Amazing Blondel – Dancing Supertivoli (1972)

FrontCover1Amazing Blondel are an English acoustic progressive folk band, containing Eddie Baird, John Gladwin, and Terry Wincott. They released a number of LPs for Island Records in the early 1970s. They are sometimes categorised as psychedelic folk or as medieval folk rock, but their music was much more a reinvention of Renaissance music, based around the use of period instruments such as lutes and recorders.
John Gladwin and Terry Wincott had both played in a loud “electric” band called Methuselah. However, at some point in Methuselah concerts, the duo would play an acoustic number together: they found that this went down well with the audiences and allowed them to bring out more of the subtlety of their singing and instrumental work. They left Methuselah in 1969 and began working on their own acoustic material.

Initially their material was derived from folk music, in line with many of the other performers of the time. However, they began to develop their own musical idiom, influenced, at one extreme, by the early music revivalists such as David Munrow, and the other extreme, by their childhood memories of the Robin Hood TV series, with its pseudo-mediaeval soundtrack by Elton Hayes.


The band was named after Blondel de Nesle, the musician in the court of Richard I. According to legend, when Richard was held prisoner, Blondel travelled through central Europe, singing at every castle to locate the King and assist his escape. This name for the band was suggested by a chef, Eugene McCoy, who listened to some of their songs and commented: “Oh, very Blondel!” and they began to use that name. They were then advised to add an adjective (in line, for example, with The Incredible String Band) and so they became “Amazing Blondel”.

Their first album The Amazing Blondel (also called “Amazing Blondel and a Few Faces,”) was recorded in 1969 and released by Bell Records. It was directed by session guitarist Big Jim Sullivan. At about this time, Eddie Baird (who had known the other members at school) joined the band. On 19 September 1970 they were one of the bands to play at the first Glastonbury Festival. Following what Baird described as “a disastrous ‘showbiz’ record signing”, Amazing Blondel were introduced, by members of the band Free, to Chris Blackwell of Island Records and Artists. Blackwell signed them up to Island, for whom they recorded their albums Evensong, Fantasia Lindum and England. (by Wikipedia)

And this is a very fine bootleg from a Show, recorded in Italy. It´s a very good audience recording … and you can you hear … you can hear the Magic of Amazing Blondel … really amazing !


Edwards Baird (guitar, vocals)
John David Gladwin (vocals, guitar)
Terence Alan Wincott (Recorder, woodwinds, vocals)BackCover1


01. Toye 3.02
02. Pavan 3.02
03. Seascape 6.09
04. A Spring Air *  3.03
05. Willowood 3.02
06. Afterglow 3.34
07. The Shepherd’s Song 7.41
08. Saxon Lady
09. Travagliato BresciaItaly (1972) (uncut version) 32.06All songs written by John David Gladwin

*Problems with the microphones on stage.




Amazing Blondel – Mulgrave Street (1974)

FrontCover1On the previous album, they had dropped the “Amazing” in the album title. This seems to have been done at some level as a tribute to John David Gladwin who had left before it. Gladwin was the major writer during the “Amazing” period and it was he who imparted the Elizabethan folk feel to the first 4 Amazing Blondel albums. Yet the Blondel album seemed to be operating on reserves from the previous era. For “Mulgrave Street”, we see a major transformation.

Amazing Blondel is now a much less distinctive soft rock band with folk underpinnings, with Eddie Baird taking over almost all the writing and singing. Think the gentler works of the latter day Beatles for an idea, with some early 70s influences. While they are backed by former members of Free about to become members of Bad Company, the first evidence of the amplification occurs in the last song of side one after a few fairly mundane tracks. “Hole in Your Head”, is a hard bluesy rocker with impressive leads by Paul Kossoff. That turns out to be atypical of the album, which returns to side 2 mellow again but with much stronger material.

“Help Us Get Along” definitely has a soft Bad Company feel to it, not surprisingly given the presence of Mick Ralph, Simon Kirke and Boz. “See em Shining” is a lilting gentle piece, while “Love must be the best Time” is a ballad with a lovely melody, but the real winner is Wincott’s “Goodbye our Friends”, which is a superb folk rock parting song featuring wonderful vocals, bass and piano playing.

While this isn’t progressive by any yardstick, it does grow on the listener, and that is always a high commendation. Blondel wasn’t so amazing anymore, but good songwriting is good songwriting, and they had it in spades even without Gladwin. (kenethlevine)

Oh ! What a line-up !

EddieBairdEddie Baird today

Edward Baird (guitar, vocals)
Terence Wincott (guitar, keyboards, vocals)
John Bundrick (keyboards)
Boz Burrell (bass)
Pat Donaldson (bass)
Mickey Feat (guitar)
Sue Glover (background vocals)
Eddie Jobson (violin, keyboards)
Simon Kirke (drums)
Paul Kossoff (guitar)
Sunny Leslie (background vocals)
William Murray (drums)
Mick Ralphs (guitar)

01. Mulgrave Street (Baird) 2.28
02. Iron And Steel (Baird) 4.55
03. Leader Of The Band (Wincott) 4.19
04. Light Your Light (Baird) 3.00
05. Hole In The Head (Baird) 2.16
06. Help Us Get Along  (Baird) 3.45
07. See Em Shining (Baird) 2.35
08. Love Must Be The Best Time Of Your Life (Baird) 2.34
09. All I Can Do (Baird) 2.41
10.Goodbye Our Friends (Wincott) 3.16
11.Sad To See You Go (Baird) 3.29
12.Runaway (Baird) 3.24
13.Little Darling (Baird) 3.13