The Doors were an American rock band formed in Los Angeles in 1965, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and drummer John Densmore. They were among the most influential and controversial rock acts of the 1960s, partly due to Morrison’s lyrics and voice, along with his erratic stage persona. The group is widely regarded as an important figure of the era’s counterculture.
The band took its name from the title of Aldous Huxley’s book The Doors of Perception, itself a reference to a quote by William Blake. After signing with Elektra Records in 1966, the Doors with Morrison recorded and released six studio albums in five years, some of which are generally considered among the greatest of all time, including their self-titled debut (1967), Strange Days (1967), and L.A. Woman (1971). Dubbed the “Kings of Acid Rock”, they were one of the most successful bands during that time and by 1972 the Doors had sold over 4 million albums domestically and nearly 8 million singles.
Morrison died in uncertain circumstances in 1971. The band continued as a trio until disbanding in 1973. They released three more albums in the 1970s, one of which featured earlier recordings by Morrison, and over the decades reunited on stage in various configurations. In 2002, Manzarek, Krieger, and Ian Astbury of the Cult on vocals started performing as “The Doors of the 21st Century”. Densmore and the Morrison estate successfully sued them over the use of the band’s name. After a short time as Riders on the Storm, they settled on the name Manzarek–Krieger and toured until Manzarek’s death in 2013.
The Doors were the first American band to accumulate eight consecutive gold LPs. According to the RIAA, they have sold 34 million albums in the United States and over 100 million records worldwide, making them one of the best-selling bands of all time. The Doors have been listed as one of the greatest artists of all time by magazines including Rolling Stone, which ranked them 41st on its list of the “100 Greatest Artists of All Time”. In 1993, they were inducted into the Rock and Roll Hall of Fame. (wikipedia)
Morrison Hotel is the fifth studio album by American rock band the Doors, released on February 9, 1970, by Elektra Records. After the use of brass and string arrangements recommended by producer Paul A. Rothchild on their previous album, The Soft Parade (1969), the Doors returned to their blues rock style and this album was largely seen as a return to form for the band. The group entered Elektra Sound Recorders in Los Angeles in November 1969 to record the album which is divided into two separately titled sides, namely: “Hard Rock Café” and “Morrison Hotel”. Blues rock guitar pioneer Lonnie Mack and Ray Neapolitan also contributed to the album as session bassists.
The album reached No. 4 on the Billboard 200, and performed better overseas than the preceding album (it was the group’s highest-charting studio album in the United Kingdom, where it peaked at No. 12). The accompanying “You Make Me Real” / “Roadhouse Blues” single peaked at No. 50 in May 1970 on the Billboard 100 chart. The cover photo was taken by Henry Diltz.
The cover photo was taken by Henry Diltz at the Morrison Hotel on South Hope Street in Downtown Los Angeles. The band were not given permission to photograph, so they did it while the clerk was called away from the desk. The band jumped right behind the windows and hit their places without shuffling as Diltz took the shot. The rear cover features a photograph of the Hard Rock Café at nearby 300 East 5th Street. The building is now home to a convenience store. It has been vacant for years, but a new development plan announced in 2018 may restore the building, which happened eventually in 2019 for the annual “Day of the Doors” fan event. Thirteen years later parts of Michael Jackson’s music video for the song “Beat It” were filmed inside the former Hard Rock Café on 5th Street. (wikipedia)
In late 1969, the Doors were reeling. That March, singer Jim Morrison was charged, tried, and convicted of obscenity for allegedly exposing himself at a concert in Miami. It resulted in promoters canceling future gigs. The July release of The Soft Parade provided more angst. Tired of the sound that governed their previous outings, the band incorporated horn and string arrangements with a new melodic accessibility. It signaled an unwelcome change for critics (though it did reach number six and was radically reappraised posthumously). In November they entered the studio with producer Paul Rothchild exhausted, stressed, and angry. Going back to blues and R&B basics seemed like the only direction to pursue.
Morrison Hotel is often dubbed the Doors’ blues album, due to raucous opener “Roadhouse Blues,” one of the band’s most enduring tunes. (Interestingly, it was issued as the B-side of first single “You Make Me Real.”) Ray Manzarek leaves behind his organ to pound an upright piano, while guitarist Robby Krieger adds a filthy Chicago-styled riff, prodded by a rock shuffle from drummer John Densmore. The Lovin’ Spoonful’s John Sebastian (using the pseudonym “G. Puglese”) provides its iconic harmonica wail. “Waiting for the Sun” is one of four tunes Morrison composed himself, and a psychedelic holdover from the 1968 album bearing the same title. Manzarek plays a spacy harpsichord as Krieger offers trippy slide guitar. “You Make Me Real” underscores the blues-rock motif, with roiling electric piano, stinging guitar vamps, and Densmore’s swaggering shuffle. Morrison lords over all with his boozy, baritone roar.
The organ returns on the downright funky boogie of “Peace Frog,” as Morrison sings of “blood in the streets” addressing the civic unrest then gripping the nation. He counters near the end with a spoken stanza from his optimistic poem Newborn Awakening. “Ship of Fools” contains shifting time signatures that cross jazz, R&B, and pop, while the buoyant “Land Ho,” offers an adventure-laden lyric in a sprawling rock & roll sea chanty, where Manzarek wields his organ like a mad calliope. Krieger’s deep, bluesy, minor-key intro to “The Spy” is framed by jazzy electric piano and Morrison’s sultry delivery, which approximates a lounge singer. “Queen of the Highway” is fueled by Densmore’s powerful drumming and Manzarek’s creative use of the Rhodes piano.
One of the Doors’ most progressive cuts, it seamlessly integrates blues, jazz, and spacy psychedelia. “Maggie McGill” closes the circle on the blues tip. Krieger’s unruly, double-tracked slide riffs duel with a pulsing, distorted organ; Densmore bridges them under Morrison’s slithering growl — it foreshadows the singing style he displayed so abundantly on L.A. Woman in 1971. Blues and R&B were foundational to the Doors’ musical vocabulary. They employed them to some degree on all of their albums, but never as consistently, adeptly, or provocatively as they did on Morrison Hotel, with absolutely stunning results. (by Thom Jurek)
Personnel:
John Densmore (drums)
Robby Krieger (guitar)
Ray Manzarek (keyboards)
Jim Morrison (vocals)
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Paul Beaver (moog synthesizer programming on 02.)
Lonnie Mack (bass on 01. + 10.)
Ray Neapolitan (bass)
John Sebastian (as “G. Puglese”) (harmonica on 01.)
Tracklist:
Hard Rock Cafe:
01. Roadhouse Blues (Densmore/Krieger/Manzarek/Morrison) 4.07
02. Waiting For The Sun (Morrison) 4.02
03. You Make Me Real (Morrison) 2.54
04. Peace Frog (Morrison/Krieger) / Blue Sunday (Morrison) 5.02
05. Ship Of Fools (Morrison/Krieger) 3.17
Morrison Hotel:
06. Land Ho! (Morrison/Krieger) 4.14
07. The Spy (Morrison) 4.17
08. Queen Of The Highway (Morrison/Krieger) 2.52
09. Indian Summer (Morrison/Krieger) 2.36
10. Maggie M’Gill (Densmore/Krieger/Manzarek/Morrison) 4.18
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Reissues40th Anniversary bonus tracks:
11. Talking Blues (Morrison) 1.01
12. Roadhouse Blues (takes 1–3, recorded November 4, 1969) (Densmore/Krieger/Manzarek/Morrison) 8.49
13. Roadhouse Blues (take 6, recorded November 4, 1969) (Densmore/Krieger/Manzarek/Morrison) 9.29
14. Carol (recorded November 4, 1969) (Berry) 0.55
15. Roadhouse Blues (take 1, recorded November 5, 1969) (Densmore/Krieger/Manzarek/Morrison) 4.59
16. Money Beats Soul (recorded November 5, 1969) (Morrison) 1.07
17. Roadhouse Blues (takes 13-15, recorded November 5, 1969) (Densmore/Krieger/Manzarek/Morrison) 3.18
18. Peace Frog (Morrison/Krieger) / Blue Sunday (Morrison) (false starts & dialogue) 2.29
19. The Spy (version 2) (Morrison) 5.05
20. Queen Of The Highway (Jazz version) (Morrison/Krieger) 3.26
A mimicry of the Morrison Hotel building in 2012:
More from The Doors in this blog:
The official website: