Gerry Mulligan & Art Farmer Quartet – Live In Rome 1959 (2008)

FrontCover1.jpgEuropean television did a better job at archiving live jazz than American stations during the 1950s and ’60s, as evidenced by the outpouring of DVDs of European broadcasts. The music from this 1959 appearance by the Gerry Mulligan Quartet in Rome has been widely circulated on LP and CD in various forms, but seeing the black-and-white video footage to go along with the music will be incentive for Mulligan fans to seek out this edition. The video is generally well-preserved with relatively few flaws in the aged source material, and while the camera work is odd at times (such as focusing on the upper third of the leader’s body instead of showing his hands, or showing the musicians’ shadows on the screen instead of focusing on them), at least there isn’t the MTV-like rapid-fire flitting from one angle to the next every few seconds. Mulligan does get annoyed with the audio technician when he has difficulty with the microphone announcing the first song, though the problem is quickly corrected. The baritonist’s intricate counterpoint with trumpeter Art Farmer is magical, while the leader’s witty solos are also a highlight. Bassist Bill Crow and drummer Dave Bailey provide excellent support, while there are two audio-only tracks as a bonus. (by Ken Dryden)

Recorded on 19th July 1959 in the Teatro Adriano, Rome


Dave Bailey (drums)
Bill Crow (bass)
Art Farmer (trumpet)
Gerry Mulligan (saxophone, piano on 06.)


01. Announcement 1.12
02. Catch As Catch Can (Mulligan) 6.20
03. Walkin’ Shoes (Mulligan) 7.05
04. Baubles, Bangles And Beads (Wright/Forrest) 5.48
05. Just In Time (Green/Comden/Styne) 5.53
06. I Can’t Get Started (Gershwin/Duke) 8.04
07. News From Newport (Blackburn/Suessdorf) 8.39
08. Moonlight In Vermont (Blackburn/Suessdorf) 8.26
09. Spring Is Sprung (Mulligan)
10. Utter Chaos (Mulligan) 4.24





Annie Ross – Sing A Song With Mulligan (1958)

FrontCover1Annie Ross (born 25 July 1930) is a Scottish jazz singer, chanteuse and actress, best known as a member of the vocal trio Lambert, Hendricks & Ross.

She was born as Annabelle Allan Short, in Mitcham, London, the daughter of Scottish vaudevillians Jack Short and May Dalziel Short (née Allan). Her brother was entertainer Jimmy Logan.[2] At the age of four, she went to New York in an immigration ship with her family; she later recalled that they “got the cheapest ticket, which was right in the bowels of the ship”.

Shortly after arriving in the city, she won a token contract with MGM through a children’s radio contest run by Paul Whiteman. She subsequently moved with her aunt Ella Logan to Los Angeles, and her mother, father and brother returned to Scotland to be with the rest of their family. At the age of seven, she sang “The Bonnie Banks o’ Loch Lomond” in Our Gang Follies of 1938, and played Judy Garland’s sister in Presenting Lily Mars (1943).At the age of 14, she wrote the song “Let’s Fly”, which won a songwriting contest and was recorded by Johnny Mercer and The Pied Pipers. At the end of tenth grade, she left school, changed her name to Annie Ross, and went to Europe, where she quickly established her singing career. She decided to change her surname to Ross on the plane trip to Prestwick; in a 2011 interview, she said: “My aunt was very fanciful and she said I had an Irish grandmother called Ross, so that’s where that surname came from”.

AnnieRoss01In 1952, Ross met Prestige Records owner Bob Weinstock, who asked her to write lyrics to a jazz solo, in a similar way to King Pleasure, a practice that would later be known as vocalese. The next day, she presented him with “Twisted”, a treatment of saxophonist Wardell Gray’s 1949 composition of the same name, a classic example of the genre. The song, first released on the 1952 album King Pleasure Sings/Annie Ross Sings, was an underground hit, and resulted in her winning Down Beat’s New Star award. Her first solo album, Singin’ and Swingin’ (1952), was recorded in New York with members of the Modern Jazz Quartet. Other albums include Annie by Candlelight (1956), Sings a Song with Mulligan (1958) with baritone saxophonist Gerry Mulligan and Chet Baker on trumpet, A Gasser! (1959) with Zoot Sims, In Hoagland (1981) with Georgie Fame and Hoagy Carmichael, and Music Is Forever (1995) featuring Tommy Flanagan on piano.

AnnieRoss02In February 1956, the British music magazine NME reported that Ross’s song “I Want You to Be My Baby” was banned by the BBC, due to the lyric “Come upstairs and have some loving”.

She recorded seven albums with Lambert, Hendricks & Ross between 1957 and 1962. Their first, Sing a Song of Basie (1957), was to have been performed by a group of singers hired by Jon Hendricks and Dave Lambert with Ross brought in only as vocal consultant. It was decided that the trio should attempt to record the material and overdub all the additional vocals themselves, but the first two tracks were recorded and deemed unsatisfactory so they ditched the dubbing idea. The resulting album was a success, and the trio became an international hit. Over the next five years, Lambert, Hendricks & Ross toured all over the world and recorded such albums as Lambert, Hendricks, & Ross! (aka The Hottest New Group in Jazz, 1959), Sing Ellington (1960), High Flying (1962), and The Real Ambassadors (1962), written by Dave Brubeck and featuring Louis Armstrong and Carmen McRae.

Ross left the group in 1962[8] and, in 1964, opened her own nightclub in London. Annie’s Room featured performances by Joe Williams, Nina Simone, Stuff Smith, Blossom Dearie, Anita O’Day, Jon Hendricks, Erroll Garner, and Ross herself. A compilation album of Ross’s 1965 performances from Annie’s Room was released on CD in 2006.

AnnieRoss03Her film roles include Liza in the Hammer film Straight On till Morning (1972), Claire in Alfie Darling (1976), Vera Webster in Superman III (1983), Mrs. Hazeltine in Throw Momma from the Train (1987), Loretta Cresswood in Pump Up the Volume (1990), Lydia in Blue Sky (1994), and Tess Trainer in Robert Altman’s Short Cuts (1993).

She provided the speaking voice for Britt Ekland in The Wicker Man (1973), and Ingrid Thulin’s singing voice in Salon Kitty (1976). On stage, Ross appeared in Cranks (1955) in both London and New York City, The Threepenny Opera (1972) with Vanessa Redgrave, The Seven Deadly Sins at the Royal Opera House, Kennedy’s Children (1975) at Arts Theatre, London, Side by Side by Sondheim, and in the Joe Papp production of The Pirates of Penzance (1982) with Tim Curry.

In the early 1990s, Ross starred in the horror films Basket Case 2 and Basket Case 3: The Progeny.

She performs regularly at the Metropolitan Room (34 W. 22nd Street) in New York, with Tardo Hammer on piano, Neal Miner on bass, Jimmy Wormworth on drums, and Warren Vache on trumpet.

In 1949, Ross had a brief affair with drummer Kenny Clarke. This affair produced a son, Kenny Clarke Jr, who was brought up by Clarke’s family. During her time with Lambert, Hendricks & Ross, she became addicted to heroin, and in the late 1950s had an affair with the comedian Lenny Bruce, who was also having drug problems. By 1960, Carol Sloane was regularly substituting for her on tour. After a performance by the trio in London in May 1962, she stayed there to kick the habit.

AnnieRoss05AIn 1963, she married the actor Sean Lynch; they divorced in 1975, and he died in a car crash soon afterwards. By that time, she had also lost her home and declared bankruptcy.
She became a US citizen in 2001.

Ross has received numerous awards and honours, including the ASCAP Jazz Wall of Fame (2009), the prestigious NEA Jazz Masters’ Award (2010), and the MAC Award for Lifetime Achievement (2011).

In July 2006 a one-woman play entitled TWISTED: The Annie Ross Story by Brian McGeachan premiered at The Space Theatre in London, starring Verity Quade. It focused on her stormy relationship with her aunt, Broadway legend Ella Logan, her brief affair with the comedian Lenny Bruce and her addiction to heroin. The play transferred to The Brockley Jack Theatre in London that same year, with Ross being played by Betsy Pennington.

AnnieRoss07A documentary about Ross’s life, entitled No One But Me, premiered at the Glasgow Film Festival in 2012.

The original recording of her song “Twisted” was used in the introduction to the 1997 Woody Allen film Deconstructing Harry.(by wikipedia)

Singer Annie Ross’ first solo album after joining Lambert, Hendricks & Ross finds her at the peak of her powers. Ross is joined by two versions of the Gerry Mulligan Quartet with either Chet Baker or Art Farmer on trumpet, Bill Crow or Henry Grimes on bass, and drummer Dave Bailey. Annie Ross is at her best (and most appealing) on “I’ve Grown Accustomed to Your Face,” “Give Me the Simple Life,” “How About You,” and “The Lady’s in Love With You,” but all the selections are quite rewarding and her interplay with baritonist Mulligan is consistently memorable. This date plus its follow-up A Gasser are both essential. (by Scott Yanow)

Recorded New York 25 September 1958 (01 – 07.)
Recorded New York 11 & 12 December 1957 (08. – 16.)

