Melanie Safka – BBC On Air (1997)

FrontCover1Ten of the 18 songs on this CD were recorded live in 1975, another four date from 1969, and the last four are from 1989. Thus, we get a glimpse of Melanie in performance across a period of 20 years, doing a variety of material ranging from her own originals (including familiar songs such as “Beautiful People” and “Baby Guitar”) to covers of Phil Ochs’s “Chords of Fame,” Alan J. Lerner and Frederick Loewe’s “Almost Like Being in Love” (from Brigadoon), and the Rolling Stones’ “Ruby Tuesday.” Her rendition of “Almost Like Being in Love” is a folk-blues style interpretation, and one of the most downbeat and interesting (if not necessarily successful) takes on the song ever done. There is a certain sameness to much of the rest of the material that works against too many people other than hardcore fans appreciating this disc, although some numbers, such as “The Nickel Song” and “Beautiful People,” always work. The version of “Ruby Tuesday,” like the other three 1989 vintage songs here, features a full band with synthesizers and drum machines, and is a bit jarring, though Melanie still throws herself impressively into the classic Rolling Stones song. (by Bruce Eder)

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Featuring a series of live recordings covering a period of 20 years this CD provides excellent sound and a unique record of Melanie’s live and session work for the BBC. The first 10 tracks feature a concert recorded for the BBC Radio One In Concert series in 1975. Track 5 is incorrectly listed and is actually a song called Here We Go Again. During this concert Melanie is accompanied by Barry Lee Harwood on guitar and mandolin. Barry played on Sunsets and Other Beginnings and As I See It Now but fails to be credited on the cover of the CD.

Tracks 11 to 14 are rare session recordings from 1969, just Melanie and her guitar. Visit My Dreams is perhaps better known as Deep Down Low from Melanie’s second album.
While all tracks have so far featured acoustic versions of songs, the last four feature Melanie with a full band. The tracks where recorded during a visit to the UK to promote Cowabonga. The musicians that accompany Melanie also accompanied her during two concerts at the Shaw Theatre in London in 1989. (by melaniesafkarecordings.uk)

And I confess … I´m a real fan of Melanie Safka … what  wonderful voice, what sensitive music and lyrics …

But … her 1989 recordings were not really good (especially tzhe Version of “Goodybye Ruby Tuesday is more than lousy …) … but …

… don’t miss “Rock An’ Roll Heart” — a song every baby boomer can relate to.
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Personnel:

BBC Radio One In Concert, November 1975:
Barry Lee Hardwood (guitar, mandolin)
Melanie (vocals, guitar)

BBC Session, September 1969:
Melanie Safka (vocals, guitar)

BBC Session, September 89:
Kay Langford (vocals)
Justin Myers (bass)
Neil Palmer (keyboards)
Alan Ross (guitar, background vocals)
Melanie Safka (vocals, guitar)
Chris Staines (background vocals)
Pete Thompson (drums)

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Tracklist:

BBC Radio One In Concert, November 1975:

01. Autumn Lady (Safka) 4.13
02. Chords Of Fame (Ochs) 5.14
03. Almost Like Being In Love (Lerner/Loewe) 5.09
04. Stoneground Words (Safka) 5.09
05. Here I Am (Safka) 2.37
06. Any Guy (Safka) 2.560
07. Do You Believe (Safka) 6.08
08. Leftover Wine (Safka) 5.44
09. The Nickel Song (Safka) 4.03
10. Beautiful People (Safka) 5.31

BBC Session, September 1969:
11. Visit My Dreams (Deep Down Low) (Safka) 3.51
12. Up Town And Down (Safka) 2.51
13. Baby Guitar (Safka) 2.49
14. Tuning My Guitar (Safka) 4.16

BBC Session, September 89:
15. Ruby Tuesday (Jagger/Richards) 3.50
16. Rock ‘n’ Roll Heart (Safka) 5.17
17. Racing Heart (Safka) 5.17
18. Apathy (Safka/Schekeryk) 3.50

