Guitar Legends (Special Collector´s Edition) – The Guitar Genius Of Eric Capton (2007)

FrontCoverEric Patrick Clapton, CBE (born 30 March 1945), is an English rock and blues guitarist, singer, and songwriter. He is the only three-time inductee to the Rock and Roll Hall of Fame: once as a solo artist and separately as a member of the Yardbirds and Cream. Clapton has been referred to as one of the most important and influential guitarists of all time. Clapton ranked second in Rolling Stone magazine’s list of the “100 Greatest Guitarists of All Time” and fourth in Gibson’s “Top 50 Guitarists of All Time”. He was also named number five in Time magazine’s list of “The 10 Best Electric Guitar Players” in 2009.

In the mid-1960s Clapton left the Yardbirds to play with John Mayall & the Bluesbreakers. Immediately after leaving Mayall, Clapton formed the power trio Cream with drummer Ginger Baker and bassist Jack Bruce, in which Clapton played sustained blues improvisations and “arty, blues-based psychedelic pop”. Furthermore, he formed blues rock band Blind Faith with Baker, Steve Winwood, and Ric Grech. For most of the 1970s Clapton’s output bore the influence of the mellow style of J. J. Cale and the reggae of Bob Marley. His version of Marley’s “I Shot the Sheriff” helped reggae reach a mass market.[6] Two of his most popular recordings were “Layla”, recorded with Derek and the Dominos; and Robert Johnson’s “Crossroads”, recorded with Cream. Following the death of his son Conor in 1991, Clapton’s grief was expressed in the song “Tears in Heaven”, which was featured on his Unplugged album.

Clapton has been the recipient of 18 Grammy Awards, and the Brit Award for Outstanding Contribution to Music. In 2004 he was awarded a CBE at Buckingham Palace for services to music. In 1998, Clapton, a recovering alcoholic and drug addict, founded the Crossroads Centre on Antigua, a medical facility for recovering substance abusers. (by wikipedia)

And here´s a very interesting magazin about Eric Clapton, a special collector´s edition from the “Guitar Legends” magazine. Discover the world of one of the finest guitar player ever !

 

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Beatles Monthly – Nr. 1 August 1963

FrontCoverThe Beatles Book (also known as Beatles Monthly) was founded in 1963. It was first published in August 1963 and continued for 77 editions until it stopped publication after the December 1969 edition. It was revived in 1976, and ceased publication in 2003.

In early 1963 a publisher, Sean O’Mahony, (who already published a magazine about the music scene called Beat Instrumental) heard Please Please Me and asked Brian Epstein if he could publish a magazine devoted to The Beatles. Epstein and the group agreed and the title launched in August 1963 with a print run of 80,000. By the end of the year circulation had grown to 330,000 copies per month. O’Mahony edited the magazine under the name of Johnny Dean.

The magazine’s photographer, Leslie Bryce, had unrivalled access to the group throughout the 1960s, travelling the world and taking thousands of photographs. In addition, Beatles roadies Neil Aspinall and Mal Evans wrote many of the articles, and artist Bob Gibson created numerous cartoons and caricatures of the fab four on a regular basis. (He eventually did the cartoons for the Beatles’ 1967 Magical Mystery Tour EP-set/US-album booklet.)

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In May 1976 O’Mahony revived the publication and republished all 77 original issues surrounded by eight (later sixteen) pages of new Beatles news and articles. The reissue programme was completed in September 1982, coincidentally at a time when interest in the band was high due to the impending twentieth anniversary of “Love Me Do”. Consequently, the decision was taken to continue the magazine with all new content. Publication continued until January 2003 (Issue 321) when it once again ceased.(by wikipedia)

Enjoy this sentimental trip in the early days of the fab four …

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Billboard – January 30 (1961)

FrontCoverBillboard (stylized as billboard) is an American entertainment media brand owned by the Hollywood Reporter-Billboard Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events, and style. It is also known for its music charts, including the Billboard Hot 100 and Billboard 200, tracking the most popular singles and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows. Billboard was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegen’s interest in 1900 for $500.

