(Marcléo) 2.46
04. Carrapicho (Teixeira) 2.30
05. No Paraiso das Mulatas (de Morais) 1.45
06. Vai na Paz de Deus (Alves/Domingues) 2.39
07. Nega (Gomes/Teixeira) 2.47
08. Vai Com Jeito (de Barro) 1.49
09. O Baião Em Paris (Teixeira) 2.08
10. Zezé (Teixeira/da Rocha) 3.24
11. Mulata Mulata (Martins/Amorim) 2.16
12. Fantasia Carioca (Santiago/Vermelho) 1.43

*
**

Severino Dias de Oliveira popularly known as Sivuca

 

 

 

The Five Corners Quintet (feat. Mark Murphy) – Hot Corner (2008)

Here’s a twist for you — a Finnish band playing newly composed soul-jazz and post-bop music. The Five Corners ensemble is clearly influenced by the Horace Silver/Lee Morgan/Art Blakey strain of ’60s jazz, and even uses recording techniques that are reminiscent of the reel-to-reel two-track era. Saxophonist Timo Lassy and trumpeter Jukka Eskola front this well-heeled jazz band that harkens back to better times for the music, and feels good doing it without resorting to funk or dance music. When you hear tracks like the handclap induced “Skinny Dipping,” the delightful soul traipse “Waltz Up,” or the echoed “Shake It,” it is clear where this music takes its information from. Lassy proves his versatility in stepping away from his John Coltrane influenced side going more for a Hank Mobley/Joe Henderson approach He’s especially good playing flute during the excellent “Habib’s Habit,” a hip modal piece that swings hard, and fully showcases the considerable gifts of pianist Mikael Jakobsson. “Hot Rod” is a spy swing jazz with a basic melody, while “Midnight in Trieste” also sounds like soundtrack music with Lassy’s tenor sax, the vibraphone work of guests Arttu Takalo, and Pekka Jaclin on tympani.

Most of the material goes beyond the advertised five-piece combo, several cuts feature a string section — fairly unobtrusive — and the veteran vocalist Mark Murphy appears on two tracks. He sings “Kerouac Days in Montana,” bringing out the ’60s cruising California cool factor, while an Oliver Nelson derived “Come & Get Me” combines an orchestral approach blended in with rhythm & blues. Unfortunately, the balance between words and instruments tends to favor the music and not the singers, especially on Okou’s feature “Rich in Time,” where the strings and horns half-bury his thin vocals. Not only does the music have a retro feel, the production values overall reflect this, a bit muddled and murky, not sounding up to date or digital at all. Not a fault musically though, especially if you would enjoy a fresh take on mainstream jazz looking back in order to move forward. (by Michael G. Nastos)

Personnel:
Jukka Eskola (flugelhorn, trumpet)
Pekka Jaclin (percussion, timpani)
Timo Kämäräinen (lap steel guitar)
Timo Lassy (flute, saxophone)
Antti Lötjönen (bass)
Matt Murphy (vocals)
Teppo Mäkynen (drums, percussion)
Ouko (vocals)
Jaakko Rajamäki (cello)
Arttu Takalo (vibraphone)

Tracklist:
01. Hot Rod (Kallio) 5.41
02. Kerouac Days in Montana (Kallio/Murphy) 5.14
03. Skinny Dipping (Kallio/Lassy) 3.28
04. Rich in Time (Kallio/Okou) 3.11
05. Midnight in Trieste (Kallio) 4.39
06. Come and Get Me (Murphy) 5.09
07. Interlope II (Malm) 0.37
08. Waltz Up (Makynen) 4.14
09. Easy Diggin’ (Kallio) 4.55
10. Shake It (Makynen) 4.54
11. Habib’s Habit (Makynen) 4.38

*
**