Various Artists – The Vertigo Annual (1970)

FrontCover1.jpgVertigo Records was the late 60s progressive rock arm of the Philips Records empire.

Vertigo Records is a record company, which originated in the United Kingdom. It was a subsidiary of the Philips/Phonogram record label, launched in 1969 to specialise in progressive rock and other non-mainstream musical styles. Today it is operated by Universal Music UK.

Vertigo was the brainchild of Olav Wyper when he was Creative Director at Phonogram. It was launched as a competitor to labels such as Harvest (a prog subsidiary of EMI) and Deram (Decca). It was the home to bands such as Colosseum, Jade Warrior, Affinity, Ben and other bands from ‘the “cutting edge” of the early-’70s British prog-folk-post-psych circuit’. The first Vertigo releases came with a distinctive black and white spiral label, which was replaced with Roger Dean’s spaceship design in 1973.

Vertigo later became the European home to various hard rock bands signed to Mercury in North America, such as Bon Jovi, Rush and Kiss.

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Vertigo is a division of Island Records in the United States and operates as Virgin EMI Records in the UK, which in turn is a frontline music group operation of Universal Music UK. In Germany, Vertigo has merged with Capitol Records and is mainly used for German rock artists. The label’s legacy artists include Metallica (outside the US and Canada), Razorlight, Rush (Europe) and Dire Straits (except the US). More recent signings include The Rapture, The Killers (UK/Ireland), One Night Only, Amy Macdonald, Noisettes and Thee Unstrung 2004-2005 and Kassidy in 2009. Black Sabbath returned to the label in 2013 (including the US and Canada for the first time via sister label Republic) until their dissolution in 2017 although former sister label Sanctuary Records Group acquired international rights to their back catalogue in the interim (the band were last on Vertigo in 1987). (by wikipedia)

And here´s a damn good sampler, the first sampler of the legendary Vertigo Label:

A two-LP label sampler from the nascent Vertigo label — Polygram’s answer to EMI’s Bookprogressive — psychedelic boutique, Harvest. Overall, for a label sampler, this was a better than average double slab of vinyl, with tried-and-true heavy cuts (from Black Sabbath, Uriah Heep, Juicy Lucy, May Blitz) jostling for space with lighter stuff (Magna Carta, Dr. Strangely Strange). Rod Stewart turns up as well, with an early solo outing on “Handbags and Gladrags.” (by Steven McDonald)

The title of this double label sampler leads one to believe that there were plans for an annual release, but Vertigo never got any further than 1970. Contrary to the ‘Heads together’ sampler, this one contains previously released material only and so serves quite succeedingly as an introduction to Vertigo’s miracles.The contents are chosen with taste: almost every track is among the best from the respective album and therefore this sampler comes recommended for anyone who wants to start to explore what the fuzz is all about.Red foliage surely is a favourite of Keef the album designer. This time a naked lady on a dotted hobby-horse fronts the landscape. A small boy dressed in parade uniform plays the drum and looks at her. Quite striking.

The lettering is chosen in accordance to the ‘annual’ idea and could have been taken from any children’s annual of the times.

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Inside the horse’s head is displayed in a coloured negative photograph and also proudly quotes underground magazine ‘it’: Vertigo is the least pretentiously and most happily married of the ‘progressive’ labels to emerge from ‘neath the wings of the large record companies.

One of those indispensable samplers, with so much going for it – label design, musical quality, rare tracks, top audio and alluring cover pics – it has become a collectors item by own merits. One cut each from the sixteen first albums realeased by the label. Most represented here didn’t sell a lot back then and the originals can sometimes be hard to find or afford. I haven’t had or heard all of those so I can’t compare, but get the impression they picked the better or best from each.

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Some compilations have at least one downer regarding track choice or audio. On here I can’t find one thing less than marvelous. From the happy-go-luckys Fairfield Parlour “In My Box” and Magna Carta “Going My Way” over the heavy Sabbath, Juicy Lucy and Uriah Heep cuts to the jazzier Nucleus, Colosseum and May Blitz it’s all tophole.

