Dutch Swing College Band – Dixie Jubilee (1970)

FrontCover1.JPGThe Dutch Swing College Band “DSCB” is a traditional dixieland band founded on 5 May 1945 by bandleader and clarinettist/saxophonist Peter Schilperoort.

Highly successful in their native home of The Netherlands, the band quickly found an international following. It has featured such musicians as Huub Janssen (drums), Henk Bosch van Drakestein (double bass), Kees van Dorser (trumpet), Dim Kesber (saxes), Jan Morks (clarinet), Wout Steenhuis (guitar), Arie Ligthart (banjo/guitar), Jaap van Kempen (banjo/guitar), Oscar Klein (trumpet), Dick Kaart (trombone), Ray Kaart (trumpet), Bert de Kort (cornet), Bert Boeren (trombone), Rod Mason, Rob Agerbeek (piano) – among many others.

The band continues to tour extensively, mainly in Europe & Scandinavia, and record directed by Bob Kaper, himself a member since 1967, following the former leader, Peter Schilperoort’s death on 17 November 1990. Schilperoort had led the band for more than 45 years, albeit with a five-year sabbatical from 13 September 1955, when he left to pursue an engineering career before returning to lead the band again officially on 1 January 1960

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On this record, the Dutch Swing College Band celebrates their 25th anniversary with a couple of old tunes, from the very early days (mono recordings) till 1970.

Enjoy this beautiful trip in the past … enoy this trip to the early days of Jazz !

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Personnel:
Dick Bakker (banjo on 01. – 03.)
Martin Beenen (drums on 07.)
Chris Bender (bass on 01. – 03.)
Wybe Buma (trumpet on 05. – 07.)
Kees van Dorsser (trumpet on 01. – 05.)
Eddie Hamm (vocals on 05.)
Huub Jansen (drums on 12.)
Arie Ligthart (banjo on 05. + 06.)
Bob Kaper (clarinet on 12.)
Dick Kaart (trombone on 07. – 12.)
Ray Kaart (trumpet on 08. – 11.)
Dim Kesber (clarinet on 01. – 06.)
Oscar Klein (trumpet on 07.)
Wim Kolstee (trombone on 01. – 07.)
Bert de Kort (corent on 12.)
Joop Van Leeuwen (banjo on 04.)
Arie Merkt (drums on 01. – 04.)
Jan Morks (clarinet on 07.)
Bob van Oven (bass on 04. – 11.)
Lu Ssanet (drums on 07. – 11.)
Peter Schilperoort (saxophone on 12.)
Joop Schrier (piano on 01. – 07.)
Koos Serierse (bass on 10.)
Peter Schilperoort (clarinet on 01. – 03., 05., 07. – 10., cornet on 04., drums on 12.)
Chris Smildiger (bass on 12.)
Andre Westendorp (drums on 05., trumpet on 06.)
Ferry Wienneke (piano on 09.)
Peter Ypma (drums on 11.)

Conductor: Peter Schilperoort

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Tracklist:
01, PanamaA1 Panama (Tyers)  3.04
02. At The Jazzband Ball (Shields/La Rocca) 3.96
03. Tin Roof Blues (Pollack/Brunies/Roppolo/Stitzel/Mares/Melrose) 3.11
04. Snake Rag (Oliver) 2.48
05. Dipper Mouth Blues (Oliver/Armstrong/Melrose) 2.41
06. Steamboat Stomp (Senter) 3.17
07. Buddy’s Habits (Nelson/Straight) 8.35
08. Big Butter And Eggman (Armstrong/Venable) 2.39
09. Besame Mucho (Velazquez) 2.37
10. Clarinet Marmalade (Raggs/Shields) 3.41
11. Melancholy (Blues) (Bloom/Melrose) 3.27
12. Since My Best Gal Turned Me Down (Quicksell/Lodwig) 3.14

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Various Artists (Putumayo World Music) – Italian Cafe (2005)

FrontCover1Putumayo World Music is a New York City-based record label, now specializing in compilations of music from various nations, regions, or musical styles which may be classified as world music.

