Bottle Rockets – Live In Heilbronn Germany July 17 (2005)

FrontCover1The Bottle Rockets were an American rock band formed in Festus, Missouri in 1992, and was based in St. Louis, Missouri. Its founding members were Brian Henneman (guitar, vocals), Mark Ortmann (drums), Tom Parr (1992–2002, guitar, vocals) and Tom Ray (1992–1997, bass guitar); the most recent lineup consisted of Henneman, Ortmann, John Horton (joined 2003, guitar) and Keith Voegele (joined 2005, bass, vocals). Most members of the band have contributed to their catalog of original songs, as have Robert Parr (Tom’s brother) and schoolteacher Scott Taylor (who writes lyrics for some of Henneman’s tunes).

As noted in the New York Times by William Hogeland, the Bottle Rockets’ songwriting has been likened to Woody Guthrie’s folk style in spirit, smarts, and satire. The band’s lyrics encapsulate the common experiences of the everyman, and are set to rousing and searing rock ‘n’ roll. The band has been named as one of the leaders of the ’90s alt-country/roots rock revival, alongside Uncle Tupelo. The strong social commentary of their songs reflects the influences of Woody Guthrie, Neil Young and The Replacements.

For much of the Nineties, Missouri’s Bottle Rockets were the torchbearers for smart Southern-style rock.(Mark Kemp, Rolling Stone)

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The Bottle Rockets released their self-titled first album in 1993. The Brooklyn Side followed on East Side Digital, in 1994, to resounding critical acclaim. In 1995, the Bottle Rockets then signed with Atlantic Records, which re-released The Brooklyn Side. The single “Radar Gun” was a hit on rock radio—reaching No. 27 on Billboard’s rock chart—and the band toured extensively to support the album. The band appeared on the television show Late Night with Conan O’Brien performing one of their original songs as well as being featured in a comedic skit. The relationship with Atlantic Records turned out to be difficult. Most of the original staff who promoted The Brooklyn Side had been laid off or fired from Atlantic. The release of the Bottle Rockets’ next record, 24 Hours A Day, was delayed until late 1997. The band parted ways with Atlantic in 1998.

The Bottle Rockets are featured in the PBS documentary The Mississippi River of Song: The Grassroots of American Music. In the series, which is narrated by Ani DiFranco, Brian Henneman says that he and the band are “reporters from the heartland” writing stories about their friends. Their music combines singer-songwriter poignancy with authenticity, commentary and wit. The Bottle Rockets performed live at the Smithsonian Institution in Washington, DC at the premiere for the film, and also appear on the Smithsonian Folkways Recordings soundtrack.

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Bottle Rockets then signed with Doolittle records, which later became New West Records. Doolittle released an EP of outtakes from 24 Hours A Day called Leftovers in 1998. About this time, Tom Ray was replaced on bass by Robert Kearns. The Bottle Rockets’ fourth full-length record, Brand New Year, was released on Doolittle in 1999. “Power hooks and muscular guitar fights that would make Skynyrd proud” and “’70s power rock with a dirty edge—sort of ZZ Top meets Lynyrd Skynyrd meets Bad Company” is the calling card of Brand New Year.

The band again had problems with their record label, and did not record anything else until Songs of Sahm, a collection of songs by Doug Sahm, which came out on Chicago label Bloodshot Records in early 2002. Shortly after finishing this record, Parr left the band. Bottle Rockets toured as a three-piece for a while, and recorded their fifth full-length record Blue Sky (which was released in 2003 on the Sanctuary label), before adding multi-instrumentalist John Horton to the band.

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Kearns amicably split with the band in the spring of 2005. After a brief search the Bottle Rockets named Keith Voegele as their new bassist. Voegele is from Saint Louis and has played in bands including the Phonocaptors.