Vertigo was a highly collectable label . and this sampler is the best way to start with this cult label…

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Tracklist:
01. Colosseum; Elegy (from “Valentyne Suite VO1”) (Litherland) 3.10
02. Rod Stewart: Handbags And Gladrags (from “An Old Raincoat Won’t Ever Let You Down VO4”) (d’Abo) 4.26
03. Jimmy Campbell: Half Baked (from “Half Baked 6360010”) (Campbell) 4.43
04. May Blitz: I Don’t Know (from “May Blitz 6360007”) (Black/Hudson/Newman) 4.50
05. Juicy Lucy: Mississippi Woman (from “Juicy Lucy VO2”) (Hubbart/Campbell/Mercer/ Ellis/Owen/Dobson) 3.49
06. Fairfield Parlour: In My Box (from “From Home To Home 6360001”) (Pumer/Daltrey) 2.00
07. Magna Carta: Goin’ My Way (Road Song) (from “Seasons 6360003”) (Simpson) 2.55
08. Affinity: Three Sisters (from “Affinity 6360004”) (Hoile/Naiff) 5.01
09. Black Sabbath: Behind The Wall Of Sleep (from “Black Sabbath VO6”) (Ward/Butler/ Osbourne/Iommi) 3.41
10. Gracious; Introduction (from “Gracious! 6360002” (Kitcat/Davis) 5.56
11. Cressida: To Play Your Little Game (from “Cressida VO7”) (Heyworth) 3.22
12. Nucleus: Elastic Rock (from “Elastic Rock 6360008”) (Jenkins) 4.06
13. Manfred Mann Chapter Three: One Way Glass (from “Manfred Mann Chapter Three VO3”) (Mann/Thomas) 3.36
14. Bob Downes: No Time Like The Present (from “Electric City 6360005”) (Downes) 3.05
15. Dr. Strangely Strange: Summer Breeze (from “Heavy Petting 6360009”) (Booth) 3.42
16. Uriah Heep: Gypsy (from “…Very ‘Eavy Very ‘Umble… 6360006”) (Byron/Box) 6.57
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17. Catapilla: Changes (from “Changes 6360 074”) (Wilson/Calvert/Meek) 12.05
18. Gravy Train: Think Of Life (from “Gravy Train 6360 023”) (Davenport/Hughes/Barratt /Cordwell/Williams) 5.10
19. Jade Warrior: May Queen (from ” Last Autumn’s Dream 6360 079″) (Havard/ Field/ Duhig) 5.24
20. Mike Absalom: Frightened Of The Dark (from “Mike Absalom 6360 053 “) (Absalom) 3.25
21. Ramases: Life Child (from “Space Hymns 6360 046”) (Godley/GouldmanCreme/ Raphael ) 6.39
22. Patto: Give It All Away (from “Hold Your Fire 6360 032 ) (Patto/Halsall) 4.10

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Magna Carta – The Fields Of Eden (2015)

FrontCover1.jpgFinally after so many years it is really going to happen. Magna Carta have recorded the long awaited album, “The Fields of Eden”. And what better time to release it than on the actual date of the signing of the Magna Carta 800 years later. June 15th.

Fields of Eden has already been classed as a masterpiece and by many has surpassed the band’s legendary Lord of the Ages which went Gold after its release back in 1973. A mixture of vibrant new songs highlighted by the epic 16 minute title track The Fields of Eden.

This simply has to be Chris Simpsons best release ever!

Chris and the gang do it again!! A wonderful new release chock full of some of the best evocative music and lyrics Mr Simpson has come up with. The album moves through an eclectic set of styles, is refreshing and above all sincere. Magna Carta in all it’s various guises has always been known for creating that warm feeling you get when you listen to music that is from the heart and comforting. No “Doom and Gloom”, just from the heart!! I have been an avid follower of the band all the years they have been performing and I have to say this album ranks among the very best they have done. Good on you Chris, keep on rockin’. (by GuitarTony)

Indeed: Another hightlight in the long career of Magna Carta and Chris Simpson !

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Personnel:
Will Jackson (piano, guitar)
Chris Simpson (vocals, guitar, harmonica)
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Matt Barhoorn (violin)
Andrew Jackson (spoken word)
Laurens Joensen (guitar, slide-guitar,, mandolin, dobro, banjo)
Doug Morter (guitar, background vocals)
Derek Nash (saxophone)
Kate Peters (background vocals)
Elliott Randall (guitar)
Wendy Ross (violin)
John Shepard (drums, percussion)
Cathy Simpson (piano)
Alan Thomson (bass, slide guitar)

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Tracklist:
01. Anemos / Child Of The Light 1.25
02. Long Rime Running 5.20
03. Walk Away From Heaven 5.02
04. Fields Of Eden 16.14 :
04.1. Overture
04.2.The Tumbling River
04.3.Middlesmoor
04.4. Stonebeck
04.5. The Fields Of Eden
04.6. Epilogue – Middlesmoor
05. The Same Rain 5.20
06. Greenhow Hill 4.34
07. This Time Around 4.34
08. European Union Blues 3.28
09. Nidderdale / Backroads 5.45
10. The Wild Geese (The Spirit Of The Wide Northland) 4.21
11. Life In The Old Dog 3.09

All songs written by Chris Simpson

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Magna Carta – In Concert (1971)

OriginalFrontCover1One of the six Magna Carta albums that went gold in Europe, In Concert was recorded live in Amsterdam in 1971, and remains one of the most atmospheric concert recordings of its age.

