Latin Quarter – Live At Glastonbury Festival (1986)

FrontCover1Latin Quarter is a British band formed in 1983. They had one top 20 single “Radio Africa” in the United Kingdom.

The British radio were cautious in the eighties to play their singles because of their political based lyrics. They became more popular in Germany and in northern Europe.

Latin Quarter released their latest album, Releasing the Sheep, on 29 October 2021. Their sound mixes elements of pop, rock, reggae and folk with largely political based lyrics.

Latin Quarter began when ex-printer and founder-member Steve Skaith left Liverpool for London in 1982 to write songs for music publishers Chappell. Skaith was also working on some rather more radical music with lyrics from an old friend of his called Mike Jones, both were members from the left wing political group Big Flame.

Mike Jones himself did not play with Latin Quarter, but he wrote the lyrics to the songs. The former technical school teacher from Liverpool had already been writing political songs for eight years and had been a friend of Steve Skaith’s since grammar school.

Their political viewpoint were sometimes reflected in the choice of subject matter and lyrics of Latin Quarter’s output.

Booklet-5A

Latin Quarter were the first band to be managed by Marcus Russell (who is from Ebbw Vale along with Mike Jones). Russell formed the Ignition Management in 1983.

Skaith and Jones formed Latin Quarter in autumn 1983 with guitarist Richard Wright, a classically-trained musician and ex-member of the Inversions, a band active on the jazz/funk scene. Yona Dunsford (vocals/piano) and Carol Douet (vocals/percussion) joined the trio at the end of the year, with the line-up completed by Richard Stevens (drums), Greg Harewood (bass) and Steve Jeffries (keyboards). After the band’s first sporadic London gigs in 1984, ex-Police producer Nigel Gray recorded two of Latin Quarter’s songs at his own expense, and the band released Radio Africa on its own independent record label, Ignition in September 1984.

The band was signed by Rockin’ Horse Records, an offshoot of Arista Records, and completed work on their debut album Modern Times. After being re-released, Radio Africa finally became a UK hit at the start of 1986 when it reached number 19 in the UK Singles Chart.

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Jones described their first album Modern Times as “a veritable manifesto”. The album only spent two weeks on the UK Albums Chart, peaking at Number 91, but was a top twenty hit in Germany and Sweden and sold well throughout Europe. They played at Glastonbury Festival 21 June 1986 and at the ‘Rock for Peace Festival’ in East Berlin at the Palace of the Republic in February 1987.

Darren Abraham and Martin Lascalles were new members on the follow-up Mick And Caroline, released 1987. An album that was not as successful as the debut. Skaith later told in an interview that he was not satisfied with Jason Corsaros production of the second album. Corsaro was a Grammy Award Winning music engineer and record producer.

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The band had slimmed down to the quartet of Skaith, Wright, Harewood and Dunsford by their third album Swimming Against the Stream, released 1989 on the RCA label in Germany. They recorded the album in Los Angeles, with producer David Kershenbaum and engineer Paul McKenna, but the album was not released in the US. With all lyrics still written by Jones, that album was dedicated to the eleven workers at Dunne’s stores, Dublin, who were sacked for refusing to handle South Africa goods. Their three year fight against dismissal culminated in the Irish Government’s ban on the importation of South Africa Agricultural produce. The single Dominion was originally recorded for the T.V. documentary series Animal Traffic, directed by Arpad Bondy & Ron Orders

After low sales in the UK the band originally split up. In October 1990, however, another album, entitled Nothing Like Velvet was released, which was made up of unreleased demos, alternative versions and live tracks. Judging by the sleeve notes, the band agreed to the release of these songs.

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However, the members, they all stayed friends, meeting each other privately. Skaith, Wright and Jones continued as Latin Quarter, and they collaborated with The Bhundu Boys on the latter’s 1993 Friends on the Road album, including a re-working of Radio Africa and two new songs written by members of both bands. Latin Quarter, released the albums Long Pig 1993 and Bringing Rosa Home 1997, both on German record labels. Both albums were recorded with session musicians and Latin Quarter finally went on hiatus in 1998.

Jones went on to run courses in Popular Music at the University of Liverpool. Skaith went to live in Mexico where he formed the Steve Skaith Band with Mexican musicians, and released the albums Mexile 2003, Empires and Us 2005 and Imaginary Friend 2007. He then returned to England and re-recorded some early Latin Quarter songs on Latin Quarter Revisited 2010.

