Unlucky Boy is the sixth studio album by the blues band, Chicken Shack, released in 1973
Originally released in 1973, but reissued with two extra in 1994, Chicken Shack’s Unlucky Boy finds guitarist/vocalist/songwriter and band founder Stan Webb in fine form. Only drummer Paul Hancox remains from the uneven Imagination Lady, and indeed the horn-oriented approach here is much different than the plodding Led Zeppelin-isms of the previous disc. Webb contributes six originals, and even though they are derivative of Savoy Brown (a band he joined for the Boogie Brothers album just a year later), his approach here is much more subtle and controlled than on his last effort.
Very rare factory sample discs
Chris Mercer’s saxes, often double tracked to sound like a horn section, bring a tough R&B to the mix, and drummer Hancox is a controlled powerhouse. Webb also reigns in his impulse to overextend guitar solos so prevalent on Imagination Lady, whipping off tight, controlled leads instead.
Producer Neil Slaven contributes honest, witty, and often self-deprecating liner notes that help explain why two of these songs suffer from poor mixes (basically, he had consumed various substances and couldn’t salvage the songs after the fact). Strings on “As Time Goes Passing By,” (also included in a shorter single version) are a nice touch and bring a bit of class to the proceedings while maintaining the R&B slant of the disc. Two unedited studio jams make the cut as “Stan the Man” and the seven-minute “Jammin’ with the Ash,” both featuring pianist Tony Ashton, who really lets loose on the latter.
Things get stripped down for an unusually delicate version of Lonnie Johnson’s “Too Late to Cry” with just strummed guitar and bass. The opening trio of Webb-penned tunes shows some of his best songwriting with the instrumental “Prudence’s Party” a terrific capsule of Webb’s stinging, gritty guitar style. The album sounds dated but harkens back to a particular time in British blues that is charming in its anything goes attitude. That helps make this one of Stan Webb’s more consistent and successful offerings. (by Hal Horowitz)
This is the Masterpiece of Rock and on e of the best Blues-Rock
Album of All Time. Stan Webb, British Halfgod on Guitar in exciting form. (by Dani Rocksaurier)
This album is quite good, nothing more nothing less:
Ah, the wonderful Chicken Shack re-mastered, good news for blues freaks (such as myself) … Here´s Chicken Shack with their charismatic frontman and lead guitarist Stan Webb. Webb was famous for his live performance, running down the aisles (before the wireless) with a mega long guitar wire, going banana while playing electrifying guitar soli!
This of course do not apply to the studio albums, which actually didn’t get nowhere near their live performances! This album is quite good, nothing more nothing less, good clean blues tracks! Get their first album or a live session, If you want the Shack on fire!! (by Tonny Larsen)
Bob Daisley (bass)
Paul Hancox (drums, percussion)
Stan Webb (guitar, vocals)
Tony Ashton (piano)
Chris Mercer (saxophone)
01. You Know You Could Be Right (Webb) 3.47
02. Revelation”(Webb) 5.13
03. Prudence’s Party (Webb) 3.13
04. Too Late To Cry (Johnson) 3.09
05. Stan The Man (Webb) 4.25
06. Unlucky Boy (Thornton/Dupree) 2.34
07. As Time Goes Passing By (Webb) 4.46
08. Jammin’ With Ash” (Webb) 7.04
09. He Knows The Rules (McCracklin) 4.05
10. As Times Goes Passing By (single version) (Webb) 3.32
11. Doctor Brown (Brown) 3.05
Bob Daisley & Stan Webb
A handwritten track list
and letter from Decca stating this was the first test pressing.