Average White Band – Show Your Hand (1973)

FrontCover1The Average White Band (also known as AWB) are a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They are best known for their million-selling instrumental track “Pick Up the Pieces”, and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, The Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Leena Conquest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history. As of 2020, 48 years after their formation, they continue to perform.

AWB was formed in early 1972 in London by Alan Gorrie, and Malcolm “Molly” Duncan, with Owen “Onnie” McIntyre, Michael Rosen (trumpet), Roger Ball, and Robbie McIntosh joining them in the original line-up.

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Hamish Stuart quickly replaced Rosen. Duncan and Ball, affectionately known as the Dundee Horns, studied at Duncan of Jordanstone College of Art (now part of the University of Dundee, but which at the time was part of the Dundee Institute of Art and Technology, now known as Abertay University), and were previously members of Mogul Thrash. Gorrie and McIntyre had been members of Forever More. McIntyre and McIntosh were used as session musicians on Chuck Berry’s recording of “My Ding-a-Ling”.

According to Duncan, members of the band had played together before in Scotland, but had moved to London separately and met up by chance at a Traffic concert. They decided to jam together; a friend heard them and remarked: “This is too much for the average white man,” which became adapted as the name of the band.

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The band’s breakthrough was a support slot at Eric Clapton’s comeback concert in 1973. MCA Records released their debut album, Show Your Hand (1973), which sold poorly.[1] Bruce McCaskill, who was Clapton’s tour manager, liked the band’s music and agreed to manage them. He borrowed money to take them to the US and to promote them. McCaskill had many contacts from his days with Clapton and managed to get Atlantic Records to sign them. The band relocated to Los Angeles and released the follow-up, AWB, better known as The White Album. It reached No. 1 and was the first of many with renowned producer Arif Mardin.

McIntosh died of a heroin overdose at a Los Angeles party on 23 September 1974. Gorrie also overdosed, but Cher kept him conscious until medical help arrived.[10] The NME reported in January 1975 that AWB played a benefit show for McIntosh’s widow at the Marquee Club in London. McIntosh was replaced by Steve Ferrone, previously of Bloodstone, who had replaced McIntosh before in Brian Auger’s Oblivion Express. (wikipedia)

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how Your Hand is the first album by Scottish funk band Average White Band, likely recorded at R.G. Jones Studios, Wimbledon, London and released in 1973 by MCA Records. After the success of AWB, the album was re-issued in 1975 with a new title, Put It Where You Want It, a different opening track and new cover artwork. The re-issued version finally made it to the Billboard Top 200, peaking at #39. (wikipedia)

Re-issue edition, 1975:
Re-Issue

Show Your Hand was where it all began for the Average White Band, which turned out to be one of the hottest funk/soul outfits of the mid- to late ’70s. But when MCA released this debut LP in 1973, the band’s commercial success was still a year away — it wasn’t until they joined the Atlantic roster in 1974 that they exploded commercially. Show Your Hand, in fact, was among 1973’s neglected R&B releases. In retrospect, it’s easy to point the finger at MCA and say, “You dropped the ball; this album should have done better.” Atlantic successfully broke AWB in 1974, so why weren’t MCA’s promotions and marketing people able to accomplish that the previous year? But in all fairness to MCA, breaking AWB was a challenge — imagine trying to convince ’70s soul stations that a white band from Scotland played first-class funk and soul.

Ad from Zig Zag, 1973:
Ad (from Zig Zag)

Back in 1973, a lot of program directors at R&B stations probably took one look at this LP and assumed that AWB was a rock band; it took Atlantic to convince those programmers that the name Average White Band was meant to be ironic. Of course, anyone who gave Show Your Hand a serious listen in 1973 realized that AWB certainly wasn’t typical of the era’s long-haired white bands — stylistically, they inspired comparisons to the Isley Brothers and Tower of Power, not Led Zeppelin, Deep Purple, or Mahogany Rush. Whether AWB is turning up the funk on “T.L.C.” or chilling out on the smooth soul of “Twilight Zone,” there is no getting around the fact that Show Your Hand is very much an R&B album. Show Your Hand (which MCA reissued as Put It Where You Want It in 1975) never became as well-known as AWB’s subsequent recordings for Atlantic, but that doesn’t make it any less impressive a debut for Hamish Stuart and his colleagues. (by Alex Henderson)

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Personnel:
Roger Ball (piano, clavinet, saxophone)
Malcolm Duncan (saxophone)
Alan Gorrie (bass, vocals)
Robbie McIntosh (drums, percussion)
Onnie McIntyre (guitar, background vocals)
Hamish Stuart (guitar, vocals)

