Piero Odorici feat. Steve Ellington – Panarea (1996)

FrontCover1Piero Odorici represents one among the most clever new european Jazz’s young talent. Born in Bologna (Italy) in 1962 , he had his first approches with saxophone when he was ten years old . After classical studies he improved his jazz technique under the Sal Nistico and Steve Grossman’s guide, two between the most great modern Jazz’s saxophone players, and took part to workshops with Mal Waldron, Barry Herris and Joe Handerson. Piero Odorici began early his professional career having the opportunity to perform as member and as sideman of several european and foreign groups with tours in all the word (Italy, France, Germany, Greece, Finland, Canada….) and appear in radio and TV shows.

Among various collaborations : Ray Mantilla, Ben Riley, George Cables, Jimmy Cobb, PieroOdorici01Cedar Walton, Billy Higgins, Sal Nistico, Steve Grossman, Slide Hampton, Eddy Henderson, Red Rodney, Lee Konitz, Joe Lovano, Steve Lacy, Jack Walrath, Elliot Zigmund, Gloria Gaynor, Steve Ellington, Steve Gadd, Jack McDuff, Mingus Big Band, Luciano Pavarotti, George Michael and many other. In May 2000 Odorici makes an american tour with an own band playing in famouses Clubs in New York, Boston, Philadelphia, etc. with Ray Mantilla & George Cables Quartet. He took part to numerous important Festivals like Umbria Jazz (Italy), Grande Parade du Jazz (Nice-F), Pori Jazz Festival (Finland), Salonicco Jazz (Greece), Porretta Soul Festival (Italy), Pavarotti and Friends 2000 (Italy). He recorded with : Jack McDuff, Steve Grossman, Ray Mantilla, Jack Walrath, Steve Ellington, Eddie Henderson, George Michael, Luciano Pavarotti and some other.

Here´s an early Album by Piero Odorici featuring Steve Ellington:

Bradford Steven “Steve” Ellington (July 26, 1941, Atlanta – March 22, 2013, Montgomery, Alabama) was an American jazz drummer.
Ellington picked up drums when he was four years old and played with Ray Charles when he was nine. In the latter half of the 1950s he played with Charles Brown, George Adams, and Duke Pearson. He studied for one year at the New England Conservatory of Music in 1961-1962, where he played with Sam Rivers, then worked with June Christy, Joe Castro, and Hampton Hawes. He began playing with Roland Kirk in 1964, with whom he would perform and record through 1970; aside from Kirk, he played as a sideman himself with Jackie McLean, Chet Baker, Stanley Turrentine, and Mose Allison. Concomitantly, he led his own band in 1965-1966, whose sidemen were Woody Shaw, Walter Davis, Jr., Wilbur Ware, and C. Sharpe.

Steve Ellington
In the 1970s Ellington worked with Billy Eckstine, Brick Jazz Funk Fusion, Hampton Hawes, Art Farmer, Freddy Cole, Freddie Hubbard, Ike Isaacs, Maxine Sullivan, Harry “Sweets” Edison, Eddie “Lockjaw” Davis, and Dan Wall. He returned to work with Rivers in the period 1980-1982, played with Sonny Stitt and Dave Holland, then put together a new ensemble of his own, which was active from 1985 to 1990. He was the drummer for Michel Petrucciani’s trio from 1988 to 1990, and in the 1990s worked with Hal Galper, Steve Grossman, James Moody, and Johnny Griffin. (by wikipedia)

And we can hear a real superb jazz-Album … I guess this Album is a must for every Jazz-fan !

Booklet05A

Personnel:
Marc Abraham (bass)
Paolo Birro (piano)
Steve Ellington (drums)
Piero Odorici (saxophone)
Booklet04A

Tracklist:
01. Detour (Abrams) 4.38
02. To Ela (Odorici) 7.34
03. É Preciso Perdoar (Jobim) 5.23
04. All God’s Chillun Got Rhythm (Kahn) 3.00
05. Ev’ry Time We Say Goodbye (Porter) 6.44
06. Beatrice (Rivers) 6.05
07. Neon (Birro) 5.53
08. Panarea (Odorici) 7.08
09. Luise (Abrams) 5.44
10. All God’s Chillun Got Rhythm (Kahn) 3.41

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Trans-Siberian Orchestra – Christmas Eve and Other Stories (1996)

frontcover1Christmas Eve and Other Stories is the debut album by the Trans-Siberian Orchestra.

