Keith Jarrett – Personal Mountains (1979)

FrontCover1.jpgIn the late 1970s, Keith Jarrett was leading both an American quartet and a European one, though the designations referred strictly to the makeup of the groups, not to the venues they played. These 1979 recordings by the European band were made during a tour of Japan. On five of the pianist’s tunes, there’s exceptional group interaction between Jarrett and Scandinavians Jan Garbarek, on tenor and soprano sax, Palle Danielsson on bass, and Jon Christensen on drums. That interplay shows to best advantage in the extended performances here, the turbulent title tune and the moody, dissonant “Oasis,” the group’s individual voices coming together in tense, vibrant dialogue. The funky “Late Night Willie” takes full advantage of Garbarek’s R&B sound, while Jarrett shines on the luminous ballad “Prism” and the hymnlike simplicity of “Innocence.” Personal Mountains is as well sustained as the group’s studio set, My Song, or the contemporaneous Nude Ants from the Village Vanguard. (by Stuart Broomer)

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It is very much out of character for the prolific Keith Jarrett and his producer Manfred Eicher to hold anything back, yet they’ve done it here, releasing these live tapes of Jarrett’s European quartet ten years after they were recorded. Presumably, they did it in order not to distract attention from Nude Ants, which was recorded a week after these concerts, but that never stopped them before from just piling on more discs. In any case, these Tokyo recordings were too good to hide; the quartet had reached an interactive creative high around this time, often burning at the rarified level that Nude Ants reached. Jarrett is both lyrically effusive and able to ignite his European colleagues into giving him more swinging support than on earlier sessions. In particular, the title track has a lot of the exploratory fervor of “New Dance” from Nude Ants, and “Late Night Willie” gets down deep into the Jarrett gospel feeling. Jan Garbarek is especially forthright in Tokyo on tenor, while his soprano pierces like a beam of sunlight, and Palle Danielsson (bass) and Jon Christensen (drums) are loose, relaxed, and impeccably recorded. Clearly this is one of the peaks of the European quartet’s discography. (by Richard S. Ginell)

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Personnel:
Jon Christensen (drums)
Palle Danielsson (bass)
Jan Garbarek (saxophone)
Keith Jarrett (piano)

BackCover1Tracklist:
01. Personal Mountains 16.02
02. Prism 11.16
03. Oasis 18.04
04. Innocence 7.17
05. Late Night Willie 8.46

All compositions by Keith Jarrett

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Jackie Lynton – No Axe To Grind (1980)

FrontCover1Jackie Lynton is one of the grand old men of Rock’n’Roll, claiming Ritchie Blackmore, Rick Parfitt,Chas Hodges, and Chris Farlowe among his personal friends. As a performer his career spans seven decades! A young silver suited crooner with a quiff cut his teeth in the clubs of Hamburg in the late 1950s before transforming into the vocalist with The Savoy Brown Blues Band in the nineteen sixties. By the seventies Jack was writing songs with Rick Parfitt for Status Quo, and in the eighties he was fronting Diesel – a band formed with John Coghlan, Status Quo’s original drummer. In the nineties Jack dabbled in acting – regularly appearing as an “extra” on Eastenders while at the same time he was forming his current band, which features some faces with great music histories of their own. Bass Guitarist Colin Pattenden was a founder member of Manfred Mann’s Earth Band; while the two lead guitars are Chris Bryant who played with Arthur Brown and Mike Windus, one of Britains best session musicians; the combo is driven by the drumming of Spud Metcalf, of The Nashville Teens. Look forward to an amazing evening of Rock’n’Roll, Blues and the occasional rude joke. Oh, and did I mention that Jack also writes poetry and Childrens stories ?? A man of huge talent, and a born entertainer. (Jackie Lynton´s Facebook entry)

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And here´s his third LP and it´s a real fine example of the Pub Rock Scene in those days … and Jackie Lynton is indeed a very unique musician, who can write pretty good ballads , too (listen to the last two songs of this album).