In 1991, on his way home from Bali, Dan Storper stopped in San Francisco, California. In Golden Gate Park, he heard the Nigerian band Kotoja. He was impressed by the music and the way it gathered many different people. He made a compilation of music he had gathered on his journeys and gathered a positive response. This led him to give out his first release in 1993. Storper took the name of his record label, Putumayo, from Colombia’s Putumayo Department where he travelled in 1974, which subsequently came from the name of Putumayo River. The word is said to be the name of a bird (heron).

Every release features the art of Nicola Heindl. Her art is both folky and modern, and, according to the Putumayo website, “represents one of Putumayo’s goals: to connect the traditional to the contemporary.”

Typically a Putumayo World Music compilation is presented as a theme under the title “Putumayo Presents:” The themes can be regional (South Africa, Caribbean, Asia), music types (reggae, folk, Latin, jazz) and other themes (lounge, groove, party).

The Putumayo Kids division was created in 2002. Since the release of the World Playground CD in 1999, Putumayo Kids has achieved honors from Parents’ Choice Awards and the National Parenting Publications Association, and has grown to be one of the more important children’s record labels.

Putumayo launched the Putumayo World Music Hour in 2000, a commercially-syndicated world music radio show. Rosalie Howarth of KFOG hosts the Music Hour. The weekly show is heard internationally on over 150 commercial and non-commercial stations.

Putumayo has ten offices worldwide. Their products are sold at a network of more than 3,000 book, gift, clothing, coffee and other specialty retailers in the US. The label claims to distribute their CDs in more than 80 countries around the world. (by wikipedia)

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This is a charming, if ultimately fairly inconsequential, collection of recordings from 1950s and 1960s Italy, along with a handful of songs by a few modern artists whose stylistic roots go back to the postwar era as well. The overall sound may come across as a bit kitschy to American ears — there are lots of accordions and crooning, emotive vocals — but if you spend some time with these recordings most of them will grow on you. Highlights include the quirky Vinicio Capossela’s “Che Cossè l’Amor,” Quadro Nuevo’s jazzy instrumental “Tu Vuo’ Fa’ l’Americano,” and Quartetto Cetra’s slightly cute but really very engaging “Un Bacio a Mezzanotte.” On the slightly less compelling side are Gianmaria Testa’s contributions, the willfully goofy “Dentro al Cinema” and the self-consciously intense (and ultimately self-parodying) “La Traiettorie delle Mongolfiere,” but the high points outweigh the low ones on this ultimately charming collection. Recommended. (by Rick Anderson)

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This review is not correct: Most of the recordings are NOT from the 50´s, … and in the reat booklet you can read, that Quadro Nuevo are from Austria … this is wrong .. Quadro Nueva are from Bavaria (Southern Germany) … but … much more important …

… more recordings from this great label will come !

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Tracklist:
01. Fred Buscaglione: Juke Box (1958) (Beretta/Malgoni) 2.23
02. Quartetto Cetra: Un Bacio A Mezzanotte (1952) (Kramer/Garinei) 2.14
03. Giorgio Conte: Cannelloni (2003) (Conte) 2.55
04. Vinicio Capossela: Che Cossè L’Amor (1994) (Capossela) 4.14
05. Maria Pierantoni Giua: Petali e Mirto (2004) (Martinell/Giua) 3.25
06. Giorgio Conte: Gnè Gnè (2003) (Conte) 3.28
07. Renato Carosone: Piccolissima Serenata (2001) (Carosone/Nisa) 3.23
08. Gianmaria Testa: Dentro Al Cinema (2003) (Testa) 3.43
09. Daniele Silvestri: Le Cose In Camune (1995) (Micelli/Silvestri) 4.16
10. Quadro Nuevo: Tu Vuo’ Fa’ L’Americano (2002) (Carosone) 3.57
11. Gianmaria Testa: La Traiettorie Delle Mongolfiere (1995) (Testa/Bertone) 3.29
12. Nicola Arigliano: Carina (2001) (Testa/Poes) 3.17

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Coffee

The Beatles – Anthology 1 (1995)

FrontCover1.jpgAnthology 1 is a compilation album by the Beatles, released on 20 November 1995 by Apple Records as part of The Beatles Anthology series. It features rarities, outtakes and live performances from the period 1958–1964, including songs with original bass player Stuart Sutcliffe and drummer Pete Best. It is the first in a trilogy of albums with Anthology 2 and Anthology 3, all of which tie in with the televised special The Beatles Anthology. It contains “Free as a Bird”, billed as the first new Beatles song in 25 years. The album topped the Billboard 200 album chart and was certified 8x Platinum by the RIAA.

