Various Artists – Heartbeat (OST) (1996)


Heartbeat is a British period drama series, based upon the “Constable” series of novels written by Nicholas Rhea, and produced by ITV Studios (formerly Yorkshire Television until it was merged by ITV)[1] from 1992 until 2010. The series is set during the 1960s around real-life and fictional locations within the North Riding of Yorkshire, with most episodes focused on stories that usually are separate but sometimes intersect with one another; in some episodes, a singular story takes place focused on a major incident.

Heartbeat proved popular from the beginning, when early series consistently drew over 10 million viewers, achieving a peak audience of 13.82 million in 2001, and 12.8 million viewers in 2003. Its success eventually led to a spin-off series, titled The Royal, as well as a special episode, and three documentaries. In June 2010, ITV announced the cancellation of Heartbeat after its eighteenth series, following discussions on its future.


Heartbeat is period drama set within the North Riding of Yorkshire during 1960s. Plots for each episodes take place within both the fictional village of Aidensfield and the fictional town of Ashfordly, as well as several other fictional villages and farms in the surrounding moors and countryside. On occasions, plots also include the real-life town of Whitby. Each episode in the series focuses on a set of at least one or two main storylines and a side story, some or all of which would cross over with each other and influence the outcome of their plots. Political tones for storylines, coinciding with the decade the programme was set in, were rarely featured in episodes, though some episodes featured occasional references to the counterculture movement, while others would sometimes delve into a dramatic single storyline concerning a major incident that characters would deal with and sometimes be affected by.

Scripps’ Garage from the series:

The programme’s title was chosen by writers to represent the series’ key characters who worked as police officers and medical staff – “heart” for the medical themes featured regularly in the programme; and “beat” based on the phrase “the bobby’s beat” (“bobby” being British slang for a police officer (from Robert Peel)).[5] Each episode’s set of storylines were inspired from those created for the Constable series of books, written by Nicholas Rhea (the pen-name of former policeman Peter Walker), which were focused on a police constable in the 1960s who came to Aidensfield, in order to serve the local community and solve crimes that took place on his new patch. Much of the characters and locations in the Constable series were directly used for creating the setting and plots in Heartbeat, under guidance from Rhea.

Across Eller Beck to Goathland railway station:

The series was originally intended as a launch platform for actor Nick Berry, following his involvement on the BBC’s soap drama EastEnders, who alongside actress Niamh Cusack, were the prominent main actors of the programme for its first two series. Storylines mainly focused around both their characters, as they offered aid to those around the village and beyond, though the tone of plots were portrayed with grittiness and social realism. From the third series onwards, the role of the village policeman continued to be central to the storyline, but supporting actors were redefined as the programme’s main cast, with their characters elevated in presence, effectively evolving Heartbeat into an ensemble drama that was themed as more cosy and comfortable compared to more modern TV police dramas. The changes were more notable by how supporting actors gained more prominence in the opening titles after being elevated into the series’ main cast – up until the fifth series, both Berry and Cusack were prominently featured in the opening credits, but this changed in later series so that by the beginning of the seventh series, all actors in the main cast were given proper credit for their involvement in the drama series.


After the fifth series, storylines became less centralized around the village constable, focusing on separate storylines that retained a set structure within episodes: one focusing on a crime solved by the village constable and his colleagues at Ashfordly police; one focused on a medical issue that the village doctor and/or nurse would treat; and a side story focused on the programme’s “lovable rogue” character which mainly was designed as comic relief, but sometimes featured light-hearted plots delving into heart-warming moments. In addition, over-arching storylines covering several episodes or even series, provided sub-plots between main characters, allowing for character and relationship development between them, with additional characters added in over time. In time, Heartbeat saw the cast being changed throughout its broadcast history, as new characters were introduced to replace those who left the show after being written out.


Sixties pop music features prominently in episodes, notably from the Beatles and Chuck Berry, forming the backbone of Heartbeat’s soundtrack, although music from other decades sometimes is played in episodes. Some 1970s records appear anachronistically, such as the Hollies’ 1974 song “The Air That I Breathe”, Led Zeppelin’s “Black Dog” (1971) or Pink Floyd’s 1971 instrumental “One of These Days.” The series 17 finale “You Never Can Tell” is accompanied by the Flying Pickets’ 1983 song “Only You”, an episode which featured a guest appearance by the band’s lead singer Brian Hibbard. (wikipedia)

And here´s the soundtrack … with a lot of hits from the Roaring Sixties …

A nice trip in this decade including many rarities like music from The Bachelors, Joe Brown & The Bruvvers nd The Fortunes.



