Ian & The Zodiacs – Just Listen To (1966)

FrontCover1.jpgIan and the Zodiacs were an English rock and roll band formed in 1958, originally known as The Zodiacs, in Liverpool, England. Led by Ian Edwards (1943–2007), the band existed in relative obscurity until relocating to Germany in 1964 where they achieved national success. During the band’s three-year stint in Germany, they released three albums under their name, exclusive to the country until their re-release. They also released two cover albums featuring material by The Beatles with the name, The Koppykats.

The band formed as a jazz group in 1958, and performed under the name, The Zodiacs. The group came together following an audition at a local venue called Savoy Hall. In the spring of 1960, Ian Edwards departed from his band, The Deltones, and joined The Zodiacs. From that point on, the band became known as Ian and the Zodiacs, and shifted their style from jazz to rock and roll. Following several personnel changes, the lineup for the group included Edwards as lead vocalist, Pete Wallace on lead guitar, Geoff Bethell on piano, Charlie Flynn (stage name: Wellington Wade) on bass guitar, and Cliff Roberts on drums. The band played top venues in the area, and became the resident group for St. Lukes Hall (The Jive-Hive).[2] During their touring, they found their manager, Ralph Webster. On 4 January 1962, Mersey Beat released a poll citing the band was the eleventh most popular Merseyside group. The band released their first single on the Oriole label in 1963 to limited success. Edwards recalled, regarding their inability to achieve success in England, “We spent too much time at the Grapes”. The Grapes being the place where bands would take breaks from performing. In May 1964, the band got rid of Bethell and auditioned Geoff Bamford to replace Roberts on drums.

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Later in 1964, the band travelled to Hamburg, Germany for what was supposed to be a month of touring. The band would remain in the country for the next three years after gaining widespread popularity amidst their touring and television appearances. Edwards’ distinctive vocals helped develop the group’s reputation, and set them apart from other acts. Their act was centered around US, and UK hits along with some of their own original material. They became promoted by Manfred Weissleder, owner of the Star-Club, who featured them in his various clubs, and were joined by drummer Joe Walsh. Following a car accident in May 1965, Wallace and Walsh departed, and were replaced by Freddie Smith and Arthur Ashton. The band released three albums, all of which charted in Germany, during their stay in the country. The albums, Star Club 7, Just Listen to Ian and the Zodiacs, and Locomotive!, were all released on the Star Club label. The material from the albums ranged from rock and roll, pop rock, and later soul influences.

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Outside the band name, they released two cover albums consisting of The Beatles’ compositions under the name, The KoppyKats. Their biggest selling hit in the UK, 1965’s double album The Beatles Beat, was recorded on a limited budget, but was still relatively successful. Another Beatles cover album, Gears Again, followed with less success. In support of the albums, they released “Nowhere Man” and “Help!” as singles. The albums sold well thanks to the lower prices in comparison to The Beatles’ releases.[7] The band released several singles, all on different labels, to the UK and the United States, and, despite failing to chart in the UK, still managed to achieve a regional hit in the US. Their single, “The Crying Game”, became a number one hit in Texas, selling 250,000 copies. The band would have toured the US, but could not as they did not have green cards.[3]

The band continued to tour throughout Germany until July 1967. Edwards’ wife had fallen ill so he disbanded the group to return to England. He reformed the band the following year with German musicians, to lesser success. Two other incarnations of the band formed, one in 2000, touring Germany until 2003, and another in 2004. From 2004 until his death in 2007 he made a comeback in Germany, performing at festivals in Hamburg, Weimar, Berlin and Cologne, as well as in Liverpool´s Cavern Club. He was backed by the German musicians Manfred Jung (bass), Jürgen Pfingst (lead guitar), Dr.Joachim Wagner (rhythm guitar) and Raimund Jung (drums). The backing group from Cologne, Germany, still performs as Ian’s Zodiacs and as The Roaring Fourties, and is also well known in Liverpool.