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In 2011, Skaith and lyricist Jones re-formed Latin Quarter with original vocalist Yona Dunsford, bass player Greg Harewood and keyboard player Steve Jeffries. The band toured Germany and UK and they released the albums Ocean Head in 2012 and Tilt in 2014. Chris Rea was a guest star playing slide guitar on the Tilt album. Steve Skaith re-recorded acoustic versions of Latin Quarter-songs on Bare Bones in 2015.

In September 2016, Latin Quarter released The Imagination of Thieves, now featuring Skaith, Jeffries, Martin Ditcham (Drums), Yo Yo Buys (Bass and Guitars) and Mary Carewe (vocals).

In February 2018, the new track Pantomime of Wealth was released as a digital release on Westpark Music. The album with the same name was released 13 April 2018.

In April 2019, Latin Quarter released The Colour Scheme, now as a trio featuring Skaith, Jeffries and Carewe. The album consisted mainly acoustic rearrangements of early Latin Quarter songs plus a couple of songs from the Steve Skaith Band albums.

In October 2021 they released the album, Releasing The Sheep. (wikipedia)

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And here´s  a wonderful, a brilliant live recording (taken from the legendary “BBC In Concert” series).

Their music was a very special form of pop music, very subtle and always a little fragile. And the lyrics were much needed comments on all those damn topics of those years … Unfortunately, these problems have not really been solved to date, on the contrary.

Latin Quarter were and are an uncomfortable band, unfortunately indispensable in “modern times”.

Enjoy this rare live recording !

Recorded live at the Glastonbury Festival, Worthy Farm, Pilton/UK, June-21, 1986

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Personnel:
Carol Douet (vocals, percussion)
Yona Dunsford (keyboards, vocals)
Greg Harewood (bass)
Steve Jeffries (keyboards)
Steve Skaith (vocals, guitar)
Richard Stevens (drums)
Richard Wright (guitar)Inlets

Tracklist:
01. Sandinista (Skaith/Jones) 5.23
02. Remember (Skaith/Jones) 4.32
03. Freight Elevator (Jeffries/Jones) 5.05
04. See Him (Skaith/Jones) 5.07
05. Truth About John (Skaith/Jones) 4.03
06. Eddie (Skaith/Jones/Keefe) 3.03
07. No Rope As Long As Time (Skaith 5.02
08. I (Together) (Skaith/Jones) 4.20
09. Radio Africa (Skaith/Jones/Keefe)  6:35
10. The Night (Skaith/Jones) 4.32
11. Pyramid Label (Skaith/Jones) 8.36

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More from Latin Quarter:
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Latin Quarter – Ocean Head (2012)

FrontCover1When Latin Quarter split up in 1998 Steve Skaith went to live in Mexico where he met and formed the Steve Skaith Band with Mexican musicians, and released the albums Mexile 2003, Empires and Us 2005 and Imaginary Friend 2007. He then returned to England and re-recorded some early Latin Quarter songs on Latin Quarter Revisited 2010.

In 2011 Skaith and lyricist Jones re-formed Latin Quarter with original vocalist Yona Dunsford, bass player Greg Harewood and keyboard player Steve Jeffries. They released the albums Ocean Head in 2012 and Tilt in 2014 (by wikipedia)

‘…one of the most exquisite albums to ever come out of England.’

That is how the New York Daily News described ‘Modern Times’ the debut album of the group Latin Quarter in 1986. In Germany too it was received with great enthusiasm and went on to sell nearly 250.000 copies. In total, Latin Quarter made 6 critically acclaimed albums before finally splitting up in 1998.

Now, five of the original band members are back together with a new acoustic-pop album, entitled “Ocean Head”. The album, to be released in Europe on February 17, 2012, contains 10 new and 1 older song, and combines the political and the personal themes for which Latin Quarter have always been renowned.

LatinQuarter01Steve Skaith & Yona Dunsford

This is a stunning album which I hope will bring Latin Quarter the recognition they deserve. With the return of some of the original members of Latin Quarter, Yona (Dunsford) sharing the vocal responsibilities with Steve (Skaith), accompanied with some wonderful musical melodies this is undoubtedly the finest album I have purchased in many years.