CD 1:
01. Nick Berry: Heartbeat (Montgomery/Petty) 2.15
02. The Swinging Blue Jeans: The Hippy Hippy Shake (Romero) 1.45
03. Sandie Shaw: (There’s) Always Something There To Remind Me (Bacharach/David) 2.36
04. Billy J. Kramer & The Dakotas: Little Children (McFarland) 2.48
05. The Kinks: All Day And All Of The Night (Davies) 2.23
06. Peter & Gordon: A World Without Love (Lennon/McCartney) 2.41
07. The Animals: The House Of The Rising Sun (Traditional) 4.30
08. Lulu & The Luvvers: Shout (O’Kelly Isley/Ronald Isley/Rudolph Isley) 2.53
09. Gerry & The Pacemakers: Don’t Let The Sun Catch You Crying (G,Marsden/ F.Marsden) 2.34
10. Herman’s Hermits: I’m Into Something Good (Goffin/King) 2.34
11. The Searchers: Needles & Pins (Nitzsche/Bono) 2.13
12. The Bachelors: I Believe (Drake/Graham/Shirl/Stillman) 2.06
13. Gerry & The Pacemakers: I Like It (Murray) 2.16
14. Joe Brown & The Bruvvers: A Picture Of You (Beveridge/Oakman) 2.20
15. Acker Bilk: Stranger On The Shore (Bilk/Mellin) 2.49

CD 2:
01. The Hollies: Look Through Any Window (Gouldman/Silverman) 2.18
02. The Moody Blues: Go Now (Banks/Bennett) 3.12
03. The Kinks: Tired Of Waiting For You (Davies) 2.33
04. Amen Corner: Bend Me, Shape Me (English/Weiss) 2.37
05. Georgie Fame: Sunny (Hebb) 2.37
06. The Shadows: FBI (Marvin/Welch/Harris) 2.20
07. The Small Faces: Itchycoo Park (Marriott/Lane) 2.50
08. Dave Berry: The Crying Game (Stephens) 2.45
09. Freddie & The Dreamers: You Were Made For Me (Murray) 2.19
10. Nick Berry: Heartbeat (Montgomery/Petty) 2.15
11. Jeff Beck: Hi Ho Silver Lining (English/Weiss) 2.55
12. Brian Poole & The Tremeloes: Do You Love Me? (Gordy Jr.) 2.24
13. Billy J. Kramer & The Dakotas: Bad To Me (Lennon/MCartney) 2.21
14. The Fortunes: You’ve Got Your Troubles (Greenway/Cook) 3.23
15. The Searchers: When You Walk In The Room (DeShannon) 2.22
16. Spencer Davis Group: Gimme Some Lovin’ (S.Winwood/Davis/M.Winwood) 2.55
17. Manfred Mann: The Mighty Quinn (Dylan) 2.52
18. Donovan: Catch The Wind (Leitch) 2.55
19. Joe Cocker: Let It Be (Lennon/McCartney) 3.32
20. Nick Berry: Daydream Believer (Stewart) 3.18






Joe Cocker – Live At Woodstock (2009)

FrontCover1Live at Woodstock is a live album documenting Joe Cocker’s famous performance with The Grease Band at Woodstock Festival on 17 August 1969. It was released officially for the first time in 2009. (by wikipedia)

Issued in 2009, the 40th anniversary of Woodstock, the most famous rock music festival in history, Joe Cocker’s performance at the festival turns out to be one of the defining moments of his career thus far. Who knew? Cocker’s turn on the stage came on Sunday afternoon, August 17, 1969. He had issued his brilliant debut album, With a Little Help from My Friends, the previous February, and his sophomore follow-up — not as dynamic a recording but a more consistent one overall — would be issued in December.


Backed by the Grease Band (not to be confused with the vanguard U.S. outfit the Hampton Grease Band), his 11-song show included six cuts from the debut, two from his then upcoming album (including a dynamite cover of Bob Dylan’s “Dear Landlord” that opened the gig), a stellar reading of Ashford & Simpson’s “I Don’t Need No Doctor,” and “Something to Say,”an original that didn’t appear officially on one of his own sets until 1973.