The album includes material from the Beatles’ days as the Quarrymen, through the Decca audition to sessions for the album Beatles for Sale. It is of historical interest as the only official release of performances with Best and Sutcliffe in the band. Sutcliffe, the band’s original bass player during 1960, and sporadically during the group’s second Hamburg season, appears on the disc-one tracks “Hallelujah, I Love Her So”, “You’ll Be Mine” and “Cayenne”. Best, who was the band’s drummer from just prior to the group’s first departure for Hamburg in August 1960 until 15 August 1962 when he was replaced by Ringo Starr, is on disc one, tracks 10–12, 15–19 and 21–22.

Disc one tracks 10–12 were recorded at a session in Hamburg where the Beatles served as the back-up band to the English rock and roll musician Tony Sheridan. Some songs from this session were released on the 1962 LP My Bonnie, credited to Tony Sheridan and the Beat Brothers. The song “My Bonnie” would be their introductory single in England, featuring Sheridan on lead vocal and guitar. Disc one tracks 21–22 are the only surviving recordings of the Beatles’ first EMI session. Track 22 is the original recording of “Love Me Do”, which would be re-recorded by the group four months later for their first single. Disc one track 24 features EMI session drummer Andy White in place of Starr.

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Disc two contains performances from comedy duo Morecambe and Wise’s popular television programme, Two of a Kind, as well as the opening song from their famed performance on The Ed Sullivan Show, which introduced the band to most of the US in 1964.

The flashpoint for the album came with the song “Free as a Bird” – the three remaining Beatles Paul McCartney, George Harrison and Ringo Starr re-working a John Lennon demo recording given to McCartney by Lennon’s widow, Yoko Ono. Produced by Harrison’s Traveling Wilburys band-mate Jeff Lynne, the three added additional music and lyrics, instrumentation and backing vocals, with McCartney and Harrison both taking a turn at a lead vocal.

The live BBC Radio recording of “Lend Me Your Comb” was held back from Live at the BBC for inclusion on this album, but it was later also included on On Air – Live at the BBC Volume 2.

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The cover of Anthology 1 is the first third of the Anthology collage made by Klaus Voormann. Various photographs and album covers are torn and collected together. Pete Best’s face was torn away from the Savage Young Beatles record jacket in the centre of the album cover, revealing the face of his successor, Ringo Starr, below. The missing piece was subsequently used on the cover of Best’s Haymans Green album in 2008.

The album was a large success throughout the world. It was the first Beatles album to enter the Billboard 200 album chart at number one. It sold 855,473 copies in its first week, the 27th largest one-week sales in the Soundscan history, succeeding Fresh Horses by Garth Brooks. In its second week, Anthology 1 sold 453,000 copies and maintained the top spot. This was repeated the following week, with 435,000 copies sold. In its fourth week, the same quantity was sold, but the album fell to number two, behind Mariah Carey’s Daydream. In the following week, the album fell to number three but with 601,000 sales. Anthology 1 was certified 3× Platinum by the RIAA after six weeks in the US market. In all, the album spent 29 weeks on the Billboard 200, reaching cumulative sales of 3,639,000 scans as of April 2001. In the UK, reaction was similar, but the album peaked at number two, behind Robson & Jerome’s eponymous album. In Australia, the album spent two weeks at number one in December 1995. (by wikipedia)

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Personnel:
George Harrison (vocals, lead guitar)
John Lennon (vocals, rhythm guitar, harmonica)
Paul McCartney (vocals, bass, rhythm guitar)
Ringo Starr (vocals, drums, Percussion)
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Pete Best – drums on “My Bonnie”, “Ain’t She Sweet”, “Cry for a Shadow”, “Searchin'”, “Three Cool Cats”, “The Sheik of Araby”, “Like Dreamers Do”, “Hello Little Girl”, “Bésame Mucho”, “Love Me Do”
Stuart Sutcliffe – bass guitar on “Hallelujah, I Love Her So”, “You’ll Be Mine”, “Cayenne”Colin Hanton – drums on “That’ll Be the Day”, “In Spite of All the Danger”
John Lowe – piano on “That’ll Be the Day”, “In Spite of All the Danger”
Tony Sheridan (vocalsm guitar on 10.)
Andy White – drums on “Please Please Me”

