On the road …

I´ll stay in Dortmund/Germany for a few days:

Dortmund  is an independent city in North Rhine-Westphalia, Germany. It is in the middle part of the state and is considered to be the administrative, commercial and cultural centre of the eastern Ruhr area. Its population of 581,612 (2015) makes it the 8th largest city in Germany. Moreover, Dortmund is the largest city by area and population in the Ruhr Area, an urban area with some 5.1 million (2011) inhabitants which is the largest urban agglomeration in Germany. (by wikipedia)

Dortmund

I´ll be back on next monday and will continue with this blog.

I wish all readers of this blog a very good time !

Savoy Brown – Blue Matter (1969)

FrontCover1Blue Matter is the third album by the band Savoy Brown. Teaming up once again with producer Mike Vernon, it finds them experimenting even more within the blues framework. Several tracks feature piano (played by Bob Hall, guitarist Kim Simmonds, and vocalist Chris Youlden, who even plays guitar here) as well as trombone.
This album featured a mix of live and studio recordings. The live tracks were recorded on December 6, 1968 at the now defunct City of Leicester College of Education because the band was scheduled to tour the USA and needed additional tracks to complete the album in time for the tour. The booking at the college represented their only chance to record the extra tracks in a live venue before embarking on the tour. An offer to perform the concert free of charge was accepted by Chris Green, the college Social Secretary, who had made the original booking, and the concert was duly recorded, a number of the live tracks being added to the album.
Because Chris Youlden was suffering from tonsillitis, Dave Peverett stood in as lead vocalist on the live tracks.
The album track “Vicksburg Blues” had first appeared as the B-side of Decca single F 12797 (released June 1968), fronted by “Walking by Myself”. (by wikipedia)
The third release by Kim Simmonds and company, but the first to feature the most memorable lineup of the group: Simmonds, “Lonesome” Dave Peverett, Tony “Tone” Stevens, Roger Earl, and charismatic singer Chris Youlden. This one serves up a nice mixture of blues covers and originals, with the first side devoted to studio cuts and the second a live club date recording. Certainly the standout track, indeed a signature song by the band, is the tour de force “Train to Nowhere,” with its patient, insistent buildup and pounding train-whistle climax. Additionally, David Anstey’s detailed, imaginative sleeve art further boosts this a notch above most other British blues efforts.(by Peter Kurtz)

Side One is marked “Studio”; Side Two is marked “Live” and was recorded at The City of Leicester College of Education, Friday 6th December 1968.

SavoyBrownLive1969
Savoy Brown, live in 1969
Personnel:
Roger Earl (drums, percussion)
Bob Hall (piano)
“Lonesome” Dave Peverett (guitar, vocals)
Kim Simmonds (guitar, harmonica, piano)
Tone Stevens (bass)
Chris Youlden (vocals, guitar, piano)
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Rivers Jobe (bass on 01., 02. + 04.)
Mike Vernon (percussion on 01.)
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trombones on 01:
Terry Flannery – Keith Martin – Alan Moore – Brian Perrin – Derek Wadsworth

BackCover

Tracklist:
01. Train To Nowhere (Simmonds/Youlden) 4.12
02. Tolling Bells (Simmonds/Youlden) 6.33
03. She’s Got A Ring In His Nose And A Ring On Her Hand (Youlden) 3.07
04. Vicksburg Blues (Hall/Youlden) 4.00
05. Don’t Turn Me From Your Door (Hooker) 5.4
06. Grits Ain’t Groceries (All Around Te World) (bonus track) (Turner) 2.46
07. May Be Wrong (Peverett) 7.56

08. Louisiana Blues (Morganfield) 9.05
09. It Hurts Me Too (London) 6.51
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AlternateFrontCover
Alternate frontcover from Australia

Various Artists – Smoky Mountain Ballads (1976)

FrontCover1Let´s take a look to the roots of American Music.

In 1941. Smoky Mountain Ballads, a set of 78s selected and annotated with autobiographical notes by John A. Lomax, is published by RCA Victor. The album includes the Carter Family, Uncle Dave Macon, and the Monroe Brothers singing such songs as “East Virginia Blues,” “Worried Man Blues,” “Down in the Willow Garden,” and “Darling Corey,” which later became staples of the folk revival repertoire.