The title track ‘Ocean Head’ is the only re-worked track on the album, but sounds so much better than the original version did – if you have not listened to Latin Quarter before then I would recommend listening to this track to get a taste of the rest of the album. Also “Walking on the Wing” and “If I Believed in God” are quite magical – if this were an old style cassette tape I probably would have worn out these tracks by now.

The only track I don’t really like is “Miss Teen USA”, so again if you haven’t had much exposure to LQ before, don’t judge the album by listening to this track alone – that is to say it’s not bad, just isn’t in class like the other 10 tracks on the album. If you like the album and are in the UK or Germany the band will be touring soon, unfortunately not in my neck of the woods (pacific north west) anytime soon.

As with all LQ songs the lyrics are smart and intelligent, the music sublime. (by Andy)

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Personnel:
Yona Dunsford (vocals)
Greg Harewood (bass)
Steve Jeffries (keyboards, background vocals)
Steve Skaith (guitar, vocals)
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Mike Jones  (lyrics)

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Tracklist:
01. No Man’s Land (Dunsford/Harewood/Jones)  4.30
02.. Legalise It ( The Making Of Al Capone) (Skaith) 3.59
03. Miss Teen USA (Skaith/Jones) 3.39
04. Even Superman (Is Dead) (Skaith/Jones) 3.26
05. Unwind (Dunsford/Harewood/Jones) 3.31
06. Walking On The Wing (Skaith/Jones) 3.52
07. If I Believed In God (Skaith) 4.31
08. Love Can Sometimes Fall (Skaith/Racklin/Johnson) 4.25
09. The Last Flight Of Dag Hammarskjold (Skaith/Jeffries/Jones) 3.09
10. Another Night’s Broken Glass (Skaith/Jones) 3.23
11. Ocean Head (Skaith/Jones) 4.09

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A bomb drops on some wedding party
But these aren’t people we count worthy
Un-named, unimportant, in some non-place
Brown skins usually.
More settlements on the West Bank
And evictions in Jerusalem
Such righteous men with their righteous wars
And their righteous talks of peace.

If I believed in God I would ask him
Could we start all over again
That’s what I would ask him
If I believed in God I would ask him
Could we start all over again
That’s what I would ask him…..
Do without the kings and those who strive
To live above the rest
And can ‘truth’ mean what it says
And not what power thinks is best.
No serpent please nor all the fear
Of women, sex and love
And not worship men
Who once would sacrifice their only son.

More and more I turn away from so much I know is true
Turn right to the back page
And bury myself in transfer news
Don’t want to hear about some woman stoned
Or blasphemer running for his life
Many now they do fight back
But I deny is how I survive.

Latin Quarter – Nothing Like Velevet (1990)

FrontCover1“This is not a “Best Of…” album. Although we have included tracks like “Radio Africa”, our main aim has been to provide songs or recordings that are not already available – and to do it in a way that shows a cross-section of our life as a band: studio recordings, bedroom demo recordings and some live recordings.

There was a temptations as we compiled the album, to go back and try and change some fo the tracks, to touch them up. But with small and easy exceptions, we’ve avoided that temptation. The bedroom demos remain the bedroom demos − cheap drum machines, microphone and all − and the live tracks … well we had a little choice. “See Him” and “Snow Blind” are exactly as they went to tape in Bochum, West Germany, sometime in February or March 1986. So yes, the voice on “Snow Blind” does only come up one side of the stereo, and no, there is no need to adjust your sets.” (taken from the original liner notes)

With three studio albums to its credit and a bona fide hit with “Radio Africa” (from Latin Quarter’s debut album, Modern Times), this politically minded worldly pop band decided to call it quits, leaving behind this compilation of oddities, rarities, unreleased demos, and re-recordings. For those looking for the hit, “Radio Africa” (album version) is here in all its splendor, but most of the remaining tracks are exclusive to this release.

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The ones that have been released elsewhere include the beautiful “The Colourscheme” (sung by Yona Dunsford), which was a B-side, and “The New Millionaires,” which is the same version as the one on their debut. Other songs from the debut (“Truth About John,” “America for Beginners,” “Toulouse”) are either in demo form or re-recordings, all equal to the passionate album versions. “See Him!,” “Snow Blind,” and “The Big Pool” are funky live tracks never released (or recorded?) in studio form. “February 1990,” “Pyramid Label,” and the title track are demos of songs never officially released.

“Dominion” is the German-language version of the “Swimming Against the Stream” album track. There are musical surprises around every corner, almost every one of them from the creative minds of vocalist/guitarist Steve Skaith and lyricist Mike Jones.