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The Tony Rice Unit – Mar West (1980)

FrontCover1Mar West is an album by American guitarist Tony Rice, released in 1980. It is credited to the Tony Rice Unit.
Mar West was reissued in 1987 along with Still Inside as Devlin minus the song “Mar East”.. (by wikipedia)
Mar West is the third recording by the Tony Rice Unit and like their other recordings, it features some of the best acoustic musicians on the scene. Mar West showcases music closely resembling swing jazz, and if it seems less inspired than an earlier effort like Acoustics, it is nonetheless a good instrumental album. Compare it to a lesser effort by Stephane Grapelli and Django Reinhardt: Perhaps the song choice is less than perfect and the musicians less inspired than usual, but who would want to miss it? Sam Bush, Richard Greene, Mike Marshall, and Todd Phillips join Rice for eight instrumentals. The title cut, which opens the album, also reveals its shortcomings. “Mar West” is one of those fast, open-chorded instrumentals that Rice enjoys writing. Rice kicks the piece off with quick-paced flat-picking that is technically perfect, but the solo continues for too long and is lacking in feeling. More successful is the measured “Waltz for Indira” with a nice mandolin part by Bush, and “Neon Tetra” with an inspired violin solo by Greene.
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Perhaps the best cut on the album is “Nardis,” written by Miles Davis. “Nardis'” colored textures evoke a romantic mood and challenge the musicians to create distinctive, longing solos. Like the other Tony Rice Unit albums, emphasis remains focused on the skills of the individual musicians involved. Each instrumental provides the violin, guitar, and mandolin room for lengthy solos while Phillips’ bass keeps everyone grounded. Both Rice fans and lovers of good acoustic music will enjoy Mar West. (by Ronnie D. Lankford, Jr.)
Like Paul Brett, Tony Rice is a superb acoustic guitar Player … and it´s such a shame, the musicians like him are more or less unknown.
It´s time to discover the magic of Tony Rice !!!
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Personnel:
Sam Bush (mandolin)
Richard Greene (violin)
Mike Marshall (mandolin)
Todd Phillips (bass)
Tony Rice (guitar, vocals)
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Tracklist:
01. Mar West (Rice) 5.33
02. Nardis (Davis) 3.47
03. Waltz For Indira (Rice) 3.23
04. Neon Tetra (Rice) 4.28
06. Is That So (Rice) 4.29
07. Whoa Baby, Every Day I Wake up With the Blues (Rice) 3.57
08. Mar East (Rice) 4.37
09. Untitled As Of Yet (Rice) 4.23
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The Whistlebinkies – The Whistlebinkies 2 (1980)

FrontCover1For more than 45 years the Whistlebinkies have maintained one of the most distinctive sounds in the Scottish folk revival, their essential musical core of “rantin’ pipe and tremblin’ string”, along with clarsach, concertina and side drum winning over audiences throughout Scotland and Europe and as far flung as Memphis and Beijing.

The band pioneered the effective use of revived bellows-blown Lowland pipes, have consistently pursued a democratic group approach to their all-acoustic arrangements and frequently and successfully bridge the divide between Scottish traditional and “art” music, in collaboration with such institutions as the Royal Scottish National Orchestra, the Scottish Chamber Orchestra, Cappella Nova and such revered figures as classical violinist Yehudi Menuhin and avant-garde music luminary John Cage. They were also the first Scottish folk ensemble ever to play in China, in November 1991.
They were the first group to bring the pipes, clarsach and fiddle into regular performance, a combination that seems commonplace now. They continue to use only acoustic traditional instruments and prefer to play in a good natural acoustic without amplification. (by projects.handsupfortrad.scot)

“Following their highly acclaimed first album, this outing shows a wealth of excellencein the Whistlebinkies approach to the traditional idiom. Combining bothoriginal and traditional material with a skillful approach to arrangement, the whole excercise is a convincing example of what can and should be done in this field.” (by David Etheridge, Melody Maker 18 October 1980)

The album was No 1 in the Melody Maker folk music chart on 18 October 1980 and No 2 on 8 November 1980.