And we will hear Ballads from the Smoky Mountains:

The Great Smoky Mountains are a mountain range rising along the Tennessee–North Carolina border in the southeastern United States. They are a subrange of the Appalachian Mountains, and form part of the Blue Ridge Physiographic Province. The range is sometimes called the Smoky Mountains and the name is commonly shortened to the Smokies. The Great Smokies are best known as the home of the Great Smoky Mountains National Park, which protects most of the range. The park was established in 1934, and, with over 9 million visits per year, it is the most-visited national park in the United States.

The Great Smokies are part of an International Biosphere Reserve. The range is home to an estimated 187,000 acres (76,000 ha) of old growth forest, constituting the largest such stand east of the Mississippi River. The cove hardwood forests in the range’s lower elevations are among the most diverse ecosystems in North America, and the Southern Appalachian spruce-fir forest that coats the range’s upper elevations is the largest of its kind. The Great Smokies are also home to the densest black bear population in the Eastern United States and the most diverse salamander population outside of the tropics.[

SmokyMountains

Along with the Biosphere reserve, the Great Smokies have been designated a UNESCO World Heritage Site. The U.S. National Park Service preserves and maintains 78 structures within the national park that were once part of the numerous small Appalachian communities scattered throughout the range’s river valleys and coves. The park contains five historic districts and nine individual listings on the National Register of Historic Places.

The name “Smoky” comes from the natural fog that often hangs over the range and presents as large smoke plumes from a distance. This fog is caused by the vegetation exhaling volatile organic compounds, chemicals that have a high vapor pressure and easily form vapors at normal temperature and pressure.
As a result of the 2016 Great Smoky Mountains wildfires, the Great Smoky Mountains have received international media coverage. (by wikipedia)

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Ballads from Smoky Mountains means Country,  Folk and Bluesgrass.songs.

And I´m impressed by the music, because the Music still sounds fresh and vital.

Listen to Chittlin’ Cookin’ Time In Cheatham County  … this could be a Ray Davies tune from the Sixties !

This is a very nice little collection of old Hillbilly folk tunes. Sounds like they are just recordings of old 78’s, but sound quality is as good as can be expected. (SchizoMelodies)

 

These recordings were originally released by RCA Victor in 1964 und a few Songs from this LP were re-released by Pickwick Records in 1976 …

Let´s discover this old fashioned music …

UncleDaveMaconUncle Dave Macon

Tracklist:
01. Uncle Dave Macon:  Cumberland Mountain Deer Race (Harris) 2.49
02. Wade Mainer, Zeke Morris & Steve Ledford: Riding On That Train Fourty-Five (Morris) 2.33
03. Dixon Bros.: Down With The Old Canoe (D.Dixon/H.Dixon) 2.51
04. Arthur Smith Trio: Chittlin’ Cookin’ Time In Cheatham County  (Arthur Smith Trio) 2.32
05. Monroe Bros.:  Where Is My Sailor Boy? (C.Monroe) 2.43
06. Carter Family:  Worried Man Blues (A.P.Carter) 2.46
07. J.E. Mainer’s Mountaineers:  On A Cold Winter Night (Mainer) 3.00
08. Uncle Dave Macon:  Railroadin’ And Gamblin’ (Macon) 2.39
09. Gid Tanner And His Skillet Lickers: Ida Red (unknown) 2.51

 

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Various Artists – Harmonia Mundi – New Releases January – June (2004)

FrontCover1Harmonia Mundi is an independent record label founded in Paris, France, in 1958 by Bernard Coutaz. In 1986 Harmonia Mundi (France) moved to Arles, France.
The label’s catalogue is devoted to classical music, jazz, and world music (on the World Village label). Harmonia Mundi (US) is a branch of Harmonia Mundi (France). There are also operations in the United Kingdom and in Spain.
The label was acquired by PIAS Entertainment Group in September 2015.
The Latin phrase harmonia mundi means “world harmony”.
The classical label Deutsche Harmonia Mundi is not related to Harmonia Mundi (France) and belongs to Sony BMG. (by wikipedia)

The name harmonia mundi ‘France’ embraces a much wider range than its widespread image as an early music label would suggest. harmonia mundi is first and foremost a group, based in Arles since 1986 and numbering 330 people all over the world. That group now covers all the different crafts of the publishing business, for both recordings and books, from production to distribution – and even to a retail network in certain countries. Read on to discover that the sphere of influence of harmonia mundi extends far beyond ‘classical music’…