In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows. It also created a mail service for travelling entertainers. Billboard began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off into different magazines, including Amusement Business in 1961 to cover outdoor entertainment, so that it could focus on music. After Donaldson died in 1925, Billboard was passed down to his children and Hennegan’s children, until it was sold to private investors in 1985, and has since been owned by various parties. (by wikipedia)

And here´s another nice example from 1961 … This issue was the 20 anniversary editon !

Enjoy this sentimental journey in the Sixties … when we were young … very young …

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Billboard (Magazine) – July, 10 (1965)

FrontCoverBillboard (stylized as billboard) is an American entertainment media brand owned by the Hollywood Reporter-Billboard Media Group, a division of Eldridge Industries. It publishes pieces involving news, video, opinion, reviews, events, and style. It is also known for its music charts, including the Billboard Hot 100 and Billboard 200, tracking the most popular singles and albums in different genres. It also hosts events, owns a publishing firm, and operates several TV shows. Billboard was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegen’s interest in 1900 for $500.

In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows. It also created a mail service for travelling entertainers. Billboard began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off into different magazines, including Amusement Business in 1961 to cover outdoor entertainment, so that it could focus on music. After Donaldson died in 1925, Billboard was passed down to his children and Hennegan’s children, until it was sold to private investors in 1985, and has since been owned by various parties. (by wikipedia)

And here´s a nice example from 1965 …

And this is another sentimental journey in the Sixties … when we were young …

Enjoy it !

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Guitar World – Holiday 2015 Edition

FrontCoverGuitar World is a monthly music magazine devoted to guitarists, published since July 1980. It contains original interviews, album and gear reviews, and guitar and bass tablature of approximately five songs each month.

The magazine is published 13 times per year (12 monthly issues and a holiday issue).

Formerly owned by Harris Publications, Future US bought the magazine in 2003. In 2012, NewBay Media bought the Music division of Future US.

The latter company also published a spin-off title, Guitar Legends, each issue of which typically combined past articles from Guitar World under a specific theme.

And here´s the holiday editon from 2015 with articles about

  • Keith Richards
  • The Beatles (and their “love affair” with the Ephophone Casino guitar
  • Richie Kotzen
  • Deafheaven
  • Iron Maiden

plus many columns and tablatures “Here Comes The Sun” for example.

More Guitar World issues will come …

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Relix – Vol. 10, No. 1 (February 1983)

FrontCoverAnother item from my magazine archive:

Relix Magazine was launched in 1974 under the name Dead Relix. In its earliest incarnation, this hand-stapled, homegrown newsletter was an outlet for Grateful Dead tape traders ‹ avid concertgoers who taped and traded Grateful Dead concerts. The first issues were small (less than 20 pages), had hand-drawn black and white covers and focused on taping tips and Grateful Dead news. It also provided a forum for tape traders and music fanatics to communicate with each other.
Even as early as the second issue, non-Dead editorial found its way into Dead Relix’s pages and, with the addition of an editor, the young magazine expanded its scope to cover the music of the Bay Area psychedelic scene. By 1978, Dead Relix contained reviews, essays, short features and artwork, and had dropped the “Dead” from its title. In a world that was moving away from “hippy culture,” Relix managed to remain relevant, by expanding its scope of coverage beyond “Bay Area psychedelic rock” to cover genres as diverse as reggae and heavy metal, with varying degrees of success.

After some years of struggling with its direction, Relix regained its voice. It revived its FristIssue1974focus on the Grateful Dead, but also found room to cover genres as divergent as blues, reggae, bluegrass and jazz, and non-music issues such as mandatory minimum drug laws. It was during the late ’80s to mid-’90s that Relix established its reputation as a magazine that “broke” new acts. With the keen ear of British-born writer Mick Skidmore, many new and emerging bands made their debut in Relix columns such as Independents Daze and On The Edge.

