Bonnie Raitt – The Lost Broadcast Philadelphia 1972 (2010)

CDFrontCover1When Bonnie Raitt got her big breakthrough album, Nick Of Time, in 1989, the general feeling was that her time had come. After all, she had released her debut album back in 1971 and spent the time in between gigging and honing her craft. The Nick Of Time and Luck Of The Draw (1991) albums showed a matured Raitt with a commanding presence.

But even in the early years, she had the ability to stop listeners in their tracks. Sarah, writing at sheplaysmusic.com, posted: “My love affair with blues and the legendary Bonnie Raitt began in 1977 when I was 13 years old. I was in my bedroom listening to a local top 40s station when the tuner on my antiquated clock radio became stuck between channels. In tuning it I landed WMMR in Philadelphia and heard the most amazing thing. Bonnie Raitt’s Blender Blues was playing. It was a live recording from Philly’s Sigma Sound Studions from, I believe, 1972 or so. Bonnie Raitt became my hero and I listened to the radio often to hear that song especially.”

While Raitt was still promoting her self-titled debut album at this show, she also snucked in Too Long At The Fair and Under The Falling Sky from her second album, Give It Up, which would only be released in September 1972.

Fans who heard this show have raved about it – both for Raitt’s performance (she was only 22) and for its very good audio quality. Thanks to tranbert for sharing the lossless tracks on the net and to dan@am-dig.com for the artwork.

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No idea who penned these notes that accompanied the tracks but they make fine reading.

“Like any story passed on with some music this needs to be taken with a grain of salt. Here what was told to me and this is what I know.

“An intern at WMMR in the ’80s recorded this show to an analog source. Being such a tremendous recording this individual longed to re-record the master reel straight to a digital source as they became increasingly popular in the early ’90s. At this point the intern had moved on and no longer had this type of access. However, he remembered periodically that the studio or the station allowed access to the ‘records room’ for research activity. Posing as a university affiliate doing research on ’70s radio advertising, this individual gained access to the master reels with a portable Sony DAT deck. The room was laid out with shelves with tables on the far end with cassette decks, reel to reel and ‘cart’ type recorders. Unplugging the cart recorder and connecting the DAT deck, history was then digitized.

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“At this time I was working at a mail order facility selling DAT tapes. Which at the time were very expensive, US$12 or more per tape. The individual with this Bonnie recording told us the story above. Is it true? Who knows but he use to buy DAT tapes from us regularly. He made us a cassette of this famous recording and we bugged him to make us a DAT copy for months. He did not have the means to do DAT to DAT. On a visit to the ’store’ in Stamford in 1992 we finally were able to make one DAT clone. I subsequently cloned that DAT.”

Also, thanks to WMMR producer Dennis Wilen for the feedback.

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Personnel:
John Davis (harmonica)
Dan (Freebo) Freeberg (bass)
Bonnie Raitt (guitar, piano, vocals)
T.J. Tindle (guitar, harmonica)

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Tracklist:
01. Mighty Tight Woman (Wallace) 4.03
02. Rollin & Tumblin (Morganfield) 4.23
03. Any Day Woman (Siebel) 3.39
04. Woman Be Wise (Wallace/Bench) 3.42
05. Thank You (Raitt) 2.58
06. Bluebird (Stills) 3.37
07. Finest Lovin Man (Raitt) 5.24
08. Big Road (Johnson) 4.42
09. Stayed Too Long At The Fair (Zoss) 2.50
10. Under The Falling Sky (Browne) 4.30
11. Walkin Blues (Johnson) 4.00
12. Can’t Find My Way Home (Winwood) 3.06
13. Richland Woman Blues (Hurt) 3.51
14. Blender Blues (Raitt) 3.32
15. Radio Jingle Promo 1.05
15. Since I Fell for You (Johnson) 2.50

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Various Artists – Boys On The Side (OST) (1995)

FrontCover1Boys on the Side is a 1995 American comedy-drama film directed by Herbert Ross (in his final film as a director). It stars Whoopi Goldberg, Drew Barrymore and Mary-Louise Parker as three friends on a cross-country road trip. The screenplay was written by Don Roos.

