Jonah Jones + Jack Teagarden – Double Exposue – The Giants Of Dixieland (1962)

FrontCover1Here are two “giants of Dixieland” on a low budget album:

Jonah Jones (born Robert Elliott Jones; December 31, 1909 – April 29, 2000) was a jazz trumpeter who created concise versions of jazz and swing and jazz standards that appealed to a mass audience. In the jazz community, he is known for his work with Stuff Smith. He was sometimes referred to as “King Louis II,” a reference to Louis Armstrong. Jones started playing alto saxophone at the age of 12 in the Booker T. Washington Community Center band in Louisville, Kentucky before quickly transitioning to trumpet, where he excelled.

Jones was born in Louisville, Kentucky. Jones began his career playing on a river boat named Island Queen, which traveled between Kentucky and Ohio. He began in the 1920s playing on Mississippi riverboats and then in 1928 he joined with Horace Henderson. Later he worked with Jimmie Lunceford and had an early collaboration with Stuff Smith in 1932. From 1932 to 1936 he had a successful collaboration with Smith, but in the 1940s JonahJones01he worked in big bands like Benny Carter’s and Fletcher Henderson’s. He would spend most of a decade with Cab Calloway’s band which later became a combo.

Starting in the 1950s, he had his own quartet and began concentrating on a formula which gained him wider appeal for a decade. The quartet consisted of George “River Rider” Rhodes on piano, John “Broken Down” Browne on bass and Harold “Hard Nuts” Austin on drums. The most-mentioned accomplishment of this style is their version of “On The Street Where You Live”, a strong-swinging treatment of the Broadway tune with
a boogie-woogie jump blues feel. This effort succeeded and he began to be known to a wider audience. This led to his quartet performing on An Evening With Fred Astaire in 1958 and an award at the Grammy Awards of 1960, receiving the Grammy Award for Best Jazz Instrumental Album. In 1972 he made a return to more “core” jazz work with JonahJones02.jpgEarl Hines on the Chiaroscuro album Back On The Street. Jones enjoyed especial popularity in France, being featured in a jazz festival in the Salle Pleyel.

A 1996 videotaped interview completed by Dan Del Fiorentino was donated to the NAMM Oral History Program Collection in 2010 to preserve his music for future generations.

Jones performed in the orchestra pit under the direction of Alexander Smallens and briefly in an onstage musical sequence of Porgy and Bess, starring Cab Calloway.

He was inducted into the Big Band and Jazz Hall of Fame in 1999 and died the following year in New York City.

Jonah Jones married the trumpeter, clarinetist and hornist Elizabeth Bowles (1910–1993), sister of Russell Bowles. They had four children. (by wikipedia)

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And here´s Jack Teagarden:

Weldon Leo “Jack” Teagarden (August 20, 1905 – January 15, 1964) was a jazz trombonist and singer. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and “one of the best jazz singers too”. Teagarden’s early career was as a sideman with the likes of Tommy Dorsey, Paul Whiteman and lifelong friend Louis Armstrong before branching out as a bandleader in 1939 and specializing in New Orleans Jazz-style jazz until his death.

Born in Vernon, Texas, his brothers Charlie and Clois “Cub” and his sister Norma also became professional musicians. His father was an amateur brass band trumpeter and started him on baritone horn; by age seven he had switched to trombone. His first public performances were in movie theaters, where he accompanied his mother, a pianist.

JackTeagarden01Teagarden’s trombone style was largely self-taught, and he developed many unusual alternative positions and novel special effects on the instrument. He is usually considered the most innovative jazz trombone stylist of the pre-bebop era – Pee Wee Russell once called him “the best trombone player in the world”[3] – and did much to expand the role of the instrument beyond the old tailgate style role of the early New Orleans brass bands. Chief among his contributions to the language of jazz trombonists was his ability to interject the blues or merely a “blue feeling” into virtually any piece of music.

By 1920 Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. In the mid-1920s he started traveling widely around the United States in a quick succession of different bands. In 1927, he went to New York City where he worked with several bands. By 1928 he played for the Ben Pollack band.

Within a year of the commencement of his recording career, he became a regular vocalist, first doing blues material (“Beale Street Blues”, for example), and later doing popular songs. He is often mentioned as one of the best jazz vocalists of the era;[citation needed] his singing style is like his trombone playing, in much the same way that Louis Armstrong sang like he played trumpet. Teagarden’s singing is best remembered for duets with Armstrong and Johnny Mercer.