It was released on October 15, 1996, and is the first album in their “Christmas trilogy”, with The Christmas Attic (1998) and The Lost Christmas Eve (2004) coming after it. All three albums, as well as their The Ghosts of Christmas Eve DVD, were featured in the The Christmas Trilogy box set.

The story is about a young man who wanders into a bar on Christmas Eve where he encounters a mysterious old man who tells him a tale about the magical effect of Christmas Day on the human race. The album takes familiar classical pieces and adds to them new songs and arrangements from both classic and progressive rock influences for which the group is known. The album also contains a mix of vocal and instrumental songs. The primary musicians on the album are all members of the progressive metal band Savatage (Paul O’Neill, the producer of the album, is Savatage’s longtime producer). Jon Oliva, one of the principal songwriters on the album, is also a songwriter, multi-instrumentalist, and original vocalist in Savatage. (Oliva is also the voice of Mephistopheles on Beethoven’s Last Night.) Cover art created by Edgar Jerins.[2]

As of November 2014, Christmas Eve and Other Stories was the ninth best-selling Christmas/holiday album in the United States during the Nielsen SoundScan era of music sales tracking (1991 – present), with sales of 3,430,000 copies according to SoundScan.[3]

On November 28, 2011, Christmas Eve and Other Stories was certified Triple Platinum by the Recording Industry Association of America for shipment of three million copies in the United States.(by wikipedia)

trans-siberian-orchestra01

What would happen if members of Savatage decided to write some Christmas songs? Easy: Trans-Siberian Orchestra. This “supergroup” is the brainchild of Jon Oliva and Paul O’Neill (respectively the leader-keyboardist and the producer of Savatage). They hired Al Pitrelli (Asia, Savatage) to play guitars, Robert Kinkel to help with keyboards, John Middleton (also a member of Savatage) on bass, and Jeff Plate on drums. Lead vocals are shared by six vocalists, while some of the backing vocals are handled by Savatage lead singer Zachary Stevens. Christmas Eve and Other Stories is a concept album: all the songs are built as chapters of a book, each telling part of a larger story. The plot here is of a young angel sent down to Earth to find and bring back to the Lord “the one thing that best represents everything good that has been done in the name of this day.” The angel’s quest takes him all over the world, through Russia and Sarajevo, until he finally hears the prayer of a father. This last piece is the strongest moment on the album and makes for a miniature story within the larger story.

trans-siberian-orchestra02

It is basically told in a trilogy of songs: in the first, “Ornament,” we hear the father’s prayer, explaining how he hasn’t seen his daughter in many years. In “Old City Bar,” the angel finds the daughter, standing alone outside a bar, and talks to the bartender who, out of a random act of kindness, takes all the cash from his register drawer and gives it to the girl so she can go home. The third song, “This Christmas Day,” has the father praising God, thanking him for bringing his daughter back to him on this night of all nights. It is a very touching story, pondering the thought that “If you want to arrange it/This world you can change it/If we could somehow make this/Christmas thing last/By helping a neighbor/Or even a stranger.” Musically, the band has taken some traditional Christmas songs (“O Come All Ye Faithful,” “O Holy Night,” “The First Noel”) and mixed in some modern rock music. The result is stunning and very impressive. It is filled with energy that simply blows you away. The already classic “Christmas Eve/Sarajevo 12/24” is a gripping instrumental based on “God Rest Ye Merry Gentlemen” (although you might have to listen carefully to hear it). Fans of progressive music should like this one. And if you’re into the more recent works of Savatage (like Handful of Rain or Dead Winter Dead) you’ll really love this. (by Alex S. Garcia)

backcover

Personnel:
Robert Kinkel (keyboards)
Johnny Lee Middleton (bass)
Jon Oliva (keyboards, bass)
Paul O’Neill (guitar)
Al Pitrelli (leadguitar, bass)
Jeff Plate (drums)
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Solo vocals:
Zak Stevens – John Margolis – Marlene Danielle- Michael Fawcette – Thomas Faresse – Ken Williams – Babi Floyd

gackground vocals:
Zak Stevens – Nancy Jackson – Peggy Harley – Latasha Spencer – Danielle Lander – Jeffrey Stackhouse – Timothy Carosi – Peter Valentine

