Shorty Rogers & Andre Previn Orchestra – Collaboration (1955)

FrontCover1Milton “Shorty” Rogers (born Milton Rajonsky; April 14, 1924 – November 7, 1994) was one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger.

Rogers worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton.

On June 7, 1953, Rogers and his orchestra, including Johnny “Guitar” Watson, performed for the famed ninth Cavalcade of Jazz concert at Wrigley Field in Los Angeles, produced by Leon Hefflin, Sr. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Louis Armstrong and his All Stars with Velma Middleton.

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From 1953 through 1962, Rogers recorded a series of albums for RCA Victor (later reissued on RCA’s Bluebird label), as well as a series of albums for Atlantic Records with his own group, Shorty Rogers and His Giants, including Shorty Courts the Count (1954), The Swinging Mr. Rogers (1955), and Martians Come Back (1955), the album title alluding to the tune “Martians Go Home” which Rogers had composed and performed on The Swinging Mr. Rogers earlier the same year. These albums incorporated some of his more avant-garde music. To some extent they could be classified as “cool” jazz; but they also looked back to the “hot” style of Count Basie, whom Rogers always credited as a major inspiration. In 1957, Rogers composed the music for the Friz Freleng cartoon Three Little Bops, notably the first Warner Bros. cartoon short not to have music by either Carl Stalling or Milt Franklyn, and scored the music for the MGM film Tarzan, the Ape Man two years later.

Rogers died of melanoma in Van Nuys, California, at the age of 70. (wikipedia)

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André George Previn KBE (born Andreas Ludwig Priwin; April 6, 1929 – February 28, 2019) was a German-American pianist, composer, and conductor. His career had three prongs: Hollywood, jazz, and classical music. On each he achieved success, and the latter two were part of his life until the end. In movies, he arranged and composed music. In jazz, he was a celebrated trio pianist, a piano-accompanist to singers of standards, and pianist-interpreter of songs from the “Great American Songbook”. In classical music, he also worked as a pianist but gained television fame as a conductor, and during his last thirty years created his legacy as a composer of art music.

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Before the age of twenty, Previn began arranging and composing for Metro-Goldwyn-Mayer. He would go on to be involved in the music of more than fifty films and would win four Academy Awards. He won Grammy Awards as well, ten of them, for recordings in all three areas of his career, and then one more, for lifetime achievement. He served as music director of the Houston Symphony Orchestra (1967–1969), principal conductor of the London Symphony Orchestra (1968–1979), music director of the Pittsburgh Symphony Orchestra (1976–1984), of the Los Angeles Philharmonic (1985–1989), chief conductor of the Royal Philharmonic (1985–1992), and, after an avowed break from salaried posts, chief conductor of the Oslo Philharmonic (2002–2006). He also enjoyed a warm relationship with the Vienna Philharmonic. (wikipedia)

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Collaboration is an album by jazz trumpeter Shorty Rogers and pianist André Previn, released by RCA Victor in 1955.

Billboard in 1955 praised the sidemen and added: “The boys turn out some mighty listenable jazz and both Rogers and Previn wear their arranging laurels proudly.” (wikipedia)


For this slightly unusual LP (which has not yet been reissued on CD <that´s wrong>), Shorty Rogers and Andre Previn split the arranging chores in a somewhat competitive fashion. Rogers arranges a standard and then that is followed by a Previn original based on the same chord structure. This procedure is followed until the halfway point of the date when they reverse roles. As performed by a nonet featuring Rogers’ trumpet, Previn’s piano, altoist Bud Shank, Bob Cooper on tenor, baritonist Jimmy Giuffre, trombonist Milt Bernhart and a rhythm section, the result is a dead heat with some fine swinging solos on tunes (and variations) of such songs as “It’s DeLovely,” “You Stepped Out Of A Dream” and “You Do Something To Me.” This will be a difficult album to locate. (by Scott Yanow)

And the CD edition from 2007 incluides a pretty good booklet !


