DownBeat (styled in all caps) is an American music magazine devoted to “jazz, blues and beyond”, the last word indicating its expansion beyond the jazz realm which it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the “downbeat” in music, also called “beat one”, or the first beat of a musical measure.
DownBeat publishes results of annual surveys of both its readers and critics in a variety of categories. The DownBeat Jazz Hall of Fame includes winners from both the readers’ and critics’ poll. The results of the readers’ poll are published in the December issue, those of the critics’ poll in the August issue.
Popular features of DownBeat magazine include its “Reviews” section where jazz critics, using a ‘1-Star to 5-Star’ maximum rating system, rate the latest musical recordings, vintage recordings, and books; articles on individual musicians and music forms; and its famous “Blindfold Test” column, in a which a musician listens to records by other artists, tries to guess who they are, and rates them using the 5-star maximum rating system.
DownBeat was established in 1934 in Chicago, Illinois. In September 1939, the magazine announced that its circulation had increased from “a few hundred five years ago to more than 80,000 copies a month”, and that it would change from monthly to fortnightly from the following month. In 1972 the publisher of the magazine was Maher Publishers. In April 1979, DownBeat went to a monthly schedule for the first time since 1939.
In Summer 1960 DownBeat launched the Japanese edition.
DownBeat was named Jazz Publication of the Year in 2016, 2017, 2018, 2019, and 2021 by the Jazz Journalists Association.
Coming soon in this blog:
I think I bought the magazine because I was particularly interested in the article about Jimi Hendrix.
Downbeat … indispensable for understanding the history of Jazz !
The back of the magazine:
The official website:
An acclaimed fusion guitarist, Al Di Meola first rose to prominence in the 1970s as a fiery jazz-rock pioneer before embracing a globally expansive mix of sounds. A key member of Chick Corea’s landmark fusion band Return to Forever, Di Meola established his reputation on many of the group’s classic dates before coming into his own on albums like 1977’s Elegant Gypsy and 1980’s Splendido Hotel. Along with tours in his all-star guitar trio with John McLaughlin and Paco de Lucia, Di Meola has collaborated on projects with luminaries like Stanley Clarke, Larry Coryell, Paul Simon, Luciano Pavarotti, Gonzalo Rubalcaba, Charlie Haden, and others. He has continued to expand his sound on albums like 1990’s World Sinfonia, 2011’s Pursuit of Radical Rhapsody, and 2018’s Opus, balancing his fusion roots with forays into Argentinian tango and Spanish flamenco, as well as Middle Eastern, North African, and Afro-Cuban traditions. (by Matt Collar)
ManyFantasticColors 