Juliette Gréco – Sous Le Ciel De Paris (1958)

FrontCover1Juliette Gréco (7 February 1927 – 23 September 2020) was a French singer and actress. Her best known songs are “Paris Canaille” (1962, originally sung by Léo Ferré), “La Javanaise” (1963, written by Serge Gainsbourg for Gréco) and “Déshabillez-moi” (1967). She often sang tracks with lyrics written by French poets such as Jacques Prévert and Boris Vian, as well as singers like Jacques Brel and Charles Aznavour. Her 60-year career came to an end in 2015 when she began her last worldwide tour titled “Merci”.

As an actress, Gréco played roles in films by French directors such as Jean Cocteau and Jean-Pierre Melville.

Juliette Gréco02

Juliette Gréco was born in Montpellier, France, to an absent Corsican father, Gérard Gréco; her mother Juliette Lafeychine (1899–1978) was from Bordeaux. Her lineage hails in part from Greece. She did not receive love from her mother in her childhood and suffered from her harsh comments due to being an unwanted child, such as “You ain’t my daughter. You’re the child of rape”. She was raised by her maternal grandparents in Bordeaux with her older sister Charlotte. After the death of her grandparents, her mother took them to Paris. In 1938, she became a ballerina at the Opéra Garnier.

Juliette Gréco01

When World War II began, the family returned to the southwest of France. Gréco was a student at the Institut Royal d’éducation Sainte Jeanne d’Arc in Montauban. The Gréco family became active in the Resistance and her mother was arrested in 1943. The two sisters decided to move back to Paris but were captured and tortured by the Gestapo, then imprisoned in Fresnes Prison in September 1943. Her mother and sister were deported to Ravensbrück while Juliette, being only 16, remained in prison for several months before being released. After her release, she walked the eight miles back to Paris to retrieve her belongings from the Gestapo headquarters. Her former French teacher and her mother’s friend, Hélène Duc, decided to take care of her.

In 1945, Gréco’s mother and sister returned from deportation after the liberation of Ravensbrück by the Red Army. Gréco moved to Saint-Germain-des-Prés in 1945 after her mother moved to Indochina, leaving Gréco and her sister behind.

Juliette Gréco06

Gréco became a devotee of the bohemian fashion of some intellectuals of post-war France. Duc sent her to attend acting classes given by Solange Sicard. She made her debut in the play Victor ou les Enfants au pouvoir in November 1946 and began to host a radio show dedicated to poetry.

Her friend Jean-Paul Sartre installed her at the Hotel La Louisiane and commented that Greco had “millions of poems in her voice”. She was known to many of the writers and artists working in Saint-Germain-des-Prés, such as Albert Camus, Jacques Prévert and Boris Vian, thus gaining the nickname la Muse de l’existentialisme.

Juliette Gréco05

Gréco spent the post-Liberation years frequenting the Saint-Germain-des-Prés cafes, immersing herself in political and philosophical bohemian culture. As a regular at music and poetry venues like Le Tabou on Rue Dauphine, she was acquainted with Jean Cocteau, and was given a role in Cocteau’s film Orphée (1950).

She made her debut as a cabaret singer in the Parisian cabaret Le Bœuf sur le toit in 1949, performing the lyrics of a number of well-known French writers; Raymond Queneau’s “Si tu t’imagines” was one of her earliest songs to become popular.

She made her film debut in Les frères Bouquinquant (1947) and appeared in several French films. When Darryl F. Zanuck saw her photo in Time, she was offered a role in The Sun Also Rises (1957), and it led to other Hollywood-financed films.

Gréco was married three times, to:

actor Philippe Lemaire (1953–1956)
actor Michel Piccoli (1966–1977)
pianist Gérard Jouannest (1988–2018; his death)

Juliette Gréco07

With Lemaire, she had a daughter, Laurence-Marie, born in 1954. Laurence-Marie Lemaire died from cancer in 2016 aged 62.

In the year leading up to his death in January 1949, Gréco was the lover of married racing driver Jean-Pierre Wimille and suffered a miscarriage after his death.

According to Spanish writer Manuel Vicent, Juliette Gréco was Albert Camus’s lover. She also was in relationships with French singer Sacha Distel and Hollywood producer Darryl F. Zanuck.

In 1949, she began an affair with the American jazz musician Miles Davis. In 1957, they decided to always be just lovers because their careers were in different countries and his fear of damaging her career by being in an interracial relationship. They remained lovers and friends until his death in 1991.

