On the road again …

… this time I will visit the Altmühltal/Bavaria/Germany:

The source of the Altmühl is close to the town of Ansbach. From here the river runs southeastwards as a narrow brook to enter the Altmühlsee [de] (a lake) north of Gunzenhausen. After leaving Gunzenhausen the river describes a broad curve through the Franconian Jura. It enters the Naturpark Altmühltal [de] (Altmühl Valley Nature Park), which is known for its natural environment: The meanders of the Altmühl river have cut deep gorges into the mountains of the Franconian Jura.

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The Altmühl passes the towns of Treuchtlingen, Eichstätt and Beilngries.

Downriver of Dietfurt the river bed was straightened and integrated into a canal connecting the river Main and the river Danube (the Rhine–Main–Danube Canal). In spite of protests by conservationists the canal was opened in 1992 and has changed much of the eastern Altmühl valley.

The Altmühl finally flows into the Danube in Kelheim.

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The Altmühl rises on the southern slope of the Franconian Ridge northeast of Rothenburg ob der Tauber, near the Hohe Leite and about 500m southeast of the Burgbernheim wilderness Wildbad. As its source, the Royal Bavarian Hydrotechnical Bureau at Munich in 1904 fixed the drainage ditch of Hornauer Weiher. This is fed by some streams; in the meantime the source of one of them is regarded as Altmühl origin. The Altmühl therefore rises just south of the major European watershed and then flows mainly in southeastern direction. It is the slowest river in Bavaria, flows very slowly, is even one of the slowest German rivers and is also the longest river that rises and flows in the same German state.

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I will be back next sunday and I wish all readers of this blog a very good time !

The Only Ones – Same (1978)

FrontCover1The Only Ones were an English rock band formed in London in 1976, whose original band members are Peter Perrett, Alan Mair, John Perry and Mike Kellie, they first disbanded in 1982. They were associated with punk rock, yet straddled the musical territory in between punk, power pop and hard rock, with noticeable influences from psychedelia.

The Only Ones reformed in 2007 after their biggest hit “Another Girl, Another Planet” experienced a resurgence of public interest. The band completed a comeback UK tour in June 2007, and continued touring throughout 2008 and 2009. New material was recorded in 2009 and played live, but was never released.

The Only Ones were originally formed in August 1976 in South London by Peter Perrett. Perrett had been recording demos since 1972, and in late 1975 he was looking for a bass player. He was introduced to John Perry as a possible candidate, but Perry wanted to concentrate on playing guitar instead. By August 1976, Perry and Perrett had found drummer Mike Kellie (ex-Spooky Tooth) and bass guitarist Alan Mair, who previously had huge success with the Scottish band The Beatstalkers. Their first single, “Lovers of Today”, self-released on the Vengeance record label, was immediately made “record of the week” by three of the four main music papers. A year later they signed to CBS. Their next single “Another Girl, Another Planet” became a popular and influential song, and remains the band’s best-known song. It is often featured on various musical box-sets featuring a punk rock or new wave theme. After its inclusion on the 1991 compilation album The Sound of the Suburbs, it was re-released as a single and reached no. 57 in the UK singles chart.

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The band released their debut studio album The Only Ones in 1978, which was well received by both reviewers and fans. The band’s follow-up album, Even Serpents Shine, was released the following year. A year later, they released their final studio album, Baby’s Got a Gun. In the summer of 1980, they supported the Who on their tour of the United States, and in 1982 the band officially disbanded. In subsequent years, the Only Ones retained a following and their posthumously released records – live performances, BBC Television and radio shows, and compilation albums – now outnumber their studio albums. Unusually, The Only Ones’ discs were never deleted from the CBS catalogue and remain in-print.

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In an interview published in the 10 November 2006 issue of the tabloid newspaper, The Daily Record, Alan Mair commented that he was set to reform The Only Ones after “Another Girl, Another Planet” was used in a Vodafone ad campaign in 2006, and picked up as the introduction theme to Irish DJ Dave Fanning’s radio show. On 21 February 2007, Perry confirmed via his MySpace page that the band would reform for a five-date UK tour in June. Besides these dates, they played a number of festivals, debuting at All Tomorrow’s Parties festival in Minehead, England, on 27 April. During the summer, they also played at the two-part Wireless Festival in Hyde Park, London, Harewood House, (near Leeds), and the Connect Music Festival at Inveraray Castle in Scotland on 1 September.

News of the tour prompted coverage in several UK national newspapers and the dates were met with positive reviews. During these gigs, the band played a new song called “Dreamt She Could Fly”.

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The press also reported that three of the band were keen to record a new studio album following the tour, but that Perrett seemed hesitant. In April 2008, the band were seen on Later… with Jools Holland performing their song, “Another Girl, Another Planet”, and a new song entitled “Black Operations”. The band also played other new songs including “Is This How Much You Care” and “Magic Tablet” live on a Canal+ TV special in Paris and an acoustic/unplugged session for Radio 6 Queens of Noize. A live DVD of the Shepherds Bush Empire show was released in March 2008. Other rumoured releases included DVDs from a show on the band’s last US tour, and a re-release of Faster Than Lightning, which was released on VHS in 1991 and on DVD in 2012.

All three CBS studio albums, remastered by Alan Mair, were re-released with bonus tracks in February 2009. “Another Girl, Another Planet” was used in the film D.E.B.S. (2004), as well as in the 2010 hit film Paul. Sony BMG announced a January 2012 release date for an Only Ones box set in the “Original Album Classics” series. The set comprised the three remastered studio albums, plus various B-sides and out-takes. The Only Ones topped the bill at the 2012 Rebellion Festival in Blackpool on 4 August of that year.