Milt Bernhart (trombone)
Bob Cooper (saxophone)
Curtis Counce (bass on 04., 06., 10. + 12.)
Jimmy Giuffre (saxophone)
Al Hendrickson (guitar on 03. – 06., 09. – 12.)
Shelly Manne (drums)
Jack Marshall (guitar on 01., 02., 07. + 08. 1, 2, 7 & 8)
Joe Mondragon (bass on 01. – 03., 05., 07. – 09. + 11.)
André Previn (piano)
Shorty Rogers (trumpet)
Bud Shank (saxophone, flute)

01. It’s De-Lovely (Porter) 2.28
02. Porterhouse (Previn) – 2.47
03. Heat Wave (Berlin) 2.38
04. 40 Degrees Below (Previn) 2.43
05. You Stepped Out Of A Dream (Brown/Kahn) 2.27
06. Claudia (Previn) 3.25
07. You Do Something To Me (Porter) 3.07
08. Call For Cole (Rogers) 2.18
09. Everything I’ve Got (Belongs To You) (Rodgers/Hart) 3.37
10. Some Antics (Rogers) 3.24
11. It Only Happens When I Dance With You (Berlin) 3.02
12. General Cluster (Rogers) 3.00



Alternate front + backcover:

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Snowy White & The Blue Flames – Keep Out – We Are Toxic (1999)

FrontCover1Snowy White ((born 3 March 1948, Barnstaple, Devon/UK) is one of a handful of classic blues-orientated British electric guitar players – musicians whose sound, technique and style has echoed the originality of the blues with the excitement of contemporary rock.

At the age of eleven he first heard the urban blues sound that had been emanating from the United States, people such as BB King, Buddy Guy, Otis Rush and Albert King, and was immediately aware that this was the music that he wanted to incorporate in his playing. He has developed his own style of ‘English ‘ blues, a combination of clear, clean blues phrases and harder-edged riffs that are a recognisable feature of his very personal songs.

Arriving in London in the early seventies with the classic ‘few pennies in his pocket’ he gradually made a name for himself among the local musicians and became respected as a tasteful player and an easy guy to get along with.

In 1974 he toured the east coast of America, getting as far south as New Orleans and discovering that he thoroughly enjoyed being ‘on the road’. He had by then become friendly with the now legendary English blues guitarist Peter Green and they spent a lot of time jamming together.

During the mid-seventies Snowy played on various sessions, developed his skills in the studio environment, and started writing his own material.


In the Autumn of 1976 he was invited to tour America and Europe with the Pink Floyd as their first augmenting musician, a gig which took up most of his time throughout 1977.

In 1978 the band’s keyboard player Rick Wright asked him to play guitar on his solo album, entitled ‘Wet Dream,’ which he recorded in the South of France.

In 1979 Peter Green decided to head for the studio once more and invited Snowy along to jam. The result was the album entitled ‘In the Skies’, now something of a collectors item.

He was then asked by the Pink Floyd to go to America to rehearse their new show entitled ‘The Wall’, and, at the same time, the rock band Thin Lizzy invited him to become a full-time member. So after the completion of the Floyds’ US dates he returned to England and went straight into the studio to record his first Thin Lizzy album ‘Chinatown’. This album includes some songs co-written by Snowy, notably the title track. Two and a half years of world tours and recording with the band followed, including the making of Snowy’s second album with them, entitled ‘Renegade’. Snowy again co-wrote some of the songs and the title track. After this long period of work he decided that it was time to do his own thing and quit the band in 1982.


In the following twelve months he got together with musicians that he had known and admired for a long time – drummer/percussionist Richard Bailey, keyboard player Godfrey Wang, and his good friend for many years, bassist and producer Kuma Harada. Together they came up with Snowy’s first solo album, ‘White Flames.’ A single, the timeless ‘Bird of Paradise’, written by Snowy, which was taken from the album, became an international hit.

