Bon Jovi – New Jersey (1988)

FrontCover1New Jersey is the fourth studio album by the American rock band Bon Jovi, released on 19 September 1988 through Mercury Records.

The album was the follow-up to the band’s 1986 breakthrough album, Slippery When Wet, and reached No. 1 on the Billboard 200 chart in its second week of release after making its debut at No. 8. It remained at No. 1 for four consecutive weeks. It produced five Billboard Hot 100 top ten singles, the most top ten hits to date for any hard rock album, including “Bad Medicine” and “I’ll Be There for You”, which both reached No. 1. The album was certified seven times platinum by the Recording Industry Association of America. The album also debuted at No. 1 in UK and was the band’s first UK No. 1 album. New Jersey was released by the Soviet state-owned record company “Melodiya”, being the first American album ever released in USSR.


USSR version

The album was recorded very shortly after the Slippery When Wet Tour, because the band wanted to prove that they were not just going to be a one hit wonder. The album was initially planned to be a double album; however, this idea was rejected by the record company because they were skeptical about the higher price point and decided they would only release a single album. One working title for the album was Sons of Beaches, which parodied the title of their previous album, Slippery When Wet.

The album was produced by Bruce Fairbairn like its predecessor and recorded at the Little Mountain Sound Studios in Vancouver, Canada. It marked the final collaboration between Bon Jovi and producer Bruce Fairbairn.


Picture discs

When the Slippery When Wet Tour ended in October 1987 the band were inactive for about three to four weeks. Then Jon Bon Jovi and Richie Sambora began making demos for 17 songs which would make up the first batch of songs written for the album. However, they began to feel a high level of pressure because they did not feel as though they had “the amazing song.” Jon Bon Jovi said that “I really wanted to do it again, not for monetary reasons – I have plenty of money – but it was such an amazing feeling to have done what we’ve done. There was a real fear of not being able to write You Give Love A Bad Name again.” Jon Bon Jovi and Richie Sambora sat together and wrote the song “Love Is War” but Jon Bon Jovi wanted to write a song that would prove to be just as successful as “You Give Love A Bad Name” so desperately that it came out with exactly the same chord progression. They later started on the second batch of songs and they wrote “Born To Be My Baby” and “Bad Medicine” with Desmond Child. “Born To Be My Baby” was originally recorded acoustically, however the producer Bruce Fairbairn persuaded them to re-record it with electronic instruments in a harder rock and much more metal style. Jon Bon Jovi has since said that he believed the song would have made #1 on the charts if it had been released in its original form. This song has a similar theme to “Livin’ On A Prayer,” as it’s about a young working class couple struggling to make ends meet.

NewJerseyGuitarsAlthough the glossy production and anthems from Slippery When Wet remained, the band wished to show a level of diversity on the album. The album is much more experimental with a long, atmosphere-building intro on “Lay Your Hands On Me”, harmonica and organ duels on “Homebound Train” and a flamenco guitar intro on “Wild Is the Wind”. “Ride Cowboy Ride” is a short song functioning as an introduction to “Stick To Your Guns” and was recorded in mono. The song is credited to “Captain Kidd and King of Swing”, the nicknames of Bon Jovi and Sambora. “Love for Sale” was also recorded when the band were drunk during a party in a place called Chalet Sound in New Jersey.

BonJovi1988Bon Jovi had perfected a formula for hard pop/rock by the time of New Jersey, concentrating on singalong choruses sung over and over again, frequently by a rough, extensively overdubbed chorus, producing an effect not unlike what these songs sounded like in the arenas and stadiums where they were most often heard. The lyrics had that typical pop twist — although they nominally expressed romantic commitment, sentiments such as “Lay Your Hands on Me” and “I’ll Be There for You” worked equally well as a means for the band and its audience to reaffirm their affection for each other. The only thing that marred the perfection of this communion was Jon Bon Jovi’s continuing obsession with a certain predecessor from his home state; at times, he seemed to be trying to re-create Born to Run using cheaper materials. (by William Ruhlmann)