Packed with so much quality music unavailable elsewhere, this is the perfect introduction to Latin Quarter’s eclectic musical repertoire and the perfect rarities disc at the same time. Who woulda thunk it? (by Steve “Spaz” Schnee)

YouCanTakeOurHome
Personnel:
Yona Dunsford (keyboards, vocals)
Greg Harewood (bass)
Steve Skaith (vocals, guitar)
Richard Wright (guitar)
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Darren Abraham (drums on 11., 15.)
Dave Charles (drums on 03., 09.)
Paulinho Da Costa (percussion on 07.)
Martin Ditcham (percussion on 13.)
Carol Douet (background vocals on 03., 08., 09., 11., 14. vocals on 06., 15., 16.,   percussion on 11.)
Steve Greetham (bass on 08.)
Steve Gregory (saxophone on 13.)
Steve Jeffries (keyboards on 06., 09., 14.)
Kate St John (saxophone on 04.)
Martin Lascelles (keyboards on 03., 09., 11., 15., 16.)
Ricky Stevens (drums on 06., 08., 14., 16.)
Paul Slowly (drums on 01.)

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Tracklist:
01. Truth About John (Recorded 1990) (Skaith) 3.41
02. Nothing Like Velvet (Demo Recording 1989) (Skaith) 3.29
03. See Him! (Live Recording 1986) (Harewood/Wright/Skaith/Dunsford) 3.56
04. February 1990 (Demo Recording 1990) (Skaith) 1.38
05. Race Me Down (Demo Recording 1988) (Skaith) 4.08
06. Toulouse (Skaith) 5.04
07. Dominion (German Lyrics) (Skaith)
08. Radio Africa (Keefe/Skaith) 3.53
09. Snow Blind (Live Recording 1986) (Keefe/Skaith) 3.41
10. The Colour Scheme (Skaith) 3.31
11. The Big Pool (Live Recording 1987) 4.24
12. It Makes My Heart Stop Speaking (Demo Recording 1988) (Skaith) 4.14
13. The New Millionaires (Jeffries/Skaith) 3.38
14. Pyramid Label (Skaith) 6.07
15. The Men Below (Skaith) 4.38
16. America For Beginners (Skaith) 8.07 (*)

All lyrics by Mike Jones
German lyrics on 07: Harry Gutowski

“See Him!” and “Snow Blind” were recorded live in Bochum, Germany 1986

 

(*) I dedicate this song to Ronald Trump !

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https://www.youtube.com/watch?v=pQXg0_3HdZM&spfreload=10

Latin Quarter – Swimming Against The Stream (1989)

FrontCover1John Aizlewood (of Q Magazine) described the album as ‘Inspired’, praising “Mike Jones’ excellent and uncompromising lyrics whilst Jones himself neither plays nor sings (save for the occasional backing vocal). Steve Skaith is an ideal mouthpiece for Jones. His unique voice, earnest, pleading and yet restrained, gives a distinct pathos and credence to Jones’ heartfelt semi-pose.”

Anthony Denselow in The Sound magazine wrote: “Latin Quarter have a pop album of enduring good quality… producers David Kershenbaum and Paul McKenna have given their sound a wonderful new sheen and confidence. “Swimming Against The Stream” is full of easy swinging melodies, offbeat musical ideas and challenging lyrical suggestions. Steve Skaith’s clear, high singing voice (on great form) is played off against Yona Dunsford’s equally sweet vocals, in some truly mellow pop choruses…It’s haunting stuff.”

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This album is dedicated to the eleven workers at Dunne’s stores, Dublin, who were sacked for refusing to handle South Africa goods. Their three year fight against dismissal culminated in the Irish Government’s ban on the importation of South Africa Agricultural produce. We might be Swimming Against The Stream but, with this kind of courage, we can reach the other shore.