TheOnlyOnes02In late 2014 the Only Ones (minus Mike Kellie) played some gigs in Tokyo, co-headlining with the Flamin’ Groovies. In August 2014 Perrett began playing solo shows (Felipop festival, Spain) using his sons’ band Strangefruit, followed by more dates in 2015 (Hebden Bridge, Bristol, London etc.) with the same formation. The band ceased activity after the death of drummer Mike Kellie, but Perrett, Mair and Perry reunited to play a three-song set in summer 2019.

The band members’ musical proficiency distinguished them from most of their peers. Their dominant drug-related lyrical themes on songs such as “Another Girl, Another Planet,” and “The Big Sleep,” also fit in with the Zeitgeist of the era on both sides of the Atlantic. Perrett and Kellie caught the eye of Johnny Thunders, founding member of the New York Dolls and the Heartbreakers, and worked as sidemen on Thunders’ solo debut album, So Alone, notably appearing together on the classic “You Can’t Put Your Arms Around a Memory”. However, drug addiction, particularly heroin use,[11] derailed their career, and singer/guitarist/songwriter Perrett has only sporadically been heard from since the band split in 1982. He briefly resurfaced in the mid 1990s with the album, Woke Up Sticky, and released his debut solo album, How The West Was Won in 2017.

Lead guitarist Perry went on to play as a session guitarist for artists including The Sisters of Mercy, Evan Dando and Marianne Faithfull. More recently, he has written several well received music biographies on the Who’s seminal hits compilation Meaty Beaty Big and Bouncy, the Rolling Stones’ double album Exile on Main Street and in 2004, Jimi Hendrix’s Electric Ladyland. During 2005–2006, he played and recorded with singer-songwriter Freddie Stevenson.

The Only Ones have been influential on the indie rock and alternative rock scenes ever since their initial success, on bands such as The Replacements, Blur, Nirvana, and more recently The Libertines. Several bands have covered their song “Another Girl, Another Planet”, including The Libertines (at London Forum with Perrett guesting), The Replacements and Blink 182. Their song “The Whole of the Law” was covered by Yo La Tengo on their album, Painful. (wikipedia)

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And here´s is their debut album:

he Only Ones is the debut studio album by English power pop band The Only Ones, released in 1978 by Columbia Records. It was produced by the Only Ones themselves, with the assistance of Robert Ash and was mixed at Basing St., Escape and CBS.

Trouser Press called it “the best of the three original albums” in which “Perrett’s languid vocals and songs provide the character and focus, while the band’s skills carry it off handsomely”.[6] The album is still widely admired by British critics. In 1994, The Guinness Encyclopedia of Popular Music named The Only Ones one of the 50 best punk albums of all-time. The compilers claimed that the Only Ones were “the closest thing the UK had to Johnny Thunder’s Heartbreakers, a laconic, shamble of a band who were, at moments, touched by a creative greatness that made you get out of the glare”.

Since the end of the 1990s, the album has also appeared on several all-time greatest albums lists. The album was also included in the book 1001 Albums You Must Hear Before You Die. (wikipedia)

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The Only Ones were a band that became identified with the British punk scene largely because leader Peter Perrett had a funny voice and could write a great straightforward rock & roll song at a time when such virtues were possessed almost exclusively by the faster-and-louder brigade. This helps explain why the Only Ones’ self-titled debut album is regarded as a classic of the first wave of U.K. punk despite the presence of the midtempo jazz-accented “Breaking Down”; the ’50s pop moves of the opening cut, “The Whole of the Law”; “The Beast,” which sounds like some sort of lethargic neo-boogie; and the graceful semi-acoustic semi-samba “No Peace for the Wicked.” Of course, when the Only Ones felt like rocking out, they did it brilliantly, and along with the instant classic “Another Girl, Another Planet,” this album includes the sinister but rollicking “City of Fun” and the feedback-drenched crunch of “The Immoral Story,” which points to another factor that made the Only Ones heroes in their day — their eclecticism was rooted in a genuine talent for embracing different sounds rather than the inability to pick a style and master it.

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Perrett and his bandmates — John Perry on guitar, Alan Mair on bass, and Mike Kellie on drums — sound like a tight and imaginative combo even when they’re surrounded by keyboard and horn overdubs, and Perrett’s tales of one guy’s search for love and coherence in a fractured world are intelligent, witty, and deeply cutting at all times. If the creative ambition of the Only Ones sometimes comes at the price of a tight stylistic focus that would make these songs cohere better, every track is memorable in its own way, and these ten songs always have heart, soul, and honesty to spare — and if that isn’t always the benchmark of punk rock, it’s at least in the neighborhood. (by Mark Deming)

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Personnel:
Mike Kellie (drums)
Alan Mair (bass)
Peter Perrett (vocals; guitars, keyboards)
John Perry (guitar; keyboards)
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Gordon Edwards (keyboards)
Mick Gallagher (keyboards)
Koulla Kakoulli (background vocals)
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Raphael & Friends (horns)
TheOnlyOnes01Tracklist:
01. The Whole Of The Law 2.38
02. Another Girl, Another Planet 3.03
03. Breaking Down 4.52
04. City Of Fun 3.32
05. The Beast 5.45
06. Creature Of Doom 2.35
07. It’s The Truth 2.07
08. Language Problem 2.29
09. No Peace For The Wicked 2.53
10. The Immortal Story 3.53
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11. Language Problem (Peel Session) 2.36

All songs written by Peter Perrett.

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More from The Only Ones:
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Mike Kellie passed away on 18th January 2017.

…from the iconic introduction of “Waiting For The Wind” by Spooky Tooth to the manic psychedelic rhythm pictures of “Another Girl, Another Planet” by The Only Ones, Mike Kellie’s career has spanned over 3 decades & his picturesque drumming accompanied some of contemporary music’s most successful artists…..