Willie “The Lion” Smith – Music On My Mind (1966)

FrontCover1William Henry Joseph Bonaparte Bertholf Smith (November 23, 1893 – April 18, 1973), nicknamed “The Lion”, was an American jazz and stride pianist.

William Henry Joseph Bonaparte Bertholf, known as Willie, was born in 1893 in Goshen, New York. His mother and grandmother chose his names to reflect different parts of his heritage: Joseph after Saint Joseph (Bible), Bonaparte (French), and Bertholf (biological father’s last name). William and Henry which were added for “spiritual balance”. When he was three, his mother married John Smith, and Smith was added as the boy’s surname, after his stepfather.

In his memoir Smith reports that his father, Frank Bertholf (incorrectly spelled Bertholoff in many sources), was Jewish. Smith’s New York birth record shows him as William H. Bertholf, with father, Frank Bertholf, a white electrician from nearby Monroe, New York. Smith became at least somewhat conversant in Yiddish and studied Hebrew with children of a Jewish family who were clients of his mother’s. He made his bar mitzvah at age thirteen in Newark.

Jazz and Blues singer Mamie Smith and her Jazz Hounds (including Willie ‘The Lion’ Smith on piano) pose for a portrait circa 1920 in New York City, New York:
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His mother, Ida Oliver, had “Spanish, Negro, and Mohawk Indian blood”.[1] Her mother, Ann Oliver, was a banjo player and had been in Primrose and West minstrel shows (Smith also had two cousins who were dancers in the shows, Etta and John Bloom).[4] According to Ida, “Frank Bertholoff [sic] was a light-skinned playboy who loved his liquor, girls, and gambling.” She threw Frank out of the house when their son Willie was two years old. After Frank Bertholf died in 1901, his mother married John Smith, a master mechanic from Paterson, New Jersey. When Willie was three, his mother and stepfather added the surname Smith to his legal name. He grew up in a large family with his mother and stepfather in Newark, New Jersey at 76 Academy Street.

John Smith worked for C.M. Bailey, Pork Packers, and he would leave the house around midnight to pick up freshly killed pigs and take them to the packing house. He was supposed to be home by 4 am, but would usually go to bars after work. Eventually, Ida tasked the boy Willie with accompanying his stepfather to work in order to encourage him to come straight home and not go drinking. Willie said he enjoyed this task, but most of the time he had to drive the horses home. He only worked on Fridays and Saturdays, as his mother did not want him to miss school.

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He later wrote in his memoir about being at the slaughterhouse with his stepfather:

I couldn’t stand to see what I saw at the slaughterhouse. I would watch wide-eyed as the squealing pigs slid down the iron rails to the cutter where they were slashed through the middle, with the two halves falling into a tank of hot water. The kill sometimes went to as many as four hundred pigs a night. It was a sickening sight to watch. But the cries from the pigs brought forth an emotional excitement. It was another weird but musical sound that I can still hear in my head. The squeaks, the squeals, the dipping them in hot water, they put them on a hook, take off the head, the legs, going down an aisle—I hear it on an oboe. That’s what you hear in a symphony: destruction, war, peace, beauty, all mixed.

In 1907, the family moved to 90 Bloome Street in Newark. They moved again around 1912, when his stepfather got a new job at Crucible Steel Company, across the Passaic River in Harrison, New Jersey. The job paid more, and Willie was assigned to get him away from work before his bosses got him drunk on his own money.

He attended the Baxter School, rumored to be a school for bad children. The school was notorious for brawls among the ethnic Irish, Italian, and African-American children. One day Willie was in Mrs. Black’s fruit store and was caught with his hand in her register. According to his memoir, Smith had wanted to borrow a dime to see S.H. Dudley’s traveling road show at Blaney’s Theater. The owner shocked Willie by turning him over to the police. Mrs. Black’s son-in-law was the number three tough guy in Newark; reportedly the family hated policemen and generally wouldn’t allow them into their store. Willie was charged in children’s court and sentenced to a ten dollar fine and probation.