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Personnel:
Yona Dunsford (keyboards, vocals)
Greg Harewood (bass, background vocals, military snare drum on 05.)
Mike Jones – Lyrics
Steve Skaith (vocals)
Richard Wright (guitar, background vocals, military snare drum on 05.)
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Jerk Bondy (drums, synthesizer programming on 06.)
Paulinho Da Costa (percussion)
Denny Fongheiser: Drums
Judy Gameral (concertina & hammer dulcimer)
Mike Jones (background vocals)
David Kershenbaum (background vocals)
Jane McCord (military snare drum on 05.)
David Lindley (violin, mandolin, banfo, hawaian guitar)
Steve Sidelynck (percussion on 06.)
Tony Waerea (didgeridoo)

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Tracklist:
01. Swimming Against The Stream (Skaith/Jones) 4.25
02. Blameless (Skaith/Jones) 3.49
03. Wounded In Action (Jones) 4.11
04. Model Son (Skaith/Jones) 4.06
05. After Maralinga (Skaith/Jones/Waerea) 5.30
06, Dominion (Skaith/Jones) 4.53
07. Close This Account (Skaith/Jones) 3.20
08. Something Isn’t Happening (Skaith/Jones) 3.30
09. Race Me Down (Skaith/Jones) 4.11
10. It Makes My Heart Stop Speaking (Skaith/Jones) 3.50
11. A Slow Waltz For Chile (Skaith/Jones) 3.56

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Latin Quarter – Mick And Caroline (1987)

LPFrontCover1When Latin Quarter released their debut album, Modern Times, in 1986, it was so musically diverse, it seemed to be a compilation of several different bands. When Mick and Caroline was released the following year, the band was essentially the same, but their different approaches began to melt together, making this album more cohesive, if not as interesting. Late-’80s pop once again mixed with world rhythms and socially charged lyrics (courtesy of lyricist Mike Jones), creating a sound that could have made a commercial impact had it not been for the inability to pigeonhole the band into a clear musical genre. “I (Together),” “Freight Elevator,” “Burn Again,” and “Nomzamo (One People, One Cause)” are obvious standouts, but the most touching track is the closer, “The Men Below,” an eye-opening look at a miner’s life.

SinglesAs on their debut, vocalist/guitarist Steve Skaith crafted nice melodic beds for Jones’ lyrics to lie upon, sometimes resting but usually tossing and turning their way into the listener’s head. Even when Skaith hands the vocals over to Carol Douet and Yona Dunsford, the lyrics are never less than poignant and thought-provoking. Not as enjoyable as their debut, this still stands head and shoulders above most releases from 1987. (by Steve “Spaz” Schnee)

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Personnel:
Darren Abraham (drums)
Carol Douet (vocals, percussion)
Yona Dunsford (vocals, keyboards)
Greg Harewood (bass)
Mike Jones (lyrics)
Martin Lascalles (keyboards)
Steve Skaith (vocals, guitar)
Richard Wright (guitar, vocals)
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Manny Elias (percussion)
Gary Kettel (percussion)

Booklet03Tracklist:
01. I (Together) (Skaith/Jones) 3.50
02. Remember  (Skaith/Jones)    3:32
03. Freight Elevator Jeffries/Jones) 3.50
04. Nomzamo (One People, One Cause) (Skaith/Jones) 4.30
05. Negotiating With A Loaded Gun (Skaith/Jones) 4.45
06. Burn Again (Skaith/Jones) 4.54
07. Love Has Gone (Skaith/Jones) 4.49
08. The Night (Skaith/Jones) 4.06
09. Donovan’s Door Way (Skaith/Jones) 3.08
10. The Men Below (Skaith/Jones) 4.42
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11. One Fell Swoop (Skaith/Jones)
12. Titles You Can´t Hire (Skaith/Jones)
13. Nomzamo (One People, One Cause) (extended mix) (Skaith/Jones)
14. Ed Murrow (Should Be Here With Us Tonight) (demo version) (Skaith/Jones)
15. Jerry Medley (demo version) (Skaith/Jones)
16. Midday (demo version) (Skaith/Jones)
17. Night School (demo version) (Skaith/Jones)
18. The Night (demo version) (Skaith/Jones)

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Nine children in one family
Nine Xhosa Wars
Nomzamo in 1960
Already victim of her country’s laws
I say ‘laws’, why dignify
The Sjamboks and the slammed cell doors?
In twenty years they gave her nineteen sentences – still
One People! One Cause!
One People! One Cause!
Nomzamo! Nomzamo…

Named ‘Trial’ but how often can
You take the stand?
Nomzamo left glued in Brandfort
Twenty years for a touch of his hand
But in touch and in the face of
The Robben Islands and the bleak Pollsmoors
I see ‘separate’ – I see ‘development’ – still
One People! One Cause!
One People! One Cause!
Nomzamo! Nomzamo…
Nomzamo – you say it’s part of your soul
Nomzamo – one day you’ll paint it
Red, black, green and gold…

Told today that they release you
That you had paid your debt
Nomzamo in her own damn country
How much more boorish can these people get?
But you refuse to get the message
Of waving whips, in bloody semaphore
Where only gunfire’s indiscriminate – as always
One People! One Cause!