David Bryan (keyboards, background vocals)
Jon Bon Jovi (vocals, guitar)
Richie Sambora (guitar, background vocals)
Alec John Such (bass, background vocals)
Tico Torres – drums, percussion, background vocals)
Scott Fairbairn (cello)
Bruce Fairbairn (percussion, horns)
Audrey Nordwell (cello)
The Sweet Thing (background vocals)

01. Lay Your Hands On Me (Bon Jovi/Sambora) 6.01
02. Bad Medicine (Bon Jovi/Sambora/Child) 5.16
03. Born to Be My Baby (Bon Jovi/Sambora/Child 4.40
04. Living In Sin (Bon Jovi) 4.39
05. Blood On Blood (Bon Jovi/Sambora/Child) 6.16
06. Homebound Train (Bon Jovi/Sambora) 5.10
07. Wild Is The Wind (Bon Jovi/Sambora/Child/Warren) 5.08
08. Ride Cowboy Ride (Captain Kidd/King of Swing) 1.25
09. Stick To Your Guns (Bon Jovi/Sambora/Knight) 4.45
10. I’ll Be There For You (Bon Jovi/Sambora) 5.46
11. 99 In The Shade (Bon Jovi/Sambora) 4.29
12. Love For Sale (Bon Jovi/Sambora) 3.58

CD1* (coming soon)


Bon Jovi – The Circle (2009)

FrontCover1 One thing buried amidst all Bon Jovi’s detours of the new millennium — there wasn’t just 2007’s contemporary country Lost Highway, there was the acoustic reworking of hits This Left Feels Right in 2003 — is that the group has been sober-minded throughout the decade, reacting to 9/11 on 2002’s Bounce, exploring the morass of W’s America on 2005’s Have a Nice Day, and now creating a soundtrack for the Great Recession on 2009’s The Circle. Subtlety has never been a concern for Bon Jovi, so the group makes it plain that they will be the ones to “Work for the Working Man,” while they wonder “who’s gonna bail out all our shattered dreams” on “Brokenpromiseland.” Explicit references to the broken state of blue collar America pile up throughout The Circle, but instead of setting these wannabe working man anthems to the kind of Springsteen-esque rock that’s their trademark, Bon Jovi, with the assistance of producer John Shanks, have decided to make their own version of a U2 album, apparently because no other sound sounds as serious as U2. Everything on The Circle exists in a big wide open space conjured by echoed, delayed guitars, shimmering keyboards, and spacious rhythms, an atmosphere that’s just as likely to recast the “Living on a Prayer” bassline as something as sadly ominous as it is to ease into chanted, African-inspired vocal hooks (“When We Were Beautiful”), both signifiers of the band’s pensive pretension. A knack for oversized choruses remains hardwired in Bon Jovi, but in this gloomy context, they act as reminders that they once sounded like they were a working band for working men instead of rich men fretting about a world they’ve long left behind. (by Stephen Thomas Erlewine)

Jon Bon Jovi (vocals)
David Bryan (keyboards)
Richie Sambora (guitar, background vocals)
Tico Torres (drums, percussion)
Charles Judge (keyboards, strings)
Hugh McDonald (bass)


01. We Weren’t Born To Follow (Jovi/Sambora) 4.03
02. When We Were Beautiful (Falcon/Jovi/Sambora) 5.18
03. Work For The Working Man (Brown/Jovi/Sambora) 4.04
04. Superman Tonight (Falcon/Jovi/Sambora) 5.12
05. Bullet (Jovi/Sambora) 3.50
06. Thorn In My Side (Jovi/Sambora) 4.07
07. Live Before You Die (Jovi/Sambora) 4.17
08. Brokenpromiseland (Child/Jovi/Sambora/Shanks) 4.57
09. Love’s The Only Rule (Falcon/Jovi/Sambora) 4.38
10. Fast Cars (Child/Jovi/Sambora) 3.16
11. Happy Now (Child/Jovi/Sambora) 4.21
12. Learn To Love (Child/Jovi/Sambora) 4.39