Country Joe &The Fish – Electric Music For The Mind And Body (1967)

FrontCover1Electric Music for the Mind and Body is Country Joe and the Fish’s debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of San Francisco.Electric Music for the Mind and Body is Country Joe and the Fish’s debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of San Francisco.
Tracks from the LP, especially “Section 43”, “Grace”, and “Not So Sweet Martha Lorraine” were played on progressive FM rock stations like KSAN and KMPX in San Francisco, often back-to-back. A version of the song “Love” was performed at the 1969 Woodstock Festival.
“Grace” is a tribute to Jefferson Airplane’s lead singer, Grace Slick.

The album was recorded during the first week of February 1967 at Sierra Sound Laboratories, Berkeley, California, by Robert DeSouza, with production by Samuel Charters. It was released on May 11, 1967, on the Vanguard label.  (by wikipedia)

CountryJoe&TheFish01

Their full-length debut is their most joyous and cohesive statement and one of the most important and enduring documents of the psychedelic era, the band’s swirl of distorted guitar and organ at its most inventive. In contrast to Jefferson Airplane, who were at their best working within conventional song structures, and the Grateful Dead, who hadn’t quite yet figured out how to transpose their music to the recording studio, Country Joe & the Fish delivered a fully formed, uncompromising, and yet utterly accessible — in fact, often delightfully witty — body of psychedelic music the first time out. Ranging in mood from good-timey to downright apocalyptic, it embraced all of the facets of the band’s music, which were startling in their diversity: soaring guitar and keyboard excursions (“Flying High,” “Section 43,” “Bass Strings,” “The Masked Marauder”), the group’s folk roots (“Sad and Lonely Times”), McDonald’s personal ode to Grace Slick (“Grace”), and their in-your-face politics (“Superbird”). Hardly any band since the Beatles had ever come up with such a perfect and perfectly bold introduction to who and what they were, and the results — given the prodigious talents and wide-ranging orientation of this group — might’ve scared off most major record labels. Additionally, this is one of the best-performed records of its period, most of it so bracing and exciting that one gets some of the intensity of a live performance. (by Richie Unterberger)

CountryJoe&TheFish02

Personnel:
Bruce Barthol (bass, harmonica)
David Cohen (guitar, organ)
Gary “Chicken” Hirsh (drums)
Country Joe McDonald (vocals, guitar, bells, tambourine)
Barry Melton (vocals, guitar)

BackCover1
Tracklist:
01. Flying High (McDonald) 2.37
02. Not So Sweet Martha Lorraine (McDonald) 4.20
03. Death Sound Blues (McDonald) 4.22
04. Porpoise Mouth (McDonald) 2.47
05. Section 43 (McDonald) 7.22
06. Super Bird (McDonald) 2.02
07. Sad And Lonely Times (McDonald) 2.22
08. Love (McDonald/Melton/Cohen/Barthol/Gunning/Hirsh) 2.19
09. Bass Strings (McDonald) 4.58
10. The Masked Marauder (McDonald) 3.08
11. Grace (McDonald) 7.02

LabelB1

*
**

Advertisements

Lucky Peterson – Triple Play (1990)

FrontCover1Lucky Peterson (born Judge Kenneth Peterson, December 13, 1964, Buffalo, New York) is an American musician who plays contemporary blues, fusing soul, R&B, gospel and rock and roll. He plays guitar and keyboards. Music journalist Tony Russell, in his book The Blues – From Robert Johnson to Robert Cray has said, “he may be the only blues musician to have had national television exposure in short pants.”Lucky Peterson (born Judge Kenneth Peterson, December 13, 1964, Buffalo, New York) is an American musician who plays contemporary blues, fusing soul, R&B, gospel and rock and roll. He plays guitar and keyboards. Music journalist Tony Russell, in his book The Blues – From Robert Johnson to Robert Cray has said, “he may be the only blues musician to have had national television exposure in short pants.”

Lucky Peterson01
Peterson’s father, bluesman James Peterson, owned a nightclub in Buffalo called The Governor’s Inn. The club was a regular stop for fellow bluesmen such as Willie Dixon. Dixon saw a five-year-old Lucky Peterson performing at the club and, in Peterson’s words, “Took me under his wing.” Months later, Peterson performed on The Tonight Show, The Ed Sullivan Show and What’s My Line?. Millions of people watched Peterson sing “1-2-3-4”, a cover version of “Please, Please, Please” by James Brown. At the time, Peterson said “his father wrote it”. Around this time he recorded his first album, Our Future: 5 Year Old Lucky Peterson, for Today/Perception Records and appeared on the public television show, Soul!.

