Sam Rivers & James Newton – Flutes (1976)

FrontCover1Samuel Carthorne Rivers (September 25, 1923 – December 26, 2011) was an American jazz musician and composer. He performed on soprano and tenor saxophones, bass clarinet, flute, harmonica and piano.

Active in jazz since the early 1950s, he earned wider attention during the mid-1960s spread of free jazz.

With a thorough command of music theory, orchestration and composition, Rivers was an influential and prominent artist in jazz music. (by wikipedia)

Sam Rivers and Joe Daley NYC - July, 1976

Sam Rivers and Joe Daley NYC – July, 1976

James W. Newton (born May 1, 1953, Los Angeles, California, United States) is an American jazz and classical flautist, composer, and conductor.

From his earliest years, James Newton grew up immersed in the sounds of African-American music, including urban blues, rhythm and blues, and gospel. In his early teens he played electric bass guitar, alto saxophone, and clarinet. In high school he took up the flute, influenced by Eric Dolphy.[2] In addition to taking lessons in classical music on flute, he also studied jazz with Buddy Collette. He completed his formal musical training at California State University, Los Angeles.

JamesNewtonFrom 1972 to 1975, together with David Murray, Bobby Bradford, and Arthur Blythe, Newton was a member of drummer (and later critic) Stanley Crouch’s band Black Music Infinity. From 1978 to 1981 he lived in New York, leading a trio with pianist and composer Anthony Davis and cellist Abdul Wadud. These three played extended chamber jazz and Third Stream compositions by Newton and Davis. With Davis, Newton founded a quartet and toured successfully in Europe in the early 1980s. Afterwards, he performed with a wide variety of musicians, including projects by John Carter and the Mingus Dynasty. Newton has released four recordings of his solo improvisations for flute. Since the 1990s Newton has often worked with musicians from other cultural spheres, including Jon Jang, Gao Hong, Kadri Gopalnath, and Shubhendra Rao, and has taken part in many cross-cultural projects.

Newton has performed with the New York Philharmonic, Brooklyn Philharmonic, L’Orchestre du Conservatoire de Paris, Vladimir Spivakov and the Moscow Virtuosi the Los Angeles Master Chorale, Southwest Chamber Music, California EAR Unit, New York New Music Ensemble, and the San Francisco Ballet.

He served for five years as Musical Director/Conductor of the Luckman Jazz Orchestra and has held professorships at the University of California, Irvine, the California Institute of the Arts, and California State University, Los Angeles. In 1989 he wrote and published a method book entitled The Improvising Flute. In 2007 he published Daily Focus For The Flute.

He has also composed classical works for chamber ensemble and orchestra, as well as electronic music. In 1997 he wrote an opera, The Songs of Freedom. Based on the knowledge of the deep tradition of “extended” jazz compositions and European contemporary music, Newton uses post-serial methods in composing.[vague] His compositions may be judged as specifically African-American not solely because of the presence of crucial idiomatic elements such as rhythm, pronunciation, and transformation of sound, but also because of their dialoguing between different cultures. In his compositional output, he specializes in chamber music and writing for unconventional instrumentations. He has also written a symphony and composed for ballet and modern dance. In 2006 he composed a Latin Mass which premiered in Prato, Italy, in February 2007.

This is a very rare album, released on Circle Records,  a German jazz record label established in 1976. Most albums have not been reissued.

And yes … this is free jazz …. if you know what I mean !

FreeJazz01Essence Part XI recorded live September 2, 1976 at the Bim Huis, Amsterdam
The Dean + Choir recorded live May 21, 1977 from Studio A Pacifica Radio, KPFK, Cahuenga Bl, N. Hollywood
Woman recorded live January 16, 1977 at the Smudge Pot, Claremont, California


On “Essence – Part XI”:
Joe Daley (french horn, tuba)
Sam Rivers (flute)
James Newton (flute on 02. – 04.)

01. Essence – Part XI (Rivers) 13.22
02. Woman (Bradford) 6.08
03. The Dean (alternate take) (Newton) 7.40
04. Choir (Newton) 4.29