She was born as Annabelle Allan Short, in Mitcham, London, the daughter of Scottish vaudevillians Jack Short and May Dalziel Short (née Allan). Her brother was entertainer Jimmy Logan. At the age of four, she went to New York in an immigration ship with her family; she later recalled that they “got the cheapest ticket, which was right in the bowels of the ship”.
Shortly after arriving in the city, she won a token contract with MGM through a children’s radio contest run by Paul Whiteman. She subsequently moved with her aunt Ella Logan to Los Angeles, and her mother, father and brother returned to Scotland to be with the rest of their family. At the age of seven, she sang “The Bonnie Banks o’ Loch Lomond” in Our Gang Follies of 1938, and played Judy Garland’s sister in Presenting Lily Mars (1943).At the age of 14, she wrote the song “Let’s Fly”, which won a songwriting contest and was recorded by Johnny Mercer and The Pied Pipers. At the end of tenth grade, she left school, changed her name to Annie Ross, and went to Europe, where she quickly established her singing career. She decided to change her surname to Ross on the plane trip to Prestwick; in a 2011 interview, she said: “My aunt was very fanciful and she said I had an Irish grandmother called Ross, so that’s where that surname came from”.
In 1952, Ross met Prestige Records owner Bob Weinstock, who asked her to write lyrics to a jazz solo, in a similar way to King Pleasure, a practice that would later be known as vocalese. The next day, she presented him with “Twisted”, a treatment of saxophonist Wardell Gray’s 1949 composition of the same name, a classic example of the genre. The song, first released on the 1952 album King Pleasure Sings/Annie Ross Sings, was an underground hit, and resulted in her winning Down Beat’s New Star award. Her first solo album, Singin’ and Swingin’ (1952), was recorded in New York with members of the Modern Jazz Quartet. Other albums include Annie by Candlelight (1956), Sings a Song with Mulligan (1958) with baritone saxophonist Gerry Mulligan and Chet Baker on trumpet, A Gasser! (1959) with Zoot Sims, In Hoagland (1981) with Georgie Fame and Hoagy Carmichael, and Music Is Forever (1995) featuring Tommy Flanagan on piano.
She recorded seven albums with Lambert, Hendricks & Ross between 1957 and 1962. Their first, Sing a Song of Basie (1957), was to have been performed by a group of singers hired by Jon Hendricks and Dave Lambert with Ross brought in only as vocal consultant. It was decided that the trio should attempt to record the material and overdub all the additional vocals themselves, but the first two tracks were recorded and deemed unsatisfactory so they ditched the dubbing idea. The resulting album was a success, and the trio became an international hit. Over the next five years, Lambert, Hendricks & Ross toured all over the world and recorded such albums as Lambert, Hendricks, & Ross! (aka The Hottest New Group in Jazz, 1959), Sing Ellington (1960), High Flying (1962), and The Real Ambassadors (1962), written by Dave Brubeck and featuring Louis Armstrong and Carmen McRae.
Ross left the group in 1962 and, in 1964, opened her own nightclub in London. Annie’s Room featured performances by Joe Williams, Nina Simone, Stuff Smith, Blossom Dearie, Anita O’Day, Jon Hendricks, Erroll Garner, and Ross herself. A compilation album of Ross’s 1965 performances from Annie’s Room was released on CD in 2006.
Her film roles include Liza in the Hammer film Straight On till Morning (1972), Claire in Alfie Darling (1976), Vera Webster in Superman III (1983), Mrs. Hazeltine in Throw Momma from the Train (1987), Loretta Cresswood in Pump Up the Volume (1990), Lydia in Blue Sky (1994), and Tess Trainer in Robert Altman’s Short Cuts (1993).
She provided the speaking voice for Britt Ekland in The Wicker Man (1973), and Ingrid Thulin’s singing voice in Salon Kitty (1976). On stage, Ross appeared in Cranks (1955) in both London and New York City, The Threepenny Opera (1972) with Vanessa Redgrave, The Seven Deadly Sins at the Royal Opera House, Kennedy’s Children (1975) at Arts Theatre, London, Side by Side by Sondheim, and in the Joe Papp production of The Pirates of Penzance (1982) with Tim Curry.