Child choir conducted by Anthony Piccolo:
Joseph Murray – Adrian Ross – Nigel Tangred – Warren Wilson – Beth Butler – Cabiria Jacobson – Rachel Rosenfield – Caroline Ross

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Chris Caffery (guitar on 08.)
John Clark (french horn)
Mary Wooten (cello)

bookletbackcover1

Tracklist:
01. An Angel Came Down (Gruber) 3.57
02. O Come All Ye Faithful/O Holy Night (instrumental) (Wade/Oakeley/Reading/Adam/Dwight/O’Neill/Kinkel) 4.19
03. A Star To Follow (O’Neill) 3.49
04. First Snow (instrumental) (O’Neill) 3.53
05. The Silent Nutcracker (O’Neill) 2.22
06. A Mad Russian’s Christmas (Tchaikovsky/Kinkel/Oliva) 4.42
07. The Prince Of Peace (Mendelssohn/Wesley/O’Neill) 3.33
08. Christmas Eve/Sarajevo 12/24 (O’Neill/Kinkel/Oliva) 3.25 (*)
09. Good King Joy (Mason/Kinkel/O’Neill) 6.36
10. Ornament (O’Neill/Oliva) 3.37
11. The First Noel (Traditional) 0.55
12. Old City Bar (O’Neill) 6.18
13, Promises To Keep (O’Neill/Kinkel/Oliva) 2.41
14. This Christmas Day (O’Neill/Oliva) 4.20
15. An Angel Returned (O’Neill/Oliva) 3.52
16. O Holy Night (Adam/Dwight) 2.39
17. God Rest Ye Merry Gentlemen (Traditional) 1.16

(*) = (same recording released in 1995 by Savatage)

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Various Artists – An Easy Christmas (2001)

frontcover1This is just a sampler, full with 20 old and classic christmas songs, performed by many stars in the easy listening style.
You can hear singers like Don McLean, David Bowie, Andy Williams, Nat King Cole, Doris Day, Perry Como and Al Green.

“This is my most favourite christmas album ever-I had to order a second copy as the first had a scratch on. I listen to it all the time. Not your average Christmas album!”(by miss r aughton)

“Great to listen to while wrapping presents” (by Zoe Bell)

And I guess, I will play this album (amongst others) on December 24, 2016 … Enjoy this romantic and sentimental sampler.

booklet01a

Tracklist:
01. Andy Williams: Most Wonderful Time Of Year (2001) (Pola/Wyle) 2.34
02. Nat King Cole: Christmas Song (1963) (Chestnuts Roasting On An Open Fire) (Tormé/Wells) 3.14
03. Eartha Kitt: Santa Baby (1953) (Javits/Springer) 3.26
04. Dean Martin: Let It Snow Let It Snow Let It Snow (1965) (Cahn/Styne) 1.58
05. Judy Garland: Have Yourself A Merry Little Christmas (1944) (Martin/Blane) 2.45
06. Harry Belafonte: Mary’s Boy Child (1957) (Hairston) 2.59
07. Bing Crosby: White Christmas (1954) (Berlin) 3.04
08. Al Green: Silent Night (1963) (Gruber/Mohr) 3.19
09. Crystal Gayle: Rudolph The Red Nose Reindeer (1996) (Marks) 2.57
10. Anne Murray: Snowbird (1978) (MacLellan) 2.11
11. Don McLean: Winter Wonderland (1991) (Bernard/Smith) 2.54
12. Charles Brown: Please Come Home For Christmas (Christmas Finds Me Oh So Sad) (1961) (Brown/Redd) 3.18
13. Doris Day: I’ll Be Home For Christmas (1964) (Gannon/Kent/Ram) 2.27
14. Andy Williams: Sleigh Ride (live) (2001) (Anderson) 2.22
15. Crystal Gayle: Silver Bells (1996) (Livingston/Evans) 4.09
16. Don McLean: Santa Claus Is Comin’ To Town (1991) (Coots/Gillespie) 3.06
17. Perry Como: God Rest Ye Merry Gentlemen (1959)(Traditional) 2.56
18. Al Green: What Christmas Means To Me (1963) (Story/Gaye/ Gordy) 3.44
19. Bing Crosby + David Bowie: Peace On Earth/Little Drummer Boy (1977) (Fraser/Grossman/Alan Kohan/Simeone/Davis/Onorati) 2.38
20. Michael Ball: Happy New Year (1999) (Andersson/Ulvaeus) 4.18

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Diana Krall – All For You – A Dedication to the Nat King Cole Trio (1996)

frontcover1All for You – A Dedication to the Nat King Cole Trio is the third studio album by Canadian singer Diana Krall. It was released on March 12, 1996 by Impulse! Records and GRP Records in tribute to the Nat King Cole Trio.

Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as “I’m an Errand Girl for Rhythm,” “Frim Fram Sauce,” and “Hit That Jive Jack.” Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber “I’m Through With Love” and “If I Had You.” Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of “Hit That Jive Jack,” although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall’s vocal on “If I Had You,” and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds. (by Scott Yanow)

nat-king-cole

Nat King Cole

After buying and enjoying her next two albums (Love scenes and When I look in your eyes), this one came as a surprise to me – but what a pleasant surprise. Like Jeri Southern, a brilliant singer-pianist of an earlier generation, Diana began as a pianist but was obliged to sing as well in order to get work. On this album, recorded when Diana was still unknown, Diana’s piano is very prominent. For those who enjoy hearing Diana singing love songs, there are plenty here, but there are upbeat songs to give more variation than you will find in the other albums I mentioned.
Yet, this is all achieved with very few musicians. Russell Malone on guitar and Paul Keller on bass accompany Diana singing and playing piano. On most tracks, that’s it. Steve Kroon plays percussion on Boulevard of broken dreams, while Benny Green plays piano on If I had you, leaving Diana (for that track only) to just sing.

dianakralltrio

Diana Krall Trio

You have to be good to deliver an album of such quality with so few musicians (especially without a drummer), but Diana and her musicians prove that it can be done. While I did not find this album as instantly appealing as her next two (perhaps because it was not what I expected), it is one that grows on me each time I play it.(by  Peter Durward Harris)

Wow! Krall truly shows her piano and vocal skills on this one. She really is a genius when it comes to melding jazz and the blues. I hope she’ll do more stuff like this CD in the future. I’m so glad I got this one although I’m a bit late to the party so to speak. But, for me, this one is truly a keeper! I love to play it while having friends over for dinner. My guests have really enjoyed listening/discovering her music and talent. (by Phat Stripperon)

What a brilliant album !

krall01
Personnel:
Paul Keller (bass)
Diana Krall (vocals, piano)
Russell Malone (guitar)
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Benny Green (piano on 12.)
Steve Kroon (percussion on 05.)

krall02
Tracklist:
01. I’m An Errand Girl For Rhythm (Cole) 2.55
02. Gee Baby, Ain’t I Good To You (Redman/Razaf) 4.07
03. You Call It Madness (Dubois/Conrad/Columbo/Gregory) 4.37
04. Frim Fram Sauce (Ricardel/Evans) 5.01
05. Boulevard Of Broken Dreams (Dubin/Warren) 6.27
06. Baby Baby All The Time (Troup) 3.36
07. Hit That Jive Jack (Alston/Tolbert) 4.16
08. You’re Looking At Me (Troup) 5.33
09. I’m Thru With Love (Malneck/Kahn/Livingston) 4.26
10. Deed I Do (Rose(Hirsch) 3.32
11. A Blossom Fell (Barnes/Cornelius/John) 5.13
12. If I Had You (Shapiro/Campbell/Connelly) 4.55
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13. When I Grow Too Old To Dream (non-US bonus track) (Romberg/Hammerstein II) 4.35

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Oscar Peterson – Oscar In Paris – Live At The Salle Pleyel (1996)

FrontCover1Recorded at the Salle Pleyel in June 1996, this two-CD set finds Peterson in typically buoyant form. The pianist’s huge sense of swing gets an extra kick from guitarist Lorne Lofsky, bassist Niels-Henning rsted Pedersen and drummer Martin Drew. The international group (two Canadians, one Dane and one Englishman) covers nine Peterson originals and four standards.