 

The Whistlebinkies are the Scopttish Version of “The Dubliners” … and one of the finest bands in  Scottish folk Music.

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The Whistlebinkies, 1982

Personnel:
Peter Anderson (scottish drums)
Mick Broderick (drums, vocals)
Rhona Mac Kay (harp, vocals)
Eddie McGuire (flute)
Bob Nelson (fiddle)
Rab Wallace (pipe)

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Tracklist:
01  Waukin’ O’ The Fauld (McGuire) 3.34
02. The Bonnie Moorhen (Traditional) 4.00
03. The Pipe Strathspey And Reel (Traditional)  3:50
04. The Fiddle Strathspey And Reel (Traditional) 2.19
05. Phiuthrag’sa Phiuthar (Sister O Sister) (Traditional) 3.09
06. Broderick’s Bodhran (Wallace) 3.09
07. Great Is The Cause Of My Sorrow (Traditional) 3.53
08. The Pipe March (Traditional) 3.39
09. Gealach Nan Eilean (Island Moon) (Traditional) 2.16
10. The Fossil Grove (Traditional) 3.44
11. Freedom Come All Ye (Henderson) 4.37

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The Whistlebinkies today

Various Artists – Smoky Mountain Ballads (1976)

FrontCover1Let´s take a look to the roots of American Music.

In 1941. Smoky Mountain Ballads, a set of 78s selected and annotated with autobiographical notes by John A. Lomax, is published by RCA Victor. The album includes the Carter Family, Uncle Dave Macon, and the Monroe Brothers singing such songs as “East Virginia Blues,” “Worried Man Blues,” “Down in the Willow Garden,” and “Darling Corey,” which later became staples of the folk revival repertoire.

And we will hear Ballads from the Smoky Mountains:

The Great Smoky Mountains are a mountain range rising along the Tennessee–North Carolina border in the southeastern United States. They are a subrange of the Appalachian Mountains, and form part of the Blue Ridge Physiographic Province. The range is sometimes called the Smoky Mountains and the name is commonly shortened to the Smokies. The Great Smokies are best known as the home of the Great Smoky Mountains National Park, which protects most of the range. The park was established in 1934, and, with over 9 million visits per year, it is the most-visited national park in the United States.

The Great Smokies are part of an International Biosphere Reserve. The range is home to an estimated 187,000 acres (76,000 ha) of old growth forest, constituting the largest such stand east of the Mississippi River. The cove hardwood forests in the range’s lower elevations are among the most diverse ecosystems in North America, and the Southern Appalachian spruce-fir forest that coats the range’s upper elevations is the largest of its kind. The Great Smokies are also home to the densest black bear population in the Eastern United States and the most diverse salamander population outside of the tropics.[

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Along with the Biosphere reserve, the Great Smokies have been designated a UNESCO World Heritage Site. The U.S. National Park Service preserves and maintains 78 structures within the national park that were once part of the numerous small Appalachian communities scattered throughout the range’s river valleys and coves. The park contains five historic districts and nine individual listings on the National Register of Historic Places.

The name “Smoky” comes from the natural fog that often hangs over the range and presents as large smoke plumes from a distance. This fog is caused by the vegetation exhaling volatile organic compounds, chemicals that have a high vapor pressure and easily form vapors at normal temperature and pressure.
As a result of the 2016 Great Smoky Mountains wildfires, the Great Smoky Mountains have received international media coverage. (by wikipedia)

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Ballads from Smoky Mountains means Country,  Folk and Bluesgrass.songs.

And I´m impressed by the music, because the Music still sounds fresh and vital.

Listen to Chittlin’ Cookin’ Time In Cheatham County  … this could be a Ray Davies tune from the Sixties !