Labels
And this is a Promotion sampler from 2004 … and it´s great sampler from one of the best classic labels all over the world.
And because I´m too lazy today, to type all the tracks in theis blog … read this (taken from the booklet):

Personnel:
Personnel
Tracklist:
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Gryphon – Treason (1977)

frontcover1Treason is the fifth and last album by progressive rock band, Gryphon, originally released in 1977 by Harvest, catalogue number SHSP 4063.
The album was produced and co-ordinated by Mike Thorne with engineering by Mick Glossop and John Leckie. It was recorded at the Manor, Oxfordshire and Abbey Road, London. (by Wikipedia)
This is in my opinion the best of Gryphon’s albums and a well hidden gem, severely underrated. As has been pointed out by other reviewers, this does not sound like any other Gryphon album. But then again wasn’t there a pretty large difference between their first and their second albums as well? Gryphon has always been a band under constant progression and to me this album is still very much Gryphon. Most of their trademarks are still here (Krumhorn, anyone?).
This album is perhaps a bit less experimental than the earlier ones, but this is still very much progressive rock – and it rocks harder than any other Gryphon album. You could perhaps say that it is a bit darker and a bit less silly than earlier Gryphon albums, but there is enough silliness to recognize which band it is. Indeed, even the title of the album itself (a prediction of what people were going to say about their change of direction) shows that they didn’t take themselves too seriously.
gryphon
There are also a lot more vocals here than on most Gryphon albums, and the vocals are better too. The songs are very melodious and well written. The music is definitely similar in some respects to Gentle Giant, but without imitating them. This album should appeal to fans of Gentle Giant and to prog rock fans in general, perhaps more so than any other Gryphon album.
The only song I don’t really care for here is “Snakes and Ladders” which sounds a bit like the carnival in Rio! (by SouthSideoftheSky)
inlet02
Personnel:
Alex Baird (drums)
Jonathan Davie (bass)
Bob Foster (guitar, background vocals)
Brian Gulland (bassoon, english horn, recorder, background vocals)
Richard Harvey (keyboards, piano, saxophone, recorder)
David Oberlé (vocals, Percussion)

backcover1
Tracklist:
01. Spring Song (Harvey/Sebastion) 9.59
02. Round & Round (Harvey/Sebastion) 4.30
03. Flash In The Pantry (Gulland/Sebastion) 4.57
04. Falero Lady (Harvey/Sebastion) 4.08
05. Snakes And Ladders (Harvey) 5.15
06. The Fall Of The Leaf (Harvey/Sebastion) 4.22
07. Major Disaster (Foster/Sebastion) 4.04

Björn Ulvaeus & Benny Andersson – Lycka (1970)

frontcover1Lycka is a 1970 album released by folk/rock duo Björn Ulvaeus & Benny Andersson, who later became the male half of ABBA. Most of the songs feature lead vocals by Björn. The songs show the influence of Brian Wilson, “Ticket to Ride”-era Beatles and traditional Swedish folk music.
Lycka was produced by Björn and Benny with Bengt Bernhag and engineered by Michael B. Tretow. Benny and Björn played on the tracks with two Swiss musicians, drummer John Counz and bassist Gus Horn. Sven-Olof Walldoff was responsible for the orchestral arrangements, and on the 2006 re-release a few bonus tracks were added, notably early recordings with the two-girl half of the future group ABBA on backing vocals, Anni-Frid Lyngstad who was engaged to Benny Andersson and Agnetha Fältskog who was married to Björn Ulvaeus.
Three years later, Ring Ring became the first proper album release of what would become the most famous Swedish pop band ever (though the original album did not use ABBA as the main name of the group).(by wikipedia)
bjorn-ulvaeus-benny-andersson01
ABBA emerged from the Swedish music scene in the early 1970’s.
ABBA were a “Supergroup’. In a “Supergroup” each of the group members has had a prior successful recording career. The group name, ABBA is an acronym of the first intials from each of the group members names (A-Agnetha,B-jorn, B-enny,A-nni-frid). That’s why capital letters are used when spelling out ABBA.
Singer-guitarist Björn Ulvaeus and keyboardist Benny Andersson’s
partnership as a recording duo, writing and production team began in late 1969.
As the duo, Björn and Benny, they released one album, LYCKA, and five Swedish singles. The romantic involvement between Björn & Agnetha and Benny & Frida was a key reason why the four would work together both as a group and a solo artists.