After the Bottle Rockets’ promising eponymous debut, having a radio hit (“Radar Gun”) on their second album, extensive touring, and resounding critical acclaim, the band endured a decade of subsequent hard luck (including having their career held hostage to a staggering series of record companies they’d had contracts with that folded and/or floundered, a UPS strike holding up distribution of one of their new records, band personnel changes, and family emergencies during prominent tours). Concurrent with the band’s business difficulties, grunge and alternative rock meteorically came to prominence and dominated popular culture, becoming the corporate mainstream rather than the alternative. As a result, the music industry effectively abandoned traditional rock artists who were building a legacy of work, in favor of marketing trendy carbon-copy quick-commercial-turnaround acts. The path Henneman and the Bottle Rockets had been on seemed to disappear.

Despite those struggles, in 2005 the Bottle Rockets stabilized from the upheavals with their good nature and trailblazing edge intact. Founders Brian Henneman and Mark Ortmann got the band back on course, along with the newest additions John Horton and Keith Voegele, the current line-up of band members. The band also re-hired their manager from the early days, Bob Andrews.

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The Bottle Rockets’ first live album Live in Heilbronn Germany was released in February 2006. The double-disc set was recorded on July 17, 2005 at the Burgerhaus, Heilbronn-Bockingen, Germany with the band’s current roster. It was released in Europe on CD and vinyl by Blue Rose Records.

Bloodshot Records released the band’s next album, Zoysia, recorded in Ardent Studios in Memphis with producer Jeff Powell, in June 2006. Zoysia (zoy-zhuh), a metaphor for tolerance and centered values and common ground, is a hardy grass, plentiful in Festus/Crystal City and Saint Louis, Missouri, where these hardworking musicians grew up. After years of misleading portrayals of the band’s music as “hillbilly”, the band’s catalog proves otherwise with themes of maturity, generosity of spirit, neighborliness, insightful self-reflection, personal roots and modern society, individualism, pride of place, slow-mending hearts, and post-9/11 reality through the filter of a couple’s romance. After more than their share of hard knocks, the Bottle Rockets continued with their trailblazing edge intact with Zoysia.

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It would be a mistake to claim that Missouri’s answer to Neil Young’s Crazy Horse has gone soft but their first release in more than three years shows greater range and reflection than is typical for the rock-solid quartet. The opening “Better Than Broken”, the brooding “Happy Anniversary”, and the acoustic wistful “Where I Come From” all evoke the aftermath of romantic upheaval…. “Middle Man” could be the band’s signature tune defining a sensibility that is Middle American in more than geography. The sage wisdom of frontman Brian Henneman’s “Blind” and the twang of “Feeling Down” show the band’s countrier side while “I Quit” has the groove of retro soul. Yet the guitar finale of the seven-minute album-closing title song [“Zoysia”] finds the Bottle Rockets as explosive as ever. —Don McLeese

Zoysia received rave reviews worldwide including a spot on novelist/audiophile Stephen King’s Best Records of 2006 list in Entertainment Weekly magazine.

The band celebrated its 15th anniversary throughout 2008. Instead of extensive touring like in previous years, the band played only 15 shows in select cities during the entire year.

The Bottle Rockets’ reputation as the underdog spokesmen translated into a collaboration with fans in 2008. Fans of the Bottle Rockets had a voice in the band’s 15th Anniversary Tour, having been invited to design set lists for the 2008 tour from the Bottle Rockets’ catalog plus one cover song suggestion. The band hand-picked a fan’s set list for each of the special anniversary shows and entered the set list winners in a year-long contest to win one of 2 grand prizes, a $1500.00 custom Golden Rocket guitar by Creston Electric Instruments or the “Bottle Rockets for life” prize package.

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The results of the first such collaboration were detailed by Roy Kasten and Barry Gilbert in their reviews of the performance, in the Riverfront Times and the Saint Louis Post-Dispatch, respectively.

While other artists have covered Bottle Rockets’ songs, including John Hiatt, (Hiatt recorded “Welfare Music” for Don Imus’ Ranch Record), Peter Blackstock of No Depression implores:

“…somebody, SOMEBODY record [the Bottle Rockets’ song] ‘Kerosene’ on your next album. Big band, little band, country rock band, rock band,…punk rock band,…somebody just get smart and give this song the respect, and legs, it deserves.”