However, the idea of becoming a ‘singles’ artiste, with the consequent concern about where the next hit record was coming from, did not appeal to him, and he took a break to rethink his musical direction. During that time he put together a gigging blues band, ‘The Blues Agency’, with drummer Jeff Allen, his old friend Kuma on bass, and, as he wanted to concentrate only on playing the guitar, singer and harp player Graham Bell. Between 1986 and 1989 the band played in the UK and Europe, and recorded two albums, ‘Change my Life’, followed by ‘Open for Business’ (which was released in Europe as ‘Blues on Me’.)

In June 1990 Roger Waters, having split from the Pink Floyd, asked Snowy to perform with him on the spectacular ‘The Wall’ show in Berlin.


In 1991 Waters again called upon Snowy, this time to play at the ‘Guitar Legends’ concert in Seville as part of Expo.

After this concert Snowy decided that it was time that he returned to the mainstream of things so he set about putting down songs that he had been writing during the previous few years. The result was the album entitled ‘Highway to the Sun’. Recorded in the Summer of 1993 it contained ten original songs plus a version of Peter Green’s ‘I loved another Woman’, a long-time favourite of Snowy’s. The album also has guest appearances by Chris Rea ( slide guitar on the title track), David Gilmour and Gary Moore. It also introduced two new brilliant Dutch-Indonesian musicians, Juan van Emmerloot (drums/percussion) and Walter Latupeirissa (bass and rhythm guitar). Kuma Harada also played bass and rhythm. John ‘Rabbit’ Bundrick featured on keyboards. The video of the title track has Chris Rea guesting on slide.


‘Bird of Paradise’ then came back into the picture when KLM airlines decided to use it on their new TV advertising campaign, resulting in the single reentering the charts in Europe and the compilation album ‘Birds of Paradise’ doing extremely good business for most of 1994.

Snowy’s next album project was released on the UK record label RPM. Entitled ‘Gold Top’, after his well-known Gibson Les Paul ‘Goldtop Standard’ guitar, it features material in which Snowy has been involved from as far back as 1974 right up to 1996. This album includes two tracks from Thin Lizzy, jams from the Peter Green ‘In the Skies’ session (with Peter on 2nd guitar), Al Stewart live in Philadelphia (1974), and the only complete version of the Pink Floyd song ‘Pigs on the Wing’, featuring Snowy’s original guitar solo (never before released), as well as some live Snowy White blues and some previously unreleased material. Dave Gilmour and Chris Rea also appear on tracks taken from his recent ‘Highway to the Sun’ CD. The album closes with the hit single ‘Bird of Paradise’

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Snowy then recorded three albums with his White Flames band, “No Faith Required’ in 1996, ‘Little Wing’ in 1998 and ‘Keep Out:We Are Toxic’ in 1999.

Another compilation, entitled ‘Pure Gold – The Solo Years’ was also released in 1999.

Also in this year Snowy joined Roger Waters for his bands’ ‘In The Flesh’ US tour, which was so successful that, in the Summer of 2000, Roger again toured the States, this time recording a live album and making a film of the show.

Early in 2000 ‘Little Wing’ was released in the States under the title ‘Melting’, and in July of that year Snowy White & the White Flames played a showcase gig at BB King’s Blues Bar off Times Square in New York.

A final White Flames album (as a three-piece), entitled ‘Restless,’ was released in May 2002. Tracks include ‘Blues is the Road’, ‘Restless’, ‘The Time Has Come’, ‘Soldier of Fortune’, ‘Softly’, ‘It’s Your Life’, ‘New Day…Maybe,’ ‘You Can’t Break My Heart’ and ‘Too Far Away’.


From February to July 2002 Snowy toured the world with Roger Waters.