The first recording with all four eventual members of ABBA was called “Hej Gamle Man”, it dates from Mid 1970 and was actually a credited to , Björn and Benny as a duo.
Although Agnetha Fältskog and Anni-frid Lyngstad would sing on many of the songs recorded by Björn and Benny , it wasn’t till 1972 that the first single was released with all four of their names on it. That song was “People Need Love” which would be released on ABBA’s RING RING album.

bjorn-ulvaeus-benny-andersson02

On stage, the story was slightly different. the four eventual ABBA members first played on stage together in November 1970 as the group FESTFOLK. It did not go well, but they tried performing together again in 1971 and worked together at other concerts between 1970-1972. They can be seen in this incarnation in 1970 doing “California Here I Come”on TV.This clip can be seen on the Super Troupers documentary. The clip is fascinating , but it perfectly illustrates what was wrong with the FESTFOLK approach,. Instead of doing cabaret style/variety show music they needed to be doing original fresh self-written pop songs that featured the girls singing…..this they soon discovered!…

The cross pollination between the future members of ABBA was a common thing in the years before ABBA. Björn produced some of Agnetha’s early 1970’s albums. Benny produced Frida between 1969-1972. During 1969-72 Frida would sing on some Agnetha’s songs and Agnetha sang on some of Frida’s singles. Many of these early efforts can be found on the PA SVENSKA compilation or on the various solo albums

bjorn-ulvaeus-benny-andersson03

Björn and Benny-Lycka Fall 1970 Available on Swedish CD Reissued on Cd 1991, 2006
In some ways this is the birth of ABBA.The title means Happiness!
This is a very interesting album. Björn and Benny wrote the music to all of the songs and some of the lyrics. The whole album is sung in Swedish . Björn doing most of the lead vocals, with Benny providing some backing vocals. The original album featured eleven songs.

This album features the first track to have all future members of ABBA on it and this
is the very first album to have all the music written by Björn and Benny.
Acoustic and Electric Guitar feature prominently here, The electric guitar in particular dominates on “Kalles Visa” .This album is a bit more serious in tone than some of the later B&B songs and early ABBA songs that would follow in the early
and mid-Seventies. None of the songs here (even in translation) have a bubble gum lyrics or sound.
“Hej Gamle Man” (Hello Old Man) was released as the single from this album and proved to be successful, though the album was not overly successful. “Hej Gamle Man” features Agnetha and Frida on backing vocals. It was the first song to feature all four members of Abba. “Kara Gamla Sol” is the only song on the album sung by Benny.
More impressive to me is the great acoustic
guitar workout “Liselotte ” (it features lyrics by Agnetha and Björn); The anthemic “Ge Oss En Chans” has some soulful singing and some great organ. A nice little touch can be found at the beginning of “Lilla Du, Lilla Van’ which has Benny’s piano come in at a low volume. As a whole, this album features some of Björn’s best work.
bjorn-ulvaeus-benny-andersson04
The stark brown cover is telling. It’s clear that their is seriousness of purpose and intent in these two young man. Benny’s soon-to-be trademark beard puts in it’s first appearence on a album cover (Benny never had a beard on the Hep Stars album covers). Björn looks a little smug but the trademark smile is there. The Swedish flag on the Guitar seems to say ,”We represent Sweden to the world”.
The LYCKA album was recorded in the Summer of 1970. It was Produced by Björn and Benny with Bengt Bernhag and engineered by Michael B.Tretow.

There was supposed to be a followup album released by Björn and Benny but before
it was anywhere near completion , Agnetha and Frida had joined up with Björn and Benny to change the group from a duo to a quartet. (by felpin80.tripod.com)