In the early 1990s, Ross starred in the horror films Basket Case 2 and Basket Case 3: The Progeny.
She performs regularly at the Metropolitan Room (34 W. 22nd Street) in New York, with Tardo Hammer on piano, Neal Miner on bass, Jimmy Wormworth on drums, and Warren Vache on trumpet.
In 1949, Ross had a brief affair with drummer Kenny Clarke. This affair produced a son, Kenny Clarke Jr, who was brought up by Clarke’s family. During her time with Lambert, Hendricks & Ross, she became addicted to heroin, and in the late 1950s had an affair with the comedian Lenny Bruce, who was also having drug problems. By 1960, Carol Sloane was regularly substituting for her on tour. After a performance by the trio in London in May 1962, she stayed there to kick the habit.
In 1963, she married the actor Sean Lynch; they divorced in 1975, and he died in a car crash soon afterwards. By that time, she had also lost her home and declared bankruptcy.
She became a US citizen in 2001.
Ross has received numerous awards and honours, including the ASCAP Jazz Wall of Fame (2009), the prestigious NEA Jazz Masters’ Award (2010), and the MAC Award for Lifetime Achievement (2011).
In July 2006 a one-woman play entitled TWISTED: The Annie Ross Story by Brian McGeachan premiered at The Space Theatre in London, starring Verity Quade. It focused on her stormy relationship with her aunt, Broadway legend Ella Logan, her brief affair with the comedian Lenny Bruce and her addiction to heroin. The play transferred to The Brockley Jack Theatre in London that same year, with Ross being played by Betsy Pennington.
The original recording of her song “Twisted” was used in the introduction to the 1997 Woody Allen film Deconstructing Harry.(by wikipedia)
Singer Annie Ross’ first solo album after joining Lambert, Hendricks & Ross finds her at the peak of her powers. Ross is joined by two versions of the Gerry Mulligan Quartet with either Chet Baker or Art Farmer on trumpet, Bill Crow or Henry Grimes on bass, and drummer Dave Bailey. Annie Ross is at her best (and most appealing) on “I’ve Grown Accustomed to Your Face,” “Give Me the Simple Life,” “How About You,” and “The Lady’s in Love With You,” but all the selections are quite rewarding and her interplay with baritonist Mulligan is consistently memorable. This date plus its follow-up A Gasser are both essential. (by Scott Yanow)
Recorded New York 25 September 1958 (01 – 07.)
Recorded New York 11 & 12 December 1957 (08. – 16.)
Dave Bailey (drums)
Chet Baker (trumpet pn 07. 16.)
Bill Crow (bass on 01. – 06.)
Art Farmer (trumpet on 01. – 06.)
Henry Grimes (bass on 07. – 16)
Gerry Mulligan (saxophone)
Annie Ross (vocals)
01. I Feel Pretty (Bernstein) 3.33
02. I’ve Grown Accustomed To Your Face (Lowe/Lerner) 3:01
03. All Of You (Porter) 2.20
04. Give Me The Simple Life (Blum/Ruby) 3.36
05. This Is Always (Gordon/Warren) 4.22
06. My Old Flame (Johnston/Coslow) 3-52
07. This Time The Dream’s On Me (Arlen/Mercer) 3.25
08. Let There Be Love (Grant/Rand) 3.45
09. Between The Devil And The Deep Blue Sea (Koehler/Arlen) 3.42
10. How About You? (Lane/Freed) 2.53
11. I Guess I’ll Have To Change My Plan(Schwartz/Dietz) 2.26
12. This Is Always (Alternative Version) (Gordon/Warren) 4.01
13. It Don’t Mean A Thing (Ellington/Mills) 2.11
14. The Lady’s In Love With You (Lane/Loesser.) 2.27
15. You Turned The Tables On Me (Alter/Mitchell( 3.27
16. I’ve Grown Accustomed To Your Face (alternative version) (Lowe/Lerner) 3.06