Maynard Ferguson His Orchestra and Octet – Band Ain’t Draggin’ (2005)

FrontCover1When he debuted with Stan Kenton’s Orchestra in 1950, Maynard Ferguson could play higher than any other trumpeter up to that point in jazz history, and he was accurate. Somehow he kept most of that range through his career and since the 1970s has been one of the most famous musicians in jazz. Never known for his exquisite taste (some of his more commercial efforts are unlistenable), Ferguson nevertheless led some important bands and definitely made an impact with his trumpet playing.

After heading his own big band in Montreal, Ferguson came to the United States in 1949 with hopes of joining Kenton’s orchestra, but that ensemble had just recently broke up. So instead, Ferguson gained experience playing with the big bands of Boyd Raeburn, Jimmy Dorsey, and Charlie Barnet. In 1950, with the formation of Kenton’s Innovations Orchestra, Ferguson became a star, playing ridiculous high notes with ease. In 1953, he left Kenton to MaynardFergusonwork in the studios of Los Angeles and three years later led the all-star “Birdland Dreamband.” In 1957, he put together a regular big band that lasted until 1965, recorded regularly for Roulette (all of the band’s recordings with that label are on a massive Mosaic box set) and performed some of the finest music of Ferguson’s career. Such players as Slide Hampton, Don Ellis, Don Sebesky, Willie Maiden, John Bunch, Joe Zawinul, Joe Farrell, Jaki Byard, Lanny Morgan, Rufus Jones, Bill Berry, and Don Menza were among the more notable sidemen.

After economics forced him to give up the impressive band, Ferguson had a few years in which he was only semi-active in music, spending time in India and eventually forming a new band in England. After moving back to the U.S., Ferguson in 1974 drifted quickly into commercialism. Young trumpeters in high school and colleges were amazed by his high notes, but jazz fans were dismayed by the tasteless recordings that resulted in hit versions of such songs as the themes from Star Wars and Rocky and much worse. After cutting back on his huge orchestra in the early ’80s, Ferguson recorded some bop in a 1983 session, led a funk band called High Voltage during 1987-1988, and then returned to jazz with his “Big Bop Nouveau Band,” a medium-sized outfit with which he toured the world up until his death from kidney and liver failure on August 23, 2006. (by Scott Yanow)

MaynardFergusonStanKentonMaynard Ferguson + Stan Kenton

This great CD was released in 2005 and it includes many of Maynard’s tracks from the early 1950s. It starts off with MF fronting what was essentially the Kenton Orchestra on the tracks Band Ain’t Draggin’, Short Wave, Love Locked Out, and Take the “A” Train (9/13/50). Next are What’s New? and The Hot Canary (5/31/51), Roses all the Way, And So I Waited Around, Homing Pidgeon, and Wow! (2/25/52), then finishes off with Thou Swell, The Way You Look Tonight, All God’s Chillun Got Rhythym, Willie Nillie, Hymn to Her, Lonely Town, and Over the Rainbow (2/19/54). Great, GREAT stuff!!!

The music on these sides is the product of different sessions that represent, between them, a veritable Blue Book of West Coast jazz. At the head of each ensemble, enjoying himself to the full, is trumpeter extraordinary Maynard Ferguson. Most of the men heard in this CD were old friends, either colleagues from the Stan Kenton band or Californians with whom he had worked on and off for several years. 18 total tracks originally recorded in 1950-54. (by amazon)

MaynardFerguson2Maynard Ferguson in 1962

Alfred ‘Chico’ Alvarez (trumpet)
Don Bagley (bass)
Milt Bernhart (trombone)
Harry Betts (trombone)
Ralph Blaze (guitar)
Kay Brown (vocals)
Bart Caldarell (saxophone)
Bob Cooper (saxophone)
Curtis Counce (bass)
Gene Englund (tuba)
Maynard Ferguson (trumpet, valve trombone, vocals)
Bob Fitzpatrick (trombone)
Russ Freeman (piano)
Bob Gioga (saxophone)
Jimmy Giuffre (saxophone)
Bob Gordon (saxophone)
John Graas (french horn)
Herbie Harper (trombone)
John Howell (trumpet)
Dick Kenney (trombone)
Stan Kenton (piano)
Barney Kessel (guitar)
Shelly Manne (drums)
Joe Mondragon (bass)
Abe Most (saxophone)
Frank Patchen (piano)
Art Pepper (saxophone)
Al Porcino (trumpet)
Shorty Rogers (trumpet)
Joe Rotundi (piano)
Jimmy Salko (trumpet)
Bud Shank (saxophone, flute)
Paul Weigand (bass trombone)

01. Band Ain’t Draggin’ (Greene) 2.10
02. Short Wave (Rogers) 2.35
03. Love Locked Out (Noble/Kester) 2.57
04. Take the “A” Train (Strayhorn) 2.53
05. What’s New (Haggart/Burke) 3.11
06. The Hot Canary (Nero/Gilbert) 2.21
07. Roses All The Way (Carpenter/Weber) 2.38
08. And So I Waited Around (Altman(Kaye) 2.52
09. Homing Pidgeon (Drake/Shirl/Jerome) 2.36
10. Wow! (Roders) 2.06
11. Maiden Voyage (Maiden) 3.00
12. Thou Swell (Rodgers/Hart) 2.44
13. The Way You Look Tonight (Kern/Fields) 2.54
14. All God’s Chillun Got Rhythm (Kaper/Jurman) 2.55
15. Willie Nillie (Maiden) 3.04
16. Hymn To Her (Maiden) 2.34
17. Lonely Town (Comden/Green/Bernstein) 3.08
18. Over The Rainbow (Arlen/Harburg) 3.03