Juliette Gréco03

Gréco also dated U.S. record producer Quincy Jones. According to Jones’ autobiography, Davis was irritated with him for years when he found out.

Gréco had three rhinoplasties; in Paris in 1953 and 1956, and in London in 1960.

In September 1965, Gréco attempted suicide by an overdose of sleeping pills. She was found unconscious in her bathroom and taken to the hospital by Françoise Sagan.

Gréco lived between Paris and Saint-Tropez.

A leftist, she supported François Mitterrand in the 1974 presidential election, and was an initial investor in Minute, when it was mainly non-political and focused on the entertainment world.

Gréco died on 23 September 2020 at the age of 93. (wikipedia)

Juliette Gréco04

And here´s a nice EP from Germany with songs, recorded during the Fifties.

She was called the “grande dame de la chanson” and here you can hear why.
What a wonderful woman !

BackCover1

Personnel:
Juliette Gréco (vocals)
+
Michel Legrand (piano on 02.)
+
André Grassi & His Orchestra (on 01. + 04.)
André Popp & His Orchestra (on 03.)

Juliette Gréco08

Tracklist:
01. Sous Le Ciel De Paris (Giraud/Dréjac) 3.19
02. L’amour (Ferré) 2.54
03. La Valse Des “Si” (Sauguet) 2.36
04. Embrasse-Moi (Prévert/Berg) 3.06

LabelB2

*
**

Juliette Gréco09

Various Artists – Café de Paris – 40 Classic French Café Songs (2014)

FrontCover140 essentialrecordings evoking the charm of Paris´ café s and boulevards.

Over two hours of timeless songs and classic instrumentals featuring Maurice Chavalier, Edith Piaf, Tino Rossi, Jean Sablon, Juliette Gréco, Josephine Baker, Django Reinhardt, Stephane Grappelli and more …

A marvellous compendium of classic French recordings. I admit to being obsessed with France, its’ culture and its’ history. This set has been “played to death” since it arrived. I challenge any lover of France and French life to listen to this in the garden on a warm summer evening with some wine and cheese, and for them to not be mentally transported to a culture and way of life so different to the UK. (by Gremlin)

But: I have to dedicate this entry to all the victims of the terror attack yesterday on Friday, the 13th.

TerrorInParis02Let´s listen to this music as a sign of hope I know I´m a dreamer, but I´m not the only one

ParisTracklist:

CD 1:
01. Charles Trenet: Boum! (Trenet/Breton) 2.34
02. Édith Piaf: L’Accordéoniste (Emer) 3.15
03. L’Accordéoniste: Under The Bridges Of Paris (Scotto/Coulon/Marcuse) 2.25
04. Maurice Chevalier: Dites-Moi ma mère (Yvain/Willemetz) 3.08
05. Café accordien du Paris: Pigalle (Ulmer/Luypaerts/Koger) 3.18
06. Juliette Gréco: Accordeon (Gainsbourg) 2.22
07. Josephine Baker: Chiquita madame (Misraki/Barro) 2.47
08. Charles Trenet: Douce France (Trenet) 3.10
09. Jean Sablon feat. Django Reinhardt & Stephane Grappelli: Un amour comme le nôtre (Borel/Clerc) 3.06
10. Josephine Baker: De temps en temps (Homez/Misraki) 3.21
11. Tino Rossi: Guitare D’amour (Schmidseder/Potérat) 3.10
12. Juliette Gréco: Guinguettes (Stern/Bacri) 2.49
13. Frederic Lombert: Gigi (Lerner/Loewe) 2.51
14. Daniel Deauville: I Love Paris (Porter) 2.37
15. Charles Trenet: Le grand café (Trenet) 2.12
16. Édith Piaf: Les mômes de la cloche (Scotto/Decaye/Fortin) 3.21
17. L’Accordéoniste: C’est Magnifique (Porter) 2.14
18. Jean Sablon feat. Django Reinhardt & Stephane Grappelli: Cette chanson est pour vous (Life is a song) (Ahlert/Young/Varna/Cabridens) 3.11
19. Tino Rossi: J’attendrai (Olivieri/Rastelli/Potérat) 2.51
20. Josephine Baker: Besame mucho (Rivera) 3.21