Another sentimental trip … emjoy the glory days of Pub Rock in good old England …

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Personnel:
Dave Clem Clempson (guitar)
Graham Cooper (guitar)
Damon (keyboards)
Mick Fitzpatrick (bass)
Chas Hodges (piano)
Paul King (harmonica)
Tony Leach (synthesizer)
Jackie Lynton (vocals)
Drew McCulloch (guitar, vocals, percussion)
Rick Parfitt (guitar)
Colin Pattenden (bass)
Dave Peacock (bass, fiddle, banjo)
Keith Purnell (guitar)
Jeff Rich (drums)
Chris Slade (drums)
Grahame White (guitar, vocals)

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Tracklist:
01. Learning How To Rock’n Roll (McCulloch) 3.36
02. The Chance (Adams/Lynton) 4.58
03. Nevertheless I’m In Love With You (Kalmar) 4.08
04. Dirty Train (Adams/Lynton) 5.25
05. Peppercorn Poke (Adams/Lynton) 3.30
06. Sad Business (Lynton) 6.21
07. Honkytonk White (Lynton) 3.48
08. Don’t Try To Make Me Love You Tonight (Adams/Lynton) 2.34
09. My Hero (lynton) 2.55
10. I’ll Love Ya (Lynton) 5.33

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Jackie Lynton: still alive and well !!!

Status Quo – Whatever You Want (1979)

FrontCover1.jpgWhatever You Want is the twelfth studio album by the British rock band Status Quo and features 10 tracks

This was the band’s third album to be produced by Pip Williams. Recording began in December 1978 at Wisseloord Studios in Hilversum, the Netherlands, with the final mixes being completed in London in March 1979. The album was released on 12 October 1979 and entered the chart on 20 October 1979, reaching as high as no. 4. The first single from the album — “Whatever You Want” — was released on 14 September, with “Hard Ride” as the B-side, and also reached a peak position of no. 4. The second single from the album was “Living on an Island”, with the B-side “Runaway”. This was released on 16 November 1979 and reached no. 16 in the chart.

The album was remixed for the US market and this version was released in the US with the title Now Hear This in 1980. It was finally released on CD as part of the 2016 deluxe remaster.[3] However this omitted two songs, “Shady Lady” and “Your Smiling Face”. These are therefore only available on the original vinyl/cassette/8-track releases. The tracks “Whatever You Want” and “Living On an Island” were also swapped in the running order of the US remixed version. (by wikipedia)

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After seven years at the top of the British charts, even Status Quo fans were beginning to wonder whether the band wasn’t simply rewriting the same riff over and over again, then putting it out with a new catch phrase for a title. From “Down Down” to “Rocking All Over the World,” Status Quo had enacted some of the most excitingly primal rock behemoths of the decade. But they’d also composed some of the most enduring clichés as well. However, nothing — repeat nothing — could have prepared the world for Whatever You Want, a record which, almost three decades later, still sounds like the most ruthless piss-take you’ve ever heard. And, of course, it became one of their biggest hits ever. Mercifully, the remainder of the album titled by this unfortunate monstrosity shows that there was more than one idea rattling around the band’s heads at this point: “Living on an Island,” with its acoustic wash and mournful melody, was one of the most unexpected songs they’d made in years, while the likes of “Shady Lady,” “High Flyer,” and the wonderful “Who Asked You” all had a bellicose punch that defied anyone to accuse the band of stagnation. The fact was, however, that “Whatever You Want” itself so scarred the record that it was hard not to hear the entire thing from beneath that baleful shadow. And, when the 1980s proved that Quo really had given up trying (at least for a few years) — well, now you know why a lot of fans gave up around then. (by Dave Thompson)

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Personnel:
John Coghlan (drums)
Alan Lancaster (bass, vocals)
Rick Parfitt (guitar, vocals)
Francis Rossi (guitar, vocals)
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Andy Bown (keyboards)

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Tracklist:
01. Whatever You Want (Parfitt/Bown) 4.04
02. Shady Lady (Rossi/Young) 3.01
03. Who Asked You (Lancaster) 4.00
04. Your Smiling Face (Parfitt/Bown) 4.23
05. Living On An Island (Parfitt/Young) 4.49
06. Come Rock With Me (Rossi/Frost) 3.16
07. Rockin’ On (Rossi/Frost) 3.26
08. Runaway (Rossi/Frost) 4.40
09. High Flyer (Lancaster/Young) 3.47
10. Breaking Away (Rossi/Parfitt/Bown) 6.45

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Status Quo on a centre-spread poster in Bravo (a German music magazine) of 13 June 1979. The photo was taken during their performance of “Accident Prone” on 27 November 1978 on the monthly Saturday evening Disco music show.

 

Various Artists – Night Of The Mayas – Music of Silvestre Revueltas (1994)

FrontCover1Silvestre Revueltas Sánchez (December 31, 1899 – October 5, 1940) was a Mexican composer of classical music, a violinist and a conductor.