 

Three unique women embark on a cross-country road trip: Jane (Whoopi Goldberg), a lesbian lounge singer in search of a new life after breaking up with her girlfriend and getting fired; Holly (Drew Barrymore), a pregnant girl who just wants to escape her brutal boyfriend; and Robin (Mary-Louise Parker), an uptight real estate agent who has her own secrets (namely being infected with HIV).

Robin puts an ad in the newspaper that she is looking for a traveling companion to accompany her on a cross country trip to California. Jane answers the ad and agrees to join Robin after her car gets towed during their meeting. Jane and Robin leave New York City and travel through Pittsburgh to take Jane’s friend Holly to lunch. They stumble across a knock out-fight between Holly and her abusive boyfriend, Nick, over some missing drugs.

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They leave him there bound to a chair with tape after Holly hits him in the head with a bat to stop him from attacking Jane. Later, he frees himself from the chair, stumbles across the floor, falls and hits his head on the bat and dies. The three unlikely travelers then form a special friendship on their journey which sees them through ultimately tragic times.

After discovering that Nick is dead and that Holly is pregnant, the three women decide to continue across country and end up in Tucson, Arizona when Robin has to be hospitalized. They decide to stay in Tucson, hoping to start a new life. However, Jane has a secret crush on Robin, Holly falls in love with and eventually confesses to a local police officer named Abe Lincoln (Matthew McConaughey), and Robin finds the courage to face her impending death.

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Shortly after Jane and Robin have a falling out over Jane telling a friendly bartender (James Remar) who was interested in Robin that she has HIV, Holly is arrested by Abe. She is taken back to Pittsburgh to face the consequences of her actions. The return to Pittsburgh involves Robin and Jane making peace with each other on the courthouse’s “Bridge of Sighs” while the Pittsburgh Police process Holly.

A few months pass, in Tucson, Holly is free and with Abe and her daughter, which is celebration to all family and friends. Robin is now farther along with AIDS and is not expected to live much longer. The party asks Robin to sing the Roy Orbison song “You Got It” as she performed that song in a Star Search contest; though weak, she manages to sing with Jane backing her singing. In the final scene, Robin has died from AIDS as her wheelchair is now empty, Holly and Abe plan to stay in Arizona and become a family, while Jane hits the road to finally seek a life of her own.

The film’s soundtrack album is made up entirely of contributions from female pop/rock artists, including lesbian icons Melissa Etheridge (“I Take You With Me”), Joan Armatrading (“Willow”) and the Indigo Girls (“Power of Two”). Previous hit singles by Annie Lennox (“Why”) and The Cranberries (“Dreams”) are also included, as are new recordings by Sheryl Crow, Sarah McLachlan, Stevie Nicks and The Pretenders among others. The hit single from the movie soundtrack was Bonnie Raitt’s cover of the Roy Orbison hit “You Got It”, which peaked at #34 on the Billboard Hot 100 singles chart. (by wikipedia)

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Boys on the Side is a collection of mainstream ’90s rock dominated by female artists, which is appropriate for the feminist nature of the film. Not all of the music is first-rate, but much of it is, particularly Bonnie Raitt’s cover of Roy Orbison’s “You Got It.” Fans of the film will find much to enjoy here, but the record doesn’t quite hold together as an individual entity. (by Stephen Thomas Erlewine)

This is just such an amazingly wonderful collection of beautiful songs, from the movie of the same title. This CD is like a warm, happy, occasionally sad, emotional journey through the eyes & hearts of some really talented women! I’m going to stockpile some more copies of this CD, as I never want to be without it! (by Mary Jo Ashleyon)

