Arguably the most famous Chinese pianist of all time, Lang Lang has become a superstar on the Classical music stage, with the popularity and charisma of many leading rock musicians. Many of his performances and interviews are available online, and several have drawn over one million hits. His recordings are hits, too, and his concerts are regularly sold-out well ahead of schedule. Lang’s manner during performance can be eccentric but fascinating: he is very animated, often smiles, and often looks away from the keyboard even during extremely difficult passages. While Lang plays many traditional and contemporary Chinese works, he performs mostly Western repertory, with the names Haydn, Mozart, Beethoven, Schumann, Chopin, Liszt, Tchaikovsky, Rachmaninov, and Prokofiev regularly appearing on his programs. Lang has toured widely throughout Asia, Europe, the U.K., U.S., and elsewhere across the globe. He has made numerous recordings, most of them available from DG, Decca, Telarc, and Sony.
Lang Lang was born in Shenyang, China, on June 14, 1982. His father is a well-known musician in China who plays the ehru. At three, reportedly inspired by a scrap of one of Liszt’s Hungarian Rhapsodies in a Tom and Jerry cartoon, Lang began piano lessons and at five won a local competition. In 1991 nine-year-old Lang moved with his father to Beijing for studies at the Central Music Conservatory. Despite initial troubles there, he advanced under the guidance of Zhao Ping-Guo. Lang won the 1993 Beijing-based Xing Hai Cup Piano Competition and the following year captured first prize at the International Competition for Young Pianists, in Ettlingen, Germany.
Lang appeared on Japanese television in 1995 in a performance of the Chopin Second Concerto, with the Moscow Philharmonic Orchestra. At 15 (1997) he began studies at the Curtis Institute with Gary Graffman.
In 1999 he debuted at the Ravinia Festival in Chicago with an acclaimed performance of the Tchaikovsky First Piano Concerto. 2001 was another breakthrough year: Lang debuted at Carnegie Hall in a program of Haydn, Schubert, Tan Dun, Schumann, Chopin, and Liszt, and then went on tour to Beijing with the Philadelphia Orchestra. He also debuted later that year at the Proms, in Royal Albert Hall, London.
Lang’s 2003 CD of the Tchaikovsky and Mendelssohn first piano concertos with Barenboim and the Chicago Symphony Orchestra, on DG, drew much critical acclaim. Further successful recordings and concerts followed, including his 2007 appearance at the Nobel Prize ceremonies in Stockholm, Sweden. Lang’s performance at the opening ceremonies of the 2008 Summer Olympics in Beijing was reportedly viewed by more than a billion people. Lang appeared with the New York Philharmonic at Carnegie Hall for the 2010 New Year’s Eve China Festival. He is the author of an autobiography, Journey of a Thousand Miles; it has also been released as Playing with Flying Keys, a version for children.
Controversy erupted in Lang’s career when on January 19, 2011, he appeared at the White House and performed an arrangement of My Motherland, a Chinese melody once associated with anti-American feelings. Lang graciously responded to negative commentary that he intended no criticism whatever of the U.S. Among Lang’s more acclaimed recordings is his 2010 Sony CD/DVD, Lang Lang Live in Vienna, which features works by Beethoven, Chopin, Prokofiev, and Albeniz.
In the 2010s Lang has aimed squarely at mainstream audiences and has been rewarded with consistently strong album sales. He has released survey albums devoted to Liszt (My Piano Hero), Chopin, and Mozart, as well as thematic programs: Piano Daydreams and New York Rhapsody (both 2016). On the latter album he served as accompanist to such diverse popular singers as alternative country songwriter Jason Isbell and traditional jazz chanteuse Madeleine Peyroux. The year 2017 saw Lang record a pair of piano concertos by film composer Howard Shore of Lord of the Rings fame. (by Robert Cummings)
And here is his 4th solo album:
If it is possible to play the piano charismatically, then that is what Lang Lang does. His total identification with each piece gives his playing a warmth, a personal touch, that is unique. His performance of Mozart’s K. 330 is ideally classical. The opening movement seems played with the fingers just touching the keys. The big Chopin sonata is given an imposing, dignified reading, and Lang Lang plays the frisky scherzo–the most perky one Chopin ever wrote–with obvious glee.
The performance of Schumann’s “Kinderszenen” is filled with characterization: dreamy, filled with wonderment (“Curious Story”), wackiness (“Catch me if you can”), and stillness (“Child falling asleep”); Lang Lang manages to avoid affectation throughout. A bonus CD offers Liszt’s Hungarian Rhapsody no. 2 in Vladimir Horowitz’s arrangement and is dizzying in its virtuosity. This is a must-have; Lang Lang is not being over-hyped. (Robert Levine)
Lang Lang (piano)
Piano Sonata No. 10 in C major, K. 330 (K. 300) (Wolfgang Amadeus Mozart):
01. Allegro moderato 6.35
02. Andante cantabile 7.29
03. Allegretto 5.47
Piano Sonata No. 3 in B minor, Op. 58, CT. 203 (Frederic Chopin):
04. Allegro maestoso 15.09
05. Scherzo. Molto vivace 3.24
06. Largo 14.09
07. Finale. Presto non tanto 5.39
Kinderszenen (Scenes from Childhood) for piano, Op. 15 (Robert Schumann):
08. Von fremden Ländern und Menschen (About foreign lands and peoples) 1.51
09. Kuriose Geschichte (Curious story) 1.11
10. Hasche – Mann (Catch me if you can) 0.28
11. Bittendes Kind (Pleading child) 0.52
12. Glückes genug (Happiness) 1.25
13. Wichtige Begebenheit (Important event) 1.01
14. Träumerei (Dreaming) 3.17
15. Am Kamin (At the fireside) 1.21
16. Ritter vom Steckenpferd (Knight of the hobby – horse) 0.35
17. Fast zu ernst (Almost too serious) 1.51
18. Fürchtenmachen (Frightening) 1.45
19. Kind im Einschlummern (Child falling asleep) 2.41
20. Der Dichter spricht (The poet speaks) 3.12
21. Hungarian Rhapsody, for piano No. 12 in C sharp minor (aka “No. 2”) 9.05
The official website: