Various Artists – Havana Jam (1979)

FrontCover1Havana Jam was a three-day music festival that took place at the Karl Marx Theatre in Havana, Cuba, from March 2 to March 4, 1979. The event was sponsored by Bruce Lundvall, the president of Columbia Records, Jerry Masucci, the president of Fania Records, and the Cuban Ministry of Culture.

The festival included American acts such as Weather Report, the CBS Jazz All-Stars, the Trio of Doom, Fania All-Stars, Stephen Stills, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Tony Williams, Jaco Pastorius, John McLaughlin, Rita Coolidge, and Billy Joel, as well as Cuban acts by Irakere, Pacho Alonso, Zaida Arrate, Elena Burke, Orquesta de Santiago de Cuba, Conjunto Yaguarimú, Frank Emilio Flynn, Juan Pablo Torres, Los Papines, Tata Güines, Cuban Percussion Ensemble, Sara González, Pablo Milanés, Manguaré, and Orquesta Aragón.

In 1977, U.S. President Jimmy Carter and Cuban President Fidel Castro started to loosen the political tension between the two countries and opened Interest Sections both in Havana and Washington, D.C. It was the first time in almost two decades after Castro’s rise to power that there was a real interest in establishing a normalization of diplomatic relations and the lifting of the United States embargo against Cuba.

Jazz guitarist John McLaughlin, jazz keyboardist Joe Zawinul, and jazz electric bassist Jaco Pastorius pose for a portrait while relaxing at a beach near Havana before performing at Havana Jam, an historic three-day series of music concerts sponsored by the American music industry and the Cuban government in April, 1979 in Havana, Cuba:
Havana Jam01

In April 1978, CBS Records director Bruce Lundvall, together with a group of the company’s music enthusiasts, made a four-day trip to Havana, where they took great interest to Cuban music, and especially to Afro-Cuban jazz band Irakere.

After months of discussion, Lundvall signed Irakere and in July the group traveled to New York to perform an unannounced guest set at the famed Newport Jazz Festival-New York. Rave reviews led to an invitation from the prestigious Montreux Jazz Festival in Switzerland.

A few months later, Irakere won their first Grammy with the album Irakere, recorded at their Montreux Jazz Festival and Newport Jazz Festival performances. Then, in the Fall of 1978, he joined forces with Fania Records director Jerry Masucci and convinced the Cuban cultural authorities to organize a three-day festival in Havana with the participation of Cuban and American musicians. The event would be recorded and televised for the enjoyment of both the Cuban and American people.

Havana Jam02

This event, spontaneously entitled Havana Jam, was set for March 2 through 4, 1979. For assistance in the planning of the event, Lundvall brought aboard Jock McLean and Phil Sandhaus of Columbia’s artists development department, who then enlisted Showco (a Dallas-based concert production company) and Studio Instrument Rentals to help organize the event.

By early February, the Lundvall and his team had organized the roster for the event. Representing the U.S. would be Billy Joel, Stephen Stills, Weather Report, Kris Kristofferson with Rita Coolidge, the Fania All-Stars and the CBS Jazz All-Stars, a group conceptualized by Lundvall which was scheduled to feature more than 20 top jazz artists on the label.

As the event came closer, other CBS Records personnel began working to organize it. Rehearsals were scheduled for the CBS Jazz All-Stars, travel accommodations were made, equipment was rented, a wide cross-section of media was invited, and both recording and videotaping plans were confirmed.

Trio Of Doom (John McLaughlin, Tony Williams, Jaco Pastorius):
Havana Jam03

Record producers Bert deCoteaux and Mike Berniker flew down with a crew from the CBS Recording Studios along with a support team and mobile 24-track Recording Studio from Record Plant NY.

The musicians landed at the José Martí airport on March 1.

Havana Jam was an invitation-only event, with mostly cultural personalities and members of the Communist Party and their children in attendance, though some students from different art and music schools were also invited.

The festival was hardly mentioned in the Cuban press, and thirty years later not many Cubans know it ever existed.  (wikipedia)

LP Booklet1

Live at the Karl Marx Theater in Cuba, on 3rd, 4th and 5th March 1979, featuring The Stephen Stills Band, Kris Kristofferson & Rita Coolidge, Weather Report, Irakere and Fania All-Stars. Showcasing several of the most popular acts from the US and Cuba, 1979 s groundbreaking Havana Jam festival represented a historical step toward establishing a cultural exchange between the enemy nations. Originally broadcast on KBFH-FM, the music captured on this set spans salsa, jazz-rock, singer-songwriter and mainstream rock, all infused with the excitement and energy of the event itself. )press release)

Havana Jam04

In 1979 many of Columbia’s top recording artists made a rare visit to Cuba where they performed (and recorded) at a series of concerts with some of the top Cuban groups. This double LP (unlike the strictly jazz Havana Jam 2) covers a wide range of music from Weather Report, the CBS Jazz All-Stars (an allstar group with Dexter Gordon, Stan Getz and Woody Shaw) and The Trio of Doom (John McLaughlin, Jaco Pastorius and Tony Williams) to Irakere, Stephen Stills, Kris Kristofferson and Rita Coolidge. There is enough worthwhile jazz on the two-fer to make this set worth picking up. (by Scott Yanow)

And I was able to discover many interesting Cuban musicians (like Irakere, Sara González, Orquesta Aragon and the Cuban Percussion Ensemble) on this album and yes … I could finally listen to Mike Finnegan and Bonnie Bramlett again!