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Tracklist:

CD 1:
01. Free As A Bird (Lennon/McCartney/Harrison/Starr ) 4.25
02. We were four guys … that’s all (Lennon speaking to Jann Wenner of Rolling Stone) 8 December 1970, New York City 0.12
03. That’ll Be The Day (by the Quarrymen) (Allison/Holly(Petty) 2.08
04. In Spite of All The Danger (by the Quarrymen) (McCartney/Harrison) 2.45
05. Sometimes I’d borrow … those still exist (McCartney speaking to Mark Lewisohn – 3 November 1994 London, UK) 0.18
06. Hallelujah, I Love Her So (home demo, 1960) (Charles) 1.13
07. You’ll Be Mine (home demo, 1960) (Lennon/McCartney) 1.39
08. Cayenne (home demo, 1960) (McCartney) 1.14
09. First of all … it didn’t do a thing here (McCartney speaking to Malcom Threadgill – 27 October 1962)0.07
10. My Bonnie (by Tony Sheridan and the Beat Brothers – 22 June 1961
Friedrich-Ebert-Halle, Hamburg, Germany) (Traditional) 2.42
11. Ain’t She Sweet (by the Beat Brothers) Milton Ager, Jack Yellen 22 June 1961
Friedrich-Ebert-Halle( (Ager/Yellen) 2:13
12. Cry For A Shadow (by the Beat Brothers – 22 June 1961
Friedrich-Ebert-Halle) (Lennon/Harrison)  2.22
13. Brian was a beautiful guy … he presented us well (Lennon speaking to David Wigg for BBC Radio 1’s Scene and Heard – October 1971 New York City) 0.10
14. I secured them … a Beatle drink even then (Brian Epstein reading from A Cellarful of Noise) Brian Epstein 13 October 1964) 0.18
15. Searchin’ (Decca Audition – 1 January 1962 Decca Studios, London ) (Leiber/Stoller) 3.00
16. Three Cool Cats (Decca Audition – 1 January 1962 Decca Studios, London) (Leiber/Stoller) 2.25
17. The Sheik Of Araby” (Decca Audition – 1 January 1962 Decca Studios, London) (Smith,/Wheeler/Snyder) 1.43
18. Like Dreamers Do (Decca Audition – 1 January 1962 Decca Studios, London)  (Lennon/McCartney) 2.36
19. Hello Little Girl (Decca Audition – 1 January 1962 Decca Studios, London(Lennon/McCartney)1 1.40
20. Well, the recording test … by my artists” (Epstein reading from A Cellarful of Noise – Epstein 13 October 1964) 0.32
21. Besame Mucho (6 June 1962 EMI Studios) (Velázquez/Skylar) 2.37
22. Love Me Do (Lennon/McCartney) 2.32
23. How Do You Do It (Murray) 1.57
24. Please Please Me (Lennon/McCartney) 1.59
25. One After 909 (sequence) (Takes 3, 4 & 5 – 5 March 1963 (Lennon/McCartney) 2.23
26. One After 909 (complete) (Takes 4 & 5 – 5 March 1963) (Lennon/McCartney) 2.56
27. Lend Me Your Comb (live at the BBC for Pop Go the Beatles – 2 July 1963, Maida Vale Studios, London) (Twomey/Wise/Weisman) 1.50
28. I’ll Get You (live on Sunday Night at the London Palladium – 13 October 1963
The London Palladium, London) (Lennon/McCartney) 2.08
29. We were performers … in Britain (Lennon speaking to Wenner – 8 December 1970
New York City) 0.12
30. I Saw Her Standing There (live for The Beatles, Pop Group from Liverpool Visiting Stockholm, The Karlaplansstudion, Stockholm, Sweden – 24 October 1963) (Lennon/McCartney) 2.49
31. From Me To You (live for The Beatles, Pop Group from Liverpool Visiting Stockholm, The Karlaplansstudion, Stockholm, Sweden – 24 October 1963) (Lennon/McCartney) 2.05
32. Money (That’s What I Want) (live for The Beatles, Pop Group from Liverpool Visiting Stockholm, The Karlaplansstudion, Stockholm, Sweden – 24 October 1963) /Bradford/Gordy) 2.52
33. You Really Got A Hold On Me (live for The Beatles, Pop Group from Liverpool Visiting Stockholm, The Karlaplansstudion, Stockholm, Sweden – 24 October 1963) (Robinson) 2.58
34. Roll Over Beethoven (live for The Beatles, Pop Group from Liverpool Visiting Stockholm, The Karlaplansstudion, Stockholm, Sweden – 24 October 1963) (Berry) 24 2.22