Review Melody Maker, 1973:
Review (Melody Maker)

Tracklist:
01. The Jugglers (Gorrie) 4.51
02. This World Has Music (Bramlett/Gorrie/Ware) 5.57
03. Twilight Zone (Ball/Gorrie) 5.28
04. Put It Where You Want It (Sample/Gorrie/Layne) 5.15
05. Show Your Hand (Gorrie) 4.28
06. Back in ’67 (Ball/Gorrie/McIntosh) 4.10
07. Reach Out (Ball/Duncan/Gorrie/McIntosh/McIntyre/Stuart) 4.04
08. T.L.C  (Ball/Duncan/Gorrie/McIntosh/McIntyre/Stuart) 8.07
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09. How Can You Go Home (Gorrie) 3.06

The album was first released in 1973 under the title Show Your Hand, then re-released in 1975 under the title Put It Where You Want It, with the only difference being the first track (“The Jugglers” replaced with “How Can You Go Home”).

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Ad from Melody Maker:
Ad (Melody Maker)

More from the Average White Band:
More

The official website:
Website

Average White Band – Feel No Fret (1979)

FrontCover1The Average White Band (also AWB) are a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They are best known for their million-selling instrumental track “Pick Up the Pieces”, and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, The Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history. As of 2018, 46 years after their formation, they continue to perform.

Feel No Fret is the seventh album by Scottish funk and R&B band Average White Band (also AWB) released in 1979 on the RCA label in the United Kingdom and the Atlantic label in the United States.

It reached No. 15 in the UK charts, with 15 weeks in total on the charts, and No. 32 in the US charts. (by wikipedia)

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From their self-titled sophomore album of 1974 to 1978’s Warmer Communications, the Average White Band enjoyed a commercial winning streak in the ’70s; all of the albums they recorded for Atlantic during that period went either gold or platinum in the United States (and that is in addition to their impressive sales in Europe). But if any AWB album demonstrated that all good things must eventually come to an end, it was Feel No Fret. This 1979 LP marked the first time since 1973’s Show Your Hand (also known as Put It Where You Want It) that an AWB album didn’t enjoy either gold or platinum sales in the U.S., and it was also the most uneven album they recorded in the ’70s. So what went wrong? Perhaps the absence of Arif Mardin was a factor; Mardin had produced all of AWB’s previous Atlantic releases, whereas they produced Feel No Fret themselves. If Mardin had been encouraging the Scottish soul/funk band to go that extra mile, they settled for decent or competent on this record.

Singles

Feel No Fret is far from a total meltdown, and the material is generally likable — especially the good-natured “Atlantic Avenue,” the slow-grinding “When Will You Be Mine,” and a remake of the Burt Bacharach/Hal David favorite “Walk On By” (which became a minor hit and made it to number 32 on Billboard’s R&B singles chart). But after Mardin-produced treasures like AWB, Soul Searching, Cut the Cake, and Warmer Communications, AWB followers had become extremely spoiled — they expected excellence, not a record that was merely adequate. Nonetheless, hardcore devotees (as opposed to casual listeners) will want to hear this album.

Oh yes, I´m a hardcore freak …

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Personnel:
Roger Ball (keyboards, synthesizer (saxophone)
Malcolm Duncan (saxophone)
Steve Ferrone (drums, percussion)
Alan Gorrie (bass, vocals, guitar)
Onnie McIntyre (guitar, vocals)
Hamish Stuart (guitar, vocals, bass)
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Mike Brecker (saxophone on 05. + 09.)
Randy Brecker (trumpet on 05. + 09.)
Zeca de Cuica (cuica on 06.)
Lew Delgatto (saxophone on 05. + 09.)
Airto Moreira (percussion on 06.)
Luis Carlos Dos Santos (surdo on 06.)
Luther Vandross (background vocals on 08.)

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Tracklist:
01. When Will You Be Mine (Gorrie/White) 4.20
02. Please Don’t Fall In Love (Ball/Gorrie) 3.42
03. Walk On By (David/Bacharach) 4.00
04. Feel No Fret (Stuart/Gorrie/Ferrone) 6.31
05. Stop The Rain (Gorrie/Stuart) 4.32
06. Atlantic Avenue (Ferrone, Gorrie, Average White Band) – # 24 UK chart[6]
07. Ace Of Hearts (Ferrone/Gorrie/Stuart) 3.52
08. Too Late To Cry (Stuart) 3.45
09. Fire Burning (Gorrie/White) 3.15

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