Rodgers and Hart’s “Falling in Love with Love” sets the tone of the discs: Lofsky cooks effervescently, Peterson’s lines groove and scamper with boundless drive, Pedersen walks some of the fattest, most resonant lines in the business and Drew draws it all together. (Similar examples include the pianist’s “Sushi” and “Kelly’s Blues.”) On the ballad side, Peterson’s exposition of his “She Has Gone” is a reminder of his ability to create a romantic late-night mood through restrained tinkling treble lines. Peterson has recorded prolifically throughout his career; this uplifting set maintains his high standards of technique and swing. (by Owen Cordle)

Nonpareil pianist Oscar Peterson may have lost the use of his left hand following his stroke, but he’s still got more technique and swing than most of the pianists out there. If you doubt that, check out this recording made in Paris in 1996 with his quartet. Peterson is a treasure, and his takes on these originals and standards offer ample evidence. (by Ross Boissoneau)

“…this package…is cause for pleasure….a finely balanced program….through it all he swings like mad…”(Down Beat 2/98)

BackCover1

Personnel:
Martin Drew (drums)
Lorne Lofsky (guitar)
Niels-Henning Orsted Pedersen (bass)
Oscar Peterson (piano)

Booklet03A

Tracklist:
01. Falling In Love With Love (Rodgers/Hart) 9.17
02. Nighttime (Peterson) 8.39
03. Tranquille (Peterson) 9.30
04. Smudge (Peterson) 8.47
05. Love Ballade (Peterson) 10.31
06. Sushi (Peterson) 8.44
07. Kelly’s Blues (Peterson) 7.08
08. She Has Gone (Peterson) 8.08
09. You Look Good To Me (Wells/Lefco) 7.18
10. Peace (Peterson) 8.35
11. Sweet Georgia Brown (Bernie/Pinkard/Casey) 8.23
12. Here’s That Rainy Day (Burke/v.Heusen) / We Will Love Again (Peterson) 10.56

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Makaveli – The Don Killuminati – The 7 Day Theory (1996)

FrontCover1The Don Killuminati: The 7 Day Theory (commonly shortened to The 7 Day Theory or Don Killuminati and sometimes called Makaveli) is the fifth studio album by Tupac Shakur. Released under his new stage name Makaveli, it was his first studio album to be posthumously released. The album was completely finished in a total of seven days during the first week of August 1996. The lyrics were written and recorded in only three days and mixing took an additional four days. These are the last songs Shakur recorded before his fatal shooting on September 7, 1996. The album was originally due for release in March 1997, but due to his death, Suge Knight released it four months earlier.

George “Papa G” Pryce, Former Head of Publicity for Death Row, claimed that “Makaveli which we did was a sort of tongue-in-cheek, and it was not ready to come out, [but] after Tupac was murdered, it did come out… Before that, it was going to be a sort of an underground.”

Though Shakur had been using the new name Makaveli or Makaveli Tha Don as far back as All Eyez On Me, the Makaveli album was conceived as a sort of introduction for Shakur’s alternate stage name. Thus, the album’s sleeve contains the text, “Exit 2Pac, Enter Makaveli”. The Don Killuminati: The 7 Day Theory was recorded and mixed in 7 days in August 1996.

Makaveli
Before his death, Shakur wanted to start his own record label, which he envisioned as Makaveli Records. Shakur fulfilled his three-album obligation to Death Row quickly in order to move on from Death Row Records and start Makaveli Records. According to personal bodyguard Frank Alexander, Shakur didn’t like Death Row. Artists slated to be on Makaveli Records included not only himself, but the rest of The Outlawz, as well as Storm, Bad Azz, One Nation, Bobby Brown and Greg Nice among others.

While All Eyez on Me was considered by Shakur “a celebration of life”, The Don Killuminati: The 7 Day Theory is a much darker album. Shakur’s style of rapping is still emotional, but is intensified throughout this album. Some songs on the album contain both subtle and direct insults to Shakur’s rivals at the height of the East Coast–West Coast feud. Rappers insulted on the album include The Notorious B.I.G., Puff Daddy, Jay-Z, Mobb Deep, Q-Tip, De La Soul, Dr. Dre & Nas.

