Tuesday Night Music Club is the debut solo album from American singer/songwriter Sheryl Crow, released on August 3, 1993. The lead single “Run Baby Run” was not particularly successful. However, the album gained attention after the success of the third single, “All I Wanna Do,” based on the Wyn Cooper poem “Fun” and co-written by David Baerwald, Bill Bottrell, Sheryl Crow, and Kevin Gilbert. The single eventually reached number two on the Billboard Hot 100, propelling the album to number three in the US Billboard 200 album charts, selling over 5.3 million units there as of January 2008. On the UK Album Chart, Tuesday Night Music Club reached #8 and is certified 2× platinum.
It is listed as one of 1001 Albums You Must Hear Before You Die.
The title of the album comes from the name for the ad hoc group of musicians including Crow, the “Tuesday Music Club”, who came together on Tuesdays to work on the album. Many of them share songwriting credits with Crow.
The front cover of the album shows Crow wearing a denim shirt with “a sheepish smile”. The back cover has a neon cafe sign of the “Jenny Rose Cafe”, consisting of the heart-shaped neon light behind the sign “CAFE” and above the other sign “JENNY ROSE”.
The group existed as a casual songwriting collective prior to its association with Crow, but rapidly developed into a vehicle for her debut album after her arrival (she was at the time dating Kevin Gilbert, who actually co-wrote most of the songs for this album along with Crow, Baerwald, Ricketts, Bottrell, Schwartz and MacLeod). Her relationship with Gilbert became acrimonious soon after the album release and there were disputes about songwriting credits. In interviews later, Crow claimed to have written them. Both Gilbert and Baerwald castigated Crow publicly in the fallout, although Baerwald later softened his position. A similar tension arose with TNMC member Bill Bottrell after her second album, on which he collaborated during the early stages.
In February 2008, Bottrell said, “The truth is hard to describe, but it lies between what all the people were shouting. It was all very vague and very complicated. She wrote the majority of the album. The guys and I contributed writing and lyrics, including some personal things. However, the sound was the sound that I developed”. However, this was said while promoting their most current work together and contradicts most previous statements by him including those in Richard Buskin’s highly detailed book about the situation. Bottrell in earlier times had said Crow was given the second-largest portion of the publishing splits on the album in order to motivate her to work hard, as she still had to pay the very large debt from her unreleasable real first record, publishing being the only way she was likely to earn any money from her new record.
Tuesday Night Music Club went on to sell some 7.6 million copies in the US and UK during the 1990s. The album also won Crow three Grammy Awards in 1995: Record of the Year, Best New Artist and Best Female Vocal Performance.
Travis Tritt’s 2002 album Strong Enough features a song titled “Strong Enough to be Your Man” and was written as a reply to Crow’s original song. (by wikipedia)
Sheryl Crow earned her recording contract through hard work, gigging as a backing vocalist for everyone from Don Henley to Michael Jackson before entering the studio with Hugh Padgham to record her debut album. As it turned out, things didn’t go entirely as planned. Instead of adhering to her rock & roll roots, the record was a slick set of contemporary pop, relying heavily on ballads. Upon hearing the completed album, Crow convinced A&M not to release the album, choosing to cut a new record with producer Bill Bottrell. Along with several Los Angeles-based songwriters and producers, including David Baerwald, David Ricketts, and Brian McLeod, Bottrell was part of a collective dubbed “the Tuesday Night Music Club.” Every Tuesday, the group would get together, drink beer, jam, and write songs. Crow became part of the Club and, within a few months, she decided to craft her debut album around the songs and spirit of the collective. It was, for the most part, an inspired idea, since Tuesday Night Music Club has a loose, ramshackle charm that her unreleased debut lacked. At its best — the opening quartet of “Run, Baby, Run,” “Leaving Las Vegas,” “Strong Enough,” and “Can’t Cry Anymore,” plus the deceptively infectious “All I Wanna Do” — are remarkable testaments to their collaboration, proving that roots rock can sound contemporary and have humor. That same spirit, however, also resulted in some half-finished songs, and the preponderance of those tracks make Tuesday Night Music Club better in memory than it is in practice. Still, even with the weaker moments, Crow manages to create an identity for herself — a classic rocker at heart but with enough smarts to stay contemporary. And that’s the lasting impression Tuesday Night Music Club leaves. (by Stephen Thomas Erlewine)

Personnel:
David Baerwald (guitar)
Bill Bottrell (guitar, pedal steel-guitar)
Sheryl Crow (guitar, piano, vocals)
Kevin Gilbert (keyboards, guitar, drums on 01., bass on 09.)
Brian MacLeod (drums)
Dan Schwartz (bass, guitar)
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David Ricketts (bass on 02.)

Tracklist:
01. Run Baby Run (Crow/Baerwald/Bottrell 4.53
02. Leaving Las Vegas (Crow/Bottrell/Baerwald/Gilbert/Ricketts 5.10
03. Strong Enough (Crow/Bottrell/Baerwald/Gilbert/MacLeod/Ricketts 3.10
04. Can’t Cry Anymore (Crow/Bottrell) 3.41
05. Solidify (Crow/Hunter/Bottrell/Baerwald/Gilbert/Ricketts/MacLeod) 4.08
06. The Na-Na Song (Crow/Bottrell/Baerwald/Gilbert/Ricketts/MacLeod) 3.12
07. No One Said It Would Be Easy (Crow/Bottrell/Gilbert/Schwartz) 5.29
08. What I Can Do For You (Crow/Baerwald) 4.15
09. All I Wanna Do (Crow/Gilbert/Cooper/Baerwald) 4.32
10. We Do What We Can (Crow/Bottrell/Gilbert/Schwartz) 5.38
11. I Shall Believe (Crow/Bottrell) 5.34

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She was born in November 1963 the day Aldous Huxley died
And her mama believed that every man could be free
So her mama got high, high, high and her Daddy marched on Birmingham
Singing mighty protest songs and he pictured all the places
Where he knew that she’d belong but he failed and taught her young
The only thing she’d need to carry on
He taught her how to
Run baby run baby run baby
Past the arms of the familiar and their talk of better days
To the comfort of the strangers slipping out before they say
So long baby loves to run
She counts out all her money in the taxi on the way to meet her plane
In stares hopeful out the window
At the workers fighting through the pouring rain
And she’s searching through the stations for an unfamiliar song
And she’s think of all the places where she knows she still belongs
She smiles the secret smile and sure she knows exactly how to carry on
So run baby run baby
From their old familiar faces and their old familiar ways
To the comfort of the strangers and slipping out before they say
So long, and baby loves to run
And she’s searching through the stations for an unfamiliar song
And she pictures all the places where she knows she still belongs
And she smiles the secret smile because she knows exactly how
To carry on
So run baby run baby