A wonderful venue (the Concertgebouw), an appreciative audience, and a genuinely intimate selection of songs result in performances that cannot even be compared to their studio counterparts.

They’re not better, they’re not worse, they’re just delightfully different, spun with a spontaneity and warmth that truly place the listener stage center. “Airport Song” opens the proceedings, of course, but the band was preaching to the converted that night — every song is received as a conquering hero, and the band responds with equal generosity.

A playful “Banjo Man,” a haunting “Seven O’Clock Hymn,” an eerie “Ring of Stones” — every track is a highlight, while the newly arrived Davey Johnstone, making his recorded debut with the band, shines so brightly that it’s hard to believe he was still unknown at the time. (by Dave Thompson)

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Personnel:
Davey Johnstone (guitar, mandolin, sitar, banjo, vocals)
Vocals, Acoustic Guitar – Chris Simpson (vocals, guitar)
Glen Stuart (vocals, glockenspiel, harmonium)

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Tracklist:
01. Introduction by Liesbeth List 0.51
02. Airport Song (Simpson) 3.39
03. Speech 0.39
04. Time For The Leaving (Simpson) 4.25
05. Speech 0.26
06. The Boatman (Johnstone) 3.10
07. Speech 1.07
08. Sea And Sand (Simpson) 4.10
09. Speech 0.394.36
11. Speech 10.02
10. Banjo (Traditional)
11. Speech 1.02
11. Old John Parker (Simpson) 2.49
12. Speech 0. 47
13. Seven O’Clock Hymn / Midwinter (Simpson) 12.51
14. Speech 0.41
15. Country Jam (Simpson/Johnstone/Stuart) 1.48
16. Speech 0.21
17. Ring Of Stones (Simpson) 5.42

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Magna Carta – Prisoners On The Line (1978)

FrontCover1This definitely is Magna Carta’s most accomplished work after Lord Of The Ages. The majority of Side one is made up of the Prisoners On The Line conceptual piece, great narration from Robin Ellis. Magna carta were always keen on narratives on ther more epic progressive releases but they definitely chose a winner with Ellis who begins the ‘ Soliquay’ after ‘ Overture’ The musicianship comes together on this release as a focussed and cohesive sound’ Wild Horses’ has some great bass work from Roy Babbington. ‘ Ain’t no Turning back’ homes in on our thoughts of a lifetime, nostagia and leaving it behind.’ Faces Of London’ is a wonderful track, dreary and depressing with Chris Simpson working his fine voice to a cloudy overcast, grey mood.’ When You Fall’ has a rollicking ” I Told You So” feel to it and I am pretty sure Emil Zjhbz handles the vocal department on this one. Robin Ellis more or less concludes the suite with ‘ Soliquay 2’

Inlet01AThe second half of the album is another patchy composition of tracks but their quality holds up much better to give a more consistent feel to this 1978 release. Songs like ‘ Idle Wind’ and the beautiful ‘ In Tomorrow’ ensured that Magna Carta had not given up the ghost yet. Highly recommended. (by Chris S.)

MagnaCarta1978Personnel:
Les Cyrcle (drums)
Tom Hoy (guitar, vocals)
Chris Simpson (guitar, vocals)
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Roy Babbington (bass)
Hennie Bekker (keyboards)
BJ Cole (steel-guitar)
Dave Markee (bass)
Accordion – Nigel Portman-Smith
Robin Thyne (guitar, vocals)
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As well as the songs there are two soliloquies spoken by the actor Robin Ellis who starred in the BBC TV drama series “Poldark”.

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01. Overture (Simpson) 2.12
02. Soliloquy 1 (Simpson) 0.46
03. Wild Horses (Jagger/Richards) 4.00
04. Ain’t No Turning Back (Simpson) 2.25
05. Faces Of London (Simpson) 3.20
06. When You Fall (Simpson/Hoy) 3.47
07. Soliloquy 2 (Simpson) 1.11
08. Forever (Simpson) 3.57
09. In Tomorrow (Simpson) 3.30
10. Song For John (Simpson) 4.40
11. Rainy Day Companion (Hoy) 2.40
12. Nothing So Bad (It Can’t Get Better) (Simpson) 3.46
13. Idle Wind (Hoy) 4.12
14. C’est-La-Vie (That’s Life) (Hoy) 2.39

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