In July 2008, The Bottle Rockets reunited with producer Eric Ambel (Brooklyn Side, 24 Hours A Day, Leftovers, Brand New Year) at his Cowboy Technical Services Recording Studio in Williamsburg, Brooklyn, New York for their latest album, Lean Forward (Bloodshot).

On May 2, The Bottle Rockets played a special concert at the High Dive in Champaign, IL that was filmed for an upcoming live concert documentary DVD release. The set list included “Hard Times,” “Done It All,” “Shame On Me,” “Give Me Room,” “Way It Used to Be” and “The Long Way” from the then-forthcoming Lean Forward album.

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Lean Forward was released by Bloodshot Records. The album charted on the Billboard Heatseekers Albums chart at No. 23.

On November 27, 2017, permission was granted to the Live Music Archive at the Internet Archive to add a collection for live audio recordings for public download and noncommercial, royalty-free circulation. As of March 2018, over 100 live recordings had been posted to that site.

On March 2, 2021, the band announced its retirement, for reasons as posted to its public Facebook account: “It’s with a sad heart that we announce this uneasy news: Brian has decided to retire from the Bottle Rockets. Although he’s in good health, he’s been feeling the passage of time and has lost interest in anything that distracts from or takes him away from home. Unfortunately, this means the Bottle Rockets can’t continue as we know it.” (wikipedia)

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“The Bottle Rockets-Live in Heilbronn” serves as a first-rate best of package up to the point of their 2003 “Blue Sky” album. Recorded in Heilbronn, Germany (I think that there were a whole lot of American soldiers stationed around there at the time) in July 2005, it offers a rousing overview of what makes the Bottle Rockets a great rock-n-roll: great songs performed with grit, intelligence, and fine-tuned precision.

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The sound quality is excellent and catch the Bottles Rockets on a night where they were definitely full of piss and vinegar. Among the highlights are two Neil Young covers, “Hey Hey, My My (Into the Black)” and a long smoldering “Cortez the Killer”. The electric version of Welfare Music” is a welcome switch up, and “Alone in Bad Company” is a scorcher. On the downside, “Radar Gun” is missing(what!!!) and “Cartoon Wisdom” drags on way too long.
If you are a completist like me this release is essential. If you want a starting place to discover the Bottle Rockets this provides a thorough summary of exactly what they will offer. An offer that should not be refused. (by knocksquared )

Recorded live at the Bürgerhaus Heilbronn-Böckingen, Germany, July 17, 2005.

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Personnel:
Brian Henneman (guitar, vocals)
John Horton (guitar)
Mark Ortmann (drums)Keith Voegele (bass, vocals)

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Tracklist:

CD 1:
01. Intro: Happy Birthday 0.42
02. Trailer Mama (Henneman) 2.42
03. I Wanna Come Home (Henneman/Ray) 3.03
04. Alone In Bad Company (Flood/Henneman) 3.28
05. Slo Toms (Henneman) 2.50
06. Get Down River (Henneman) 3.17
07. I’ll Be Coming Around (Henneman) 2.39
08. 1000 Dollar Car (Henneman) 4.18
09. Blue Sky (Henneman) 2.21
10. Nancy Sinatra (Baird/Henneman) 3.11
11. When I Was Dumb (Henneman) 4.02
12. 24 Hours A Day (Taylor/Henneman) 4.05
13. Waitin’ On A Train (Parr) 3.15
14. Gas Girl (Henneman) 2.13
15. Cartoon Wisdom (Taylor/Henneman) 6.01
16. Sometimes Found (Parr) 4.29
17. Gravity Fails (Taylor/Henneman) 3.37
18. Kerosene (Taylor/Henneman) 4.13
19. Love Like A Truck (Taylor/Henneman) 4.53
20. Indianapolis (Henneman) 3.29
21. Gotta Get Up (Henneman/Parr/Kearns/Ortmann) 2.44
22. At The Crossroads (Sahm) 5.43