In the late 1920s he recorded with such bandleaders and sidemen as Armstrong, Benny Goodman, Bix Beiderbecke, Red Nichols, Jimmy McPartland, Mezz Mezzrow, Glenn Miller, and Eddie Condon. Miller and Teagarden collaborated to provide lyrics and a verse to Spencer Williams’ Basin Street Blues, which in that amended form became one of the numbers that Teagarden played until the end of his days.

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In the early 1930s Teagarden was based in Chicago, for some time playing with the band of Wingy Manone. He played at the Century of Progress exposition in Chicago.

Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. The contract with Whiteman’s band provided him with financial security but prevented him from playing an active part in the musical advances of the mid-thirties swing era (although Teagarden and Frank Trumbauer recorded a number of small group swing classics throughout his tenure with Whiteman on Brunswick).

Teagarden then started leading his own big band. Glenn Miller wrote the song “I Swung the Election” for him and his band in 1939. In spite of Teagarden’s best efforts, the band was not a commercial success, and he was brought to the brink of bankruptcy.

In 1946 Teagarden joined Louis Armstrong’s All Stars. In late 1951 Teagarden left to again lead his own band, then co-led a band with Earl Hines, then again with a group under his own name with whom he toured Japan in 1958 and 1959.

Teagarden appeared in the movies Birth of the Blues (1941), The Strip (1951), The Glass Wall (1953), and Jazz on a Summer’s Day (1960), the latter a documentary film of the 1958 Newport Jazz Festival. He recorded for RCA Victor, Columbia, Decca, Capitol, and MGM Records.

Early in 1964 Teagarden cut short a performance in New Orleans because of ill health. He briefly visited a hospital, then was found dead in his room at the Prince Conti Motel in New Orleans on January 15. The cause of death was bronchial pneumonia, which had followed a liver ailment. He was buried in Los Angeles.

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As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60. Teagarden was the featured performer at the Newport Jazz Festival of 1957.

In 1969, Jack Teagarden was inducted into the DownBeat Jazz Hall of Fame. He was inducted into the Big Band and Jazz Hall of Fame in 1985. Other honors have included induction in the ASCAP Jazz Wall of Fame in 2005 and inclusion in the Houston Institute for Culture’s Texas Music Hall of Fame.

Jack Teagarden’s compositions include “I’ve Got ‘It'” with David Rose, “Shake Your Hips”, “Big T Jump”, “Swingin’ on the Teagarden Gate”, “Blues After Hours”, “A Jam Session at Victor”, “It’s So Good”, “Pickin’ For Patsy” with Allan Reuss, “Texas Tea Party” with Benny Goodman, “I’m Gonna Stomp Mr. Henry Lee” with Eddie Condon, “Big T Blues”, “Dirty Dog”, “Makin’ Friends” with Jimmy McPartland, “That’s a Serious Thing”, and “‘Jack-Armstrong’ Blues” with Louis Armstrong, recorded on December 7, 1944, with the V-Disc All-Stars and released on V-Disc in March, 1945. (by wikipedia)

Enjoy this trip in the past … but you´ll not only hear this good old Dixie music, but real good Jazz music !

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Tracklist:

Jack Teargarden (recorded 1955):
01. Milenburg Joys (Morton/Rappolo/Mores) 3.20
02. Davenport Blues (Beiderbecke) 3.17
03. One Step (La Rocca) 3.21
04. High Society (Steele/Melrose) 4.21
05. Misery And The Blues (LeVere) 2.44

Jonah Jones Band (recorded 1956):
06. Stars Fell On Alabama (Perkins/Parish) 2.53
07. Wrap The Troubles In Dreams (Moll/Barris/Koehler) 2.05
08. Beale Street Blues (Handy) 3.53
09. Down By The Riverside (Traditional) 2.20
10. The Sheik Of Araby (Wheeler/Smith/Snyder) 3.21

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Pete Haycock – Bikers’ Dozen (2006)

FrontCover1.jpgPete Haycock blazed trails for many years as lead guitarist, vocalist and founding member of the Climax Blues Band, from 1969 to the mid-1980s. After achieving great success with CBB, Pete embarked on a successful solo career in the late 80s, recording a couple of solo albums (including the instrumental IRS release, ‘Guitar & Son’), composing several stellar motion picture soundtracks (i.e, ‘Thelma & Louise’, ‘Drop Zone’, and many others with Han Zimmer), and recorded/toured with the newly-formed ELO Part II. From there, he toured with the ‘Night of the Guitars’ line-up, then joined Steve Hunter and CBB bassist Derek Holt in a venture they called ‘H Factor’.

