Michael Bublé – It’s Time (2005)

FrontCover1Michael Steven Bublé (born September 9, 1975)[1] is a Canadian singer. His first album reached the top ten in Canada and the United Kingdom. He found a worldwide audience with his 2005 album It’s Time and his 2007 album Call Me Irresponsible – which reached number one on the Canadian Albums Chart, the UK Albums Chart, the US Billboard 200, the Australian ARIA Albums Chart and several European charts. Bublé’s 2009 album Crazy Love debuted at number one on the US Billboard 200 after three days of sales, and remained there for two weeks. It was also his fourth number one album on Billboard’s Top Jazz Albums chart. His 2011 holiday album, Christmas, was in first place on the Billboard 200 for the final four weeks of 2011 and the first week of 2012, totalling five weeks atop the chart, it also made the top 5 in the United Kingdom. With this, Christmas became his third-consecutive number-one album on the chart. To Be Loved was released in April 2013, followed by Nobody but Me in October 2016 and Love in November 2018. Bublé has sold over 75 million records worldwide, and won numerous awards, including four Grammy Awards and multiple Juno Awards. Bublé is a dual citizen of Canada and Italy.

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It’s Time is the fourth studio album by Canadian singer, Michael Bublé. It was released on February 8, 2005 by 143 Records and Reprise Records. With arrangements by David Foster, the album contains cover versions of songs from traditional pop and contemporary pop: George Gershwin, Cole Porter, Stevie Wonder, and The Beatles. And it includes “Home”, a song co-written by Bublé.

Despite some unfavorable reviews, the album was a commercial success, topping the charts in Canada, Italy, and Spain, while peaking in the top ten in eleven other countries. The Recording Industry Association of America (RIAA) certified it three-times platinum, for shipments of three million copies across the United States. In Australia, the album was certified five times Platinum by the Australian Recording Industry Association (ARIA) for sales of 350,000 copies sold, and in Canada it was certified six times Platinum by the Canadian Recording Industry Association (CRIA) for sales of 600,000 copies.

In the U.S., “Home” reached No. 72 on the Billboard Hot 100 chart,[2] while topping the Adult Contemporary chart. It also reached the top forty on the Adult Pop Songs[4] and Digital Songs charts.

“Home” peaked at No. 35 in Australia, No. 31 in the UK, and No. 1 in ten countries.

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Bublé credits the success of It’s Time, which sold six million copies by 2011, to “Home.” It was the most played song on Canadian radio in 2006.[10] It’s Time sold well in Japan, Italy, and Australia, and charted in the top ten singles in both the U.K. and U.S. charts. Bublé said that during the recording of It’s Time he “came into [his] own as a songwriter” and hearing his own song on the radio made him feel “like a true artist.” He acknowledged that a downside to producing covers of well-loved songs is that people often compare them to the original; in writing his own song, he says, he found a sense of freedom. Bublé feels that the Michael Bublé01song is distinct in comparison to the other songs on the album because of its “country-pop twang” and more-relatable lyrics. The song was written collaboratively with Amy Foster-Gillies, Nashville native and daughter of successful Canadian musician David Foster. In his 2011 autobiography, Onstage Offstage, Bublé states that then-girlfriend Debbie Timuss was his inspiration for the song. Timuss sang backing vocals on “Home” and appeared in the music video, which was filmed in the Orpheum Theater in Vancouver, Canada. “Home” won the 2006 Juno Award for single of the year. A cover version was recorded by American country singer Blake Shelton. Shelton’s version of Bublé’s song landed him top of the charts for R&R Singles Chart and MediaBase Singles. Shelton was quoted in saying,” I loved ‘Home’ the first time I heard it, and I really love it now,” said Shelton. “I’m glad I’m not the only one that thought it was a country song. I’ve had the honor of performing “Home” with Michael Bublé on a couple of occasions and can honestly say he is a really great guy, and I think as a writer he’s probably pretty excited that it’s reached number one, too.”

Bublé attributes the song’s popularity to its universal theme, stating that “[w]e all know what it’s like to be homesick. It’s one of the worst feelings. I know about that as well as anybody.”[9] “Home” was also featured on the soundtrack of the 2005 American romantic comedy The Wedding Date along with other songs from Bublé’s albums.


“Feeling Good” was released as the first international single from the album on April 4, 2005. Although the single failed to chart in the United States, it managed to chart on the Austria Singles Chart at No. 66 and on the Dutch Singles Chart at No.62. It also charted in the United Kingdom, peaking at No. 69.