From that opening Dylan cut throughout his 62-minute outing, Cocker never really let up in energy or graciousness toward the crowd. The ballads, such as “Do I Still Figure in Your Life,” are delivered with soul and as much fire as harder-driving rhythm & blues-inflected numbers such as “Feelin’ Alright” and “Hitchcock Railway.” The summation of the show is that utterly in-the-red performance of the Beatles’ “With a Little Help from My Friends,” well-known to fans of Cocker and the Woodstock musical and cinematic offerings. This is easily one of the finer offerings to come from the Woodstock anniversary recordings. While the documentation on the disc is rudimentary — such as who the backing vocalists in fact were — the sound is terrific. (by Thom Jurek)


Joe Cocker (vocals)
Henry McCullough (lead guitar, background vocls)
Neil Hubbard (guitar, background vocals)
Bruce Rowland (drums)
Alan Spenner (bass, background vocals)
Chris Stainton (keyboards, background vocals)


01. Dear Landlord (Dylan ) 8.42
02. Something’s Coming On (Cocker/Stanton) 4.04
03. Do I Still Figure In Your Life (Dello) 4.00
04. Feelin’ Alright (Mason) 5.24
05. Just Like A Woman (Dylan) 6.24
06. Let’s Go Get Stoned (Ashford/Simpson) 7.07
07. I Don’t Need No Doctor (Armstead/Ashford/Simpson) 12.14
08. I Shall Be Released (Dylan) 6.00
09. Hitchcock Railway (Dunn/McCashen) 5.51
10. Something To Say (Cocker/Nichols) 9.23
11. With A Little Help From My Friends (Lennon/McCartney) 8.07



More from Joe Cocker:

John Robert “Joe” Cocker (20 May 1944 – 22 December 2014)

Joe Cocker – Jamaica Say You Will (1975)

OriginalFrontCover1Jamaica Say You Will is the fifth studio album by Joe Cocker, released in April 1975. The songs from the album come from the same sessions that produced the highly acclaimed LP I Can Stand A Little Rain (1974). Jamaica Say You Will wasn’t, however, as successful as its predecessor. It reached number 42 on the US album charts.

It includes participation by Randy Newman; rhythm section on most of the songs is played by the Kingpins, formerly known for being saxophonist King Curtis’ backing band, including Bernard “Pretty” Purdie on drums. “(That’s What I Like) In My Woman” is a fast-driven song with horns, “Where Am I Now” and “I Think It’s Going To Rain Today” are segued and complimentary – the sentiment of each song reflected in the other. “Oh Mama” is pure vocal blues, accompanied by a saxophone. The over-all influence is soul and blues. The album winds up acoustically, with a simply arranged, folk-flavoured tune, “Jack-A-Diamonds”. (by wikipedia)

Inlet01AAlthough this collection didn’t sell as well as some of his other CD’s, this has become my favorite. His blues and gospel style are very prominent in these recordings. Jack-A-Diamonds and Lucinda are great tunes, along with a very soulful Where Am I Now. Great purchase. (by Basil Rathbook)

We’ve all had the experience of buying an album/CD for one or two songs we really want hear, but the rest of the album, not so much. That isn’t the case with “Jamaica Say You Will”. This is one of the most cohesive works I think I’ve ever heard; Everything fits, as if it were written specifically for this set of songs. There isn’t a clunker in the bunch, and “Jamaica Say You Will”, written by Jackson Browne is the star of the show.


Jackson Browne’s version is worth listening to, but Joe takes it a to another level; A depth of feeling few artists can achieve and most can only aspire to. All of the songs are just spot on, exactly as one would want them to be, and the perfect finale is “Jack of Diamonds”, bluesy, but defiant, in which Joe near the end, chuckles to himself, then says “… goin’ down the road…”, a man and his blues, like a world-weary traveler and his trusty pup.
No other way to say it; This is one of his best. (by Glenn Watson)