Lucky Peterson02

As a teen, Peterson studied at the Buffalo Academy for Visual and Performing Arts, where he played the French horn with the school symphony. Soon, he was playing backup guitar and keyboards for Etta James, Bobby “Blue” Bland, and Little Milton.[2]
The 1990s were a prolific period for Peterson. Two solo Bob Greenlee produced albums for the Chicago-based Alligator Records (1989’s Lucky Strikes! and the following year’s Triple Play) remain his finest recorded offerings. He then released four more for the record label, Verve Records (I’m Ready, Beyond Cool, Lifetime and Move). While with Verve, Peterson collaborated with Mavis Staples on a tribute to gospel singer Mahalia Jackson, called Spirituals & Gospel. Peterson played electronic organ behind Staples’ singing.

More albums from Peterson came after 2000. He recorded two for Blue Thumb Records (Lucky Peterson and Double Dealin’), and one for Disques Dreyfus entitled, Black Midnight Sun. In 2007, he released Tete a Tete on JSP Records.
In 2013, the Blackbird Music/55 Arts Club DVD of Live At The 55 Arts Club Berlin was nominated for a Blues Music Award.[4]Lucky Peterson in 1984.Current work and lifestyle
Today, Peterson lives in Dallas, Texas, and maintains a rigorous tour schedule performing all over the world.
Peterson has four children. (by wikipedia)

Lucky Peterson03

Even more impressive than his previous Alligator set, thanks to top-flight material like “Don’t Cloud Up on Me,” “Let the Chips Fall Where They May,” and “Locked Out of Love,” the fine house band at Greenlee’s King Snake studios, and Peterson’s own rapidly developing attack on two instruments. (by Bill Dahl)

It’s a shame that Lucky Peterson has still not been discovered by some blues fans; they don’t know what they’re missing. This collection, recorded at Kingsnake Studios in Sanford, FL and released on Alligator Records in 1990, offers some great music from start to finish. Of the ten songs, I could start naming favorites such as “Six O’Clock Blues”, “Let the Chips Fall Where They May”, and the classic “I Found A Love”, but there isn’t a bad track on this disc. While it was originally released many years ago, it still sounds fresh. All in all, “Triple Play” is one well-done album. (by Blue Ox)

Lucky Peterson is a natural born musician and entertainer. He first exposed his bewildering talent during session work for Florida’s King Snake Records. Then, he progressed to holding stints with Little Milton and Bobby `Blue’ Bland. Given the number of artists and CDs that I see and hear annually, Lucky Peterson consistently rates at the top. Unlike the name of this 42-minute album, Peterson is more than a triple threat. He is an exhilarating multi-instrumentalist (capable of playing organ, guitar, bass, drums and trumpet), flamboyant songwriter, passionate singer, and a radiant live entertainer. If you haven’t had the pleasure of experiencing his multiple talents, check out “Let The Chips Fall Where They May” with its slick and funky arrangement. Here, and throughout Peterson plays explosive lead guitar while backed by his sleek organ and vocals. Just 27-years-old at the time this album was released, Peterson shows infinite potential. (by Tim Holek)

In other words: a brilliant album !

BookletBackCover1

Personnel:
Bryan Bassett (guitar)
Bob Greenlee (bass)
Dale Horton (bass)
Ernie Lancaster (guitar)
Jim Payne (drums)
Lucky Peterson (keyboards, guitar, vocals)
William Pell Pinner III (drums)
George Taylor (guitar)
+
The Kingsnake Horns:
Bob Greenlee (saxophone)
Sylvester Polk (trumpet)
Bill Samuel (saxophone)
+
Ray Anderson (trombone of 10.)
Ray”Bruce Staelens (trumpet on 10.)
+
Funky Ray”Lester Chambers (vocals on 05.)

Booklet

Tracklist:
01. Let The Chips Fall Where They May (Greenlee) 4.11
02. Your Lies (Greenlee/Peterson/Payne) 3.11.
03. Six O’Clock Blues (Boylston/Michel) 3.44
04. Repo Man (Payne/Peterson/Boylston/Greenlee) 3.26
05. I Found A Love (Pickett/West/Scofield) 5.47
06. Jammin’ In The Jungle (Payne/Peterson/Greenlee) 3.43
07. Locked Out Of Love (Payne/Peterson/Greenlee) 3.39
08. I’m Free (Payne/Greenlee) 5.18
09. Don’t Cloud Up On Me (Greenlee/Peterson/Boylston) 3.15
10. Funky Ray (Anderson/Peterson/Payne/Greenlee) 5.29

CD1
*
**