Betty Gray Davis (born Mabry; July 16, 1944 – February 9, 2022) was an American singer, songwriter, and model. She was known for her controversial sexually-oriented lyrics and performance style, and for being the second wife of trumpeter Miles Davis. Her Allmusic profile describes her as “a wildly flamboyant funk diva with few equals … [who] combined the gritty emotional realism of Tina Turner, the futurist fashion sense of David Bowie, and the trendsetting flair of Miles Davis”.
Betty Gray Mabry was born in Durham, North Carolina, on July 16, 1944. She developed an interest in music when she was about ten, and was introduced to various blues musicians by her grandmother, Beulah Blackwell, while staying at her farm in Reidsville. At 12, she wrote one of her first songs, “I’m Going to Bake That Cake of Love”. The family relocated to Homestead, Pennsylvania, so her father, Henry Mabry, could work at a steel mill, and Betty graduated from Homestead High School. She decided to pursue a career in showbusiness after watching her father dance like Elvis Presley.
When she was 16, Betty left Homestead for New York City, enrolling at the Fashion Institute of Technology (FIT) while living with her aunt. She soaked up the Greenwich Village culture and folk music of the early 1960s. She associated herself with frequenters of the Cellar, a hip uptown club where young and stylish people congregated. It was a multiracial, artsy crowd of models, design students, actors, and singers. At the Cellar she played records and chatted people up. She was a friend and early muse to fashion designer Stephen Burrows, who also studied at the FIT at the time. She also worked as a model, appearing in photo spreads in Seventeen, Ebony and Glamour.
In New York, she met musicians including Jimi Hendrix and Sly Stone. The seeds of her musical career were planted through her friendship with soul singer Lou Courtney, who reputedly produced her first single, “The Cellar”, though the existence of that record has been questioned. She secured a contract with Don Costa, who had written arrangements for Frank Sinatra. As Betty Mabry, she recorded “Get Ready For Betty” b/w “I’m Gonna Get My Baby Back” in 1964 for Costa’s DCP International label. Around the same time, she recorded a single, “I’ll Be There”, with Roy Arlington for Safice Records, under the joint name “Roy and Betty”.
Her first professional gig came after she wrote “Uptown (to Harlem)” for the Chambers Brothers. Their 1967 album was a major success, but Mabry focused on her modeling career. She was successful as a model but felt bored by the work—”I didn’t like modeling because you didn’t need brains to do it. It’s only going to last as long as you look good.”
In 1968, when she was in a relationship with Hugh Masekela, she recorded several songs for Columbia Records, with Masekela doing the arrangements. Two of them were released as a single: “Live, Love, Learn” b/w “It’s My Life”. Her relationship with Miles Davis began soon after her breakup from Masekela. She featured on the cover of Miles Davis’ album Filles de Kilimanjaro, which included his tribute to her, “Mademoiselle Mabry”, and she introduced him to psychedelic rock and the flamboyant clothing styles of the era. In the spring of 1969, Betty returned to Columbia’s 52nd St. Studios to record a series of demo tracks, with Miles and Teo Macero producing. At least five songs were taped during those sessions, three of which were Mabry originals, two of which were covers of Cream and Creedence Clearwater Revival. Miles attempted to use these demo songs to secure an album deal for Betty, but neither Columbia nor Atlantic were interested and they were archived into a vault until 2016 when they were released in the compilation, The Columbia Years, 1968–1969, by Seattle’s Light in the Attic Records.
After the end of her marriage with Miles, Betty moved to London, probably around 1971, to pursue her modeling career. She wrote music while in the UK and, after about a year, returned to the US with the intention of recording songs with Santana. Instead, she recorded her own songs with a group of West Coast funk musicians including Larry Graham, Greg Errico, the Pointer Sisters, and members of Tower of Power. Davis wrote and arranged all her songs. Her first record, Betty Davis, was released in 1973. She released two more studio albums, They Say I’m Different (1974) and her major label debut on Island Records Nasty Gal (1975). None of the three albums were a commercial success, but she had two minor hits on the Billboard R&B chart: “If I’m in Luck I Might Get Picked Up”, which reached no. 66 in 1973, and “Shut Off the Lights”, which reached no. 97 in 1975.
Davis remained a cult figure as a singer, due in part to her unabashedly sexual lyrics and performance style, which were both controversial for the time. She had success in Europe, but in the U.S. she was barred from performing on television because of her sexually aggressive stage persona. Some of her shows were boycotted, and her songs were not played on the radio due to pressure by religious groups and the NAACP. Carlos Santana recalled Betty as “indomitable – she couldn’t be tamed. Musically, philosophically and physically, she was extreme and attractive.”
In 1976, Davis completed another album for Island Records before being dropped by the label. She spent a year in Japan, spending time with silent monks. In 1980, Davis’ father died which prompted her return to the US to live with her mother in Homestead, Pennsylvania. Davis struggled to overcome her father’s death, and subsequent mental illness. She acknowledged that she suffered a “setback” at the time, but stayed in Homestead, “accepted” the end of her career, and lived a quiet life.
The tracks from Davis’ final recording sessions in 1979 were released on two bootleg albums, Crashin’ from Passion (1995) and Hangin’ Out in Hollywood (1996). A greatest hits album, Anti Love: The Best of Betty Davis, was also released in 1995.
In 2007, Betty Davis (1973) and They Say I’m Different (1974) were reissued by Light in the Attic Records. In 2009, the label reissued Nasty Gal and her unreleased fourth studio album recorded in 1976, re-titled as Is It Love or Desire?. Both reissues contained extensive liner notes and shed some light on the mystery of why her fourth album, considered possibly to be her best work by members of her last band (Herbie Hancock, Chuck Rainey, and Alphonse Mouzon), was shelved and remained unreleased for 33 years.