Joe Cocker (vocals)
Cornell Dupree (guitar)
Bernard Purdie (drums)
Chuck Rainey (bass)
Richard Tee (keyboards)
Cynthia Barclay (background vocals on 06.)
Joanne Bell (background vocals on 06.)
Ben Benay (guitar on 02. + 03, harmonica on 06.)
Buzz Clifford (background vocals on 01., 02 + 09.)
Joe Correro (drums on 03.)
Venetta Fields (background vocals on 02.)
Nicky Hopkins (piano on 02.)
Jim Horn (saxophone on 01., 05. + 08.)
Jimmy Karstein (drums on 02. + 06.)
Bobby Keys (saxophone on 09.)
Clydie King (background vocals on 02.)
Trevor Lawrence (saxophone on 09.)
Steve Madaio (trumpet on 09.)
Sherlie Matthews (background vocals on 02.)
Henry McCullough (guitar on 06.)
Daniel Moore (guitar on 10., background vocals on 01. – 09.)
Dave McDaniel (bass on 03. + 06.)
Jim Moore (background vocals on 04.)
Matthew Moore (background vocals on 01., 03. – 06., 08. + 09.)
Don Poncher (percussion on 09.)
Jim Price (trombone  on 01., background vocals on 01., 03., 05., 06., 08+ + 09., brass on 03., organ on 06.)
Jean Roussel (organ on 02.)
Peggy Sandvig (piano on 03. +  06.)
Dan Sawyer (guitar on 03.)
Carol Stallings (background vocals on 01., 02. + 09.)
Chrissy Stewart (bass on 02.)
The Sid Sharp Strings (strings on 03. + 04.)


01. (That’s What I Like) In My Woman (Moore) 3.28
02. Where Am I Now (Davis) 4.15
03. I Think It’s Going To Rain Today (Newman) 4.00
04. Forgive Me Now (Moore) 3.27
05. Oh Mama (Price) 4.13
06. Lucinda (Newman) 3.55
07. If I Love You (Moore) 4.00
08. Jamaica, Say You Will (Browne) 4.19
09. It’s All Over But The Shoutin’ (Hinton/Bristol) 3.57
10. Jack-A-Diamonds (Moore) 3.40



Joe Cocker

Joe Cocker – Fire It Up – Live (2013)

FrontCover1.jpgThis 2013 release from the veteran British vocalist, was his first live recording in over 20 years: Fire It Up: Live documents his celebrated European Fire it Up tour, witnessed by millions of delighted fans since its kick off in March 2013. Fire it Up: Live presents the show at the Lanxess Arena in Cologne in April 2013. “I’m very flattered”, Joe Cocker confessed at the show, “because there’s so many young artists on the scene now – it’s amazing that we can still pull them in”. This success is due to an exceptionally gifted artist, who thrills his audience merely with the immense power of his voice, as well as the timeless magic of hits like “With a Little Help of my Friends”, “You Can Leave Your Hat On”, “Unchain My Heart”, “Up Where We Belong” and “You Are So Beautiful”.

Simply stated, Joe Cocker is like a fine wine. He seems to get better with age. This is Cocker at the pinnacle of his craft. An amazing song line up and a voice that belts out every tune with a passion that is fired up like no other time in his career. The tightest live band of all time. Rolling Stone Magazine, you should put this one in your Top 100 Albums of all time. A must have CD for your collection. You’ll listen to this one over and over and over again! Thank you Mr. Cocker for your finest work yet. (by Philip T)


What a great concert! Cocker was in great form and the band was tight. Since it was a live album they move from song to song with efficient dispatch. This was the first live concert album for the Englishman in decades. Rumors were this was to be his retirement album and as fate would have it, that is exactly how it played out with the passing of Cocker just a short time later. (by Avid One)


The last and very best Joe Cocker concert. The German audience, just like the Brits and us Americans were in a loving, exuberant, appreciative mood and Joe gave his all. If you had to write your own epitaph or history, Mr. Cocker gave it the very best anyone could.
My only regret: Not being there. (by JayDub)

This was the last album by Joe Cocker … what a great legacy …. !!!


Gene Black (guitar)
Jack Bruno (drums)
Joe Cocker (vocals)
Norberto Fimpel (saxophone, percussion, accordion on 14.)
Herman Jackson (organ)
Nick Milo (keyboards)
Oneida James-Rebeccu (bass)
background vocals:
Laura Jane Jones – Nichelle Tillman



CD 1:
01. I Come In Peace (Brewster/Wilson) 4.42
02. Feelin’ Alright (Mason) 4.42
03. The Letter (Thompson) 5.49
04. When The Night Comes (Adams/Warren/Vallance) 5.10
05. You Love Me Back (Matkosky/Bently/Diamond) 4.07
06. I’ll Be Your Doctor (Trott/McMorran/Horn) 3.40
07. Up Where We Belong (Sainte-Marie/Nitzsche/Jennings) 6.03
08. Come Together (Lennon/McCartney) 5.44
09. Eye On The Prize (Turner/Gilmore/Clement/Johnson/Kenney/Broussard) 5.01
10. You Don’t Need A Million Dollars (Giles) 4.28
11. You Are So Beautiful  (Preston/Fisher) 4.10
12. Younger (Burr) 4.22

CD 2:
13. Fire It Up (Frew/Reid/Dodson) 4.32
14. N’oubliez Jamais (Cregan/Kunkel) 6.37
15. You Can Leave Your Hat On (Newman) 4.42
16. Unchain My Heart (Sharp/Powell) 6.10
17. With A Little Help From My Friends (Lennon/McCartney) 11.30
18. Summer In The City (j.Sebastian/M.Sebastian/Boone) 4.24
19. Hard Knocks (Broussard/Ramsey/Sanders) 3.58
20. Cry Me A River (Hamilton) 5.32
21. You Don’t Know What You’re Doing To Me (Hilton/Kirkpatrick) 4.34





Joe Cocker (20 May 1944 – 22 December 2014)

Joe Cocker – Live (1989)

FrontCover1Joe Cocker Live is a live album by Joe Cocker, released in 1990 (see 1990 in music). It was recorded live 5 October 1989 at Memorial Auditorium in Lowell, Massachusetts with the exception of the last two tracks which were recorded in the studio. The album was re-released in 2011 under the title Joe Cocker’s Greatest Hits Live. (by wikipedia)

It’s no “Mad Dogs & Englishmen,” but this 1991 live release is a more than worthy companion to that seminal recording; whereas “Mad Dogs” was as much a showcase for the brilliant ensemble he was touring with at the time, “Live” is all Cocker, containing several of his biggest hits as well as two new songs recorded shortly after his 1990 tour.

Those who enjoyed the soulful, organic sound of “Mad Dogs” may be put off by the slick, bombastic ”80s’ sound of “Live,” but it’s very easy to overlook since Cocker is the star of the show here: his voice is at his rough, gritty, passionate best, and he is absolutely electric on every performance. Few performers invested themselves in selling a song more than Cocker, and the performances of gems like “When the Night Comes,” “You Are So Beautiful,” “Unchain My Heart,” and of course, “With a Little Help from My Friends,” are perfect examples of that. Uptempo classics like “Feelin’ Alright,” “Hitchcock Railway,” “You Can Leave Your Hat On,” and “The Letter” come alive in the concert setting, and it’s impossible not to jump and down with delight on the closing rave-up of “High Time We Went,” one of the greatest live performances I’ve ever heard and a pure adrenaline rush.

“Live” is an excellent lp of Cocker on top of his game and a wonderful addition to his catalog. (by Anthony Nastion )


Joe Cocker (vocals)
Deric Dyer (saxophone, percussion)
Gary Buho Gazaway (trumpet)
Phil Grande (guitar)
Steve Holley (drums)
Wayne Jackson (trumpet)
Bashiri Johnson (percussion)
Jeff Levine (keyboards)
Andrew Love (saxophone)
Keith Mack (guitar)
Keni Richards (drums)
Earl Slick (guitar)
Chris Stainton (keyboards)
T.M. Stevens (bass, background vocals)
Crystal Taliefero (percussion, background vocals)
background vocals:
Tawatha Agee – Doreen Chanter – Maxine Green – Vaneese Thomas – Fonzi Thornton