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Tracklist:
01. Weather Report: Black Market (Zawinul) 8.52
02. Irakere: Concerto Para Flaut Y Adagio De Mozart (Rivera/Mozart) 9.41
03. Stephen Stills: Cuba Al Fin (S.Stills/T.Stills) 7:49
04. Sara González: Su Nombre Es Pueblo (González) 3.52
05. CBS Jazz All-Stars: Project “S” (Heath) 8.29
06. Orquesta Aragon: Que Barla Mionda (Valdés) 7.37
07. Kris Kristofferson: Living Legend (Kristofferson) 4.27
08. Rita Coolidge: (Your Love Has Lifted Me) Higher And Higher (Smith/Miner/Kackson) 3.27
09. CBS Jazz All-Stars: Black Stockings (Laws) 6.16
10. Mike Finnegan & Bonnie Bramlett: How Wrong Can You Be (Gronenthal/Grace) 4.42
11. Fania All Stars: Juan Pachanga (Blades/Ramirez/Masucci) 4.38
12. Trio Of Doom: Dark Prince (McLaughlin) 3.49
13. Cuban Percussion Ensemble: Scherezada (Rimsky-Korsakov) / Sun Sun (Traditional) 7.36

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Billboard February 10, 1979:
Billboard February 10, 1979

Various Artists – Havana Jam 1 (1979)

FrontCover1Havana Jam was a three-day music festival that took place at the Karl Marx Theater, in Havana, Cuba, on 2–4 March 1979. It was sponsored by Bruce Lundvall, the president of Columbia Records, Jerry Masucci, the president of Fania Records, and the Cuban Ministry of Culture.

The festival included, on the American side, Weather Report, the CBS Jazz All-Stars, the Trio of Doom, Fania All-Stars, Stephen Stills, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel. The Cuban acts included Irakere, Pacho Alonso, Zaida Arrate, Elena Burke, Orquesta de Santiago de Cuba, Conjunto Yaguarimú, Frank Emilio, Juan Pablo Torres, Los Papines, Tata Güines, Cuban Percussion Ensemble, Sara González, Pablo Milanés, Manguaré, and Orquesta Aragón.

In 1977, US President Jimmy Carter and Cuban President Fidel Castro started to loosen the political tension between the two countries and opened Interest Sections both in Havana and Washington. It was the first time in almost two decades after Castro’s rise to power that there was a real interest in establishing a normalization of diplomatic relations and the lifting of the United States embargo against Cuba.

With a real crisis in the music industry in the United States and the start of the salsa boom, in April 1978, CBS Records director, Bruce Lundvall, saw an open door to probe Cuban music and together with a group of the company’s music enthusiasts made a four-day trip to Havana, where they were overwhelmed by the sound of Cuban music, but especially by Afro-Cuban jazz band Irakere, one of Cuba’s most highly regarded and virtuoso musical acts.

HavanaJam01

After months of talks, Lundvall managed to sign Irakere and in July the group traveled to New York to perform an unannounced guest set at the famed Newport Jazz Festival-New York. Rave reviews led to an invitation from the prestigious Montreux Jazz Festival in Switzerland.

A few months later, Irakere won their first Grammy with the album Irakere, recorded at their Montreux Jazz Festival and Newport Jazz Festival performances, and Lundvall wanted to try his luck with other Cuban bands too. So, in the Fall of 1978, he joined forces with Fania Records director Jerry Masucci and convinced the Cuban cultural authorities to organize a three-day festival in Havana with the participation of Cuban and American musicians. The event would be recorded and televised for the enjoyment of both the Cuban and American people.

So they all agreed to set a date for the festival, spontaneously entitled Havana Jam. March 2 through 4, 1979, were the days earmarked for this historical step toward establishing a cultural exchange between the two enemy nations. In order to carry out the Herculean task of planning, Lundvall brought aboard Jock McLean and Phil Sandhaus, of Columbia’s artists development department. Both veterans of major concert promotion, they knew the festival needed professional production of the highest caliber, and enlisted Showco (a Dallas-based concert production company) and Studio Instrument Rentals for the task.