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CD 2:
01. She Loves You (live on the Royal Variety Performance – The Prince of Wales Theatre, London, 4 November 1963) (Lennon/McCartney) 2.50
02. Till There Was You (live on the Royal Variety Performance – The Prince of Wales Theatre, London, 4 November 1963) (Willson) 2.54
03. Twist And Shout (live on the Royal Variety Performance – The Prince of Wales Theatre, London, 4 November 1963) (Russell/Medley) 3:05
04. This Boy (live on Two of a Kind; ATV Studios, London, 2 December 1963)(Lennon/McCartney) 2.22
05. I Want To Hold Your Hand (live on Two of a Kind; ATV Studios, London, 2 December 1963) (Lennon/McCartney) 2.37
06. Boys, what I was thinking… (Eric Morecambe and Ernie Wise speaking to the Beatles live on Two of a Kind – ATV Studios, 2 December 1963) 2.06
07. Moonlight Bay (live on Two of a Kind; ATV Studios, London, 2 December 1963) (Lennon/McCartney) 0.50
08. Can’t Buy Me Love (Takes 1 & 2 – 29 January 1964 Pathé Marconi, Paris, France) (Lennon/McCartney) 2.10
09. All My Loving (live on The Ed Sullivan Show –CBS-TV Studio 50, New York City, 9 February 1964) (Lennon/McCartney) 2.19
10. You Can’t Do That (Take 6) (EMI Studios – 25 February 1964) (Lennon/McCartney) 2.42
11. And I Love Her (Take 2) (EMI Studios – 25 February 1964) (Lennon/McCartney) 1.52
12. A Hard Day’s Night (Take 1) (EMI Studios – 25 February 1964) (Lennon/McCartney) 2.44
13. I Wanna Be Your Man (live for Around the Beatles – IBC Studios, London, 19 April 1964) (Lennon/McCartney)  1.48
14. Long Tall Sally (live for Around the Beatles – IBC Studios, London, 19 April 1964)  (Johnson/Penniman/Blackwell) 1.45
15. Boys (live for Around the Beatles – IBC Studios, London, 19 April 1964) (Dixon/Farrell) 1:50
16. Shout (live for Around the Beatles – IBC Studios, London, 19 April 1964) (R.Isley/R.Isley(K.Isley) 1.31
17. I’ll Be Back (Take 2) (EMI Studios – 1 June 1964) (Lennon/McCartney) 1.13
18. I’ll Be Back (Take 3) (EMI Studios – 1 June 1964) (Lennon/McCartney) 1.58
19. You Know What To Do (demo) (EMI Studios, 3 June 1964) (Harrison) 1.59
20. No Reply (demo) (EMI Studios, 3 June 1964) (Lennon/McCartney) 1.46
21. Mr. Moonlight (Takes 1 & 4) (EMI Studios, 14 August 1964) (Johnson) 2.47
22. Leave My Kitten Alone (Take 5) (EMI Studios, 14 August 1964) (John(Turner/McDougal) 2.57
23. No Reply (Take 2) (EMI Studios, 30 September 1964) (Lennon/McCartney) 2.29
24. Eight Days A Week (sequence) (Takes 1, 2 & 4) (EMI Studios, 6 October 1964) (Lennon/McCartney) 1.25
25. Eight Days A Week (complete) (Take 5) (EMI Studios, 6 October 1964) (Lennon/McCartney) 2.48
26. Kansas City / Hey-Hey-Hey-Hey! (Take 2) (EMI Studios, 18 October 1964) (Leiber/Stoller/Penniman) 2.44