Although Shakur insulted rapper Nas on “Intro/Bomb First (My Second Reply)” and “Against All Odds”, rapper Young Noble, who appeared on several songs on The 7 Day Theory, stated in an interview that the Nas song “I Gave You Power” served as a main inspiration for Shakur’s “Me and My Girlfriend”. (by wikipedia)

Released only eight weeks after Tupac Shakur died from gunshot wounds, Death Row released this posthumous album, The Don Killuminati: The 7 Day Theory, under the name of Makaveli, a pseudonym derived from the Italian politician Niccolo Machiavelli, who faked his own death and reappeared seven days later to take revenge on his enemies. Naturally, the appearance of Don Killuminati so shortly after Tupac’s death led many conspiracy theorists to surmise the rapper was still alive, but it was all part of a calculated marketing strategy by Death Row. All Eyez on Me proved that Tupac was continuing to grow as a musician and a human being, but Don Killuminati doesn’t improve upon that image; instead it concentrates on G-funk beats and East Coast/West Coast rivalries. If Tupac had survived to complete Don Killuminati, it is likely that the record would have been even better. (by Stephen Thomas Erlewine)

Okay, this another record in this blog … from the category “this is not my kind of music” … but many fantastic colors of music should be a part in this blog …

BackCover1

Personnel:
Majaveli
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many, many musicians from the rap/hip hop scene

Booklet1

Tracklist:
01. Intro/Bomb First (My Second Reply) (Edi/Makaveli/Noble) 4.56
02. Hail Mary (2Pac/Fetal Embrace/Kastrouni/Makaveli/Noble) 5.09
03. Toss It Up (Hailey/Hall/Makaveli/Moore) 5.06
04. To Live & Die In L.A. (Makaveli/Young) 4.33
05. Blasphemy (Makaveli/Wrice) 4.38
06. Life Of An Outlaw (Edi/Kastrouni/Makaveli/Napoleon/Noble) 4.55
07. Just Like Daddy (Edi/Makaveli/Noble/Wrice) 5.07
08. Krazy (Bad Ass/Makaveli) 5.15
09. White Man’z World (Makaveli) 5.38
10. Me And My Girlfriend (Makaveli/Rouse/Wrice) 5.08
11. Hold Ya Head (Makaveli/Wrice) 3.58
12. Against All Odds (Makaveli/Tyrone) 7.09

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Los Lobos – Colossal Head (1996)

FrontCover1Unlike most bands in their second decade of recording, Los Lobos gets more daring and diverse as they get older, creating sonic landscapes that are based in their justly celebrated roots rock but twisting off into wild, unexpected directions. Colossal Head is their most adventurous work to date, building on the moody, atmospheric Kiko without losing sight of their gritty blues roots. While it certainly shows signs of David Hidalgo’s lo-fi, experimental Latin Playboys project, the album isn’t merely an exercise in sound. Los Lobos applies their broad musical palette to a set of tightly written, inventive songs that may not be as immediate as their past work, but are no less melodic and rewarding. Instead of running through a number of different genres on each individual song, they make a dream-like sonic collage that draws from jazz, funk, and avant-garde as much as their traditional rock, R&B, Latin, and blues. What keeps Colossal Head from drifting off into space is Los Lobos’ love of American musical traditions. Not only have they mastered their influences, they have fully assimilated them into their sound, creating their own, unique music. And that’s far more interesting than simply regurgitating the same blues, rock, Mexican, and country licks. (Stephen Thomas Erlewine)

LosLobosPersonnel:
Steve Berlin (keyboards, horns)
David Hidalgo (vocals, guitar, accordion, fiddle, requinto jarocho)
Conrad Lozano (vocals, bass, guitarron)
Louie Pérez (vocals, guitar, drums, jarana)
Cesar Rosas (vocals, guitar, bajo sexto)
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Victor Bisetti (drums, percussion)
Cougar Estrada (percussion)
Yuka Honda (keyboards)
Pete Thomas (drums)
Efrain Toro (percussion)

Booklet1

Tracklist:
01. Revolution (Hidalgo/Pérez) 3.10
02. Mas y Mas (Hidalgo/Pérez) 4.44
03. Maricela (Rosas) 3.51
04. Everybody Loves A Train (Hidalgo/Pérez) 3.30
05. Can’t Stop The Rain (Rosas) 3.36
06. Life Is Good (Hidalgo/Pérez) 4.08
07. Little Japan (Rosas/Pérez) 5.09
08. Manny’s Bones (Hidalgo/Pérez) 3.24
09. Colossal Head (Hidalgo/Pérez) 4.13
10. This Bird’s Gonna Fly (Rosas) 4.18
11. Buddy Ebsen Loves The Night Time (Hidalgo) 2.57

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