Woodrow Wilkins from All About Jazz commended how It’s Time was “relevant to today’s audience” and noted that Bublé “delivers [the songs] with the heart and passion that only a person who claims ownership of these titles can muster”.[20] However, Caroline Sullivan of The Guardian didn’t appreciate the album’s composition of jazz and pop covers, saying that “Sinatra is turning in his grave”. Amy Lichty of the Daily Emerald said that “Bublé’s clear voice and smooth rhythms keep the CD moving along”, but also noted that he “is simply no match for either Sinatra or Connick” (wikipedia)


Although it took more than a year of concerts and promotional appearances, Michael Bublé’s 2003 debut disc of swinging pop standards finally ascended the Billboard album chart and landed at number 47. That peak may not seem impressive at first, but in a musical world dominated by rap or the latest flavor of alternative rock, Bublé’s upper chart appearance was a real accomplishment and it sparked a renewed interest in music associated with great vocalists like Frank Sinatra. With his second studio disc, It’s Time, Bublé builds upon the musical foundation he laid with his debut and demonstrates that he is much more than a flavor-of-the-month celebrity. Like his debut, It’s Time mines the rich history of pop music as Bublé applies his own technique to classic standards and incorporates his Rat Pack sound into modern pop songs. Other pop vocal giants have made attempts to reinterpret the pop songs of their day with appalling results (Mel Tormé’s version of “Sunshine Superman” comes to mind), but Bublé has the knack for selecting the right songs that he can properly transform into edible works that avoid a cheesy aftertaste. Having a standard like “A Foggy Day (In London Town)” share space with the Beatles’ “Can’t Buy Me Love” may seem like a lounge lizard joke waiting to happen, but the arrangements (most courtesy of producer David Foster) and performances are seamless. Therefore, the quiet groove of “I’ve Got You Under My Skin” can sit comfortable next to Bublé’s smoky version of Leon Russell’s “Song for You,” featuring Chris Botti on trumpet.


Perhaps it is due to this formula working so well that Bublé has incorporated more of his unique takes on modern pop than on his debut. He even ventures into R&B territory with older hits like “Try a Little Tenderness” and “How Sweet It Is,” all the while giving these songs a retro freshness that breathes new life into these gems. Pop starlet Nelly Furtado sounds lovely and elegant in the duet “Quando, Quando, Quando,” while Bublé ends the disc with a beautiful reading of Stevie Wonder’s “You and I.” Another positive step forward is the inclusion of the lovely original tune “Home,” a somewhat autobiographical “too long on the road” song co-written by Bublé. The success of this ballad provides yet another direction that he can explore and expand upon. Throughout the disc Bublé emits the feeling that he loves these songs and truly enjoys what he is doing. He sounds pure of voice and pure of heart. Those are rare commodities in the recorded world and they, along with Bublé’s talent and vision, help to make It’s Time a wonderful listening experience. (by Aaron Latham)


Michael Bublé (vocals)
George Bohanon (trombone on 07.)
Chris Botti (trumpeton 11.)
Brian Bromberg (bass)
Lee Callet (saxophone on 07.)
Frank Capp (drums on 12.)
Gilbert Castellanos (trumpet on 07.)
Alan Chang (piano on 03.)
John Chiodini (guitar on 12.)
Jeff Clayton (saxophone on 07.)
Vinnie Colaiuta (drums)
Sal Cracchiolo (trumpet on 07.)
Neil Devor (programming)
Keith Fiddmont (saxophone on 07.)
David Foster (keyboards on 04., piano on 05., 08., 11. + 13., bass on 08, + 10.)
Nelly Furtado (vocals on 04.)
Brian Green (guitar on 02., 03. 05. + 09.) (2, 3, 5)
Jeff Hamilton (drums on 06., 07. + 10.)
Tamir Hendelman (piano on 06., 07. + 10.)
Dan Higgins (flute, saxophone on 04.)
Robert Hurst (bass on 06.)
Brandon Jenner (guitar on 08.)
Christian McBride (bass on 07.)
Ira Nepus (trombone on 07.)
Charles Owens (saxophone on 07.)
Kye Palmer (trumpet on 07.)
Rafael Padilla (percussion on 01., 02.,04. – 06. + 08.)
Dean Parks (guitar on 01., 03., 05. 09. + 10.)
Heitor Pereira (guitar on 04.)
Ryan Porter (trombone on 07.)
Bill Reichenbach Jr. (bass trombone on 07.)
Jochem van der Saag (programming on 01., 05.,06., 08. +10., organ on 06. + 10., harmonica on 10.)
Michael Thompson (guitar on 08. + 12.)
Debbie Timuss (backing vocals on 05.)
Dave Tull (drums on 02. + 13.)
Randy Waldman  (piano on 01., 02., 09. + 12.)
Bijon Watson (trumpet on 07.)
Anthony Wilson (guitar on 07.)
Rickey Woodard (saxophone on 07.)


01. Feeling Good (Bricusse/Newley) 3.56
02. A Foggy Day (In London Town) (G.Gershwin/I.Gershwin) 2.31
03. You Don’t Know Me (Arnold/Walker) 4.13
04. Quando, Quando, Quando (duet with Nelly Furtado) (Renis/Testa/Drake) 4.45
05. Home (Bublé/Chang/Foster-Gillies) 3.45
06. Can’t Buy Me Love (Lennon/McCartney) 3.14
07. The More I See You (Gordon/Warren) 3.47
08. Save The Last Dance For Me (Pomus/Shuman) 3.38
09. Try A Little Tenderness (Campbell/Connelly/Woods) 4.05
10. How Sweet It Is (L.Dozier/Holland/E.Holland) 2.58
11. Song For You (feat. Chris Botti) (Russell) 4.42
12. I’ve Got You Under My Skin (Porter) 3.40
13. You And I (Wonder) 3.54




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