In 2017, an independent documentary directed by Philip Cox entitled Betty Davis: They Say I’m Different, was released, which renewed interest in her life and music career. When Cox tracked Davis down, he found her living in the basement of a house with no internet, cell phone, or car. He said: “This wasn’t a woman with riches or luxury. She was living on the bare essentials.”
In 2019, Davis released “A Little Bit Hot Tonight”, her first new song in over 40 years, which was performed and sung by Danielle Maggio, an ethnomusicologist who was a friend and associate producer on Betty: They Say I’m Different.
As a model in 1966, Betty met jazz musician Miles Davis, who was 19 years her senior.[31] He was separated from his first wife, dancer Frances Davis, and was dating actress Cicely Tyson. Betty began dating Miles in early 1968, and they were married that September.[31] During their year of marriage, she introduced him to the fashions and popular music trends of the era that influenced his music. In his autobiography, Miles credited Betty with helping to plant the seeds of his further musical explorations by introducing the trumpeter to psychedelic rock guitarist Jimi Hendrix and funk innovator Sly Stone. The Miles Davis album Filles de Kilimanjaro (1968) features Betty on the cover and includes a song named after her.
In his autobiography, Miles said Betty was “too young and wild”, and accused her of having an affair with Jimi Hendrix, which hastened the end of their marriage.[33] Betty denied the affair stating, “I was so angry with Miles when he wrote that. It was disrespectful to Jimi and to me. Miles and I broke up because of his violent temper.”[23] After accusing her of adultery, he filed for divorce in 1969. Miles told Jet magazine that the divorce was obtained on a “temperament” charge. He added, “I’m just not the kind of cat to be married.” Hendrix and Miles remained close, planning to record, until Hendrix’s death. The influence of Hendrix and especially Sly Stone on Miles Davis was obvious on the album Bitches Brew (1970), which ushered in the era of jazz fusion. It has been said that he wanted to call the album Witches Brew but Betty convinced him to change it.
Davis briefly dated musician Eric Clapton, but she refused to collaborate with him.
In 1975 Davis’ lover Robert Palmer helped her secure a deal with Island Records. Shortly thereafter she released her album Nasty Gal.
Davis died from cancer at her home in Homestead, Pennsylvania, on February 9, 2022, at the age of 77.
In 2017, a documentary was released entitled Betty: They Say I’m Different.
The live action/animated TV series Mike Judge Presents: Tales from the Tour Bus ended its 2018 season with an episode focusing on Davis’ controversial career.
Davis’ music has been featured in television series including Orange Is the New Black,[42] Girlboss, Mixed-ish, and High Fidelity.
They Say I’m Different is the second studio album by Betty Davis. It was released in 1974.[1]
The Wire placed They Say I’m Different in their list of “100 Records That Set the World on Fire (While No One Was Listening)”. In 2017 a documentary called “Betty: They Say I’m Different” was released. (wikipedia)
Betty Davis’ second full-length featured a similar set of songs as her debut, though with Davis herself in the production chair and a radically different lineup. The openers, “Shoo-B-Doop and Cop Him” and “He Was a Big Freak,” are big, blowsy tunes with stop-start funk rhythms and Davis in her usual persona as the aggressive sexual predator. On the title track, she reminisces about her childhood and compares herself to kindred spirits of the past, a succession of blues legends she holds fond — including special time for Bessie Smith, Chuck Berry, and Robert Johnson. A pair of unknowns, guitarist Cordell Dudley and bassist Larry Johnson, do a fair job of replacing the stars from her first record.
As a result, They Say I’m Different is more keyboard-dominated than her debut, with prominent electric piano, clavinet, and organ from Merl Saunders, Hershall Kennedy, and Tony Vaughn. The material was even more extreme than on her debut; “He Was a Big Freak” featured a prominent bondage theme, while “Your Mama Wants Ya Back” and “Don’t Call Her No Tramp” dealt with prostitution, or at least inferred it. With the exception of the two openers, though, They Say I’m Different lacked the excellent songs and strong playing of her debut; an explosive and outré record, but more a variation on the same theme she’d explored before. (by John Bush)
Personnel:
Errol “Crusher” Bennett (percussion)
Mike Clark (drums
Betty Davis (vocals)
Cordell Dudley (guitar, background vocals)
Pete Escovedo (timbales)
Jimmy Godwin (guitar)
Larry Johnson (bass)
Hershall Kennedy (keyboards, clavinet, trumpet, background vocals)
Buddy Miles (guitar)
Fred Mills (keyboards, background vocals)
Carlos Morales (guitar, background vocals)
Nicky Neal (drums, background vocals)
Victor Pantoja (percussion)
Merl Saunders (piano)
James Allen Smith (keyboards)
Ted Sparks (drums)
Willy Sparks (drums, background vocals)
Tony Vaughn (keyboards, clavinet, keyboards, vocals)
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background vocals:
Debbie Burrell – Elaine Clark – Mary Jones – Trudy Perkins
Tracklist:
01. Shoo-B-Doop and Cop Him 3.53
02. He Was A Big Freak 4.09
03. Your Mama Wants Ya Back 3.27
04. Don’t Call Her No Tramp 4.07
05. Git In There 4.47
06. They Say I’m Different 4.12
07. 70’s Blues 4.58
08. Special People 3.25
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The Record Plant Rough Mix (released in 2007):
09. He Was A Big Freak 4.44
10. Don’t Call Her No Tramp 4.33
11. Git In There 4.36
12. 70’s Blues 5.08
All songs written by Betty Davis
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