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In the 1990s, the band’s albums were re-released by the Repertoire label. Five of the group’s tracks, “Beechwood”, “It Ain’t Necessarily So”, “Secret Love”, “Let’s Turkey Trot”, and “You Can Think Again”, have also appeared on the 1989 compilation album, This Is MerseyBeat. A greatest hits album called Wade in the Water was distributed by RPM which was composed of re-mastered songs by the band. (by wikipedia)

And here´s their 2nd album for the famous German record label “Star Club Records” (everybody should know the legendary Star Club in Hamburg !)

And we hear pretty good Mersey Beat (the softer side of Beat !) … far, far from home … because this album was recorded in Hamburg/Germany, produced by Siegfried E. Loch (who later became a great jazz producer with his Label Act).

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Personnel:
Geoff Bamford (drums)
Ian Edwards (vocals, guitar)
Charlie Flynn (bass, vocals)
Peter Wallace (guitar)
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Paul Nero (*) (saxophone on 06. + 14.)

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Tracklist:
01. The In Crowd (Page) 2.38
02. Make It Easy On Yourself (Bacharach/David) 2.39
03. I Need You (Lennon/McCartney) 2.35
04. Face In The Crowd (Flynn/Edwards) 3.18
05. It’s A Crying Shame (Long/Stevenson) 2.14
06. Nature Boy (Ahbez) 3.03
07. Can’t Stop Running Away (Randazzo/Weistein) 3.38
08. Headin’ Back To You (Flynn) 2.37
09. Donna Donna (Secunda) 2.45
10. Believe Me (Flynn) 2.21
11. Strong Love (Malone/Silvers/Brown) 2.20
12. As You Used To Do (Wallace) 2.56
13. What Kind Of Fool (Allen) 2.24
14. No, Not Another Night (Wallace) 2.04

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IanEdwards
Ian Edwards (1943–2007)

(*) Paul Nero was the pseudonym for the German jazz musician Klaus Doldinger

Molly Kien – Pyramid – Song of Britomartis – Smarginatura (2017)

FrontCover1.jpgMolly Kien is a Swedish composer new to me, but one with an impressive and distinctive voice. The idiom of these orchestral works is undoubtedly and unabashedly modern, but with moments of particular beauty. I look forward to hearing more of her work: she has something very distinctive to say.

The three works here are different from each other, but each demonstrates excellent command of orchestral colour and also of mood.

Pyramid was inspired by “Altar Painting No. 1”, a work by Hilma af Klimt which shows a colourful pyramid rising to the sun. The piece starts with high notes, followed by drum beats—a theme which recurs and provides rhythmic impetus. There is a touching solo for violin at the heart of the piece.

For me, the highlight was the second work, the Song of Britomartis, here performed live by the Canadian, Laura Stephenson, principal harpist of the Stockholm Philharmonic. It was premiered in 2009 and was also played in London later that year. This recording is of a revised version. There is so much to admire, not least the understanding of the capabilities of the harp. The inspiration for the work was classical – Britomartis is a Minoan goddess – as represented by a rug in the Stockholm Concert Hall. One hears echoes of fauns playing flutes and mermaids with their lyres.

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The longest work, Smarginatura, is based on a series of novels by Elena Ferrante. In the first, My Brilliant Friend, a character experiences “smarginatura”, a dissolution of margins. The music contains various blending effects, with changes of phrases and dark undertones. I have not heard it sufficiently often to uncover more than a few of its insights, but each hearing has revealed more riches.

Recording quality is excellent, and notes are informative, but the main joy is the music itself. (Michael Wilkinson)

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Personnel:
Laura Stephenson (harp)
Västeras Sinfonietta conducted by Eva Ollikainen (01. + 03.) and Anna-Maria Helsing (02.)

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Tracklist:
01. Pyramid 11.57
02. Song Of Britomartis 19.53
03. Smarginatura 24.27

Music composed by Molly Kien

Recorded

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