Manfred Mann – The Five Faces Of (1964)

FrontCover1The Five Faces of Manfred Mann is the first studio album by British beat/R&B group Manfred Mann. It was first released in the United Kingdom on 11 September 1964 by His Master’s Voice. In late October/early November, the album was released in Canada by Capitol Records. The Canadian track listing was almost the same as the UK version, except it included the hit “Do Wah Diddy Diddy” instead of “I’ve Got My Mojo Working”. The record has been called “one of the great blues-based British invasion albums; it’s a hot, rocking record that benefits from some virtuoso playing as well”.

The American version of the album (their second U.S. release following The Manfred Mann Album) was released in February 1965 by Ascot Records (a subsidiary of United Artists) with a very different track listing.

The songs on the original version of the Five Faces of Manfred Mann are R&B, including the band’s cover versions of Howlin’ Wolf’s “Smokestack Lightning”, Muddy Waters’ “Got My Mojo Working”, and Bo Diddley’s “Bring It to Jerome”, as well as a few of the group’s own jazzy compositions. Particularly noticeable in the instrumental sections are Manfred Mann’s keyboard work, Mike Vickers flute and saxophone work, and Mike Hugg’s vibes. The album includes the Cannonball Adderley song “Sack O’ Woe” from the R&B-influenced school of early 60s jazz .

The American release is more pop-oriented with the inclusion of the hits “Sha-La-La”, “Hubble Bubble Toil and Trouble” and “Come Tomorrow”; as well as Jones’ compositions and the American folk song “John Hardy”. It also includes a smaller selection of the band’s R&B and jazz influences. (by wikipedia)

The debut album by Manfred Mann holds up even better 40 years on than it did in 1964. It’s also one of the longest LPs of its era, clocking in at 39 minutes, and there’s not a wasted note or a song extended too far among its 14 tracks. The Manfreds never had the reputation that the Rolling Stones enjoyed, which is a shame, because The Five Faces of Manfred Mann is one of the great blues-based British invasion albums; it’s a hot, rocking record that benefits from some virtuoso playing as well, and some of the best singing of its era, courtesy of Paul Jones, who blew most of his rivals out of the competition with his magnificently impassioned, soulful performance on “Untie Me,” and his simmering, lusty renditions of “Smokestack Lightning” and “Bring It to Jerome.” The stereo mix of the album, which never surfaced officially in England until this 1997 EMI anniversary reissue (remastered in 24-bit digital sound), holds up very nicely, with sharp separation between the channels yet — apart from a few moments on “Untie Me” — few moments of artificiality. (by Bruce Eder)


Mike Hugg (drums, vibraphone)
Paul Jones (vocals, harmonica, maracas)
Manfred Mann (keyboards)
Tom McGuinness (bass)
Mike Vickers (guitar, flute, saxophone)


01. Smokestack Lightning (Burnett) 3.33
02. Don’t Ask Me What I Say (Jones) 3.02
03. Sack O’ Woe (Adderley) 2.10
04. What You Gonna Do? (Jones/Mann) 2.39
05. Hoochie Coochie (Dixon) 3.20
06. I’m Your Kingpin (Mann/Jones) 2.49
07. Down the Road Apiece (Raye) 2.27
08. Got My Mojo Working (Preston Foster; credited to Muddy Waters) 3.13
09. It’s Gonna Work Out Fine (Seneca/Lee) 2.37
10. Mr. Anello (Hugg/Jones/Mann/McGuinness/Vickers) 2.09
11. Untie Me (South) 3.39
12. Bring It To Jerome (Green) 3.27
13. Without You (Jones) 2.22
14. You’ve Got To Take It”(Jones) 2.17
15. Smokestack Lightning (alternate version) (Burnett) 2.54
16. What You Gonna Do? (mono version) (Jones/Mann) 2.39
17. Sack O’ Woe (instrumental version) (Adderley) 2.09
18. Mr. Anello(instrumental version) (Hugg/Jones/Mann/McGuinness/Vickers) 2.09



Manfred Mann Chapter Three – Volume Two (1970)

FrontCover1Second album from this band, and still delving further in experimentation – these things being relative, of course, but remember that these guys were pop writers just a year before this release. With an unchanged line-up and a strange artwork, this second albums takes off just where the previous had quit. The most logical step forward was the extension/lengthening of the tracks allowing for more instrumental interplay.

