Marty Balin (born Martyn Jerel Buchwald; January 30, 1942 – September 27, 2018) was an American singer, songwriter, and musician best known as the founder and one of the lead singers and songwriters of Jefferson Airplane and Jefferson Starship.
Balin was born Martyn Jerel Buchwald in Cincinnati, Ohio, the son of Catherine Eugenia “Jean” (née Talbot) and Joseph Buchwald. His paternal grandparents emigrated from Eastern Europe. His father was Jewish and his mother was Episcopalian. Buchwald attended Washington High School in San Francisco, California.
In 1962, Buchwald changed his name to Marty Balin, and began recording with Challenge Records, releasing the singles “Nobody But You” and “I Specialize in Love”. By 1964, Balin was leading a folk music quartet called The Town Criers.
Balin was the primary founder of Jefferson Airplane, which he “launched” from a restaurant-turned-club he created and named the Matrix, and was also one of its lead vocalists and songwriters from 1965 to 1971. In the group’s famous 1966–1971 iteration, Balin served as co-lead vocalist alongside Grace Slick and rhythm guitarist Paul Kantner.
While his output diminished after Surrealistic Pillow (1967) as Slick, Kantner, and lead guitarist Jorma Kaukonen matured as songwriters (a process compounded by Balin’s eschewal of the group’s burgeoning “ego trips”), his most enduring songwriting contributions—which were often imbued with a romantic, pop-oriented lilt that was atypical of the band’s characteristic forays into psychedelic rock—include “Comin’ Back to Me” (a folk rock ballad later covered by Ritchie Havens and Rickie Lee Jones), “Today” (a collaboration with Kantner initially written on spec for Tony Bennett that was prominently covered by Tom Scott), and again with Kantner, the topical 1969 top-100 hit “Volunteers.” Although uncharacteristic of his oeuvre, the uptempo “3/5 of a Mile in 10 Seconds” and “Plastic Fantastic Lover” (both written for Surrealistic Pillow) remained integral components of the Airplane’s live set throughout the late 1960s.
Balin played with the Jefferson Airplane at the Monterey Pop Festival in 1967 and at the Woodstock Festival in 1969.
In December 1969, Balin was knocked unconscious by members of the Hells Angels motorcycle club while performing during the infamous Altamont Free Concert, as seen in the 1970 documentary film Gimme Shelter. In April 1971, he formally departed Jefferson Airplane after breaking off all communication with his bandmates following the completion of their autumn 1970 American tour. He elaborated upon this decision in a 1993 interview with Jeff Tamarkin of Relix:
I don’t know, just Janis’s death. That struck me. It was dark times. Everybody was doing so much drugs and I couldn’t even talk to the band. I was into yoga at the time. I’d given up drinking and I was into totally different area, health foods and getting back to the streets, working with the American Indians. It was getting strange for me. Cocaine was a big deal in those days and I wasn’t a cokie and I couldn’t talk with everybody who had an answer for every goddamn thing, rationalizing everything that happened. I thought it made the music really tight and constrictive and ruined it. So after Janis died, I thought, I’m not gonna go onstage and play that kind of music; I don’t like cocaine.
Balin remained active in the San Francisco Bay Area rock scene, managing and producing an album for the Berkeley-based sextet Grootna before briefly joining funk-inflected hard rock ensemble Bodacious DF as lead vocalist on their eponymous 1973 debut album. The following year, Kantner asked Balin to write a song for his new Airplane offshoot group, Jefferson Starship. Together, they wrote the early power ballad “Caroline”, which appeared on the album Dragon Fly with Balin as guest lead vocalist.
Rejoining the team he had helped to establish, Balin became a permanent member of Jefferson Starship in 1975; over the next three years, he contributed to and sang lead on four top-20 hits, including “Miracles” (No. 3, a Balin original), “With Your Love” (No. 12, a collaboration between Balin, former Jefferson Airplane drummer Joey Covington, and former Grootna/Bodacious DF lead guitarist Vic Smith), a cover of Jesse Barish’s “Count on Me” (No. 8), and N.Q. Dewey’s “Runaway” (No. 12). Ultimately, Balin’s relationship with the band was beleaguered by interpersonal problems, including Slick’s longstanding alcoholism and his own reluctance toward live performances. He abruptly left the group in October 1978 shortly after Slick’s departure from the band.
In 1979, Balin produced a rock opera entitled Rock Justice, about a rock star who was put in jail for failing to produce a hit for his record company, based on his experiences with the lawsuits fought for years with former Jefferson Airplane manager Matthew Katz. The cast recording was produced by Balin, but it did not feature him in performance.
Balin continued with EMI as a solo artist, and in 1981, he released his first solo album, Balin, featuring two Jesse Barish songs that became top-40 hits, “Hearts” (number eight) and “Atlanta Lady (Something About Your Love)” (number 27). This was followed in 1983 by a second solo album, Lucky, along with a Japanese-only EP produced by EMI called There’s No Shoulder. Balin’s contract with EMI ended shortly after.