CD 2:
21. Maurice Chevalier: Mimi (Rodgers/Hart) 2.24
22. Nathalie et Guillaume: Je t’aime (Gainsbourg) 5.01
23. Charles Trenet: La mer (Trenet/Lasry) 3.23
24. Édith Piaf: Elle a dit (Becaud/Piaf) 3.50
25. Orchestre Cinema: The Summer Knows (Legrand) 3.41
26. Juliette Gréco: La chanson de Margaret (Verschueren/Dumarchey) 4.43
27. Maurice Chevalier: Ah si vous connaissiez ma poule (Willemetz/Toche/Borel-Clerc) 3.21
28. Josephine Baker: Les mots d’amour (Borel-Clerc) 2.52
29. Charles Trenet: Verlaine (Trenet/Verlaine) 3.24
30. Édith Piaf: Chante moi (Chauvigny/Piaf) 3.22
31. S B Playes: Petite Fleur (Bechet) 3.42
32. Tino Rossi: Tant qu’il y aura des etoiles (Scotto/Hornez/Vendresse) 3.06
33. Maurice Chevalier: La choupetta (Paiva/Jararaca/Battaille) 2.54
34. Jean Sablon feat. Django Reinhardt & Stephane Grappelli: Prenez garde au grand méchant loup! (Who’s afraid of the big bad wolf?) (Churchill/Ronell) 2.37
35. Josephine Baker: Si J’étais blanche (Lelievre/Varna/Falk) 2.44
36. Luc Montrose: Love Is Blue (Popp/Cour) 2.45
37. Paris Express: Chanson D’amour (Shanklin) 2.46
38. Juliette Gréco: Java Partour (Ferre) 2.59
39. Maurice Chevalier: Oui papa (Everybody loves my girl) (Abrahams/Young/Lewis) 2.10
40. Jean Sablon: Rythme du bal continental (The Continental) (Conrad/Magidson) 3.02

CDs*
**

“Once again we’ve seen an outrageous attack to terrorize innocent civlians,” Obama said, adding that it is an “attack on all of humanity and the universal values we share.”

TerrorInParis01

VA – Très Chic – French Cool From Paris To The Côte d’Azur (2013)

FrontCover1Retro French music is very much in vogue on this side of the Channel and Union Square have sought to capitalise on this by releasing this most entertaining overview of 1950s and 1960s French music. While any two CD compilation can only ever hope to scratch the surface and more in-depth anthologies are required to be fully comprehensive, for the neophyte this actually serves it’s purpose well of introducing the listener to a whole raft of musicians. The music is neatly divided up between male crooners, Left bank existentialist singers, women singers and jazzier influences that includes both instrumentalists from famous French new wave film soundtracks, or French jazzers. Among the crooners, Yves Montand deserves to be heard by an anglophone audience and his interpretations of the music of Prévert are near definitive. Here he delivers the smooth sounding ‘C’est si bon’. Talking of smooth operators, Sacha Distel takes some beating and it may come as a surprise to non-French readers to learn that he was a very accomplished jazz guitarist before becoming a singer. Arguably his most famous song is showcased here, ‘Scoubidoo’. Henri Salvador gained international recognition late in his career, but this early jazz scat, ‘C’est le be bop’, is an indication of what was to follow. While Charles Aznavour is best known in the UK for ‘She’, his late 1950s and early 1960s sides were full of emotion and jazzy orchestrations and ‘Je me voyais, déjà’ is typical of his output from the era. For more left-field sounds, this compilation deserves great credit for including some of the following singers. Bobby Lapointe came to prominence as a subversive singer who made a brief appearance in François Truffaut’s ‘Shoot the pianist’ film. Here ‘Framboise’ is boisterous, fast-paced and a delight from start to finish.

Inlet01APreceding the 1960s starlettes by a decade, Juliette Gréco possesses a deep, throaty voice that was ideally suited to interpreting Gainsbourg and Prévert and ‘Si tu t’imagines’ is just one of her vast repertoire and a fine example at that. Léo Ferré is the current French president’s favourite singer and the melodic ‘A Saint Germain des Prés’ is an early illustration of Ferré’s beautiful voice. He would later become famous for his lengthy literary raps and he was very much an anti-establishment figure. Barbara may be less known outside France, but has few equals in France as a singer-songwriter and ‘Dis quand reviendras-tu?’ is a fine example of her pared down sound. Jacques Brel needs little introduction, but for those as yet unaware ‘La valse à mille temps’ shifts gear as only Brel knows how and he is an all-time great of the French language. Last, but by no means least, Serge Gainsbourg is nothing less than a national treasure, but interestingly for those who are familiar with his later psychedelic period, here the focus is on his jazz period. Both ‘Intoxicated man’ and ‘Requiem pour un twister’ are superior examples of his early period that stand the test of time. A trio of French women singers includes the obligatory Françoise Hardy and her seminal ‘Tous les garcons et les filles’, another Truffaut sound track song by Jeanne Moreau, ‘Le Tourbillon’, featured in the delightful ‘Jules et Jim’ film and a melancholic sounding Brigitte Bardot on ‘Sidonie’.