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This has always been one of my favorite CDs, given the assortment of some of the best tracks of a series of female artists. Recently on a trip out west I inadvertently left the CD playing when my daughter (4th grade) got in the car–it is now her favorite album as well, and I don’t have to listen to the teeny bop music she usually pleads for–what a relief!!
I had never heard many of these artists before, given that I stopped hearing new artists about when my daughter was born and Raffi took over our lives, and it was such a delight to discover so much talent–it really sent me out to get acquainted with more of their music on their own individual albums. (by an Amazon customer)

This is a strong album for strong women … And I love strong women …

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Tracklist:
01. Bonnie Raitt: You Got It (Lynne/Orbison/Petty) 3.25
02. Melissa Etheridge: I Take You With Me (Etheridge) 4.48
03. Sheryl Crow: Keep On Growing (Clapton/Whitlock) 5.24
04. Indigo Girls: Power Of Two (Saliers) 5.22
05. Stevie Nicks:  Somebody Stand By Me (Crow/Wolfe) 5.05
06. The Pretenders: Everyday Is Like Sunday (Morrissey/Street) 3.41
07. The Cranberries; Dreams (Hogan/O’Riordan) 4.30
08. Annie Lennox: Why (Lennox) 4.53
09. Sarah McLachlan: Ol’ 55 (Waits) 4.11
10. Joan Armatrading: Willow (Armatrading) 4.01
11. Jonell Mosser: Crossroads (Johnson) 2.49
12. Whoopi Goldberg: You Got It (Lynne/Orbison/Petty) 3.08
13. Bonnie Raitt: You Got It (Lynne/Orbison/Petty) 3.25

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Bonnie Raitt – Nick Of Time (1989)

FrontCover1Nick of Time is the 10th album by the American singer Bonnie Raitt, released on March 21, 1989.

Nick of Time topped the Billboard 200 chart, selling five million copies, and won three Grammy Awards, including Album of the Year, which was presented to Raitt & producer Don Was. In 2003, the album was ranked number 230 on Rolling Stone magazine’s list of the 500 greatest albums of all time. The album was also included in the book 1001 Albums You Must Hear Before You Die.

Pior to Nick of Time, Bonnie Raitt had been a reliable cult artist, delivering a string of solid records that were moderate successes and usually musically satisfying. From her 1971 debut through 1982’s Green Light, she had a solid streak, but 1986’s Nine Lives snapped it, falling far short of her usual potential. Therefore, it shouldn’t have been a surprise when Raitt decided to craft its follow-up as a major comeback, collaborating with producer Don Was on Nick of Time. At the time, the pairing seemed a little odd, since he was primarily known for the weird hipster funk of Was (Not Was), but the match turned out to be inspired. Was used Raitt’s classic early-’70s records as a blueprint, choosing to update the sound with a smooth, professional production and a batch of excellent contemporary songs.

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In this context, Raitt flourishes; she never rocks too hard, but there is grit to her singing and playing, even when the surfaces are clean and inviting. And while she only has two original songs here, Nick of Time plays like autobiography, which is a testament to the power of the songs, performances, and productions. It was a great comeback album that made for a great story, but the record never would have been a blockbuster success if it wasn’t for the music, which is among the finest Raitt ever made. She must have realized this, since Nick of Time served as the blueprint for the majority of her ’90s albums. (by Stephen Thomas Erlewine)

