Joan Baez & Friends – Beacon Theatre, New York (2016)

FrontCover1Joan Baez is still the mother of us all. At the Beacon Theater, where she celebrated her 75th birthday on Wednesday evening with an all-star concert of duets, she was a quietly magnetic woman in charge. Radiating her characteristic maternal strength and easygoing humor, she projected the welcoming empathy of someone you can turn to in times of trouble. She looked terrific: trim and fit, with short silver hair and a wonderfully goofy smile.

That strength is embedded in a voice that has shrunk in range and power but conveys an embracing reassurance and solidity. Her upper register is all but gone, but her middle range, where she remained comfortably settled for most of the evening, was as warmly expressive as ever.

It wasn’t actually the birthday of this great folk-pop singer, who was born on Jan. 9, 1941. But why quibble? The concert, in which she sang with guests including Paul Simon, Judy Collins, Mavis Staples and Jackson Browne, was taped for the PBS series “Great Performances” to be broadcast in June.

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with David Crosby

For the live audience, the concert presented technical difficulties. Except for Ms. Baez, the singers were under-rehearsed and had trouble reading lyrics on a teleprompter at the back of the orchestra. The sound in this unusually quiet concert was passable at best. Too many of the duets were so glaringly out of tune that they will have to be redone or adjusted before the broadcast. A particularly embarrassing casualty was David Crosby, who was so confused he seemed barely present during his chaotic duet with Ms. Baez on the Beatles’ “Blackbird.”

The technical lapses suggested a depressing possibility: that as much as they’d like to continue, many folk singers (not Ms. Baez) can’t go on forever without losing vocal power, stamina or spirit. The younger guests — the Irish folk singer Damien Rice, the Chilean singer Nano Stern — gave the show a shot of adrenaline and passion it desperately needed.

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with Damien Rice

The all-acoustic concert began with strong, steady performances by Ms. Baez, accompanying herself on guitar, of Steve Earle’s “God Is God” and the great Phil Ochs song “There but for Fortune.” The parade of guests began with David Bromberg and continued with Mr. Crosby, Mr. Rice, Mary Chapin Carpenter and Emmylou Harris, who recalled that while growing up she wanted to be Ms. Baez.

Mr. Browne, playing the piano, sang his prophetic ’70s anthem “Before the Deluge” with Ms. Baez, who glumly observed that “as we head into the abyss” this expression of apocalyptic foreboding is even more relevant today than when it was written. A weary sense of impending doom was a persistent undercurrent throughout a concert that tried and mostly failed to conjure a ’60s-style inspirational fervor. Ms. Staples, 76, came close in her duets with Ms. Baez of “Oh, Freedom” and “Turn Me Around.”

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with Paul Simon

Ms. Baez’s duets with Richard Thompson on “House of the Rising Sun,” arranged as a waltz, and his original song “She Never Could Resist a Winding Road,” were stronger. Late in the evening, Mr. Simon sang a low-keyed rendition of “The Boxer” with Ms. Baez. The concert’s final number was her solo rendition of Bob Dylan’s “Forever Young,” a trite song that mocks baby-boomer narcissism.

The appearance of Mr. Stern lent the concert its only moment of genuine excitement. That 30-year-old Chilean singer and guitarist infused the theme song of the Argentine diva Mercedes Sosa, “Gracias a la Vida,” written by Violeta Parra, with an incandescent verve and spirit. It is the title song of Ms. Baez’s mostly Spanish 1974 album. As he and Ms. Baez sang it, their performance generated the kind of lightning you might have experienced at a joyful ’60s hootenanny when everything seemed possible and hope was in the air.

For a moment, the hush of depression lifted, the generational sense of defeat abated, and the concert came thrillingly alive.

wNanoSternwith Nano Stern

To celebrate her 75th birthday, Joan Baez held a concert at the Beacon Theatre in New York; the guests included Jackson Browne, Mary Chapin Carpenter, Judy Collins, Emmylou Harris, Indigo Girls, Damien Rice, Paul Simon, Mavis Staples, Nano Stern and Richard Thompson.