01. Feelin’ Alright (Mason) 4.43
02. Shelter Me (Di Stefano) 4.26
03. Hitchcock Railway (Dunn/McCashen) 3.58
04. Up Where We Belong (Nitzsche/Sainte-Marie/Jennings) 4.35
05. Guilty (Newman) 2.40
06. You Can Leave Your Hat On (Newman) 4.20
07. When the Night Comes (Adams/Vallance/Warren) 4.52
08. Unchain My Heart (Sharp, Jr.) 5.50
09. With A Little Help from My Friends (Lennon/McCartney) 9.13
10. You Are So Beautiful (Preston/Fisher) 4.23
11. The Letter (Thompson) 4.31
12. She Came in Through The Bathroom Window (McCartney/Lennon) 2.30
13. High Time We Went (Cocker/Stainton) 7.58
studio bonus tracks:
14. What Are You Doing With A Fool Like Me (Warren) 4.51
15. Living In The Promiseland (Jones) 3.55





Joe Cocker – Stingray (1976)

FrontCover1Stingray is the sixth studio album by Joe Cocker, released in 1976 (see 1976 in music).

“Stingray” is Joe Cocker’s seventh and arguably his best album.

Recorded in Jamaica with the aid of crack producer Rob Fraboni, and a tightly sprung soul band, “Stingray” moves with an understated forcefulness that simultaneously generates both moonlit loveliness and churning dramatic tension.

A new album of such power and beauty it affirms, once again, why Joe Cocker has a special place in American music.

Cocker’s entire range of vocal expression – from his fragile whisper to his desperate scream – comes across with breathtaking urgency.

Joe Cocker has reached another artistic pinnacle with more than a little help from his friends” (A&M promotional ad)

“Stingray”  is Joe Cocker’s  6th studio album, released in 1976 and ranks as a favorite among his musical peers. Joe turns in some unbelievable vocal performances on such tunes as “The Jealous Kind”, “A Song For You”, “She is My Lady” and “The Worrier” (which features Eric Clapton on guitar).

The soulful rhythm section is anchored by Joe’s then backup band ‘Stuff’ with lead guitarist Eric Gale providing flawless guitar solo’s throughout. Great backup vocals are provided by Patti Austin, Deniece Williams and Bonnie Bramlet.

Without question it ranks alongside the best rock albums ever made. Cocker’s singing has enourmous emotional power and range and the song selection is exquisite.(by Anthony)

Joe Cocker’s album “Stingray”, 1976, is a favorite of mine. Its flavor is so similar to Joe’s 1974 album, “I Can Stand A Little Rain” they could have been a double album.
I purchased the vinyl album of this and played it until the needle wore the record down. Once, after a show that I opened for Joe, I was privileged to meet Pam Cocker. I told her that Stingray was a favorite of mine and she said it was a favorite of hers too. I told her that I had found and purchased just about all of Joe’s albums on CD but Stingray had not been released on CD yet and I wondered why. I constantly was searching for it and when I finally found it available, I rushed to order it. When it arrived, I sat down, with headphones on, and marveled at the songs that I hadn’t heard in decades.

JoeCocker1976Joe Cocker, 1976

The first Track “The Jealous Kind” has a Reggae feel, and keyboardist Richard Tee, really sweetens the sound with his choice of keyboard and deftly played licks. I perform this song, a lot in my “As Joe Cocker” Tribute Shows. Track two, “I Broke Down” is an up tempo tune, with energy suitable for an opening song of a live concert. Track Three, “You Came Along” is a Bobby Charles song that features an echo effect at 36 seconds into the song, on Joe’s voice that is short but I listen for it every time that I listen to this track. Track Four, “Catfish” is a favorite of mine, written by Bob Dylan. It tells the story of Catfish Hunter, the famous baseball pitcher. Catfish is my favorite pitcher in baseball ever. I had never heard Dylan’s version of the song so I found it and gave it a listen. Since I had heard Joe’s version first and loved it, I hated Dylan’s original. Track Five, “Moon Dew” is a vehicle for the dynamics of Joe’s voice.

