“I believe the blues should be sung by an older person because it’s about emotions and experience. I couldn’t do”I believe the blues should be sung by an older person because it’s about emotions and experience. I couldn’t dojustice to it when I was younger because my voice didn’t have the edge it needed to convey the emotion, nor did Ihave the first hand experience to sing about blue themes convincingly.”
But after 45 years in music and over 60 albums Dana Gillespie is well qualified to sing the blues. A career that combined radio, theatre, film and sport (she was once British junior water-skiing champion) with music, Dana has been in the public eye since recording her first album at the age of 15. Her music has evolved from folk in the 60s through 70s Bowie-esque glam-rock to the raunchy in-your-face blues she performs today.
Dana Gillespie has been dedicated to the blues from an early age: “I discovered the blues when I went to the American Folk Blues Festival in 1962 and also to see the Yardbirds at the Marquee Club. I was in my early teens and hadn’t heard anything like it before – blues wasn’t easily available in the UK back then”. Bessie Smith especially inspired her because of her combination of sly, funny and bawdy lyrics. “Blues was my first musical love because it’s earthy, spiritual and honest.”
In 1964 she recorded for Pye, with Donovan on guitar and became a regular on the folk circuit. She recalls: “[at that age] I was doing folk because I couldn’t afford a band and I hadn’t found my musical niche”.In those early years Dana got to know many of the top bands and people in the music business. Most shared her love of blues, and played their own version of it. Bob Dylan who was an old friend of Dana from the 60s showed interest in her music in 1997, when he invited her to support him on his UK tour, which included a sell-out show at Wembley. After a swathe of singles on Pye and two LPs for Decca, she moved to RCA and made WEREN’T BORN A MAN in 1973, some titles being produced by David Bowie, whose management, Mainman, also took care of her career.
While her career in music was simmering away, she became better known for her appearances in London’s West End theatres, in shows such as the first run of Jesus Christ Superstar (playing Mary Magdalene), The Who’s “Tommy” (playing the Acid Queen) and the rock Othello, “Catch My Soul”. She also appeared with Dudley Moore in the film version of “The Hound Of The Baskervilles” and starred in Ken Russell’s “Mahler” among other movies. Her second RCA LP, AIN’T GONNA PLAY NO SECOND FIDDLE was just beginning to take off when her management company decided she should move to the USA, where she played and toured extensively for two years. Dana hosted a radio blues show in New York at the same time, which gave her the opportunity to learn more about the roots of the music.
She has continued her interest in radio in Austria where she recently completed a 11-year stint hosting a weekly, international world music show on Blue Danube Radio called”Globe Trotting With Gillespie”. In the 80s, Dana toured Europe several times with the “Stars Of Boogie Woogie” tour, singing either with the Mojo Blues Band or with Axel Zwingenberger. Her time with the Mojo Blues Band, a purist outfit that backed all the American blues musicians visiting Europe, lasted three years. “I lived, slept and breathed blues, because that was all they did. It was a great experience.” She also developed her interest in Indian and Arabic music, recording the single “Move Your Body Close To Me”, an Indian-influenced song with synthesiser backing. It shot to #1 in Europe. (from the DG website)
But here you can hear Dana Gillespie as one of the finest female blues singers (like Maggie Bell) together with the Austrian musician Joachim Palden and his group Mojo Blues Band.
This is a live recording … the show was recorded at the legendary Jazz-Land Club (December 1990) in Vienna.
If you like Blues & Boogie Woogie … then you should listen …
Dana Gillespie (vocals)
Helmut Mejda (drums)
Joachim Palden (piano)
Christian Plattner (saxophone)
Martin Wichtl (saxophone)
01. My Man Stands Out (Yates) 3.43
02. Boogie Woogie For Spann (Instrumental) (Palden) 4.19
03. St. Louis Blues (Handy) 7.27
04. Blues Train (Instrumental) (Wichtl) 3.56
05. One Track Mind (Gillespie/Palden) 3.23
06. Empty Bed Blues (Smith) 6.21
07. I Want You To Be My Baby (Jordan) 3.59
08. Cry To Me (Russel) 5.17
09. No One (Gillespie/Palden) 5.43
10. You’re Moving Me (Benton/Otis) 3.11