Philip Catherine (born 27 October 1942) is a Belgian jazz guitarist.
Philip Catherine was born in London to an English mother and Belgian father and was raised in Brussels. His grandfather played violin in the London Symphony Orchestra. Catherine started on guitar in his teens, and by seventeen he was performing professionally at local venues.
He released his debut album, Steam, in 1970. During the next few years, he studied at Berklee College of Music in Boston and with Mick Goodrick and George Russell. In 1976, he 
and guitarist Larry Coryell recorded and toured as an acoustic duo. The following year he recorded with Charles Mingus, who dubbed him “Young Django”. In the early 1980s, he toured briefly with Benny Goodman. He was in trio with Didier Lockwood and Christian Escoudé, then in a trio with Chet Baker. During the 1990s, he recorded three albums with trumpeter Tom Harrell.
Catherine has also worked with Lou Bennett, Kenny Drew, Dexter Gordon, Stéphane Grappelli, Karin Krog, Paul Kuhn, Sylvain Luc, Michael Mantler, Charlie Mariano, Palle Mikkelborg, Niels-Henning Ørsted Pedersen, Enrico Rava, Toots Thielemans, and Miroslav Vitous. (by wikipedia)
And here´s his 5th solo album:
Philip Catherine is a Belgian jazz guitarist who was born in London but raised in Brussels. He has a virtuoso technique and insight into sophisticated structures and harmonies. We’ll Find a Way and Homecomings are the best examples of s style that is intellectual and fluid at the same time. He plays a lot of different stringed instruments, including 12-string, acoustic, electric and banjo. The combo with saxophone and trio provides a background of changing colours. (by Bonnie Laurel)
Very friendly tunes, inspired, knowledgeable and long forgotten.
I adore “Homecomings”. (by kingberzerk)
Personnel:
Gerry Brown (drums)
Philip Catherine (guitar, banjo,bass, piano, bulbul tarang)
Rob Franken (keyboards)
Jasper van’t Hof (piano)
John Lee (bass)
Charlie Mariano (saxophone)
Tracklist:
01. We’ll Find A Way (Lee) 5.17
02. Five Thousand Policemen (Catherine) 1.59
03. Sneezing Bull (Catherine) 7.20
04. Rene Thomas (Catherine) 4.45
05. Moss And Weeds (Catherine) 1.17
06. Homecommings (Catherine) 5.59
07. Charlotte (Mariano) 3.57
08. Noburl (Catherine) 8.28
09. Isabelle (Catherine) 1.50
The bulbul tarang:
More from Philip Catherine:
The official website:
An immensely gifted Belgian guitarist, Philip Catherine is a highly regarded performer known for his harmonically nuanced, deeply lyrical playing and crisply rounded fretboard touch. Born in London in 1942 to an English mother and Belgian father, Catherine moved to Brussels with his family at a young age. As a teenager, he became interested in the guitar, influenced at the time by French singer/songwriter and poet George Brassens. By age 14 he was taking lessons, and learning the basic elements of jazz improvisation when he discovered Django Reinhardt. He quickly absorbed the jazz legend’s distinctive style, and eventually picked up other influences, including Belgian guitarist René Thomas. He also immersed himself in albums by such luminaries as Art Blakey, Clifford Brown, Max Roach, and others. (by Matt Collar)
This 1983 studio date, titled Crystal Bells here yet previously released under other titles, features trumpet Chet Baker performing within a trio setting with the Belgian duo of guitarist Philip Catherine and bassist Jean-Louis Rassinfosse. Although famously known as an intuitive musician who played by ear, by the ’80s Baker’s improvisation had coalesced into a beautifully logical, root harmony-based style in which one can discern the exact progressions of any given tune simply by listening to him. Here, his lines connect, turn by turn, melody upon melody like a pastel jigsaw puzzle forming before your eyes. Subsequently, Baker thrived in the company of the like-minded Belgians, whose bop-inflected technical prowess on their instruments was also matched by their deft sense for melodicism and sympathetic group interplay. As accompanists alone, they’re superb cohorts for the jazz legend, hanging their ears on each of his notes, outlining the harmonies behind him, and buoying his soft, lyrical phrases. There are also subtle stylistic juxtapositions within the trio with Catherine’s choice of electric, amplified guitar allowing for the occasional foray into country twang, or ambient, fusion-infused colorations. Similarly, though, Rassinfosse’s velvety double-bass lines reveal the influence of the impressionistic tone of Ron Carter, and he never fails to imply a clipped rhythmic pulse; a necessary skill in the drummerless setting Baker often favored in his later years. Ultimately, Crystal Bells is an absolutely magical session with inspired performances that still ring true so many years after Baker’s passing. (by Matt Collar)
Philip Catherine (born 27 October 1942) is a Belgian jazz guitarist.
trio with Didier Lockwood and Christian Escoudé, then in a trio with Chet Baker. During the 1990s, he recorded three albums with trumpeter Tom Harrell.
Twin House is an album by American guitarist Larry Coryell and Belgian guitarist Philip Catherine that was released by Atlantic Records in 1977. The duo recorded a second album, Splendid, in 1978. (by wikipedia)
Festival in 1975. Their creative compability, the enthusiasm and mutual understanding inspired me to take them into the Olympic Sound Studios in London to cut “Twin House” in just one day. This was only possible because both the music and the artists were ready to go on.
Alternate frontcovers
Philip Catherine (born 27 October 1942) is a Belgian jazz guitarist.
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