Peter Ronald Brown (born 25 December 1940 – May 19 2023) was an English performance poet, lyricist, and singer best known for his collaborations with Cream and Jack Bruce. Brown formed the bands Pete Brown & His Battered Ornaments and Pete Brown & Piblokto! and worked with Graham Bond and Phil Ryan. Brown also writes film scripts and formed a film production company.
Brown was born in Ashtead, Surrey, England. Before his involvement with music, he was a poet, having his first poem published in the U.S. magazine Evergreen Review when he was 14 years old. He then became part of the poetry scene in Liverpool during the 1960s, and in 1964 was the first poet to perform at Morden Tower in Newcastle. He did poetry and music events, including a tour with guitarist Davey Graham.
Brown formed The First Real Poetry Band with John McLaughlin (guitar), Binky McKenzie (bass), Laurie Allan (drums) and Pete Bailey (percussion)
The First Real Poetry Band brought Brown to the attention of the band Cream. Originally, he was seen as a writing partner for drummer Ginger Baker, but the group quickly discovered that he worked better with bassist Jack Bruce. Of the situation, Bruce later remarked: “Ginger and Pete were at my flat trying to work on a song but it wasn’t happening. My wife Janet then got with Ginger and they wrote ‘Sweet Wine’ while I started working with Pete.”
Together, Brown and Bruce wrote many of Cream’s songs, including the hits “I Feel Free”, “White Room” and “SWLABR” and (with Clapton) “Sunshine of Your Love”.
After the break-up of Cream, Bruce and Brown continued to write songs together. Brown wrote the lyrics for most of Bruce’s solo albums.
Brown formed Pete Brown and His Battered Ornaments in 1968, and in 1969 the band recorded two albums: A Meal You Can Shake Hands With in the Dark and Mantlepiece, with a line-up including Pete Bailey (percussion), Charlie Hart (keyboards), Dick Heckstall-Smith (sax), George Kahn (sax), Roger Potter (bass), Chris Spedding (guitar) and Rob Tait (drums). Brown then suffered the ignominy of being thrown out of his own band, the day before they were due to support the Rolling Stones at Hyde Park. His vocals were subsequently removed from Mantlepiece and re-recorded by Chris Spedding, and the band was renamed The Battered Ornaments.
“Piblokto!” was formed after Brown’s dismissal from the Battered Ornaments, and was active between 1969 and 1971. The original Piblokto! members were; Brown on vocals, Laurie Allan on drums, Jim Mullen on guitar, Roger Bunn on bass and Dave Thompson on organ. Most of their releases were for Harvest Records.
Allan left to join The Battered Ornaments and was replaced by their drummer Rob Tait. They released their first single “Living Life Backwards” / “High Flying Electric Bird” (the A-side later covered by Jeff Beck), followed by the album Things May Come and Things May Go but the Art School Dance Goes on Forever (1970). Bunn was replaced by Steve Glover for their second single, “Can’t Get Off The Planet” / “Broken Magic” and the LP Thousands on a Raft (1970).
Mullen, Thompson and Tait left, so Brown and Glover were joined by Phil Ryan on keyboards, John “Pugwash” Weathers on drums (both formerly from The Eyes of Blue) and Brian Breeze on guitar. This line-up only recorded one single, “Flying Hero Sandwich”/”My Last Band”. Weathers and Breeze both departed, to be replaced by guitarist Taff Williams (also formerly in The Eyes of Blue) and drummer Ed Spevock, before finally disbanding in Autumn 1971, and Brown went on to work with Graham Bond. Both albums, all three singles and several bonus tracks were reissued on the double album CD BGOCD522 in 2001.
The band’s name was taken from the Inuit word for “Arctic Hysteria”, Piblokto, with symptoms including hysteria (screaming, uncontrolled wild behaviour), depression and echolalia.
After Piblokto!, Brown started to work with Graham Bond, with input from Jack Bruce and Bond’s wife, Diane Stewart. In 1972 they recorded one album, Two Heads Are Better Than One, a single, “Lost Tribe”, and much of the soundtrack to the short experimental documentary film Maltamour,[6] before Bond left to form Magus in 1973.
Brown then formed Brown and Friends, and Flying Tigers, though neither group got beyond producing demos. In 1973, he recorded an album of his early poems, The Not Forgotten Association, before recording with members of Back to the Front, including an album, Party in The Rain, which was recorded in 1976 but not released until 1982.