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John Lee Hooker – Everybody’s Blues (1993)

FrontCover1John Lee Hooker reissues abound, as might be expected of a singer and guitarist who’s recorded hundreds of songs for countless labels since the late ’40s. What makes the 20 tracks on Everybody’s Blues different from the mountain of other Hooker material available is the fact that seven of them are newly issued, and most were done in the studio with Hooker wailing and accompanying himself on guitar minus any backing chorus or production armada. Even the cuts with a supporting combo are animated and loose, with the vocal trademarks that are now established Hooker cliches sounding fresh and genuine. (Ron Wynn)

This compilation of recordings from 1950, ’51, and ’54 for the Modern and Specialty labels is an intriguing relic from Hooker’s past. Many of these sides went unreleased, due to Specialty president Art Rupe’s dissatisfaction with the singer-guitarist’s crude style. But that’s precisely why this CD is a treat for lovers of lowdown blues. Mostly it’s Hooker alone–almost always the way he sounds best. Still, there are chances to hear him with horns and a gestational version of what would eventually become his hair-raising “I’m Bad Like Jesse James” (called “I’m Mad”) that features fleet piano accompaniment. There’s also an early reading of “Backbiters and Syndicators” (named “Odds Against Me”) that showcases Hooker’s riveting backcountry guitar virtuosity. (Ted Drozdowski)

John Lee Hooker in the 50´s

Peronnel:
John Lee Hooker (guitar, vocals)
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on 09 – 16.:
Johnny Griffith  (piano)
Johnny Hooks (saxophone)
Theophilus Roosevelt (bass)
Thomas Whitehead (drums)

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Tracklist:
01. Do My Baby Think Of Me 2.52
02. Three Long Years Today 3.04
03. Strike Blues 2.37
04. Grinder Man 3.10
05. Walkin’ This Highway 2.16
06. Four Women In My Life 3.11
07. I Need Lovin’ 2.54
08. Find Me A Woman 2.39
09. I’m Mad 2.44
10. I Been Done So Wrong 2.42
11. Boogie Rambler 2.36
12. I Keep The Blues 2.29
13. No More Doggin’ AKA No More Foolin’ 2.25
14. Everybody’s Blues 2.48
15. Anyone’s Blues (I Love You Baby) 2.19
16. Locked Up In Jail AKA Prison Blues 2.47
17. Nothin’ But Trouble (Don’t Take Your Wife’s Family In) 3.23
18. I Need Love So Bad 3.08
19. Don’t Trust Nobody 3.44
20. Odds Against Me Aka Backbiters And Syndicators 3.06
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Eddie Cochran – The Eddie Cochran Memorial Album (1960)

FrontCover1The Eddie Cochran Memorial Album is the second album by Eddie Cochran, released on Liberty Records in mono, LRP 3172, in May 1960. It had previously been issued as 12 of His Biggest Hits in April 1960 with the same catalogue number, but after Cochran’s death on April 17 it was retitled and reissued, and has remained so titled ever since. It is currently in print on the Magic Records label in France, on CD on EMI-Toshiba in Japan, and on BGO in the UK as a twofer with “Singin’ To My Baby.”The Eddie Cochran Memorial Album is the second album by Eddie Cochran, released on Liberty Records in mono, LRP 3172, in May 1960. It had previously been issued as 12 of His Biggest Hits in April 1960 with the same catalogue number, but after Cochran’s death on April 17 it was retitled and reissued, and has remained so titled ever since.

Eight tracks were released as singles, with “Three Steps to Heaven” appearing as a b-side. Three additional tracks “Have I Told You Lately That I Love You,” “Lovin’ Time,” and “Tell Me Why” had been released on his first album, Singin’ to My Baby in 1957. All five singles that appeared on the Billboard Hot 100 are included, with the teen anthem “Summertime Blues” being the only time Cochran made the top ten. No Cochran album has ever charted in the United States (by wikipedia)

