Monterey Pop Festival ’67 – The Summer Of Love All Began From Here” is an Italien bootleg from 1989 and includes 7 LPs in a box (and the cover art is pretty great, too). And this set (the sound is very good throughout!) is documenting the legendary California rock festival:
The Monterey International Pop Music Festival was a three-day concert event held June 16 to June 18, 1967 at the Monterey County Fairgrounds in Monterey, California. Crowd estimates for the festival have ranged from 25,000-90,000 people, who congregated in and around the festival grounds. The fairgrounds’ enclosed performance arena, where the music took place, had an approved festival capacity of 7,000, but it was estimated that 8,500 jammed into it for Saturday night’s show. Festival-goers who wanted to see the musical performances were required to have either an ‘all-festival’ ticket or a separate ticket for each of the five scheduled concert events they wanted to attend in the arena: Friday night, Saturday afternoon and night, and Sunday afternoon and night. Ticket prices varied by seating area, and ranged from $3 to $6.50 ($21–46, adjusted for inflation.
The festival is remembered for the first major American appearances by The Jimi Hendrix Experience, The Who and Ravi Shankar, the first large-scale public performance of Janis Joplin and the introduction of Otis Redding to a large, predominantly white audience.
The Monterey Pop Festival embodied the theme of California as a focal point for the counterculture and is generally regarded as one of the beginnings of the “Summer of Love” in 1967; the first rock festival had been held just one week earlier at Mount Tamalpais in Marin County, the KFRC Fantasy Fair and Magic Mountain Music Festival. Because Monterey was widely promoted and heavily attended, featured historic performances, and was the subject of a popular theatrical documentary film, it became an inspiration and a template for future music festivals, including the Woodstock Festival two years later.
The festival was planned in seven weeks by promoter Lou Adler, John Phillips of The Mamas & the Papas, producer Alan Pariser and publicist Derek Taylor. The Monterey location had been known as the site for the long-running Monterey Jazz Festival and Monterey Folk Festival; the promoters saw the Monterey Pop festival as a way to validate rock music as an art form in the way in which jazz and folk were regarded. The organizers succeeded beyond all expectations.
The artists performed for free with all revenue donated to charity, except for Ravi Shankar, who was paid $3,000 for his afternoon-long performance on the sitar. Country Joe and the Fish were paid $5,000 not by the festival itself, but from revenue generated from the D.A. Pennebaker documentary.
Lou Adler later reflected:
…[O]ur idea for Monterey was to provide the best of everything — sound equipment, sleeping and eating accommodations, transportation — services that had never been provided for the artist before Monterey…
We set up an on-site first aid clinic, because we knew there would be a need for medical supervision and that we would encounter drug-related problems. We didn’t want people who got themselves into trouble and needed medical attention to go untreated. Nor did we want their problems to ruin or in any way disturb other people or disrupt the music…
Our security worked with the Monterey police. The local law enforcement authorities never expected to like the people they came in contact with as much as they did. They never expected the spirit of ‘Music, Love and Flowers’ to take over to the point where they’d allow themselves to be festooned with flowers.
Monterey’s bill boasted a lineup that put established stars like The Mamas and the Papas, Simon & Garfunkel and The Byrds alongside groundbreaking new acts from the UK and the USA. (by wikipedia)
I will present the complete box in the next weeks … and I start with LP number one with the complete Jefferson Airplane (no introduction nessesary) performance. With two huge singles behind them, the Airplane was one of the major attractions of the festival.
Marty Balin (vocals, guitar)
Jack Casady (bass)
Spencer Dryden (drums)
Paul Kantner (guitar, vocals)
Jorma Kaukonen (guitar, vocals)
Grace Slick (vocals)
01. Introduction/Somebody To Love (Slick) 3.50
02. Other Side Of This Life (Neil) 6.51
03. White Rabbit (Slick) 2.45
04. High Flyin’ Bird (Balin/Slick) 4.01
05. Today (Balin/Kantner) 3.04
06. She Has Funny Cars (Kaukonen/Balin) 3:14
07. Young Girl Sunday Blues (Balin/Kantner) 3.30
08. Ballad Of You And Me And Pooneil (Kantner) 11:02
Much more will come:
The Who (4 tracks), The Steve Miller Band (1 track), Scott McKenzie (1 track), Simon & Garfunkel (7 tracks), The Electric Flag (3 tracks), Canned Heat (2 tracks), Hugh Masakela (1 track), Buffalo Springfield (3 tracks), The Mar-Keys (1 track), Country Joe & The Fish (3 tracks), Booker T & The MGs (2 tracks), Big Brother & The Holding Company (5 tracks), The Mamas & The Papas (9 tracks), The Jimi Hendrix Experience (3 tracks), The Grateful Dead (2 tracks), The Byrds (3 tracks), The Butterfield Blues Band (6 tracks), The Animals (4 tracks), Lou Rawls (2 tracks), Johnny Rivers (1 track)