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After that incident, he was transferred to Morton School (which had a lot less brawling), and began sixth grade. He attended Barringer High School (then known as Newark High School). In an effort to get the attention of girls, he attempted a variety of sports, including swimming, skating, track, basketball, sledding, cycling, and boxing. He learned to swim in the Morris Canal.

Prizefighting was the sport he was most interested in. Smith has said that “maybe that because I’ve known most of the great fighters from way back. They liked to visit the night clubs … “. He got to kid around with Jack Johnson, Jack Dempsey, Battling Siki, Kid Chocolate, Sam Langford, Joe Gans, Bob Fitzsimmons, Harry Greb, Joe Louis, and Gene Tunney. Fitzsimmons owned a saloon on Market Street in Newark. It was where Smith learned about Stanley Ketchel, Kid McCoy, Benny Leonard, Jimmy Britt, and Charlie Warner.

Smith also joined a gang; their club was called The Ramblers (two members were Abner Zwillman and Niggy Rutman). He was one of two African Americans in the gang; the other was Louis Moss, who Smith called a “sweet talker, who could take his foes apart”. Moss later became known as “Big Sue” and owned a saloon in the Tenderloin, Manhattan. Moss acted as his own bouncer at his club (according to Smith, Moss was 6’4″ and about 240 pounds). Smith used to play piano in his back room to help him out.

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When Willie was about six, he discovered an organ in the basement, which his mother used to play. It had deteriorated and nearly half the keys were missing. After his mother saw he was interested in it, she taught him the melodies she knew. One of the first songs he learned was Home! Sweet Home!. His uncle Rob, a bass singer who ran his own quartet, taught Willie how to dance. The boy entered an amateur dance contest at the Arcadia Theater and won first place, including a prize of ten dollars. After that, he focused more on playing music at the clubs.

Willie Smith07Willie had wanted a new piano very badly, but every time he thought his mother was able to afford it, there was a new mouth to feed. Willie got a job at Hauseman’s Footwear store shining shoes and running errands, where he was paid five dollars a week. “Old Man” Hauseman paid that much because he was pleased that Willie could speak Yiddish and also because Willie wanted to buy a piano with the money. As it turned out, piano sellers Marshall & Wendell’s was holding a contest: the object was to guess how many dots there were in a printed circle in their newspaper advertisement. Willie used arithmetic to help guess the number, won, and was delivered an upright piano the next day. He played the piano from then on. He would play songs he heard in the clubs, including Maple Leaf Rag by Scott Joplin, Cannonball Rag by Joe Northrup, Black and White Rag by George Botsford, and Don’t Hit that Lady Dressed in Green, about which he said “the lyrics to this song were a sex education, especially for a twelve year old boy.”. His other favorites picked up from the saloons were She’s Got Good Booty and Baby, Let Your Drawers Hang Low.

By the early 1910s, he was playing at clubs in New York City and Atlantic City, New Jersey. Smith served in World War I, where he saw action in France. He also played drum with the African-American regimental band led by Tim Brymn, and basketball with the regimental team. Legend has it that his nickname “The Lion” came from his reported bravery while serving as a heavy artillery gunner. He was a decorated veteran of the 350th Field Artillery, a regiment of the Buffalo Soldiers.

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Around 1915, he married Blanche Merrill (née Howard). Smith and Merrill are thought to have separated before Smith joined the army in 1917, where he served as a corporal. But they were listed in the 1920 census as living together in Newark, New Jersey. Merrill was white, and Smith was the only man in their apartment building who was classified as black on this census.

He returned to working in Harlem clubs and at “rent parties”. Smith and his contemporaries James P. Johnson and Fats Waller developed a new, more sophisticated piano style later called “stride”.

In the 1940s, his music found appreciation with a wider audience. Smith toured North America and Europe up to 1971. To leave the US, he needed a birth certificate. He went to the Orange County Courthouse and found it, but discovered that the birth certificate said he was born on November 25, in contradiction to his mother telling him he was born on November 23.