US InnerSleeves

US inner sleeves

It starts soft and low and builds to a gut felt, sorrowful, voice with an instrumental finish. Track Six, “The Man In Me”, is also a Bob Dylan composition. Joe’s version is a Reggae arranged song that has a happy bounce to it. Track seven, “She Is My Lady”, is a bluesy number with a distinct Gospel feel to it. I was surprised to learn that it was written by George Clinton. Donny Hathaway recorded this song. Joe’s version is so powerfully sang with feeling; I can’t imagine anyone doing a better version of this song than Joe. Track 8, “Worrier”, I love the lyrics to this song. On this call and answer arrangement, the girls really shine. One of the singers has a sound that I can only describe as a “Cockerish” growl. Track 9, “Born Thru Indifference”, features Richard Tee playing a B3 Organ, and the slinky sound of Eric Gale playing his guitar. The last track is “A Song For You” by Leon Russell. This arrangement is really slowed down from Leon’s version, which allows Joe’s heart and soul to stand out in his interpretation of these lyrics. Many Cocker Fans have not heard this album. I recommend it, especially if you heard and liked the “I can Stand A Little Rain” album. (by Alan Kaye)

Indeed: One of the finest albums Joe Cocker ever recorded !


Joe Cocker (vocals)
Cornell Dupree (guitar)
Gordon Edwards (bass)
Steve Gadd (drums, percussion)
Eric Gale (guitar)
Richard Tee (keyboards)
Background vocals:
Patti Austin – Bonnie Bramlett – Lani Groves – Gwen Guthrie – Phyllis Lindsay – Brenda White – Maxine Willard – Deniece Williams
Eric Clapton (guitar on 08.)
Felix “Flaco” Falcon (percussion)
Albert Lee (guitar on 03.)
Sam Rivers (saxophone)


01. The Jealous Kind (Charles) 3.51
02. I Broke Down (Moore) 3.29
03. You Came Along (Charles) 3.50
04. Catfish (Dylan/Levy) 5.24
05. Moon Dew (Moore) 5,53
06. The Man In Me (Dylan) 2.43
07. She Is My Lady (Clinton) 4.37
08. Worrier (Moore) 3.16
09. Born Thru Indifference (Cocker/Tee) 6.15
10. A Song For You (Russell) 6.25




Joe Cocker – Night Calls (1991)

FrontCover1Singer Joe Cocker dies aged 70

Singer Joe Cocker, best known for his cover of the Beatles’ With A Little Help From My Friends, has died aged 70, his agent has confirmed.
The Sheffield born singer song-writer had a career lasting more than 40 years with hits including You Are So Beautiful and Up Where We Belong.

His agent Barrie Marshall confirmed he had died of an undisclosed illness.

He was “simply unique” and “it will be impossible to fill the space he leaves in our hearts,” he added.
Known for his gritty voice, Cocker began his singing career in the pubs and clubs of Sheffield in the 1960s before hitting the big time.
He was propelled to pop stardom when his version of The Beatles’ With A Little Help from My Friends reached number one in 1968.
He performed the song at the famous Woodstock Festival in New York state a year later.

His duet with Jennifer Warnes, Up Where We Belong – from An Officer And A Gentleman – hit number one and went on to win both a Grammy and an Academy Award in 1983.

CockerLA1972Joe Cocker in Los Angeles, 1972

He was made an OBE in 2007.

Last year his arena tour across Europe saw him achieve a number one album in Germany and give what was to be his final concert in Hammersmith, London, in June.
Mr Marshall said it was with “the heaviest hearts we heard that our beloved Joe Cocker passed away last night”.
“He was without the doubt the greatest rock/soul voice ever to come out of Britain and remained the same man throughout his life.”
He described Cocker as a “true star” who was also “a kind and humble man who loved to perform”.
“Anyone who ever saw him live will never forget him,” he added.
‘Etched in our memories’
Among the musicians who have paid tribute to Cocker, were the Beatles’ drummer Ringo Starr, who tweeted: “Goodbye and God bless to Joe Cocker.”

Singer song-writer Frank Turner tweeted: “Wow. Sad to hear of Joe Cocker’s passing. Incredible singer.”
BBC arts editor, Will Gompertz said Cocker may have had “the finest blues soul voice ever to come out of Britain”.
Edgar Berger, chairman and chief executive of Sony Music Entertainment International, who signed Cocker, said he was “one of the most humble men I’ve ever met.

He said his voice “will forever be etched in our memories”.