CD 2:
23. Welfare Music (Taylor/Henneman) 6.44
24. Hey Hey, My My (Into The Black) (Young) 6.21
25. Pot Of Gold (Henneman) 3.57
26. Lonely Cowboy (Ortmann/Parr) 3.28
27. She’s About A Mover (Sahm) 5.47
28. Cortez The Killer (Young) 12.32
CDs

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Website

A message from Brian Henneman…

Well friends, it’s time. Time to say “so long”. I’m givin’ it up. Packin’ it in. Retiring. I’m done. Been thinkin’ about it this entire time off. I’m more certain of it than anything I’ve ever been certain of before. I’m turning 60 this year. Including my time with Uncle Tupelo, I have been doing this recording/touring thing for 30 years. I don’t consider myself too old to do it anymore, but I do consider myself too old to want to.

Every musician has their own shelf life for doing what they do. Some go on into their 80’s, some quit in their 20’s and never look back. Ol’ Number 60, that’s me. 60 o’clock, that’s quittin’ time for this guy. Kickin’ off my travelin’ shoes and slippin’ on my house shoes. Home is where my passion lies these days. That excites me now the way the band used to.

I have no problem at all with the band. That’s not why I’m leaving. It’s all about where I’m at on the walk of life. I no longer want to travel, don’t really have any burning desire to write songs anymore either. I just want to be a good husband. A good neighbor. A responsible homeowner. A little dog’s daddy. A guitar repairman. A guitar player in my kitchen, and in some local country cover band whenever that scene comes back around. That’s how I want to spend the rest of my days. I want to be home for supper and home for bedtime. Winter, Spring, Summer, and Fall. I want to experience a “normal life” just as badly now as I did NOT want to in my youth. While I’m still healthy enough to enjoy it. Before I get ancient and impaired. Things change. That’s life. I’m ready and eager for change. Being home for a solid year made me certain of it. I don’t want to miss ANYTHING here anymore.

Mark, John, and Keith all understand where I’m at. That’s such a relief. But they’re damn good guys. The best. Those guys have been the greatest partners a man could ever have. Dedication. Devotion. Turnin’ all the night time into the day. No tellin’ what’s next for them, but knowin’ them like I do, I’d say the sky’s the limit. They all have the musical skills to do anything. A truly “hot shit” band. And, unlike me, they still have the desire to get out there and do it. And they are ULTRA professionals. Keep an eye out for ‘em. I wouldn’t be one bit surprised to see them show up in phenomenal places. I am rooting for them. Them’s my boys. My team. My life partners. Please support them. I know I will. They are the longest running members the band ever had for a reason. They’re the best on so many levels. I love them forever. Gotta salute Robert Kearns, Tom Parr, and Tom Ray too. All were members of the band I’m bidding farewell to. Everybody did a great job in their own time, in their own way. Everybody.

I gotta be honest, I’m not sad that this is really finally happening. It was bound to happen someday. What does make me kinda sad is that it’s already that day. WTF??? Where did that time go??? See? That’s my point. That’s what made me go through with this. Knowing how the time goes SO fast. I wanna get goin’ on this next phase, before it passes me by as fast as everything else did. I’ve finally reached an age where things get urgent. Available decades are gettin’ slim. Gotta find what you REALLY want and go for it. So I did.

I want to sincerely thank you all from the bottom of my heart. You all supported us for so long. I will never forget that, or take it lightly. I am forever humbled and grateful. It’s been fun, but now it’s done. Surprise ending, yes. But the band had a surprise beginning too, so it seems that’s just how we roll. Maybe the band’s not done at all. Who knows? I just know I won’t be in it. ‘Cause I’m done.

With a year off, and nothing on the books, this was the perfect intersection of time and timing. There would never be a time when leaving would disrupt less. That’s why I did it now. Didn’t wanna make a big deal outta my big deal. Wanted it to be as painless as possible.

So this is where the cowboy rides away. Goodnight now ladies and gentlemen. It’s the end of the show, now it’s time to go.

Maybe I’ll see ya at Home Depot or somethin’…

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