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This compilation was released by Liberty Records in 1960, shortly after Eddie Cochran’s death that spring, the first of several memorial albums (including one called Memorial Album) to come out on Cochran. And while it doesn’t really live up to its title — sad to say, Cochran never had a dozen hits, big or otherwise, to compile — it is a surprisingly good collection as an overview of Cochran’s career and sound (flaws and all), the hits included. At the time of its release, this album would have presented the very first chance that anyone would have had for an overview of Cochran’s career — the problem with the record, as with most early Cochran compilations, lies in the errors made by Liberty Daily MirrorRecords in handling Cochran’s career in the first place; the label apparently saw him developing in the same manner as Elvis Presley (which was understandable, as Elvis was the quintessential white rock & roll star of the era), and, like Presley, doing ballads as often as rockers, and found nothing incongruous in the fact that Cochran just didn’t have the voice to pull that off the way that Elvis did. It wasn’t that Cochran couldn’t do it — he could — but it was more of a stretch, and became an impossible one when he was saddled with second-rate material, as was often the case (where Elvis, until he started doing the movies full-time, never had that problem). But this album starts off on the right foot, with “C’mon Everybody” — one of Cochran’s best songs but never a huge hit in the U.S. — leading off the set, which proceeds with the deceptively complex rocker “Three Steps to Heaven.” We jump back to Cochran’s country roots with “Cut Across Shorty” and “Have I Told You Lately That I Love You,” the latter a ballad that Cochran handled surprisingly well — trying for a sound akin to what Elvis was doing on slow numbers — given his relative antipathy to the form. “Hallelujah, I Love Her So” puts us back in the heart of Cochran’s mature sound, showcasing his guitar amid its string accompaniment and some very strong singing as well. The first side closes with the obligatory “Sittin’ in the Balcony” — which, in fairness, was his first Liberty single, and does have a more than decent guitar break even if the song is a little wimpy. Side two storms out with “Summertime Blues,” as powerful a song as any white rock & roller charted in 1957.

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But listeners who skip the sappy “Lovin’ Time” and jump to “Somethin’ Else” will be doing Cochran’s memory a world of good. “Tell Me Why” is another slowie, but it shows some power to Cochran’s singing, even if he doesn’t pull off what the record label wanted. “Teenage Heaven” was probably obligatory, as it was featured in the then relatively recent movie Go Johnny Go, and it avoids being totally lame by virtue of Cochran’s raspy vocalizing and a reasonably hot sax solo. And “Drive In Show” closes the set out in a manner that probably ought to be skipped, except out of curiosity over some of the more absurd numbers that Cochran was made to record in his tragically brief career. It’s not an ideal collection, by any means, but it is an honest snapshot of his music, warts and all.  (by Bruce Eder)

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Personnel:
Jerry Allison (drums)
Perry Botkin, Jr. (guitar)
Sonny Curtis (guitar)
Mike Deasy (saxophone)
Eddie Cochran (guitar, ukulele, bass, piano, percussion, vocals)
Mike Henderson (saxophone)
Ray Johnson (piano)
Earl Palmer (drums)
Gene Riggio (drums)
Sharon Sheeley (percussion)
Dave Shriver (bass)
Connie “Guybo” Smith (bass)
Jim Stivers (piano)
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The Johnny Mann Chorus (background vocals)

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Tracklist:
01. C’mon Everybody (Cochran/Capehart) 1.58
ß2. Three Steps to Heaven (Cochran) 2.25
03. Cut Across Shorty (Wilkin/Walker) 1.53
04. Have I Told You Lately That I Love You? (Wiseman) 2.38
05. Hallelujah I Love Her So (Charles) 2.21
06. Sittin’ In The Balcony (Loudermilk) 2.02
07. Summertime Blues (Cochran/Capehart) 1.59
08. Lovin’ Time (Woolsey) 2.09
09. Somethin’ Else (B.Cochran/Sheeley 2.10
10. Tell Me Why (Cochran) 2.20
11. Teenage Heaven (Cochran/Capehart) 2.07
12. Drive In Show (Dexter) 2.05

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Edward Raymond Cochran (October 3, 1938 – April 17, 1960)

Various Artists – Jingle Bell Rock (1987)

FrontCover1And here´s a nice sampler withRok N Roll and Soul songs about Christmas, publish  by Time Life. And this sampler was a part of the “The Rock N Roll Era”.

