Secret Treaties is the third studio album by the American hard rock band Blue Öyster Cult, released in 1974 by Columbia Records. The album spent 14 weeks in the US album charts, peaking at No. 53. It was certified gold by the RIAA in 1992.
In 1975, a poll of critics of the British magazine Melody Maker voted Secret Treaties as the “Top Rock Album of All Time”. In 2010, Rhapsody called it one of the all-time best “proto-metal” albums.
Many songs from this album found their way into BÖC playlists over the following years, including “Career of Evil”, “Subhuman”, “Astronomy” and “Harvester of Eyes”. It is the only Blue Öyster Cult album that does not feature any track with lead vocals by guitarist Donald “Buck Dharma” Roeser. The band also did not write any of the lyrics to the album, handing that duty off to producer Sandy Pearlman, rock critic Richard Meltzer and Patti Smith.
The cover, with art by Ron Lesser, depicts the band standing beside and sitting on a German Me-262 fighter aircraft; this scene is inspired by the song of the same name.
While the LP cover has the band name in red (a darker red on the Japanese LP), on the CD it is in lime green.
Lyrics to the lead-off track “Career of Evil” were written by future punk poet Patti Smith, a longtime contributor to the band (and, at the time, the girlfriend of BÖC keyboardist and rhythm guitarist Allen Lanier).
A few changes were made to “Career of Evil” on the single version. The vocals are different: only Eric Bloom is heard for most of the song, instead of Bloom and Albert Bouchard singing together. Also, one verse was removed (“Pay me…” to “…kneeling in the rain”). Part of the bridge was changed also, presumably to make the song more acceptable to radio: “do it to your daughter” became “do it like you oughtta.” The line “I want your wife to be my baby tonight” was changed to “I want your life to be mine, maybe tonight”.
“Career of Evil” was the inspiration for the title of the 2015 novel of the same name written by J.K. Rowling under the pen name Robert Galbraith.
The compilation Don’t Fear the Reaper: The Best of Blue Öyster Cult contains a version of “Flaming Telepaths” without the music box intro. The original version with the complete sound effects is on the collection Workshop of the Telescopes.
The psychedelic folk group Espers covers “Flaming Telepaths” on their CD, The Weed Tree in 2005. (by wikipedia)
While the speed-freak adrenaline heaviness and shrouded occult mystery of Tyranny and Mutation is the watermark for Blue Öyster Cult’s creative invention, it is Secret Treaties that is widely and critically regarded as the band’s classic. Issued in 1974, Secret Treaties is the purest distillation of all of BÖC’s strengths. Here the songs are expansive, and lush in their textures. The flamboyance is all here, and so are the overdriven guitar riffs provided by Buck Dharma and Eric Bloom. But there is something else, texturally, that moves these songs out from the blackness and into the shadows. Perhaps it’s the bottom-heavy mix by producer and lyricist Sandy Pearlman, with Allen Lanier’s electric piano and Joe Bouchard’s bass coming to rest in an uneasy balance with the twin-guitar attack. Perhaps it’s in the tautness of songwriting and instrumental architectures created by drummer Albert Bouchard, Bloom, and Don Roeser (Buck Dharma). Whatever it is, it offers the Cult a new depth and breadth. While elements of psychedelia have always been a part of the band’s sound, it was always enfolded in proto-metal heaviness and biker boogie. Here, BÖC created their own brand of heavy psychedelic noir to diversify their considerably aggressive attack. Listen to “Subhuman” or “Dominance and Submission.” Their minor chord flourishes and multi-tracked layered guitars and Bouchard’s constantly shimmering cymbals and snare work (he is the most underrated drummer in rock history) and elliptical lyrics — that Pearlman put out in front of the mix for a change — added to the fathomless dread and mystery at the heart of the music. Elsewhere, on “Cagey Cretins” and “Harvester of Eyes” (both with lyrics by critic Richard Meltzer), the razor-wire guitar riffs were underscored by Lanier’s organ, and their sci-fi urgency heightened by vocal harmonies.
But it is on “Flaming Telepaths,” with its single-chord hypnotic piano line that brings the lyric “Well, I’ve opened up my veins too many times/And the poison’s in my heart in my heart and in my mind/Poison’s in my bloodstream/Poison’s in my pride/I’m after rebellion/I’ll settle for lives/Is it any wonder that my mind is on fire?” down into the maelstrom and wreaks havoc on the listener. It’s a stunner, full of crossing guitar lines and an insistent, demanding rhythmic throb. The set closes with the quark strangeness of “Astronomy,” full of melancholy, dread, and loss that leaves the listener unsettled and in an entirely new terrain, having traveled a long way from the boasting rockery of “Career of Evil” that began the journey. It’s a breathless rock monolith that is all dark delight and sinister pleasure. While the Cult went on to well-deserved commercial success with Agents of Fortune an album later, the freaky inspiration that was offered on their debut, and brought to shine like a black jewel on Tyranny and Mutation, was fully articulated as visionary on Secret Treaties. /by Thom Jurek)
Eric Bloom (vocals, guitar, keyboards)
Albert Bouchard (drums, vocals)
Joe Bouchard (bass, vocals)
Allen Lanier (keyboards, guitar, synthesizer)
Donald “Buck Dharma” Roeser (guitar)
01. Career Of Evil (Smith/A.Bouchar/Bloom) 3.58
02. Subhuman (Pearlman/Bloom) 4.30
03. Dominance And Submission (Pearlman/Bloom/A. Bouchard) 5.22
04. ME 262 (Pearlman/Bloom/Roeser) 4.41
05. Cagey Cretins (Meltze/A. Bouchard) 3.14
06. Harvester Of Eyes (Meltzer/Bloom/Roeser) 4.15
07. Flaming Telepaths (Pearlman/Bloom/A. Bouchard/Roeser) 5.37
08. Astronomy (Pearlman/A. Bouchard/J. Bouchard) 6.21