Joan Baez remains an icon of the Sixties folk revival, one of the movement’s foremost architects and a lifelong champion of vernacular musical tradition. So despite the grand setting and fancy roster of artists, Wednesday’s show was, true to spirit, a folk concert through and through, full of spontaneous sing-alongs and impromptu lyrical ad-libs, and with nary a single electric guitar to be found onstage. (by Rolling Stone)

Recorded live at the Beacon Theatre, New York, NY; January 27, 2016
Very good audio (ripped from HDTV – Arte HD – broadcast).

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with Judy Collins

Tracklist:
01. God Is God (Earle) 3.35
02. There But For Fortune (Ochs) 4.34
03. Blackbird (with David Crosby) (Lennon/McCartney)) 3.20
04. Catch the Wind (with Mary Chapin Carpenter) (Leitch) 4.01
05. Hard Times Come Again No More (with Emmylou Harris) (Foster) 5.30
06. Swing Low, Sweet Chariot (Traditional) 3.50
07. Oh, Freedom (with Mavis Staples) (Traditional) 2.46
08. Ain’t Gonna Let Nobody Turn Me Around (with Mavis Staples) (Traditional) 3.39
09. The Water Is Wide (with The Indigo Girls and Mary Chapin Carpenter) (Traditional) 4.54
10. She Moved Through The Fair (with Damien Rice) (Traditional) 5.41
11. She Never Could Resist A Winding Road (with Richard Thompson) (Thompson) 3.39
12. Before The Deluge (with Jackson Browne) (Browne) 6.38
13. Diamonds And Rust (with Judy Collins) (Baez) 5.44
14. Gracias a la vida (with Nano Stern) (Parra) 6.21
15. The Boxer (with Paul Simon and Richard Thompson) 7:26 (Simon) 7.26
16. Forever Young (Dylan) 4.31

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with Jackson Brown + Emmylou Harris

 

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Judy Collins – Wildflowers (1967)

FrontCover1Wildflowers is an album by Judy Collins, released in 1967. It was her highest charting album so far, reaching No 5 on the Billboard Pop Albums charts. It included her hit version of Joni Mitchell’s “Both Sides Now”.

The album was arranged by Joshua Rifkin and produced by Mark Abramson. Collins’ recording “Albatross” was used in the 1968 film adaptation of The Subject Was Roses. It was one of three self-penned tracks that appeared on the album, the first time that Collins wrote her own material. (by wikipedia)

Taken from the magazine “Rolling Stone”:
Judy Collins’ well-respected catalog is so vast that, 40 years later, it’s hard to isolate her standout albums. But we’d argue Wildflowers is among her best. After spending the early portion of her career covering the Beatles and Bob Dylan, Wildflowers finds Collins tackling the songs of Leonard Cohen, and the words and mood suit her well. It’s a cover of Joni Mitchell’s “Both Sides Now,” however, that’s the highlight, as the track went on to win a 1968 Grammy Award for Best Folk Performance.

What We Said Then: Judy Collins has to have one of the most beautiful and moving voices of any female singer. She has also been smart enough to make magnificent orchestration an integral part of her albums. The arrangements on this album especially complement her voice. The songs she has chosen are also quite representative of the beauty of music of today… Altogether, it is a very beautiful album.” (by James Christman, February 10th, 1968, Rolling Stone)

And I add a live version of “Suzanne”, recorded in 1967 together with Leonard Cohen as a bonus.

CohenCollinsLeonard Cohen + Judy Collins, 1967

Personnel:
Judy Collins (vocals, guitar, keyboards)
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a bunch of unknown studio musicians

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Tracklist:
01. Michael From Mountains (Mitchell) 3.10
02. Since You Asked (Collins) 2.34
03. Sisters Of Mercy (Cohen) 2.31
04. Priests (Cohen) 4.55
05. A Ballata Of Francesco Landini (ca. 1335 – 1397) Lasso! di Donna 4.34
06. Both Sides Now (Mitchell) 3.14
07. La chanson des vieux amants (The Song Of Old Lovers) (Brel) 4.40
08. Sky Fell (Collins) 1.47
09. Albatross (Collins) 4.51
10. Hey, That’s No Way To Say Goodbye (Cohen) 3.28
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11. Suzanne (live with Leonard Cohen, 1967) (Cohen) 3.55

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