Roy Eldridge & Bud Freeman with The Elmer Snowden Sextet – Saturday Night Fish Fry (1966)

FrontCover1.JPGHere´s a great album of two giants from the early days of Jazz:

David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed “Little Jazz”, was an American jazz trumpet player. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.

Lawrence “Bud” Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing the tenor saxophone, but also able at the clarinet. He had a smooth and full tenor sax style with a heavy robust swing. He was one of the most influential and important jazz tenor saxophonists of the big band era. His major recordings were “The Eel”, “Tillie’s Downtown Now”, “Crazeology”, “The Buzzard”, and “After Awhile”, composed with Benny Goodman. (by wikipedia)

And here´s their wild trumpet & saxophone show … not too far away from Rock N Roll … one for money, two for the show … a real crazy mixture between Jazz and Rock N Roll !

A forgotten jewel in the history of Jazz, believe me !

Recorded in New York City, February 1 – 2, 1962

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Personnel:
Roy Eldridge (trumpet, vocals)
Bud Freeman (saxophone)
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Tommy Bryant (bass)
Ray Bryant (piano)
Jo Jones (drums)
Elmer Snowden (banjo, guitar)

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Tracklist:
01. One For The Money (Beryl) 5.41
02. Loveless Love (Handy) 5.28
03. Saturday Night Fish Fry (Walsh/Jordan) 5.47
04. School Days (Edwards/Cobb) 4.58
05. Basin Street Blues (Williams) 4.18
06. My Blue Heaven (Whiting/Donaldson) 5.29

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German review (Der Spiegel, July 24, 1967

Daigo Hanada – Ichiru (2017)

FrontCover1.jpgA very discreet musician, Daigo Hanada is a young Tokyo-based pianist and composer sharing his time between his native Japan and Berlin. Apart from two Nils Frahm reworks and a one track contribution (“Again”) to the Piano Cloud Series – Volume One compilation released last year on the 1631 Recordings, Daigo Hanada has spent a lot of time maturing and perfecting his art away from the public eye. But when the first notes of “Silhouette” start playing, there is little doubt that Daigo Hanada is a very talented musician. His full-length solo début album Ichiru was released on 27 February 2017 last on the Montréal-based label Moderna Records.

“Equipped with only an upright piano, a pair of microphones and his two hands” read the official press release, “Hanada worked for the better part of a year on these pieces in bringing them to their final form”. As a result, Ichiru is a stripped-down and concise recording, going straight to the essential core of the compositions with the carefully placed microphones scrupulously capturing the live mechanics of the piano.

“Equipped with only an upright piano, a pair of microphones and his two hands” read the official press release, “Hanada worked for the better part of a year on these pieces in bringing them to their final form”. As a result, Ichiru is a stripped-down and concise recording, going straight to the essential core of the compositions with the carefully placed microphones scrupulously capturing the live mechanics of the piano.

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“It was raining heavily but a very quiet day – I was just sitting by the window and looking outside, watching the rain fall continuously but randomly. That’s when I got this idea of falling ambient sound in the back”.

The last two tracks on the album, both much longer than the rest, draw the music towards a more electro-acoustic and ambient texture with their layering and slightly saturated meandering notes.

Almost coming out of the blue, Daigo Hanada’s Ichiru is a subtle, very expressive and captivating début. (Guillaume, spellbindingmusic.com)

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Personnel:
Daigo Hanada (piano)

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Tracklist:
01. Silhouette 2.10
02.Butterfly 2.07
03. Weak Me 2.58
04. Fragment I 2.08
05. Portrait 0.57
06. Pfau 2.07
07. Ichiru 2.20
08. Hue 3.17
09. Fragment II 2.15
10. Solitude 2.46
11. And This Is How It Ends 4.09
12. Close 7.51

Music composed by Daigo Hanada

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