Revueltas was born in Santiago Papasquiaro in Durango, and studied at the National Conservatory in Mexico City, St. Edward’s University in Austin, Texas, and the Chicago College of Music. He gave violin recitals and in 1929 was invited by Carlos Chávez to become assistant conductor of the National Symphony Orchestra of Mexico, a post he held until 1935. He and Chávez did much to promote contemporary Mexican music. It was around this time that Revueltas began to compose in earnest. He began his first film score, Redes, in 1934, a commission which resulted in Revueltas and Chávez falling out. Chávez had originally expected to write the score, but political changes led to him losing his job in the Ministry of Education, which was behind the film project Revueltas left Chávez’ orchestra in 1935 to be the principal conductor of a newly created and short-lived rival orchestra, the Orquesta Sinfónica Nacional.

He was part of a family of artists, a number of whom were also famous and recognized in Mexico: his brother Fermín (1901–1935) and sister Consuelo (born before 1908, died before 1999) were painters, sister Rosaura (ca. 1909–1996) was an actress and dancer, and younger brother José Revueltas (1914–1976) was a noted writer. His daughter from his first marriage to Jules Klarecy (née Hlavacek), Romano Carmen (later Montoya and Peers), enjoyed a successful career as a dancer, taught ballet and flamenco in New York, and died on November 13, 1995, at age 73, in Athens, Greece. She is survived by three sons, and two kindred creative female heirs in Oceanside, California. His daughter from his second marriage, Eugenia (born November 15, 1934), is an essayist. His nephew Román Revueltas Retes, son of José, is a violinist, journalist, painter and conductor of the Orquesta Sinfónica de Aguascalientes (OSA).

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In 1937 Revueltas went to Spain during the Spanish Civil War, as part of a tour organized by the leftist organization Liga de Escritores y Artistas Revolucionarios (LEAR);[2] upon Francisco Franco’s victory, he returned to Mexico. He earned little, and fell into poverty and alcoholism. He died in Mexico City of pneumonia (complicated by alcoholism), at the age of 40 on October 5, 1940, the day his ballet El renacuajo paseador, written four years earlier, was premièred. His remains are kept at the Rotonda de los Hombres Ilustres in Mexico City.

Revueltas wrote film music, chamber music, songs, and a number of other works. His best-known work is a suite by José Ives Limantour drawn from his film score for La Noche de los Mayas, although some dissenting opinions hold that the orchestral work Sensemayá is better known. In any case, it is Sensemayá that is considered Revueltas’s masterpiece.

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He appeared briefly as a bar piano player in the movie ¡Vámonos con Pancho Villa! (Let’s Go With Pancho Villa, Mexico, 1935), for which he composed the music. When shooting breaks out in the bar while he is playing “La Cucaracha”, he holds up a sign reading “Se suplica no tirarle al pianista” (“Please don’t shoot at the piano player”). (by wikipedia)
The music of Revueltas is too often overlooked and that is a shame. Only 41 years old when he died, he was not only Mexico’s greatest composer but an innovator combining native Indian music with traditional classical forms and instrumentations. The music is, indeed, “fiery and passionate” while evoking scenes of danger and horror. It will provide you with a wonderful journey, and this performance by the Orquestra Sinfonica de Jalapa under the direction of Luis Herrera de la Fuente is that experience. (by Robert Jager)

Tracks 1 to 2: recorded in Walthamstow Town Hall, London, in November 1975. Tracks 3 to 8: recorded in London in November 1979. Tracks 9 to 12: recorded in Sala Nezahualcoyotl, México D.F., in September 1980.

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Personnel:
London Sinfonietta Orchestra conducted by David Atherton  (03. – 08.)
New Philharmonia Orchestra conducted by Eduardo Mata  (01. + 02.)
Orquesta Sinfónica De Jalapa conducted by Luis Herrera de la Fuente (09. – 12.)

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Tracklist:
01. Homenaje A Federico García Lorca 10.52
02. Sensemaya 5.57
03. Ocho X Radio 5.08
04. Toccata 3.34

Alcancías (10.07):
05. Allegro 3.05
06. Andantino 3.19
07. Allegro Vivo 3.38
08. Planos 7.34

La Noche De Los Mayas (25.24):
09. I. La Noche De Los Mayas 5.53
10. II. La Noche De Jaranas 4.59
11. III. La Noche De Yucatàn 6.42
12. IV. La Noche De Encantamiento 7.40

Composed by Silvestre Revueltas

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(December 31, 1899 – October 5, 1940)

The Charlie Daniels Band – Million Mile Reflections (1979)