JoeCocker01And this is one of his many recordings:

Cocker’s rep has always been as a superb interpreter of other people’s material. For Night Calls, the Sheffield native peaks with the opening track — a memory-engraving rendition of the Bryan Adams/Diane Warren-penned “Feels Like Forever.” It’s the higher profile songs that ultimately disappoint on Night Calls. Cocker eventually works up a lather toward the end of “You’ve Got to Hide Your Love Away,” but it never reaches the standard of other Beatles classics in his repertoire (“With a Little Help from My Friends,” “She Came in Through the Bathroom Window”). The biggest let-down is the lack of commitment projected on Elton John’s “Don’t Let the Sun Go Down On Me.” Still, even slumming Cocker sounds more real and soulful than, say, Michael Bolton in his wildest dreams. (by Roch Parisien)

Alex Acuña (percussion)
Michael Baird (drums)
Jim Brock (timbales)
Mike Campbell (guitar)
Joe Cocker (vocals)
Sydney Davis (background vocals)
Deric Dyer (saxophone)
Phil Grande (guitar)
Steve Holley (drums, tambourine)
Marti Jones (background vocals)
Joshua Kadison
Rory Kaplan (keyboards)
Jim Keltner (drums)
Danny Kortchmar (guitar)
Ian McLagan (organ)
New Life Community Choir (background vocals)
David Paich (keyboards)
Greg Phillinganes (keyboards)
Maxine Sharp (background vocals)
Chris Stainton (piano)
T.M. Stevens (bass)
Neil Stubenhaus (bass)
Benmont Tench (organ)
The Water Sisters (background vocals)

01. Feels Like Forever (Adams/Warren) 4.43
02. I Can Hear The River (Dixon) 3.42
03. Now That The Magic Has Gone (Miles) 4.42
04. Unchain My Heart (90´s version) (Sharp/Powell) 5.08
05. Night Calls (Lynne) 3.28
06. There´s A Storm Coming (Hadley/Wilson) 4.10
07. Can’t Find My Way Home (Winwood) 3.29
08. Don’t Let The Sun Go Down On Me (John/Taupin) 5.30
09. When The Night Comes (Adams/Vallance/Warren) 4.47
10. Five Women (Prince) 5.35
11. Love Is Alive (Wright) 3.57
12. Please No More (Hansen/Egan) 5.28
13. Out Of The Rain (White) 4.38
14. You’ve Got to Hide Your Love Away (Lennon/McCartney) 5.03
15. When A Woman Cries (Kadison) 4.17


CockerWoodstockREST IN PEACE !
(now he find his way to his new home)

Various Artists – Rock Invasion (1956 – 1969) (1978)

FrontCover1This is a very rare sampler from 1978 released by London Records (I guess this album should promote their “Collectors Edition; in this edition London Records published many samplers of British acts like “Savoy Brown”, “Ten Years After”, David Bowie, “Them”, John Mayall or “Thin Lizzy” amongst others.

You can hear more or less rare recordings by musicians like Joe Cocker (“I’ll Cry Instead”), Rod Stewart (“Good Morning Little School Girl “), “Unit Four + Two” (“Concrete And Clay”) or “The Graham Bond Organisation” (“Long Tall Shorty”).

Listen and enjoy this music, from the days when we were young … Reflections of my life … And songs like ” Watcha Gonna Do About It”, “Long Tall Shorty” or “Tobacco Road” stands the test of time ! And maybe it´s time, to discover this period of music again … who knows ?

01. Rod Stewart: Good Morning Little School Girl (Williamson) (1964) 2.12
02. The Fortunes: You’ve Got Your Troubles (Greenaway/Cook) (1965)  3.28
03. Lonnie Donegan: Rock Island Line (Donnegan) (1956) 2.34
04. Los Bravos: Black Is Black (Hayes/Wadey/Grainger) (1966)
05. Graham Bond Organisation: Long Tall Shorty (Covay/Abramson) (1964) 2.27
06. The Andrew Loog Oldham Orchestra: Da Doo Ron Ron (Spector/Greenwich/Barry) (1964) 2.28
07. The Nashville Teens: Tobacco Road (Loudermilk) (1964) 2.32
08. Joe Cocker: I’ll Cry Instead (Lennon/McCartney) (1964)1.47
09. Small Faces: Watcha Gonna Do About It (Samwell/Porter) (1965) 2.04
10. The Marmalade: Reflections Of My Life (Campbell/McAleese) (1969) 4.21
11. Unit Four + Two: Concrete And Clay (Parker/Moeller) (1965) 2.23
12. The Zombies: Tell Her No (Argent) (1965) 2.11


WhoIsWhoWho is who ?