This is a very nice little collection of old Hillbilly folk tunes. Sounds like they are just recordings of old 78’s, but sound quality is as good as can be expected. (SchizoMelodies)

 

These recordings were originally released by RCA Victor in 1964 und a few Songs from this LP were re-released by Pickwick Records in 1976 …

Let´s discover this old fashioned music …

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Tracklist:
01. Uncle Dave Macon:  Cumberland Mountain Deer Race (Harris) 2.49
02. Wade Mainer, Zeke Morris & Steve Ledford: Riding On That Train Fourty-Five (Morris) 2.33
03. Dixon Bros.: Down With The Old Canoe (D.Dixon/H.Dixon) 2.51
04. Arthur Smith Trio: Chittlin’ Cookin’ Time In Cheatham County  (Arthur Smith Trio) 2.32
05. Monroe Bros.:  Where Is My Sailor Boy? (C.Monroe) 2.43
06. Carter Family:  Worried Man Blues (A.P.Carter) 2.46
07. J.E. Mainer’s Mountaineers:  On A Cold Winter Night (Mainer) 3.00
08. Uncle Dave Macon:  Railroadin’ And Gamblin’ (Macon) 2.39
09. Gid Tanner And His Skillet Lickers: Ida Red (unknown) 2.51

 

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Julie Felix – Hota Chocolata (1978)

frontcover1Julie Ann Felix (born 14 June 1938, Santa Barbara, California) is an American born, British-based folk recording artist who achieved success in the late 1960s and early 1970s. She continues to perform and releases albums on her own record label.

She graduated in 1956 from high school in Westchester, Los Angeles, California. The same year that she arrived in the United Kingdom, she became the first solo folk performer signed to a major British record label, when she gained a recording contract with Decca Records. Within a decade she had a well-established career. In 1965 she was reportedly the first folksinger to fill the Royal Albert Hall, and was described by The Times as “Britain’s First Lady of Folk”.

In 1966 Felix became the resident singer on the BBC television programme The Frost Report, presented by David Frost. She hosted her own shows for the BBC from 1968 to 1970, including the series Once More With Felix (the first episode was transmitted on 9 December 1967). Among those featured on her show were The Kinks, Leonard Cohen and Led Zeppelin’s lead guitarist, Jimmy Page, who played the “White Summer” and “Black Mountain Side” guitar solo pieces. On 1 May 1967 she appeared on the German TV show Beat-Club; in September 1968 at the International Essen Song Days. She performed at the Isle of Wight Festival in 1969.
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She had two UK Singles Chart hits in 1970. The first was with the song entitled “If I Could (El Cóndor Pasa)”, while the second, marginally less successful, was called “Heaven is Here”. 1990 saw the release of a new album, Bright Shadows.
On 24 March 2008 she appeared on a BBC Four programme in which stars of The Frost Report gathered for a night celebrating 40 years since Frost Over England; Felix sang “Blowin’ in the Wind”. She has appeared at the Wynd Theatre, Melrose, Scottish Borders, on an annual basis over the past few years.

She now lives in Chorleywood, Hertfordshire, England, and is still recording and performing, appearing on stage on her 70th birthday in 2008 (by Wikipedia)
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Alternate front + back cover
“I feel we need to welcome the divine feminine into our lives and into our hearts … Patriarchy has led to wars, killing, and the rape of mother earth. Both men and women need to feel the love of the feminine side of God.” (Julie Felix)
Listen to another beautiful album by Julie Felix … wonderful songs, fantastic lyrics … what a great artist !
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Single from Norway
Personnel:
Julie Felix (guitar, vocals, Percussion)
Steve Hayton (guitar, Percussion, background vocals)
Danny Thompson (bass, percussion)
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Ted Lazer (accordion on 06.)
Kesh Sathie (tabla, tambura on 12.)
Billy Stevens (harmonica on 03. + 09.)
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Background vocals:
Mick + Donna (on 01.)
Tanit + Samantha (on 06.)
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Tracklist:
01. Hota Chocolata (Felix) 3.31
02. Let Me Love You (Felix) 2.57
03. Deportees (Guthrie) 4.47
04. Solado De Levita (Traditional) 2.32
05. Da Me La Fuerza (Felix) 3.14
06. In Paris (Felix) 3.15
07. Hey Liley-Liley Lo (Austin/Lomax) 0.54
08. Windy Morning (Felix) 2:46
09. David (Felix) 2.37
10. Sydney Harbour (Felix) 4.51
11. Clotho’s Web (Felix) 3.38
12. Face Of The Moon (Felix) 3.12
15. Moon Light (Felix) 2.38
16. Pow Wow! (Felix) 2.23

