Fresh Cream is the debut studio album by the British rock band Cream. The album was released in the UK on 9 December 1966, as the first LP on the Reaction Records label, owned by producer Robert Stigwood. The UK album was released in both mono and stereo versions, at the same time as the release of the single “I Feel Free”.
The album was released in a slightly different form in January 1967 by Atco Records in the US, also in mono and stereo versions. The album peaked at No. 6 on the UK Albums Chart and No. 39 on the U.S. Albums Chart.
The mono versions were deleted not long after release and for many years only the stereo recordings were available. The UK mono album was reissued on CD for the first time in Japan in late 2013 as part of a deluxe SHM-CD and SHM-SACD sets (both editions also contain the UK stereo counterpart).
In January 2017, the album was again reissued in a 3CD box-set containing mono and stereo versions of the original UK and US release along with singles and b-sides.
Bass player Jack Bruce later said that the opening song “N.S.U.” was written for the band’s first rehearsal. “It was like an early punk song… the title meant “non-specific urethritis. It didn’t mean an NSU Quickly – which was one of those little 1960s mopeds. I used to say it was about a member of the band who had this venereal disease. I can’t tell you which one… except he played guitar.”
In 2003, the album was ranked number 101 on Rolling Stone magazine’s list of the 500 greatest albums of all time.(by wikipedia)
Fresh Cream represents so many different firsts, it’s difficult to keep count. Cream, of course, was the first supergroup, but their first album not only gave birth to the power trio, it also was instrumental in the birth of heavy metal and the birth of jam rock. That’s a lot of weight for one record and, like a lot of pioneering records, Fresh Cream doesn’t seem quite as mighty as what would come later, both from the group and its acolytes. In retrospect, the moments on the LP that are a bit unformed — in particular, the halting waltz of “Dreaming” never achieves the sweet ethereal atmosphere it aspires to — stand out more than the innovations, which have been so thoroughly assimilated into the vocabulary of rock & roll, but Fresh Cream was a remarkable shift forward in rock upon its 1966 release and it remains quite potent.
Certainly at this early stage the trio was still grounded heavily in blues, only fitting given guitarist Eric Clapton’s stint in John Mayall’s Bluesbreakers, which is where he first played with bassist Jack Bruce, but Cream never had the purist bent of Mayall, and not just because they dabbled heavily in psychedelia. The rhythm section of Bruce and Ginger Baker had a distinct jazzy bent to their beat; this isn’t hard and pure, it’s spongy and elastic, giving the musicians plenty of room to roam. This fluidity is most apparent on the blues covers that take up nearly half the record, especially on “Spoonful,” where the swirling instrumental interplay, echo, fuzz tones, and overwhelming volume constitute true psychedelic music, and also points strongly toward the guitar worship of heavy metal. Almost all the second side of Fresh Cream is devoted to this, closing with Baker’s showcase “Toad,” but for as hard and restless as this half of the album is, there is some lightness on the first portion of the record where Bruce reveals himself as an inventive psychedelic pop songwriter with the tense, colorful “N.S.U.” and the hook- and harmony-laden “I Feel Free.”
Cream shows as much force and mastery on these tighter, poppier tunes as they do on the free-flowing jams, yet they show a clear bias toward the long-form blues numbers, which makes sense: they formed to be able to pursue this freedom, which they do so without restraint. If at times that does make the album indulgent or lopsided, this is nevertheless where Cream was feeling their way forward, creating their heavy psychedelic jazz-blues and, in the process, opening the door to all kinds of serious rock music that may have happened without Fresh Cream, but it just would not have happened in the same fashion as it did with this record as precedent. (by Stephen Thomas Erlewine)
Ginger Baker (drums, percussion, vocals)
Jack Bruce (vocals, bass, harmonica, piano)
Eric Clapton (guitar, vocals)
01. I Feel Free (Bruce/Brown) 2.53
02. N.S.U. (Bruce) 2.48
03. Sleepy Time Time (Bruce/Godfrey) 4.23
04. Dreaming (Bruce) 2.01
05. Sweet Wine (Baker/Godfrey) 3.20
06. Cat’s Squirrel (Traditional) 3.06
07. Four Until Late (Johnson) 2.10
08. Rollin’ And Tumblin’ (Morganfield) 4.44
09. I’m So Glad (James) 3.59
10. Toad (Baker) 5.10