8-min opening track Lady Ace could’ve easily fitted on their previous album, with the difference that the brass section does get wilder than anything they had done on the first volume. Poor Sad Sue easily tops that with a free-jazz brass section solo before bringing things back to more conventional rock. Jump Before You with its African percussions and York improvising wildly on his bass, then the brass (first with a Moroccan feel) take over and a dissonant sax soloing away, is yet another perfect example of this unit still breaking new grounds. Good To Be Alive is more reminiscent of their debut album, but it is a creeper. The extended 16-min track Happy Being Me is full of great soloing (including Mann on piano) and some outstanding wind-works from Harold Becket and Nick Evans (of Keith Tippett fame)

SinglesLegend has it that a third album was recorded but the tapes lost, but one thing is certain, that record would’ve been another step towards nirvana. Instead the Chapter Three will break up and Manfred will take Hugg with him to found another superb group , the Earth Band which will make plenty of excellent records (but the first two albums were a clear step backwards) but in a rockier direction than here. (by Sean Trane)

Manfred Mann´s Chapter Three was one of his finest groups ! Jazz-Rock par exellence !

Manfred Mann Chapter ThreePersonnel:
Craig Collinge (drums)
Brian John Hugg (guitar, background vocals)
Mike Hugg (vocals, piano)
Bernie Living (saxophone)
Manfred Mann (organ)
Steve York (bass)
Dave Brooks (saxophone)
Sonny Corbett (trumpet)
David Coxhill (saxophone)
Andy McCulloch (drums on 05.)
Clive Stevens (saxophone)

01. Lady Ace (Hugg) 7.58
02. I Ain’t Laughing (Hugg) 2.36
03. Poor Sad Sue (Hugg) 5.54
04. Jump Before You Think Hugg) 4.52
05. It’s Good To Be Alive (Mann) 3.31
06. Happy Being Me (Hugg) 15.54
07. Virginia (Mann) 4.52
08. I Ain’t Laughing (single mono version) (Hugg) 2.32
09. Happy Being Me (single mono version) (Hugg) 4.01
10. Virginia (alternate version) (Mann) 3.32



Manfred Mann – Chapter Three (1969)

ManfredMannChapterThreeFCManfred Mann Chapter III was formed in England in 1969 after the break up of Manfred Mann famous for their chart topping pop hits throughout the 1960s. Manfred Mann’s Chapter III had a more Progressive appearance and moved away from their Pop roots. Chapter III was formed after the break up of the (Chapter II) line up of Manfred Mann in 1969 which featured singer Mike D’Abo, not forgetting the legendary (Chapter I) line up in the early 60s which featured singer Paul Jones.
Manfred Mann’s Chapter III turned their backs on three minute Pop singles and light hearted songs to develop a more Jazz and Progressive sound often had lengthy tracks with solos.

Manfred Mann’s Chapter III only recorded Mike Hugg or Manfred Mann compositions this was deliberate to avoid lead guitar. Sadly for Manfred Mann’s Chapter 3 the band had unsuccessful record sales and paid the price for this and unfortunate for Manfred Mann’s Chapter III they had disbanded late in 1970. This is their first album, recorded between June and October 1969 in the Old Kent Road. (by Progman)

Craig Collinge (drums)
Bernie Living (saxophone)
Brian Hugg (guitar)
Mike Hugg (keyboards, vocals)
Manfred Mann (keyboards)
Steve York (bass)

01. Travelling Lady (Mann/Hugg) 5.48
02. Snakesking Garter (Hugg) 5.48
03. Konekuff (Mann) 5.57
04. Sometimes (Hugg) 2,37
05. Devil Woman (Hugg) 5.24
06. Time (Hugg) 7.25
07. One Way Glass (Mann) 3.33
08. You´re A Better Man Than I (Mann/Hugg) 5.10
09. Ain´t It Sad (Hugg) 1.58
10. A Study In Inaccuracy (Mann) 4.06
11. Where Am I Going (Hugg) 2.46