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Personnel:
Arthur Adams (guitar on o3.)
Sweet Pea Atkinson (background vocals on 03., 08., 09. + 11.)
Bill Bergman (Saxophone on 03.)
John Berry, Jr. (trumpet on 03. + 09.)
Sir Harry Bowens (background vocals on 01., 03., 08., 09. + 11.)
Tony Braunagel (percussion on 02., + 05., drums on 04.)
Fran Christina (drums on 11.)
David Crosby (background vocals on 04.)
Paulinho Da Costa (Percussion on 01., 04. + 07.)
Chuck Domanico (bass on 4. + 06.)
Dennis Farias (trumpet on 03. + 09.)
Ricky Fataar (drums on 01. – 03., 05. + 07. – 09, Percussion on 01.)
Marty Grebb (Saxophone on 03. + 09.)’
Herbie Hancock (piano on 10.)
Heart Attack Horns (Horns on 03. + 09.)
Preston Hubbard (bass on 11.)
James “Hutch” Hutchinson (bass on 01. – 03., 05., 07. – 09.)
John Jorgenson (guitar on 08.)
Michael Landau (guitar on 01. + 03.)
David Lasley background vocals on 07.)
Jay Dee Maness (pedal steel guitar on 08.)
Arnold McCuller (background vocals on 01., 07., 08. + 11.)
Larry John McNally (background vocals on 05.)
Graham Nash (Background vocals on 04.)
Bonnie Raitt (vocals, piano on 01. + 09., slide-guitar on 02. – 04., guitar, on 05., 06. +11.)
Michael Ruff (Keyboards on 04.)
Johnny Lee Schell (guitar on 02., 03. + 09, vocals on 02.)
Greg Smith (Saxophone on 03. + 09.)
Swamp Dogg (piano on 05.)
Scott Thurston (keyboards on 03. + 07.)
Don Was (keyboards on 08.)
Kim Wilson (harmonica on 05. + 11.)

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Tracklist:
01. Nick Of Time (Raitt) 3.52
02. Thing Called Love (Hiatt) 3.52
03. Love Letter (Hayes) 4.04
04. Cry On My Shoulder (Ruff) 3.44
05. Real Man (Williams) 4.27
06. Nobody’s Girl (McNally) 3.15
. Have A Heart (Hayes) 4.50
08. Too Soon To Tell (Bourke/Reid) 3.45
09. I Will Not Be Denied (Williams) 4.55
10. I Ain’t Gonna Let You Break My Heart Again (D.Lasley/J.Lasley) 2.238
11. The Road’s My Middle Name (Raitt) 3.31CD1*
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Bonnie Raitt – Same (1971)

BonnieRaitSame1971FCThis is the first album by Bonnie Raitt.
After dropping out of college in 1969, she began playing on the US folk and blues circuit, turning heads due to her ability – almost unique in a white female – to play credible bottleneck guitar.

She became friendly with many of the surviving blues legends, including Howlin’ Wolf, Mississippi Fred McDowell and particularly Sippie Wallace, with whom she later recorded.
After paying her dues in clubs, she signed with a major record label in 1971,when she released her eponymous debut album which included both contemporary songs by Stephen Stills and Paul Siebel and a number of blues covers, plus two selfpenned originals.

BonnieRaitSame1971Bonnie Raitt & Freebo, 1971

Personnel:
John Beach (piano)
Peter Bell (guitar)
Steven Bradley (drums)
Freebo (bass)
Russel Hsgen (guitar)
Voyle Harris (trumpet)
Eugene Hoffman (saxophone)
Willie Murphy (pianp)
Bonnie Raitt (guitar, vocals)
A.C.Reed (saxophone)
Douglas Spurgeon (trombone)
Junior Wells (harmonica)
Maurice Jacox (flute)

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Tracklist:
01. Bluebird (Stills) 3.25
02. Mighty Tight Woman (Wallace) 4.19
03. Thank You (Raitt) 2.48
04. Finest Lovin´ Woman (Raitt) 4.41
05. Andy Day Woman (Siebel) 2.19
06. Big Road (Johnson) 3.31
07. Walking Blues (Johnson) 3.35
08. Danger Heartbreak Dead Ahead (Huinter/Paul/Stevenson) 2.50
09. Since I Feel For You (Johnson) 3.03
10. I Ain´t Blue (Koerner) 3.35
11. Woman Be Wise (Wallace/Beach) 4.13

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