Inlet02AJazz musicians featured include Miles Davis and his stunning contribution to Louis Malle’s ‘Lift to the Scaffold’ film and pianist Martial Solal and the terrific soundtrack to Jean-Luc Godard’s seminal ‘A bout de souffle’/’Breathless’. Noteworthy are two other pieces, the Latin-jazz influenced ‘No hay problema’ by Art Blakey and his Jazz Messengers and a vocal number by Claude Nougaro. This French singer deserves a compilation of his own for an English-speaking audience, such is the richness of his 1960s jazz and 1970s Brazilian flavoured songs. A final mention should be made for France’s answer to Lambert, Hendricks and Ross, les Double Six who deliver a stunning version of one of Art Blakey’s staple tunes ‘Moanin’. All in all a musical experience that is truly a ‘joie de vivre’! (by Tim Stenhouse)

BackCover1
Tracklist:

CD 1:
01. Françoise Hardy: Le temps de l’amour (Dutronc/Salvet/Morisse) 2.23
02. Serge Gainsbourg: Requiem pour un twisteur (Gainsbourg) 2.37
03. Jeanne Moreau: Le tourbillon (Bassiak/Delerue) 2.03
04. Les Double Six: Rat Race (Jones/Perrin) 2.35
05. Claude Nougaro: Le cinéma (Legrand/Nougaro) 2.56
06. Sacha Distel: Brigitte (Brousolle/Distel) 2.17
07. Magali Noël: Alhambra-Rock (Goraguer/Vian) 2.35
08. Art Blakey & The Jazz Messengers: No hay problema (Marray) 4.33
09. Charles Aznavour: Je m’voyais déjà (Aznavour) 3.22
10. Claude Nougaro: Les Don Juan (Legrand/Nougaro) 3.17
11. Léo Ferré: À Saint-Germain-des-Prés (Ferré) 3.01
12. Michel Legrand: Blues chez le bougnat (Legrand) 2.08
13. Charles Trenet: Que reste-t-il de nos amours? (Trenet/Chauliac) 3.10
14. Henri Salvador: C’est le be bop (Vian/Dieval) 2.05
15. Sacha Distel: Marina (Reardon/Distel) 4.11
16. Mouloudji: Comme un p’tit coquelicot (Grasso/Valery) 3.43
17. Anna Karina: Chanson d’Angela (Legrand/Godard) 2.23
18. Boby Lapointe: Framboise (Lapointe) 2.39
19. Catherine Sauvage: Black Trombone (Gainsbourg) 2.29
20. Corinne Marchand: La joueuse (Varda/Legrand) 1.52

CD 2:
01. Claude Nougaro: Le jazz et la java (Datin/Nougaro) 2.24
02. Françoise Hardy: Tous les garçons et les filles (Hardy/Samyn) 3.05
03. Serge Gainsbourg: Intoxicated Man (Gainsbourg) 2.35
04. Line Renaud: Sexe (Gaste) 3.32
05. Jacqueline Dano: Chanson de Lola (Varda/Legrand) 2.12
06. Jacques Brel: La valse à mille temps (Brel) 3.48
07. Martial Solal: New York Herald Tribune (Solal) 1.26
08. Les Double Six: Moanin’ (Timmons) 3.09
09. Magali Noël: Strip-Rock (Goraguer/Vian) 2.16
10. Boris Vian: Je suis snob (Walter/Vian) 2.49
11. Brigitte Bardot: Sidonie (Cros/Spanos/Riviere) 2.52
12. Barbara: Dis quand reviendras tu? (Barbara) 2.52
13. Juliette Gréco: Si tu t’imagines (Queneau) 2.42
14. Yves Montand: C’est si bon (Homez/Betti) 2.33
15. Henry Cording: Vas t’faire cuire un oeuf man (Sinclair/Mike) 2.51
16. Sacha Distel: Scoubidou (Teze/Distel) 3.00
17. Gilbert Becaud: Me-que-me-que (Becaus/Aznavour) 2.27
18. The Miles Davis Ensemble: Générique (nuit sur Les Champs-Élysées) (Davis) 2.53
19. Brigitte Fontaine & Areski: Il pleut sur la gare (Areski/Faintaine) 1.47
20. Valérie Lagrange: Si ma chanson pouvait (Lagrange) 5.25

CD1A

*
**

Booklet07A