HavanaJam02

At this point in time, Lundvall was diligently “feeling out” select members of the Columbia artist roster, all of whom were honored to accept the invitation to perform in Cuba. By early February the talent was confirmed. Representing the U.S. would be Billy Joel, Stephen Stills, Weather Report, Kris Kristofferson with Rita Coolidge, the Fania All-Stars and the CBS Jazz All-Stars. The latter group was conceptualized by Lundvall and scheduled to feature more than 20 top jazz artists on the label.

With the festival within grasp, other CBS Records personnel were summoned into the picture-rehearsals were set up for the CBS Jazz All-Stars, travel accommodations were made, equipment was rented, a wide cross-section of media was invited, and both recording and videotaping plans were confirmed.

Record producers Bert deCoteaux and Mike Berniker flew down with a crew from the CBS Recording Studios along with a support team and mobile 24-track Recording Studio from Record Plant NY.

HavanaJam03

Engineered by David Hewitt with Phil Gitomer and Michael Guthrie. McLean, Sandhaus, Freston and various other people were already busy working in Havana’s Karl Marx Auditorium when the musicians landed at the José Martí airport on March 1.

Havana Jam was an invitation-only event, with mostly cultural personalities and members of the Communist Party and their children in attendance, though some students from different art and music schools were also invited.

The festival was hardly mentioned on the Cuban press, and thirty years later not many Cubans know it ever existed. (by wikipedia)

In 1979 many of Columbia’s top recording artists made a rare visit to Cuba where they performed (and recorded) at a series of concerts with some of the top Cuban groups. This double LP (unlike the strictly jazz Havana Jam 2) covers a wide range of music from Weather Report, the CBS Jazz All-Stars (an allstar group with Dexter Gordon, Stan Getz and Woody Shaw) and The Trio of Doom (John McLaughlin, Jaco Pastorius and Tony Williams) to Irakere, Stephen Stills, Kris Kristofferson and Rita Coolidge. There is enough worthwhile jazz on the two-fer to make this set worth picking up (by Scott Yanow).

What a great jam recording !

Recorded live at the Karl-Marx Theatre, Havana, Cuba, March 2-4, 1979

BackCover1

Personnel:

CBS Jazz All-Stars:
Willie Bobo (percussion)
Arthur Blythe (saxophone)
Stan Getz (saxophone)
Dexter Gordon (saxophone)
Jimmy Heath (saxophone)
Percy Heath (bass)
Bobby Hutcherson (marimba)
Hubert Laws (flute)
Woody Shaw (trumpet)
Cedar Walton (piano)
Tony Williams (drums)

Cuban Percussion Ensemble:
Frank Emilio Guillermo Barreto, Changuito, Tata Guines, Los Papines (percussion)

Irakere:
Jorge “El Nono” Alfonso (percussion)
Carlos Averhoff (saxophone)
Armando Cuervo (percussion)
Paquito D’Rivera (saxophone)
Carlos Emilio Morales (guitar)
Enrique Pla (drums)
Carlos del Puerto (bass)
Arturo Sandoval (trumpet)
Jesus “Chucho” Valdes (piano)
Oscar Valdez (percussion)
Jorge Varona (trumpet)

Stephen Stills Band:
Bonnie Bramlett (vocals)
Mike Finnigan (keyboards)
Joe Lala (percussion)
George “Chocolate” Perry (bass)
Stephen Stills (guitar, vocals)
Gerry Tolman (guitar)
Joe Vitale (drums)

Trio Of Doom:
John McLaughlin (guitar)
Jaco Pastorius (bass)
Tony Williams (drums)

Weather Report:
Peter Erskine (drums)
Jaco Pastorius (bass)
Wayne Shorter (saxophone)
Joe Zawinul (electric piano, synthesizer)

And now, I´m too lazy to search all other musicians … sorry …

Booklet1

Tracklist:
01. Weather Report: Black Market (Zawinul) 8.59
02. Irakere: Concerto Para Flaut y Adagio de Mozart(Rivera/Mozart) 9.48
03. Stephen Stills: Cuba al Fin(Stills) 7.48
04. Sara González: Su Nombre Es Pueblo (Gonzalez) 3.54
05. CBS Jazz All-Stars:  Project “S” (Heath) 8.36
06. Orquesta Aragón: Que Barla Mionda (Valdés) 7.37
07. Kris Kristofferson: Living Legend (Kristofferson) 4.29
08. Rita Coolidge: (Your Love Has Lifted Me) Higher and Higher (Smith/Miner/Jackson) 3:33
09. CBS Jazz All-Stars: Black Stockings (Laws) 6.24
10. Mike Finnigan + Bonnie Bramlett: How Wrong Can You Be (Gronenthal/Grace) 4.46
11. Fania All-Stars: Juan Pachanga (Blades/Ramirez/Masucci) 4.41
12. Trio Of Doom: Dark Prince (McLaughlin) 3.54
13. Cuban Percussion Ensemble: Scherezada/Sun Sun (Rimsky-Korsakov/Traditional) 7.41

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