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Still alive and well …

Jewel – Pieces Of You (1995)

frontcover1Jewel Kilcher (born May 23, 1974) is an American singer-songwriter, guitarist, producer, actress, author, and poet. She has received four Grammy Award nominations and, as of 2008, has sold over 30 million albums worldwide.
Jewel’s debut album, Pieces of You, released on February 28, 1995, became one of the best-selling debut albums of all time, going 12 times platinum. The debut single from the album, “Who Will Save Your Soul”, peaked at number eleven on the Billboard Hot 100; two others, “You Were Meant for Me” and “Foolish Games”, reached number two on the Hot 100, and were listed on Billboard’s 1997 year-end singles chart, as well as Billboard’s 1998 year-end singles chart. She has crossed several genres throughout her career. Perfectly Clear, her first country album, was released on The Valory Music Co. in 2008. It debuted atop Billboard’s Top Country Albums chart and featured three singles, “Stronger Woman”, “I Do”, and “‘Til It Feels Like Cheating”. Jewel released her first independent album Lullaby in May 2009.
Jewel was the co-host, as well as a judge, with Kara DioGuardi on the songwriting competition reality television series Platinum Hit, which premiered May 29, 2011, on the cable network Bravo. Jewel has the vocal range of a lyric soprano. On July 2, 2013, NBC announced that Jewel would be a judge on the fourth season of the a cappella competition The Sing-Off.
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Jewel was born in Payson, Utah and raised in Homer, Alaska, where her grandfather, Yule Kilcher, a delegate to the Alaska Constitutional Convention and a state senator, settled after emigrating from Switzerland. Yule also made the first recorded crossing of the Harding Icefield. Jewel is the daughter of Lenedra Jewel (Carroll) and Attila Kuno “Atz” Kilcher. She is a first cousin once removed of actress Q’orianka Kilcher.
Jewel spent most of her young life in Homer, living with her father. The house she grew up in lacked indoor plumbing and had only a simple outhouse. The Kilcher family is featured on the Discovery Channel show Alaska: The Last Frontier, which chronicles their day-to-day struggles living in the Alaskan wilderness. Jewel and her father sometimes earned a living by singing in bars and taverns. It was from these experiences she learned to yodel, which she does in many of her songs. Her father was a Mormon but they stopped attending The Church of Jesus Christ of Latter-day Saints shortly before she turned eight.
Jewel learned to play the guitar while at the Interlochen Arts Academy in Interlochen, Michigan, where she majored in operatic voice. She started writing songs at 16. While at school, she would sometimes play at Ray’s Coffee House in Traverse City, Michigan.
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For a time Jewel lived in her car while traveling around the country doing street performances and small gigs. She gained recognition by singing at The Inner Change Cafe and Java Joe’s in San Diego. (Jewel made her debut at Java Joe’s when it was in Poway, where she was a barista.) Her friend Steve Poltz’s band, The Rugburns, played the same venues. Jewel later collaborated with Poltz on some of her songs, including “You Were Meant for Me”. (He also appeared in the song’s second, better-known video.) The Rugburns opened for Jewel on her Tiny Lights tour in 1997. Poltz appeared in Jewel’s band on the Spirit World Tour 1999 playing guitar.
