Various Artists – You’ve Got Mail (1998)

FrontCover1You’ve Got Mail is a 1998 American romantic comedy-drama film directed by Nora Ephron and starring Tom Hanks and Meg Ryan. Inspired by the 1937 Hungarian play Parfumerie by Miklós László (which had earlier been adapted in 1940 as The Shop Around the Corner and in 1949 as In the Good Old Summertime),[3] it was co-written by Nora and Delia Ephron. It tells the story of two people in an online romance who are unaware they are also business rivals. It marked the third pairing of Hanks and Ryan, who previously appeared together in Joe Versus the Volcano (1990) and Sleepless in Seattle (1993), the latter directed by Ephron.

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Kathleen Kelly is in a relationship with Frank Navasky, a left-leaning newspaper writer for The New York Observer who is always in search of an opportunity to root for the underdog. While Frank is devoted to his typewriter, Kathleen prefers her laptop and logging into her AOL email account. Using the screen name “Shopgirl”, she reads an email from “NY152”, the screen name of Joe Fox, whom she first met in an “over-30s” chatroom. As her voice narrates her reading of the email, she reveals the boundaries of the online relationship: no specifics, including no names, career or class information, or family connections.

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Joe belongs to the Fox family that runs Fox Books, a chain of mega bookstores. Kathleen runs the independent bookstore The Shop Around The Corner that her mother ran before her. The two are shown passing each other on their respective ways to work, revealing that they frequent the same neighborhoods on the Upper West Side of Manhattan. Joe arrives at work, overseeing the opening of a new Fox Books in New York City with the help of his best friend, branch manager Kevin. Kathleen and her three store assistants, George, Aunt Birdie, and Christina, open up her small shop that morning.

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Following a day with his 11-year-old aunt Annabel and 4-year-old half-brother Matthew, Joe enters Kathleen’s store to let his younger relatives experience storytime. Joe and Kathleen have a conversation that reveals Kathleen’s fears about the Fox Books store opening around the corner. He omits his last name and makes an abrupt exit with the children. At a publishing party for New York book business people later that week, Joe and Kathleen meet again where Kathleen discovers Joe’s true identity in the Fox family. She accuses him of deception and spying, while he responds by belittling her store.

When “Shopgirl” and “NY152” finally decide to meet, Joe discovers with whom he has been corresponding. At the table, he joins her without revealing his online identity, leading them to clash once more. NY152 later resumes the online correspondence, apologizes, and promises to eventually tell her why he stood her up.

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The Shop Around the Corner slowly goes under. Kathleen’s employees move on: Christina goes job hunting, George gets a job at the children’s department at the Fox Books store, and Birdie retires. Kathleen and Frank amicably end their relationship. Kathleen takes a break to figure out what she wants to do (write children’s books). As the shop goes under, Joe realizes his feelings towards Kathleen and begins building a face-to-face relationship, still keeping his online identity a secret. They slowly build a friendship.

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Eventually, NY152 arranges a meeting between his online persona and Shopgirl, but right before she is to meet her online friend, Joe reveals to Kathleen his feelings for her, worrying that she will not forgive and love him even when she learns the truth. Kathleen hints at feeling the same way but cannot bring herself to forgo her feelings for NY152, not realizing they are the same man, and the two part. Upon arriving at the meeting place, she hears his voice and sees that NY152 is, in fact, Joe Fox. Kathleen cries tears of joy and reveals that she hoped it would be him.

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A soundtrack was released on December 1, 1998, and featured a mixture of classics from the 1950s and 1970s, particularly the work of Harry Nilsson, as well as new original recordings and covers. The score to the film was written by the English composer George Fenton. (wikipedia)

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Nora Ephron’s charming, good-natured remake of The Shop Around the Corner was the definitive upscale urban romantic comedy of the late ’90s (or at least 1998), so it’s only appropriate that the accompanying soundtrack fits the film like a glove. A canny mix of familiar oldies, forgotten treasures, new songs, and an excerpt from the score, the album is much like the movie — entertaining, occasionally supremely engaging (whether it’s Stevie Wonder’s classic “Signed, Sealed, Delivered,” and Randy Newman’s “Lonely at the Top,” and no less than three Harry Nilsson songs, including a cover by Sinéad O’Connor), but ultimately ephemeral. Not that that’s a bad thing — in fact,

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You’ve Got Mail is a very enjoyable listen. For many fans, that may be enough, since it is fun and evokes fond memories of the film. It just doesn’t really work as its own entity. (by Stephen Thomas Erlewine)

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Tracklist:
01. Harry Nilsson: The Puppy Song (Nilsson) 2.42
02. The Cranberries: Dreams (Hogan/O’Riordan) 4.30
03. Bobby Darin: Splish Splash (Darin) 2.11
04. Louis Armstrong: The Dummy Song (Brown/Henderson/Rose) 2.19
05. Harry Nilsson: Remember (Nilsson) 4.02
06. Roy Orbison: Dream (Mercer) 2.11
07. Bobby Day: Rockin’ Robin (Thomas) 2.35
08. Randy Newman: Lonely At The Top (Newman) 2.32
09. Stevie Wonder: Signed, Sealed, Delivered I’m Yours (Garrett/Hardaway/Wonder/ Wright) 2.38
10. Sinéad O’Connor: I Guess the Lord Must Be In New York City (Nilsson) 3.07
11. Harry Nilsson: Over The Rainbow (Arlen/Harburg) 3.31
12. Carole King: Anyone At All (King/Sager) 3.09
13. Billy Williams: I’m Gonna Sit Right Down (And Write Myself A Letter) (Ahlert/Young) 2.07
14. George Fenton: The “You’ve Got Mail” Suite (Fenton) 5.35
15. Jimmy Durante: You Made Me Love You (McCarthy/Monaco) 3.01

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Tony Bennett – Playin’ With My Friends – Bennett Sings The Blues (2001)

FrontCover1.jpgPlayin’ with My Friends: Bennett Sings the Blues is a 2001 album by Tony Bennett featuring duets with notable vocalists.

Tony Bennett’s latter-day albums tend to have themes, and this one has two, as indicated by its double-barreled title: It is both a duets album and a blues album. The duet partners include ten singers who range from his recent touring partners Diana Krall and k.d. lang to fellow veterans Ray Charles, B.B. King, and Kay Starr, and younger, but still mature pop stars Stevie Wonder, Bonnie Raitt, and Billy Joel. All sound happy to be sharing a mic with Bennett. Not surprisingly, the singer’s conception of the blues does not extend to the Mississippi Delta or the South Side of Chicago; rather, he is interested in the blues as filtered through the sound of the Swing Era, particularly from around Kansas City, and as interpreted by Tin Pan Alley and show tunes. For the former, his true mentor is Count Basie, whose overt influence is heard on six of the 15 tracks.

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Bennett makes no attempt to hide this, leading off the album with two songs, “Alright, Okay, You Win” (a duet with Krall) and “Everyday (I Have the Blues)” (a duet with Wonder), closely associated with Basie singer Joe Williams. The Broadway and Hollywood blues style is introduced in three selections written by Harold Arlen. On about half the tracks, the Ralph Sharon Quartet is augmented by Harry Allen’s saxophone and Mike Melvoin’s Hammond organ, but this remains a small, intimate affair that emphasizes the singers. There are missteps — Sheryl Crow’s Billie Holiday impersonation on “Good Morning, Heartache” is unfortunate, and Natalie Cole, as usual, sounds out of her depth on “Stormy Weather.” But the trade-offs Bennett enjoys with King and Charles are priceless, and the Joel duet is surprisingly effective. On the whole, this is yet another entry in Bennett’s lengthening series of autumnal recorded triumphs. (by William Ruhlmann)

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Personnel:
Harry Allen (saxophone)
Tony Bennett (vocals)
Clayton Cameron (drums)
Paul Langosch (bass)
Mike Melvoin (organ)
Gray Sargent (guitar)
Ralph Sharon (piano)
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Ray Charles – Natalie Cole – Sheryl Crow – Billy Joel – B.B. King – Diana Krall – K.D.Lang -Bonnie Raitt – Kay Starr – Stevie Wonder – Judy Garland

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Tracklist:
01. Alright, Okay, You Win (with Diana Krall) (Watts/Wyche) 3.31
02. Everyday (I Have the Blues) (with Stevie Wonder) (Chatman) 3.39
03. Don’t Cry Baby (Bernie/Johnson/Unger) 2.43
04. Good Morning Heartache (with Sheryl Crow) (Drake/Fisher/Higginbotham) 4.56
05. Let The Good Times Roll (with B.B. King) (Moore/Theard) 3.14
06. Evenin’ (with Ray Charles) (Parish/White) 4.15
07. I Gotta Right To Sing The Blues (with Bonnie Raitt) (Arlen/Koehler) 3.55
08. Keep The Faith, Baby (with K.D. Lang) (de Jesus/Lerner/Watts) 3.52
09. Old Count Basie Is Gone (Old Piney Brown Is Gone) (Turner) 3.25
10. Blue And Sentimental (with Kay Starr) (Basie/David/Livingston) 3.21
11. New York State Of Mind (with Billy Joel) (Joel) 4.31
12. Undecided Blues (Rushing) 3.18
13. Blues In The Night (Arlen/Mercer) 3.34
14. Stormy Weather (with Natalie Cole) (Arlen/Koehler) 4.34
15. Playin’ With My Friends (Cray/Walker) 4.50
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16. I Left My Heart In San Francisco (with Judy Garland) (Cory/Cross) 3.08

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Various Artists – A Motown Christmas (1973)

FrontCover1A Motown Christmas is a Christmas music compilation album, originally released as a 2-LP set by Motown Records in 1973. It contains various seasonal singles and album tracks recorded by some of the label’s artists from the 1960s and early 1970s. Much of the music had previously been collected on the 1968 UK compilation Merry Christmas from Motown.

The music has several times been recycled into different packagings. (by wikipedia)

“I really did see mommy kissing Santa Claus/And I’m gonna tell my dad!,” a too-cute 1970 Michael Jackson tells his doubting brothers in what might be Xmas-pop’s most adorable moment. The rest of this 1973 double album is pretty fantastic too. Motown culls tunes from the Miracles, Supremes, Jacksons, Temptations, Marvin Gaye and Stevie Wonder, with highlights ranging from the Miracles’ subtly grooving “Jingle Bells” to Wonder’s lovely “What Christmas Means to Me” to the Supremes’ awesomely pedagogic “Children’s Christmas Song,” featuring Diana Ross in Sunday school-teacher mode leading a kids choir. (by rollingstone.com)

MotownChristmasEvery holiday season, I marvel that every record collector – hell, every person – on the face of the planet doesn’t own A Motown Christmas.  A Motown Christmas is simply magnificent, but it tends to gather dust in record store bins. Perhaps this is because oldies radio stations play the same handful of Motown songs over and over and over, obscuring the fact that the label was an incredibly inventive and prolific hit factory for more than a decade. Containing nearly all the best Christmas tracks from Motown’s vaults, A Motown Christmas qualifies as a consumer’s delight, and it is far superior to the rest of Motown’s many other various artist Christmas packages, which tend to be brief and random in their selection (more below). I recommend it without reservation.

The important thing to remember about Motown’s Christmas songs is that they were more Motown than Christmas, translating the big beat and pop savvy of Hitsville USA into yuletide cheer. To name just a few of the highlights: the Temptations’ lush “Rudolph The Red-Nosed Reindeer;” the Jackson Five’s frenetic “Santa Claus Is Coming To Town;” and Stevie Wonder’s earnest “Someday At Christmas.”  In addition, two tracks are otherwise hard-to-find: Michael Jackson’s “Little Christmas Tree” (recorded specifically for the original 1973 LP), and Marvin Gaye’s gently pacifist “I Want To Come Home For Christmas” (recorded but not released in 1972, then added to the CD reissue). Even at their most maudlin – the Supremes tracks, for instance – these songs are hipper than almost anything else released for the holidays throughout the 60’s and early 70’s. (by hipchristmas.com)

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01. The Jackson 5: Santa Claus Is Coming to Town (Coots/Gillespie) 2.26
02. Stevie Wonder: What Christmas Means To Me (Gaye/Gordy/Story) 2.28
03. The Temptations: Rudolph The Red-Nosed Reindeer (Marks) 2.59
04. Diana Ross & the Supremes: My Favorite Things (Hammerstein/Rodgers) 2.51
05. Smokey Robinson & the Miracles: Deck The Halls/Bring A Torch, Jeannette, Isabell (Traditional) 4.07
06. The Jackson 5: I Saw Mommy Kissing Santa Claus (Connors) 3.02
07. Stevie Wonder: Ave Maria (Schubert) 3.55
08. The Temptations: Silent Night (Gruber/Mohr) 2.25
09. Michael Jackson: Little Christmas Tree (Clinton/Wayne) 3.39
10. Smokey Robinson & the Miracles: God Rest Ye Merry Gentlemen (Traditional) 3.10  11. The Jackson 5: The Christmas Song (Tormé/Wells) 2.54
12. Diana Ross & the Supremes: Joy To The World (Mason/WattsI 2.11
13. The Temptations: The Little Drummer Boy (Davis/Onorati/Simeone) 3.25
14. Diana Ross & the Supremes: Silver Bells (Evans/Livingston) 3.02
15. Stevie Wonder: Someday At Christmas (Miller/Wells) 2.52
16. The Jackson 5: Frosty The Snowman (Nelson/Rollins) 2:41
17. Smokey Robinson & the Miracles: Jingle Bells (Pierpont) 2.48
18. The Temptations: My Christmas Tree (Webb) 3.20
19. Diana Ross & the Supremes: White Christmas (Berlin) 3.56
20. Stevie Wonder: One Little Christmas Tree (Miller/Wells) 2.45
21. The Jackson 5: Give Love On Christmas Day (Gordy, Jr./Mizell/Perren/Richards) 3.00
22. Smokey Robinson & the Miracles: It’s Christmas Time (Wonder) 3.29
23. Diana Ross & the Supremes: The Children’s Christmas Song (Freeman/Fuqua) 2.53
24. The Jackson 5: Have Yourself A Merry Little Christmas (Blane/Martin) 5.16

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