singlefrontbackcover
Personnel:
Benny Anderson (vocals, keyboards)
John Cúonz (drums)
Gus Horn (bass)
Björn Ulvaeus (vocals, guitar)
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background vocals (on 07.)
Agnetha Fältskog – Anni-Frid Lyngstad
backcover1
Tracklist:
01. Lycka (B. Andersson/Ulvaeus/S.Anderson) 3.07
02. Nånting Är På Väg  2:19
03  Kära Gamla Sol (B. Andersson/Ulvaeus/S.Anderson) 2.27
04. Det Där Med Kärlek (B. Andersson/Ulvaeus/Himmelstrand) 3.02
05. Välkommen In I Gänget (B. Andersson/Ulvaeus/Himmelstrand) 3.10
06. Lilla Du, Lilla Vän (Fugelstad/B. Andersson/Ulvaeus) 2.51
07. Hej Gamle Man! (B. Andersson/Ulvaeus/A.Anderson) 3.22
08. Liselott (Fältskog/B. Andersson/Ulvaeus) 2.59
09. Kalles Visa (B. Andersson/Ulvaeus/Himmelstrand) 2.37
10. Ge Oss En Chans (B. Andersson/Ulvaeus) 3.41
11. Livet Går Sin Gång (B. Andersson/Ulvaeus/S.Anderson) 3.55
abba

Jon Chappell – Blues Guitar For Dummies (2006)

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Do you wish you could play your favorite blues music on guitar? Even if you don’t read music, it’s not difficult with Blues Guitar for Dummies.
With this hands-on guide, you’ll pick up the fundamentals instantly and start jamming like your favorite blues artists!
Blues Guitar for Dummies covers all aspects of blues guitar, showing you how to play scales, chords, progressions, riffs, solos, and more!
It’s packed with musical examples, chords charts, and photos that let you explore the genre and play the songs of the great blues musicians. This accessible guide will give you the skills you need to:

Choose the right guitar, equipment, and strings
Hold, tune, and get situated with your guitar
Play barre chords and strum to the rhythm
Recognize the structure of a blues song
Tackle musical riffs
Master melodies and solos
Make your guitar sing, cry, and wail
Jam to any type of blues

Jon Chappell is a multistyle guitarist, arranger, and author. He grew up in Chicago, attended Carnegie-Mellon University, and earned his master’s degree in composition from DePaul University. He was Editor-in-Chief of Guitar magazine and played and recorded with artists such as Big Walter Horton, Billy Branch, Pat Benatar, Judy Collins, Graham Nash, and Gunther Schuller. Jon has also contributed numerous musical pieces to TV and film.
Jon served as Associate Music Director of Cherry Lane Music, where he transcribed, edited, and arranged the music of Joe Satriani, Steve Vai, Steve Morse, Bonnie Raitt, and Eddie Van Halen, among others. He has more than a dozen method books to his name and is the author of Guitar For Dummies, 2nd Edition, and Rock Guitar For Dummies (both published by Wiley), Blues Rock Riffs for Guitar (Cherry Lane), as well as the textbook The Recording Guitarist — A Guide for Home and Studio (Hal Leonard).
Table of Contents:
Introduction.
Part I: You Got a Right to Play the Blues.
Chapter 1: Every Day I Have the Blues . . . Hallelujah!
Chapter 2: Blues Meets Guitar: A Match Made in Musical Heaven.
Chapter 3: Grab Hold, Tune Up, Play On!
Part II: Setting Up to Play the Blues.
Chapter 4: Getting a Grip on Left-Hand Chords.
Chapter 5: Positioning the Right Hand for Rhythm and Lead.
Chapter 6: Blues Progressions, Song Forms, and Moves.
Chapter 7: Musical Riffs: Bedrock of the Blues.
Part III: Beyond the Basics: Playing Like a Pro.
Chapter 8: Playing Lead: Soaring Melodies and Searing Solos.
Chapter 9: Playing Up the Neck.
Chapter 10: Express Yourself: Making the Guitar Sing, Cry, and Wail.
Part IV: Sounding Like the Masters: Blues Styles through the Ages.
Chapter 11: Acoustic Roots: Delta Blues and Its Country Cousins.
Chapter 12: The Birth and Growth of Classic Electric Blues.
Chapter 13: Blues Rock: The Infusion of Ol’ Rock ’n’ Roll.
Part V: Gearing Up: Outfitting Your Arsenal.
Chapter 14: Shop Till You Drop: Buying the Right Guitar for You.
Chapter 15: Choosing Your Amp and Effects.
Chapter 16: Changing Strings.
Part VI: The Part of Tens.
Chapter 17: Ten Blues Guitar Giants.
Chapter 18: Ten Great Blues Guitars.
Chapter 19: Ten (Plus One) Must-Have Blues Guitar Albums.
Part VII: Appendixes.
Appendix A: How to Read Music.
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