Spring 2005 saw the release of a new White Flames cd, entitled “The Way It Is”, with a basic four-piece outfit consisting of Richard Bailey (drums/percussion), Walter Latupeirissa (bass) and Max Middleton (keyboards). Guest musicians include Juan van Emmerloot on drums/percussion, Kuma Harada on bass guitar, James Lascelles on hammond, Dawn Knight on backing vocals and Ray Carless on saxophone.Track listing: No Stranger to the Blues, Bird of Paradise, Black Magic Woman, What I’m Searching For, Angel Inside You (parts one and two), Falling,The Way It Is, A Piece of Your Love, This Time of My Life, Easy, Sweet Bluesmaker.

A DVD, ‘The Way It Is – Live’, filmed in Vilnius, Lithuania, was released in 2005

From April to October 2006 Snowy toured Europe and America with Roger Waters.


The Autumn of 2006 saw The White Flames Band performing in the UK and Europe.

From January to July 2007 Snowy toured Australia, New Zealand, South America, China, India, Europe and North America/Canada with Roger Waters.

A live album from the White Flames Band, entitled ‘Liveflames,’ was released in October 2007.

April to June 2008 Snowy toured again with Roger Waters, after which he started work on a new White Flames Band album entitled ‘Realistic’, with Juan van Emmerloot, Walter Latupeirissa, and Max Middleton. The recording of this album continued through 2009 and into 2010.

In the Autumn of 2008 Snowy formed The Snowy White Blues Project, with Matt Taylor (guitar/vocals), Ruud Weber Jnr (bass guitar/vocals), and Juan van Emmerloot (drums), recording a blues-orientated album, ‘In Our Time of Living.’ During 2009/10 the band were gigging throughout Europe. They released a live album ‘In Our Time…Live’ in 2010.

In the Summer of 2010 Snowy completed the recording of ‘Realistic’, which was released in early 2011.


Autumn 2010 saw Snowy touring the USA, Canada and Mexico with Roger Water’s ‘The Wall’ show, which then continued throughout Europe in the first half of 2011 and returned to the USA in 2012

In between these tours he found time to record a live DVD, ‘After Paradise’, featuring many of the musicians that have played with him over his long career. Tracks included are: I’m Getting Ready, Midnight Blues, I’ll Be Moving On, Red Wine Blues, Judgement Day, Blue To The Bone, Slabo Day, Tears In My Eyes, Lucky Star, Bird Of Paradise, The Journey (Parts1 and 2), Falling, On The Edge Of Something, Ongoing…, Can’t Get Enough Of The Blues, At The Crossroads. Plus: interviews and “The Making Of”.

The final ‘Wall’ tour covered Europe in 2013.

Snowy has released four more albums during the period 2014 -2020, ‘Released’, ‘Reunited,’ ‘The Situation’, and the latest, in 2020, ’Something On Me’.. (taken from his website)


This 1999 release is one of Snowy’s most powerfully creative releases, nine tracks including two instrumentals. This may not be as great as their “No Faith Required” album but it is very listenable indeed.

“Although one might easily label Snowy White’s music as progressive blues rock, progressive in the sense that it uses structures and arrangements, as well as a sometimes almost psychedelic free-formedness, that are uncommon to regular blues, it isn’t really.” The style of Snowy’s playing reminds me of Mark Knopfler and the Dire Straits,with David Gilmour-ish undertones.(by To The Max”Bax”)

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Indeed, another highlight in the long career of Snowy White is one of the best guitarists in Rock history, and certainly the most underrated today.


Juan Van Emmerloot (drums, percussion, drum programming)
Walter Latupeirissa (bass, guitar on 05.)
Snowy White (guitar, vocals)
Paul Lilly (strings on 09.)
Maiuko (vocals on 05.)
Mick Smith (strings on 01. + 09.)


01. Keep Out – We Are Toxic (White) 8.34
02. What Would I Do (White) 4.58
03. Flamingo Lake (White) 4.30
04. Silence In The Valley (White) 4.57
05. Naharia (Latupeirissa) 3.42
06. A Piece Of The Action (White) 5.49
07. Time Waits For No Man (White) 3.41
08. Precious (White/Emmerloot/Latupeirissa 4.16
09. When The Rains Don’t Come (White) 7.34




More from Snowy White:

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