FrontCover1.JPGMillion Mile Reflections is the 10th studio album by The Charlie Daniels Band, released on April 20, 1979. It is best known for the hit single “The Devil Went Down to Georgia”. The title refers to the band having passed the million mile mark in its touring. The song Reflections is a tribute to Elvis Presley, Janis Joplin, and Ronnie Van Zant. Daniels dedicated the album to Van Zant, who had died in October, 1977 in a plane crash.Million Mile Reflections is the 10th studio album by The Charlie Daniels Band, released on April 20, 1979. It is best known for the hit single “The Devil Went Down to Georgia”. The title refers to the band having passed the million mile mark in its touring. The song Reflections is a tribute to Elvis Presley, Janis Joplin, and Ronnie Van Zant. Daniels dedicated the album to Van Zant, who had died in October, 1977 in a plane crash. (by wikipedia)

If you are one of those people who only have Charlie Daniels Greatest Hits you are missing some of his best work. Albums like Million Mile Reflections and Fire on the Mountain are solid from beginning to end. When you get past the many hits you will find some good Jams. And “Jams”, is what they are. You can’t call it Country or Country Rock or Jazz, although atributes of those genres are mixed in, it’s just a jam. This album contains CDB’s biggest hit, Devil Went Down to Georgia which may have caused other tracks on this album to be passed over. Reflections is a haunting ballad worthy of more attention. Blue Star is an outstanding song. You owe it to yourself to check out these CDB albums from the 70’s and getting to know the classic talent that is Charlie Daniels Band. (Mr Peabody)

Don’t expect pure Country or pure Country-Rock: This one has a little bit of everything from touching ballads to Blues inspired to a romp into Jazz intrumental. And yes, it also has some Country/Country-Rock… You won’t be dissappoint!! (Mark T. Pollock)

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Personnel:
Tom Crain (guitar, vocals)
Charlie Daniels (guitar, fiddle, vocals)
“Taz” DiGregorio (keyboards, vocals)
Fred Edwards (drums, percussion)
Charles Hayward (bass)
James W. Marshall (drums, percussion)
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Terry Mead (trumpet on 07.)
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Lea Jane Singers (background vocals on 03. + 05.)

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Tracklist:
01. Passing Lane (Daniels/Crain/DiGregorio/Edwards/Hayward/Marshall) 3.18
02. Blue Star (Daniels/Crain/DiGregorio/Edwards/Hayward/Marshall) 3.40
03. Jitterbug (Daniels/Crain/DiGregorio/Edwards/Hayward/Murray) 3.12
04. Behind Your Eyes (Boylan) 3.56
05. Reflections (Daniels/Crain/DiGregorio/Edwards/Hayward/Marshall) 5.26
06. The Devil Went Down To Georgia (Daniels/Crain/DiGregorio/Edwards/ Hayward/Marshall) 3.37
07. Mississippi (Daniels) 3.11
08. Blind Man (Crain) 3.46
09. Rainbow Ride (Daniels/Crain/DiGregorio/Edwards/Hayward/Marshall) 7.24

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Rory Gallagher – Notes From San Francisco (2011)

FrontCover1.jpgNotes from San Francisco is a posthumous album by Irish musician Rory Gallagher. Released in 2011, It consists of two CDs. The first disc is a never released album that Gallagher recorded in San Francisco in December 1977. The album was to be a major shift for Gallagher. Rather than producing it himself, he worked with Elliot Mazer a successful producer who had a long track record with artists such as Bob Dylan, Janis Joplin and The Band. At the last minute — causing great distress to his manager and brother Dónal and to his record company — Gallagher decided to just pull the record. In an interview, Gallagher stated “it wasn’t because of the material or the musicians or anything like that. It was a song thing that I didn’t think on the technical side everything worked. So I scrapped the thing” After scrapping the album Gallagher reworked his band firing all the musicians except the bass player and hiring a new drummer. This new Gallagher power trio re-recorded the San Francisco songs with Gallagher producing and released them as Photo-Finish.  Shortly before his death, Rory reportedly gave Dónal permission to eventually release the original San Francisco versions of the songs if they were remixed. Dónal had his son Daniel remix the songs in 2011. The second disc is a live performance also recorded in San Francisco in December 1979.  Peter Notes from San Francisco is a posthumous album by Irish musician Rory Gallagher. Released in 2011, It consists of two CDs. The first disc is a never released album that Gallagher recorded in San Francisco in December 1977. The album was to be a major shift for Gallagher. Rather than producing it himself, he worked with Elliot Mazer a successful producer who had a long track record with artists such as Bob Dylan, Janis Joplin and The Band.