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Smith had 10 brothers and a sister (including half-siblings). His older brother Jerome died at the age of 15. His other older brother, George, became an officer in Atlantic City, and died in 1946. Willie said of George: “Our paths didn’t cross very often in later life. His friends and connections were always on the other side of the fence from mine.” His half-brother Robert owned a bar on West Street in Newark. His half-brother Melvin lived on Mulberry Street in Manhattan. Smith had no idea what became of his other two half-brothers, Norman and Ralph. His other siblings died as children, ranging from ages of three to seven.[1]

As a boy, Smith delivered clean clothes to his mother’s clients, who included a prosperous Jewish family who invited him to sit in on Hebrew lessons on Saturday mornings. Willie made his bar mitzvah in Newark at age thirteen. Later in life he worked as a Hebrew cantor for a Black Jewish congregation in Harlem.

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In his later years, he received frequent honors for his life’s work including a Willie “The Lion” Smith Day in Newark, New Jersey. Smith died at the age of 79 on April 18, 1973, in New York.

The liner notes his 1958 LP The Legend of Willie “The Lion” Smith (Grand Awards Records GA 33-368) state: “Duke Ellington has never lost his awe of the Lion’s prowess.” It quotes Ellington as saying, “Willie The Lion was the greatest influence of all the great jazz piano players who have come along. He has a beat that stays in the mind.” This LP’s cover, features a painting of the Lion by Tracy Sugarman. Ellington attested to his admiration when he composed and recorded “Portrait of the Lion” in 1939.

Orange County (NY) Executive Edward Diana issued a proclamation declaring September 18 Willie “The Lion” Smith Day in Orange County, the date of the first Goshen Jazz Festival. (wikipedia)

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And here´s a great solo performance, recorded at a party for the Saba/MPS Label in Villingen (Black Forrest/Germany)

Known as “the Lion” of the Harlem piano style, Willi Smith was one of the fathers of stride, and a member in good standing of a coterie of certified jazz legends. Throughout the album Smith reminisces about the pianists who congregated in New York and proceeded to revolutionize jazz. His recollections about the music of “my good friends and my pals” as he plays their music are priceless glimpses into the Jazz Age of the ‘20s and ‘30s. The first three pieces are by another one of the founders of Harlem stride, Luckey Roberts; next, Ubie Blake’s beautiful ballad Memories of You, as Smith humming parts of the melody, then Shine with Willi’s off-the-cuff comments and full-tilt ‘rag’ chorus. Smith displays his amazing stride technique on Oh You Devil, and hits the perfect lilting swing to Fats Waller’s hit Keeping Out of Mischief. The Lion plays a medley of three Duke Ellington pieces one after another, as Solitude segues into Sophisticated Lady. Willi’s singing on Some of these Days hints at what it must have been like at one of those whiskey-laced late-night Harlem rent parties. Willi peppers the classic 12th Street Rag with some Harlem stride, and ends with his Theme Song. There’s a cornucopia of jazz evergreens, the nostalgia of peering into the past, and the surprise that there are still discoveries to be made, from what is, after all, great music. The pieces function as an interconnected musical storybook; it is worthwhile to download the complete set. (press release)

Indeed … enjoy this wondeful piano man from thepast !

Recorded at a party in Villingen/Germany November 8th, 1966


Willie Smith (piano, vocals)


01. Moonlight Cocktail (Roberts) 3.03
02. Junk Man Rag (Roberts) 0.19
03. Pork And Beans (Roberts) 3.02
04. Memories Of You (Blake) 3.28
05. Shine (Dabney/Mack/Brown) 3.52
06. Oh You Devil (Smith) 2.55
07. Keeping Out Of Mischief Now (Waller) 1.16
08. Rockin’ In Rhythm (Ellington/Carney/Mills) 0.35
09. Solitude (Ellington/DeLange/Mills) 2.51
10. Sophisticated Lady (Ellington) 1.21
11. At Sundown (Donaldson) 1.57
12. Swingin’ Down The Lane (Jones/Kahn) 1.07
13. Lady Be Good (Gershwin) 1.06
14. Some Of These Days (Brooks) 4.18
15. 12th Street Rag (Bowman) 2.39
16. Theme Song (Smith) 1.00



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