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For a magazine with its roots in Grateful Dead coverage, the passing of Jerry Garcia on August 9, 1995, could have spelt its death knell. Instead, Relix served as a rallying point for the “community,” and, in the years since, has slowly moved its emphasis away from the Grateful Dead to coverage of “jambands” that have filled the void, as well as other, non-mainstream, types of music.

Today, Relix is the only music magazine of its kind. Having weathered 28 years of musical history, Relix has firmly established itself as a serious music magazine, “deadicated” to not only entertaining its readership, but providing a true community for lovers of “music for the mind.” (by relix.com)

And here´s another old Relix mag from 1983, and this issue included great articles about:

  • Gram Parsons
  • The Stray Cats
  • The Dinosaurs
  • Pigpen
  • Jorma Kaukonen
  • Mike Bloomfield
  • Josie Cotton
  • Jim Morrison

and much more … reviews and so on.

Enjoy this trup in the past !

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Kerrang – No. 99 (July 1985)

FrontCoverKerrang! is a UK-based magazine devoted to rock music, currently published by Hamburg based Bauer Media Group. It was first published on 6 June 1981 as a one-off supplement in the Sounds newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, Kerrang! was initially devoted to the new wave of British heavy metal and the rise of hard rock acts.[2] In the early 2000s it became the best-selling British music weekly.

Kerrang! was founded in 1981. The magazine commenced publication on 6 June 1981 and was edited by Geoff Barton, initially as a one-time supplement in the Sounds newspaper, which focused on the new wave of British heavy metal phenomenon and on the rise of other hard rock acts. Angus Young of AC/DC appeared on Kerrang!’s first cover. Launched as a monthly magazine, Kerrang! began to appear on a fortnightly basis later, and in 1987 it went weekly. The original owner was United Newspapers who then sold it to EMAP in 1991.

During the 1980s and early 1990s the magazine placed many thrash and glam metal acts on the cover (like Mötley Crüe, Slayer, Bon Jovi, Metallica, Poison, and Venom) but later discarded them when grunge acts such as Nirvana rose to fame. Readers often criticise the magazine for repeating this process every time a new musical trend becomes popular.

Kerrang!’s popularity rose again with the hiring of editor Paul Rees circa 2000 when the nu metal genre, featuring bands like Limp Bizkit and Slipknot were becoming more popular.[6] Rees went on to edit Q magazine and Ashley Bird took over as editor from 2003 to 2005. However the magazine’s sales went quickly into decline in 2003 and Paul Brannigan took over as editor in May 2005.

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The term “thrash metal” was first referred to in the music press by Kerrang journalist Malcolm Dome while making a reference to the Anthrax song “Metal Thrashing Mad” in issue number 62, page 8 published on 23 February 1984. Prior to this Metallica’s James Hetfield referred to their sound as power metal.

With the emergence of emo and metalcore, Kerrang! began to heavily feature this musical trend. However, the revamp was not welcomed by all readers and many complaints were received about Kerrang!’s sudden emphasis on emo and metalcore music. Brannigan took the magazine into its most commercially successful period with a record ever ABC for the title of 80,186 copies.

In 2008, EMAP sold its consumer magazine to current owner Bauer Media Group. Brannigan left Kerrang! in 2009 and Nichola Browne was appointed editor.[10] She later stepped down in April 2011. Former NME features editor and GamesMaster deputy editor James McMahon was appointed as editor on 6 June 2011.

In April 2017, Bauer sold Kerrang! magazine, its website, and the K! Awards to Mixmag Media, publisher of dance monthly Mixmag, along with assets related to defunct style magazine The Face, which Mixmag plans to relaunch as a digital-first title. It is suggested that the new owners will relaunch Kerrang! as a monthly title. Bauer will retain ownership of Kerrang! Radio and the Box Plus Network will continue to operate Kerrang! TV as before (by wikipedia)

Here´s a issue from July 1985:

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More Kerrang magazines will come ….