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At the last minute — causing great distress to his manager and brother Dónal and to his record company — Gallagher decided to just pull the record. In an interview, Gallagher stated “it wasn’t because of the material or the musicians or anything like that. It was a song thing that I didn’t think on the technical side everything worked. So I scrapped the thing” After scrapping the album Gallagher reworked his band firing all the musicians except the bass player and hiring a new drummer. This new Gallagher power trio re-recorded the San Francisco songs with Gallagher producing and released them as Photo-Finish. [1] Shortly before his death, Rory reportedly gave Dónal permission to eventually release the original San Francisco versions of the songs if they were remixed. Dónal had his son Daniel remix the songs in 2011. The second disc is a live performance also recorded in San Francisco in December 1979.

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It’s surprising, considering the interesting back story on the studio portion of this posthumous Rory Gallagher release, that there are no notes on the actual packaging to chronicle its eventual appearance in 2011, nearly 33 years after being recorded in December 1977. According to the press release though, Gallagher clashed with producer Elliot Mazer about the mix on these dozen tunes and not only shelved the tapes, but broke up his longtime band after the San Francisco session ended. Out went keyboardist Lou Martin and drummer Rod de’Ath, replaced by skinsman Ted McKenna (bassist Gerry McAvoy remained) to strip down the sound for his next phase. About half these songs, such as “Mississippi Sheiks,” “Fuel to the Fire,” “Brute Force & Ignorance,” “Cruise on Out,” and “Overnight Bag” appeared on 1978’s Photo Finish in different performances. Some, like the closing “Out on the Tiles” and “B Girl,” will be new to all but the most ardent Gallagher followers. Shortly before his death, the guitarist apparently mentioned to his brother Donald that he’d like the tapes to be released someday if they were remixed, which is exactly what Donald’s son Daniel did in 2011, resulting in these long-lost tracks finally seeing the light of day.

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Despite Gallagher’s reservations, everything here is up to his usual high standard, and he obviously respected the material enough to re-record the bulk of it with a different band and producer later that year. The electric violin on “Mississippi Sheiks” is a new twist on both Gallagher’s blues-rock style and the song, which helps differentiate this version from the more famous one that appeared on Photo Finish. Saxophone, played by Martin Fiero, enhances two cuts, also bringing a unique groove, especially to the lumbering “Brute Force and Ignorance.” The package includes a December 1979 live show, also recorded in San Francisco, that finds Gallagher and his two-piece in typically fine fettle. They revisit the Taste-era chestnut “Bullfrog Blues” and tear into the rarity “I’m Leavin'” with their notorious paint-peeling approach. He digs back some years for a tough take on “Tattoo’d Lady,” but most of the set is derived from his mid- to late-’70s albums Top Priority, Photo Finish, and Calling Card. A breathless “Sea Cruise” closes the set, and is probably a nod to Jerry Lee Lewis, on whose album Gallagher guested. It caps off a roaring, electrifying show that, along with the studio disc, makes a worthwhile addition to any Gallagher lover’s collection. Even lacking detailed liner notes, this is a keeper and an important historical document in Rory Gallagher’s short but eventful career. (by Hal Horowitz)

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Personnel:
Rod de’Ath (drums on CD 1)
Rory Gallagher (guitar, vocals, harmonica)
Lou Martin (keyboards)
Gerry McAvoy (bass)
Ted McKenna (drums on CD 2)
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Martin Fiero (saxophone on CD 1 – 01.)
Joe O’Donnell (violin on CD 1 – 08.)

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Tracklist:

CD 1 (studio recordings):
01. Rue The Day 4.26
02. Persuasion 4.45
03. B Girl 4.42
04. Mississippi Sheiks 5.56
05. Wheels Within Wheels 3.40
06. Overnight Bag 4.46
07. Cruise On Out 5.19
08. Brute Force & Ignorance 5.45
09. Fuel To The Fire 5.43
10. Wheels Within Wheels (alternate version) 3.55
11. Cut A Dash 3.49
12. Out On The Tiles 4.22

CD 2 (live recordings):
01. Follow Me (from Top Priority) 6.25
02. Shinkicker (from Photo-Finish) 3.42
03. Off The Handle (from Top Priority) 7.01
04. Bought And Sold (from Against the Grain) 4.43
05. I’m Leavin’ 4.35
06. Tattoo’d Lady (from Tattoo) 6.49
07. Do You Read Me (from Calling Card) 6.11
08. Country Mile (from Calling Card) 3.51
09. Calling Card (from Calling Card) 5.51
10. Shadow Play (from Photo-Finish) 5.11
11. Bullfrog Blues  (from Live in Europe) (Traditiional) 5.38
12. Sea Cruise 3.29