In 1985, he teamed with Paul Kantner and Jack Casady to form the KBC Band. After the breakup of the KBC band, a 1989 reunion album and tour with Jefferson Airplane followed.
Balin continued recording solo albums in the years following the reunion, and reunited with Kantner in the latest incarnation of Jefferson Starship.
Balin had intended to record lead vocals for two tracks for Jefferson Starship’s album, Jefferson’s Tree of Liberty. However, his art touring schedule conflicted with studio sessions, and instead, the track “Maybe for You”, from the German release of Windows of Heaven, was included.
On July 2, 2007, the music-publishing firm Bicycle Music, Inc. announced that it had acquired an interest in songs written or performed by Balin, including hits from his days with Jefferson Airplane and Jefferson Starship.
Balin, along with other members of the Jefferson Airplane/Starship bands, was inducted into the Rock and Roll Hall of Fame in 1996. As a member of the Jefferson Airplane, he was honored with a Grammy Lifetime Achievement Award in 2016.
Balin enjoyed painting all his life. He painted many of the most influential musicians of the last half of the 20th century. Marty Balin’s Atelier is located at 130 King Fine Art in Saint Augustine, Florida, Balin’s permanent signature collection gallery.
Balin resided in Florida and San Francisco with his wife, Susan Joy Balin, formerly Susan Joy Finkelstein. Together, they had Balin’s daughters Jennifer Edwards and Delaney Balin, and Susan’s daughters Rebekah Geier and Moriah Geier.
Jennifer was born later in the year of his 1963 marriage to Victoria Martin. Balin married Karen Deal, Delaney’s mother, in 1989. Karen died in 2010.
While on tour in March 2016, Balin was taken to Mount Sinai Beth Israel Hospital in New York City after complaining of chest pains. After undergoing open-heart surgery, he was transferred to an intensive-care unit to spend time recovering. In a subsequent lawsuit, Balin alleged that neglect and inadequate care facilities on the hospital’s behalf had resulted in a paralyzed vocal cord, loss of his left thumb and half of his tongue, bedsores, and kidney damage.
Balin died on September 27, 2018 at the age of 76 (by wikipedia)
And here´s first solo-album:
Marty Balin left Jefferson Starship in 1978, not long after “Miracles” gave the group a Top Ten soft rock hit in 1975, thereby providing a window into the world the singer inhabited when he went solo in 1981 with Balin. He largely abandoned songwriting — he collaborated on one song on the record — in the pursuit of being an AOR superstar. The 1981 eponymous album was indeed a hit thanks to the gorgeous soft rock staple “Hearts,” written by longtime friend Jesse Barish, as was a good chunk of the rest of the album. Some of Balin follows the direction of “Hearts” — “Atlanta Lady” and “Music Is the Light” both softly shimmer — but the album overall plays like a sampler of the mainstream rock sounds of 1981. On “Spotlight” and “I Do Believe in You,” guitars are cranked up to 11 so they can fill an arena, “Tell Me More” cops some of Michael McDonald’s Doobie Brothers disco-soul, and “You Left Your Mark on Me” and “Elvis and Marilyn” flirt with new wave while “Lydia!” outright embraces it, sounding a bit like Donnie Iris. Maybe this hodgepodge didn’t do much to establish Balin as a recording star at the time — certainly it didn’t please some Jefferson Starship fans — but as an artifact of early-’80s rock, it’s wildly fun and somewhat compelling. (by Stephen Thomas Erlewine)
Marty Balin (vocals, guitar)
Richard Bassil (bass, background vocals)
Johnny de Caro (guitar, background vocals)
Mark Cummings (piano, synthesizer, vocoder, background vocals)
Billie Lee Lewis (drums, percussion, background vocals)
Michael Boddicker (vocoder on 02.)
Steve Forman (percussion)
Bobbye Hall (percussion)
John Jarvis (piano on 05., 06.)
Neil Larsen (piano, synthesizer on 09.)
Ken Watson (cimbalom on 01.)
Bill Champlin – Rick Nowels – David E. Landau
Harry Bluestone (concert master)
01. Hearts (Barish) 4.19
02. You Left Your Mark On Me (Burgeson/Turrell) 4.43
03. Lydia! (Balin/Knowles) 3.41
04. Atlanda Lady (Barish) 3.49
05. Spotlight (Burgeson/Turrell) 3.28
06. I Do Believe In You (Manfredi/Lang/Page/George) 4.26
07. Elvis And Marilyn (Diamond/Fowley/Russell) 3.06
08. Tell Me More (Whitney/Bokich) 3.43
09. Music Is The Light (Barish) 4.22
Marty Balin (January 30, 1942 – September 27, 2018)
“RIP Marty Balin, fellow bandmate and music traveler passed last night, a great songwriter and singer who loved life and music. We shared some wonderful times together.
We will all miss you!!!!”
(Jefferson Airplane bassist Jack Casady)