Dave Bailey (drums)
Chet Baker (trumpet pn 07. 16.)
Bill Crow (bass on 01. – 06.)
Art Farmer (trumpet on 01. – 06.)
Henry Grimes (bass on 07. – 16)
Gerry Mulligan (saxophone)
Annie Ross (vocals)

01. I Feel Pretty (Bernstein) 3.33
02. I’ve Grown Accustomed To Your Face (Lowe/Lerner) 3:01
03. All Of You (Porter) 2.20
04. Give Me The Simple Life (Blum/Ruby) 3.36
05. This Is Always (Gordon/Warren) 4.22
06. My Old Flame (Johnston/Coslow) 3-52
07. This Time The Dream’s On Me (Arlen/Mercer) 3.25
08. Let There Be Love (Grant/Rand) 3.45
09. Between The Devil And The Deep Blue Sea (Koehler/Arlen) 3.42
10. How About You? (Lane/Freed) 2.53
11. I Guess I’ll Have To Change My Plan(Schwartz/Dietz) 2.26
12. This Is Always (Alternative Version) (Gordon/Warren) 4.01
13. It Don’t Mean A Thing (Ellington/Mills) 2.11
14. The Lady’s In Love With You (Lane/Loesser.) 2.27
15. You Turned The Tables On Me (Alter/Mitchell( 3.27
16. I’ve Grown Accustomed To Your Face (alternative version) (Lowe/Lerner) 3.06



AnnieRoss04In the studio with Chet Baker + Gerry Mulligan

Various Artists – Beatles vs. Stones – British Pop Hits Go Groovy (2010)

FrontCover1Part of Verve’s Jazz Club series, Beatles vs. Stones collects 18 songs (nine apiece) from the two British Invasion icons, all of which arrive in the form of covers performed by the likes of Count Basie (“Michelle”), Shake Keane with the Ivor Raymonde Orchestra (“As Tears Go By”), Oscar Peterson (“Yesterday”), and Caetano Veloso (“Let It Bleed”).

Appropriately budget-priced, the concept is pure novelty, but hearing the jazz elite interpret some of the most famous rock & roll songs in history is almost worth the small change. (by James Christopher Monger)

Booklet12010 collection of cover versions of Beatles and Stones classics performed by the Jazz elite. The JAZZ CLUB series is an attractive addition to the Verve catalogue. With its modern design and popular choice of repertoire, the JAZZ CLUB is not only opened for Jazz fans, but for everyone that loves good music. This collection includes tracks performed by Count Basie, Wes Montgomery, Oscar Peterson, Sergio Mendes and many others. (by



01. Count Basie: Michelle (1966) 2.46
02. Wes Montgomery: Eleanor Rigby (1967) 3.07
03. Wills Jackson: A Hard Days Night (1965) 5.37
04. Sergio Mendes & Brasil 66: With A Little Help From My Friends (1970) 2.33
05. Monty Alexander: Let It Be (1970) 3.42
06. Oscar Peterson: Yesterday (1970) 4.04
07. Gerry Mulligan: Can t Buy Me Love (1965) 3.38
08. Ella Fitzgerald: Hey Jude (1969) 3.52
09. George Benson: Because/Come Together (1969) 7.26

All songs written by John Lennon + Paul McCartney

10. The Andrew Oldham Orchestra: Blue Turns To Grey (1966) 2.55
11. Kai Winding: Time Is On My Side (1963) 3.12
12. Shake Keane w. The Ivor Raymonde Orchestra: As Tears Go By (1968) 3.09
13. Ted Heath & His Music: Honky Tonk Women (1969) 3.23
14. Rotary Connection feat. Minnie Ripperton: The Salt Of The Earth (1969) 4.59
15. Barbara Dennerlein: Satisfaction (1999) 5.21
16. Peter Thomas Sound Orchestra: Jumpin Jack Flash (1968) 2.32
17. Cal Tjader: Gimme Shelter (1995) 2.55
18. Caetano Veloso: Let It Bleed (1968) 3.22

All songs written by Mick Hagger + Keith Richards

CD1* (coming soon)