All songs written by Rory Gallagher except as indicate

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Rory Gallagher (2 March 1948 – 14 June 1995)

Roger Chapman And The Shortlist – Live In Hamburg (1979 – 2004)

LPFrontCover1It was  1978 when Roger Chapman decided to embark on a solo career, a career that would prove extremely successful and indeed still is today. His first solo offering was CHAPPO, released in 1979 to critical acclaim. Never one to follow fashion or to look like a rock star, Roger appeared on the front cover wearing a red boiler suit under the guise of an Otis lift engineer. The album was a collaboration with David Courtney and featured several songs that would become and indeed still are firm crowd pleasers such as Moth To A Flame and the glorious Who Pulled The Night Down. Roger also paying homage to legendary American songwriter the late Tim Hardin with a superb cover of Hang On To A Dream. Touring the UK in 1979, both the fans and press enthusiastically received Roger`s brand of rock infused R&B, Roger Chapman was back and performing better than ever. At this time in the UK the punk movement was at its height and the British music establishment would rather spend their resources on the latest fad or fashion that support a veteran rock singer from the sixties who had never been one to follow the crowd or indeed the latest musical trend and quality material from established artists gave way to a plethora of new young acts that would grace the pages of the UK music press.

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The rest of Europe on the other hand was a different matter, a chance meeting in Hamburg with a group of like minded musicians led him to appear on the renowned German TV rock show Rockpalast, a show that went out to over fourteen countries with a combined audience of over twenty five million, Roger was reborn and the fire reignited. A top flight backing band helped Roger release the single Let`s Spend The Night Together and soon his version of the Rolling Stones classic hit was also a hit for Roger Chapman, rising high in the German charts and once more the name of Roger Chapman was to stir interest and acclaim in the music press. The album LIVE IN HAMBURG followed in 1979 and was released both in Germany and England and featured such notable guest musicians as Tim Hinckley and Mel Collins. Included on the album was a cover of the Micky Jupp penned Shortlist which was soon to become a live favourite with fans and was also to become the name of Roger`s backing band. This was the album that would launch an extremely successful solo career …

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The “Live in Hamburg” Album was recorded on August 28, 1979 at the Markthalle Hamburg(GermanyThe glossy sounds of Roger Chapman’s solo debut (Chappo) are replaced here by renditions that crackle with energy. This album, originally an August 1979 radio broadcast, pairs a hard-hitting band with Chapman’s gruff vocals, and it was demonstrative of Chapman’s dedication to his R&B roots with covers of Willie Dixon, Chuck Berry and Little Richard. Thanks to this album’s lineup of the Shortlist (Mel Collins, Tim Hinkley, Jerome Rimson), even the ballads rock. (by Patrick Little)

And here´s the complete concert on 2 CDs … What a night !

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Personnel:
Roger Chapman (vocals)
Mel Collins (saxophone)
Tim Hinkley (keyboards)
Jerome Rimson (bass, background vocals)
Geoff Whitehorn (guitar)
Leonard “Stretch” Stretching (drums)
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background vocals:
Helen Hardy – Kathy O’Donaghue

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Tracklist:

CD 1:
01. Moth To A Flame (Chapman) 5.52
02. Keep Forgettin’ (Leiber/Stoller) 4.59
03. Midnite Child (Chapman) 5.23
04. Who Pulled The Night Down (Chapman) 5.51
05. Talking About You (Berry) ( Going Down (Nix) 2.43
06. Shortlist (Jupp) 6.45
07. Can’t Get In (Chapman/Tench) 6.41
08. Keep A Knockin’ (Chapman) 1.07
09. “I’m Your Hoochie Coochie Man” Willie Dixon 3:57
10. Let’s Spend The Night Together (Jagger/Richards) 5.57

CD 2:
01. Shape Of Things (Chapman) 5.33
02. Hey Mr. Policeman (Chapman/Whitney/Grech) 4.29
2-3 Hang Onto A Dream (Hardin) 4.57
2-4 Always Gotta Pay In The End (Chapman/Bain) 6.01
2-5 Can’t Turn You Loose (Redding) 3.58
2-6 Burlesque (Chapman/Whitney) 4.15

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