Jewel was discovered by Inga Vainshtein in August 1993 when John Hogan, lead singer from the local San Diego band Rust, whom Ms. Vainshtein was managing, called to tell her about a girl surfer who sang at a local coffee shop on Thursdays. Ms. Vainshtein drove to The Inner Change with a rep from Atlantic Records, and after the show they called Danny Goldberg, the head of Atlantic Record’s West Coast operations, and asked him to pay for Jewel’s demo. (At the time she was living in a van and lacked the means to record any of her own music.) Vainshtein, who at the time was working as a film executive at Paramount, eventually became Jewel’s manager and was instrumental in creating a major bidding war that led to Jewel’s deal with Atlantic Records. She continued to manage Jewel until the end of the first album cycle. Jewel’s debut album Pieces of You was released in 1995 when she was only 21. Recorded in a studio on Neil Young’s ranch, it included Young’s backing band, The Stray Gators, who played on his Harvest and Harvest Moon albums. Part of the album was recorded live at The Inner Change Cafe in San Diego, where she had risen to local fame. The album stayed on the Billboard 200 for an impressive two years, reaching number four at its peak. The album spawned the Top 10 hits “You Were Meant for Me”, “Who Will Save Your Soul”, and “Foolish Games”. The album was a huge success and eventually sold over 12 million copies in the United States alone, more than all of her subsequent albums put together.
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Pieces of You is the debut studio album by American singer-songwriter Jewel, released on February 28, 1995 by Atlantic Recordings. The album was produced by Ben Keith, who has also produced works for artists such as Neil Young and Patsy Cline.
Though it made little impact initially, the single “Who Will Save Your Soul” eventually received airplay and the album peaked at #4 on Billboard 200 almost exactly two years after its release. Other hits included were “Foolish Games” and “You Were Meant for Me” as well as the UK single “Morning Song”.
After two years, the album was re-released featuring the re-recorded versions of “You Were Meant for Me” and “Foolish Games”. Despite a somewhat mixed critical response, the album is listed as one of the “Definitive 200” by the Rock and Roll Hall of Fame.
As of 2010, the album had sold 7.3 million copies in US. Worldwide, the album sold 15.4 million copies.It was certified 12x Platinum for shipments of 12 million copies in the U.S., making it one of the best selling debut albums of all time.(by Wikipedia)
Jewel’s debut album is a charming collection of light alternative folk-rock from the teenage singer/songwriter. Her songs are occasionally naive, but her melodies can usually save her lyrics. (by Sara Sytsma)
What a great debut album, what a unique voice … sensational !
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Personnel:
Robbie Buchanan (piano)
Oscar Butterworth (drums)
Charlotte Caffey (piano)
Tim Drummond (bass)
Mark Howard (bass)
Jewel Kilcher (guitar, vocals)
Spooner Oldham (keyboards)
Kristin Wilkinson (strings)
Craig Young (bass)
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Tracklist:
01. Who Will Save Your Soul (Kilcher)  4.00
02. Pieces Of You (Kilcher) 4.15
03. Little Sister (Kilcher) 2.29
04. Foolish Games (Kilcher) 5.39
05. Near You Always (Kilcher) 3.08
06. Painters (Kilcher) 6.43
07. Morning Song (Kilcher) 3.35
08. Adrian (Kilcher/Poltz) 7.02
09. I’m Sensitive (Kilcher) 2.54
10. You Were Meant For Me (Kilcher/Poltz) 4.13
11. Don’t (Kilcher) 3.34
12. Daddy (Kilcher) 3.49
13. Angel Standing By (Kilcher) 2.38
14. Amen (Kilcher) 4.32