On the rise of punk, he left the music scene in 1977 and wrote film scripts. He then wrote a film score for a BBC TV film, with Phil Ryan, who had been in a late Piblokto! line-up. They collaborated for 12 years, and Brown formed his own label Interoceter, which issued two Pete Brown/Phil Ryan albums: Ardours of the Lost Rake and Coals to Jerusalem. They began touring in 1993, and a compilation of the two albums was issued on CD as The Land That Cream Forgot (Vintage, VIN 8031-2). In the 1990s Brown also appeared with The Interoceters, performing his earlier material.
A new Brown/Ryan album Road of Cobras, including Maggie Bell, Arthur Brown, Mick Taylor and Jim Mullen, was released in 2010.
In 2004, he formed Brown Waters, a film production company, with Mark A. J. Waters and Miran Hawke.
In 2010, he published his autobiography White Rooms and Imaginary Westerns (JR Books, London).
Pete Brown partnered with Gary Brooker writing lyrics for songs in Procol Harum’s 2017 album, Novum. (wikipedia)
Pete Brown died, 82 yers old, after a courageous battle with cancer.
And here´s his first solo album:
Pete Brown’s debut album may not have been as accessible as those of Cream (for whom he often helped write material) or even the early Jack Bruce (for whom he continued to collaborate as a songwriter). There are similarities, however, though more to Bruce’s solo work than to Cream. For one thing, there are those lyrics, which are of a far higher standard than heard on most rock songs, ranging from ominous impressionism to take-out-the-piss political satire. Then there’s Brown’s voice, which rather resembles a gruff Jack Bruce, and is effective though certainly not as smoothly melodic as Bruce’s vocals. And then there’s the music, which grew out of the same jazz-blues-rock community that gave birth to the Graham Bond Organisation, Cream, and Colosseum. In fact, two other alumni of that scene, Bond (on organ) and Dick Heckstall-Smith (on saxophone), are among the supporting players, as is a young Chris Spedding.
There are also unusual psychedelic and Middle Eastern accents here and there in the arrangements, though tasteful and subdued. Because there aren’t the pop hooks of the songs Brown had a hand with in Cream, and because Brown’s voice is not that of your average rock frontman, it’s not something that ever got a wide audience. But it has its rewards for those looking for something a little more avant-garde and intellectual than much late-’60s psychedelic-prog rock, including the fairly grooving “Dark Lady” (which musically resembles Graham Bond’s work), “Station Song” (where the likeness to some of Jack Bruce’s more mysterious tracks is highest), and the beguiling downward-spiral melody of “Rainy Taxi Girl.” Some of the bluesy tunes are more functional, but the 12-minute “The Politician” — not the same as the Cream classic “Politician” penned by Brown and Bruce, though there are similarities — is a highlight, as a very witty and scathing anti-establishment spoken word poem segueing into an off-kilter blues-rocker that exposes the “politician” for the lecherously hypocritical geezer he is. (by Richie Unterberger)
Personnel:
Pete Bailey (percussion)
Pete Brown (vocals, trumpet, whistle, talking drum)
Charlie Hart (organ, harmonica)
Dick Heckstall-Smith (saxophone)
Nisar Ahmad Khan (saxophone, flute)
Butch Potter (bass, banjo)
Chris Spedding (guitar, slide guitar)
Rob Tait (drums)
Tracklist:
01. Dark Lady (Brown) 5.21
02. The Old Man (Brown) 5.26
03. Station Song (Brown/Spedding) 3.24
04. The Politician (Brown/Bruce) 11.49
05. Rainy Taxi Girl (Brown/Laydon) 4.56
06. Morning Call (Brown/Spedding) 2.49
07. Sandcastle (Brown) 9.21
08. Travelling Blues (Brown) 12.07
+
09. The Week Looked Good On Paper (Brown) 7.37
10. Security Blues (Sykes) 3.35
More from Pete Brown:
Peter Ronald Brown (born 25 December 1940) is an English performance poet, lyricist, and singer best known for his collaborations with Cream and Jack Bruce. Brown formed the bands Pete Brown & His Battered Ornaments and Pete Brown & Piblokto! and worked with Graham Bond and Phil Ryan. Brown also writes film scripts and formed a film production company.
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