Pete composed and recorded in the studio for several years and, in 2005, he was approached by the producer of the Hollister Independence Rally DVD, and was asked if he’d be interested in providing music for the video commemorating the Hollister, California, motorcycle rally that year. Pete enthusiastically contributed song samples to the project, which was well-received. As the video project was nearly complete, the producer suggested that Pete consider lengthening and reworking some of the cuts, and release it as a 13-track CD called ‘Bikers’ Dozen’. Pete agreed, and the resulting album was released in early 2006, and entitled ‘Bikers’ Dozen’.

BIKERS’ DOZEN is a rich tapestry of compositions, each uniquely stamped with the Pete Haycock trademark sound. It’s truly amazing to think that these 13 songs were composed and performed by the same person; they are that wide-ranging. Some bluesy shuffles, some in-your-face adrenaline rock chops, and some melodic instrumentals with such exquisite tone that George Benson would blush…

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If you’re a Climax Blues Band fan, a Pete Haycock fan, or just a lover of outstanding guitar and musicianship, I can’t emphasize how much you’ll enjoy this album — IF you can find it… My suggestion would be to visit the Pete Haycock Appreciation Society page on Facebook, then DEMAND that this great CD become available for purchase and/or download. Though Pete isn’t administrator of that site, messages are passed along to him, and perhaps if there is enough interest, he may honor us with its release!

Before I go, here’s what another reviewer had this to say about the Bikers’ Dozen album:

“Pete Haycock is one of my earliest and strongest influences on the guitar – a “mentor”, if you like. All through the Climax Blues Band days I scrutinized his every note.. And then later I almost wore a hole in the “Guitar And Son” LP. One of the tastiest guitar players and tunesmiths on the planet, he returns with “Biker’s Dozen”… OK then – guess it’s time for me to sit down with my guitar and do some studying again! A smashingly well done CD which should appeal to a broad range of both musicians and non-musicians alike. Already a few seconds into the strong opening riff on the first track, `Cry To Me’, you know you’re in for a real treat. Delicious slide guitar floats elegantly in and suddenly you find yourself riding away on an endless, smooth musical highway.

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Pete’s strong slide guitar makes its mark again on `The Heat’, a bluesy rocker. `Klone Shuffle’ has an infectious groove – once again a proof of how Pete can make even a simple riff sound interesting. `Miracle’ is a strong vocal tune sung by John Fiddler – the opening lines sound much like Mark Knopfler. `Prattlin’ ` really caught my ear – what a cool tune! A fresh-sounding groove – oh how I want to grab my guitar and play along to that stuff! – and those little fiddle fills in the background really made the tune sound really original !

`Dominator’ oozes MUSCLE. Horsepower! Acceleration! And `Talkin’ Mutton Jeff Here’ – hi ho, we’re in spacey Jeff Beck-land here! Dreamy and powerful at the same time. One for the road indeed!

`Collossus’ is a little symphonic rocker that sounds so majestic. Some of it sounds a bit like a mix between William Orbit and Mike Oldfield. But on top of it all is Pete’s signature guitar lines – it binds it all together and nothing sounds dull at any point.

`Driver’ makes you want to go out and ride a motorbike (or pick up a guitar, plug in, and wail away!).

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Sure, this CD has loads of high energy rock guitar playing on it – but I also really dig `Waiting For Rain’ and `Blue Breakers’; both are absolutely delicious pop guitar works of art. `Waiting For Rain’ would make George Benson envious – what a tone! What a feel! Imagine you’ve just parked your motorbike by a small beautiful beach to watch the setting sun…ahhh..!

And `Stolen Wings’ is a wonderful ballad in the key of F# minor, a bit reminiscent of The Allman Brothers. A strong and wonderful main melody. Duane would love this one…

This is the kind of CD that sounds great at the first listen – and then it just gets better and better the more you play it… (by Jeffers)

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Personnel:
Pete Heycock (guitar)
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a bunch of unknown studi musicians
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John Fiddler (vocals, harmonica)

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Tracklist:
01. Cry To Me (Haycock) 4.30
02. Miracle (Haycock/Fiddler) 4.31
03. The Heat (Haycock) 3.38
04. Waiting For Rain (Haycock) 4.32
05. Klone Shuffle (Haycock) 1.55
06. Prattlin’ (Haycock) 2.50
07. Collossus (Haycock) 4.40
08. Talkin’ Mutton Jeff Here (Haycock) 4.12
09. Stolen Wings (Haycock) 4.52
10. Dominator (Haycock) 2.21
11. Blue Breakers (Haycock) 3.16
12. Driver (Haycock) 4.49
13. Biker’s Dozen (Haycock) 3.24

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Pete Haycock (4 March 1951 – 30 October 2013)