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The Liverpool Fishermen – Swallow The Anchor (1971)

frontcover1The Liverpool Fishermen was a 1970s Liverpool folk singing group consisting of Brian Jacques, his brothers Tony Jacques (older) and Jimmy Jacques (younger), and other Liverpudlians Bobby Dyson, Alan Fitzgerald, and Bernard Davis.
The Jacques brothers were the vocalists of the group; Dyson played guitar and banjo; Fitzgerald played 12 and 6 string guitars, and Davis also played banjo.
Their musical repertoire included “traditional and contemporary, Irish and Liverpool songs, monologues, etc.”
Jimmy and Tony Jacques later emigrated to New Zealand; Tony passed away there in 1998. After 12 years, Jimmy returned to the UK to assist with the Redwall business.
All members of the group were born and raised in Liverpool, and described themselves as having a strong penchant for beer – often times Guinness. Their advertising stated that they performed “wakes, weddings, Irish fights, folk clubs, [and] French TV.” (
And this is their first Album …  a geat album with folk and sailor songs from good old England !
“Swallow the Anchor” is an old phrase meaning to retire from sea service.
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“One Sunday night at Pete McGoverns County Ward Folk Club the audience were being regaled with Billy Moore’s rendition of ‘Bonny Boy Growing’ when half a dozen desperate looking characters (all well oiled) and armed with rods, creels and fishing gear, stamped in. During the ensuing confusion, a large wet fish was smacked on the table under the noses of Messrs Moore & McGovern “there y’are Billy lad, fry that fer yer dinner” Peter McGovern (may his shadow never grow less) said something quite unprintable & Billy (whom we hold in high regard) said “it’s those bloody Fishermen again.” All that remained was to change ‘bloody’ for ‘Liverpool’ and thus began ‘The Liverpool Fishermen’. For some years previous to this, the Jacques brothers, Tony, Brian & Jimmy had been singing unaccompanied (unless twenty odd pints of Draught Guinness can be called an accompaniment) their stamping grounds was mainly the Liverpool dock area pubs, who frequently had an Irish Licensee & as fast as the front door shut, the back door opened. Many a night was spent boozin’ and singin’ until the A.M. Some time later Bobby Dyson (Guitar-Banjo) & Alan Fitzgerald (Guitar, twelve & six) joined the Jacques’s & though Bobby now lives in County Durham he is still counted within the ranks. Then followed a series of gigs, typically Liverpool style, weddings & wakes & “do’s” which seem to materialize from nowhere. Many an unsuspecting manager or club owner would offer to buy the ale in lieu of a cash fee (poor fool) Some even commented that it would be easier to pour it down the Mersey Tunnel. Bernard Davis plays a raucous banjo so he was next to sign up (being a good boozer helps) the group were then playing all the surrounding folk clubs & many outside towns. Material for ‘Fishermen’ is a blend of Irish, Liverpool, Shanty & their own material in which Liverpool (scouse) dialect monologues frequently occur also there is the ale, which plays the main part.

The members all live & work on Merseyside & having been all born & bred in the Holy City, the capital of Dublin, call it what you will, we are the Liverpool Fishermen an ‘its our ‘ockee! (don’t knock it down.)” (J.B. Jacques; taken from the original liner notes)
If you like traditional Songs from England … you should listen, because this is a real strong Album.
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Personnel:
Bernard Davis (banjo)
Bobby Dyson (guitar, banjo)
Alan Fitzgerald (guitar)
Brian Jacques (vocals)
Jimmy Jacques (vocals)
Tony Jacques (vocals)
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Tracklist:
01. Swallow The Anchor (Jacques) 2.19
02. Maggie May (Traditional) 2.30
03. Foggy Dew (Traditional) 2.49
04. Yate’s White’s Blues (Jacques) 2.19
05. Bill Hart’s Favourite (Traditional) 1.04
06. The Ould Triangle (Behan) 1.48
07. Home Boys Home (Traditional) 3.53
08. In My Liverpool Home (McGovern) 3.05
09. The Marmalade Tom (Jacques) 2.40
10. The Bingo (Jacques) 1.50
11. Dan O’Hara (Traditional) 2.12
12. Red Haired Mary (McCarthy) 3.41
13. Leaving Liverpool (Traditional) 3.16
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A truck driver’s son, Brian Jacques was born on June 15, 1939, and reared by the Liverpool docks. At 10, after writing a fine short story about a bird and a crocodile, he was caned by his teacher, who thought it too good to have been the work of a child.
He left school at 15 to work as a merchant seaman, the first in a decades’-long series of blue-collar jobs.
In his later years he wrote many books for children …  including the best-selling 21-volume children’s fantasy series (“Redwall”)
Sadly, Brian passed away on the 5th February 2011.