Latin Quarter – Modern Times (1985)

FrontCover (2)AModern Times is the first album by the British band Latin Quarter. It reached the top 20 in Germany and Sweden[1] and spent two weeks on the UK Albums Chart, peaking at Number 91. It includes the songs “Radio Africa” which reached Number 19 in the UK Singles Chart. and “America for Beginners” which was covered by Toyah on her album Minx.

Latin Quarter’s lyricist Mike Jones describes the album as “a veritable manifesto” of their left wing views as members of Big Flame. The title track takes its name from the Charlie Chaplin film as it critiques the effect of McCarthyism on Hollywood; “Radio Africa” describes the effect of Imperialism on that continent; “Toulouse” is about racism in France; “No Rope As Long As Time” is a plaintive account of Apartheid South Africa and “America for Beginners” describes the rise of the right wing in the United States. (by wikipedia)

AmericaForBeginners“… He’s [Mike Jones] also a dab hand at those snappy one liners that the likes of a Costello or a Difford get regularly feted for.” NME

“… the catchy hooks fly thick and fast.” The Hit

“You’ve got to respect an English synth band that bothers to write real songs about real issues.” Playboy

“… a really superb lyrical content throughout.” RM

“The lyric comes from a catchy exercise in light reggae called Radio Africa (included here), and any expectations it awakened that here was a band with not only a conscience but also political awareness are fulfilled by this album. The songs are literate, punchy and pertinent – this tour through the modern world takes in, for instance, South Africa, both Reagan’s and McCarthy’s America, the Falklands/Malvinas, and the Welsh coal-mining valleys. The kind of songs New Internatioanalist readers (and editors) would write if they had the chance and the skill.” Politics 5/5, Entertainment 4/5 – New Internationalist Magazine

Booklet-5APersonnel:
Carol Douet (Vocals, percussion)
Yona Dunsford (vocals, piano)
Greg Harewood (bass)
Steve Jeffries (keyboards, vocals)
Mike Jones (lyrics)
Steve Skaith (vocals, guitar)
Richard Stevens (drums, percussion)
Richard Wright (guitar, vocals)
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Martin Ditcham (percussion)
Steve Greetham (bass on 03.)
Steve Gregory (saxophone)

Inlet01ATracklist:
01. Modern Times (Skaith/Jones) 3:45
02. No Ordinary Return (Skaith/Jones) 3.35
03. Radio Africa (Skaith/Jones/Keefe) 3.53
04.Toulouse (Skaith/Jones) 4.20
05. America for Beginners (Skaith/Jones) 5.16
06. Eddie (Skaith/Jones(Keefe) 3.08
07. No Rope As Long As Time (Skaith) 4.28
08. Seaport September (Skaith/Jones) 3:18
09. New Millionaires (Jeffries/Jones 3.35
10. Truth About John (Skaith/Jones) 4.00
11. Cora (Skaith/Jones) 258

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What’s keeping the White House white
Is it chalk, is it fog, is it fear?
Are they staying up most of the night
And sending somebody out for a beer?
Is it bed-time for Bonzo?
Is it time for a change?
Is it flavour-free TV dinners?
It’s a hard thing to take, when they make a mistake
America for Beginner.

The sound of a bell with a crack
Even the swingers are swinging right
The vigilantes are on the way back
With prime-time “fight the good fight”.
What a start to a day
It starts three times with a “K”
There’s no sponsored hour for sinners
They’II bring back the hot seat
And turn up the heat
America for Beginners.

That’s America for Beginners.

You wear designer jeans after dark
And your shirts are sharp-cut in satin
But won’t you watch out for Central Park
And apartments in uptown Manhattan.

It’s a sign of the times
Better stoy out in front
Because they’ve only got time for the winners.
Just keep living for fun, you son of a gun
America for Beginners.

Everywhere there’s stripes ond stars
Men in dark suits in unmarked cars
Sipping Jack Daniels in Third World bars
They’re close to the edge,
They’re as close as you can get.