Time-Life’s Rock ‘N’ Roll Era: Jingle Bell Rock collects 25 classic tracks of the holiday genre including “Run, Rudolph, Run” (Chuck Berry), “I Saw Mommy Kissing Santa Claus” (the Jackson 5), “Jingle Bell Rock” (Bobby Helms), “Sleigh Ride” (the Ventures) and “Step into Christmas” (Elton John). Many of these artists will appeal to a broad range of ages, making it perfect for family gatherings. (by Al Campbell)

in 1987, I guess I was bitten by the same CD buying bug that many were: I bought into the Time-Life “Rock ‘n’ Roll Era” series of CDs. Thankfully I found that the musical selection on these were fine for my purposes, although the sound often suffered a bit. It did enable me to amass a good collection of “oldies” that I otherwise never would have bought. One surprising favorite came my way during the holidays–the compilation Jingle Bell Rock. A couple of the Motown tracks need to be skipped (the Temptations’ “Rudolph The Red-Nosed Reindeer” is narcoleptic at best), but for the most part it is a very enjoyable and crowd-pleasing collection of holiday favorites.

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On here are tracks by Jan and Dean (“Frosty the Snowman”, rescued from obscurity), The Ventures (“Sleigh Ride”), Jack Scott (“There’s Trouble Brewin’”), The O’Jays (“Christmas Ain’t Christmas Without The One You Love”) and Dodie Stevens (“Merry, Merry Christmas Baby”). The usual suspects are here also (“JIngle Bell Rock”, “Run, Rudolph Run” and “Rockin’ Around The Christmas Tree”) and Elton John’s “Step into Christmas” finishes out the disc with the most recent song in the collection. (by rudyscorner.com)

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Tracklist:
01. Bobby Helms: Jingle Bell Rock (Boothe/Beal) 2.08
02. Chuck Berry: Run, Rudolph, Run (Berry) 2.43
03. Otis Redding: Merry Christmas Baby (Moore/Baxter) 2.29
04. Smokey Robinson And The Miracles: Go Tell It On The Mountain (Traditional) 3.40
05. The Supremes: My Favorite Things (Hammerstein/Rodgers) 2.45
06. The Drifters: White Christmas (Berlin) 2.35
07. The Beach Boys: The Man With All The Toys (Wilson) 1.30
08. Booker T. And The MG’s: Jingle Bells (Pierpont) 2.27
09. The Temptations: Rudolph The Red-Nosed Reindeer (Marks) 2.55
10. Carla Thomas: Gee Whiz, It’s Christmas (Thomas/Cropper) 2.38
11. The Jackson 5: Someday At Christmas (Wells/Mills) 2.38
12. Jan And Dean: Frosty The Snow Man (Rollins/Nelson) 2.04
13. King Curtis: The Christmas Song (Tormé/Wells) 2.55
14. Brenda Lee: Rockin’ Around The Christmas Tree (Marks) 2.03
15. Smokey Robinson And The Miracles: Medley: Deck The Halls / Bring A Torch (Traditional) 3.55
16. Marvin & Johnny: It’s Christmas (Josea/Phillips) 2.14
17. The Temptations: My Christmas Tree (Webb) 3.05
18. The Ventures: Sleigh Ride (Anderson) 2.20
19. The O’Jays: Christmas Ain’t Christmas Without The One You Love (Gamble/Huff) 2.12
20. The Jackson 5: I Saw Mommy Kissing Santa Claus (Connor) 2.59
21. Jack Scott: There’s Trouble Brewin’ (Veronica) 2.22
22. Dodie Stevens: Merry, Merry Christmas Baby (Lopez/Sylvia) 2.11
23. Aretha Franklin: Winter Wonderland (Smith/Bernard) 2.09
24. Donny Hathaway: This Christmas (Hathaway/McKinnor) 3.26
25. Elton John: Step Into Christmas (John/Taupin) 4.22

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MC

Various Artists – Christmas In Europe (1956)

FrontCover1And here´s a very rare christmas album from 1956 … released in Europe and in the USA:

So, I was very pleased to find the record I am sharing today, “Christmas in Europe”. This is an excellent collection of Christmas songs from across Europe. Spain, France, Italy, Denmark, Holland, Germany, Switzerland, Austria, and England are all represented in this 17 song album. The music is terrific, and the album back cover gives us a snippet of the Christmas traditions from each country. For me, it hearkens back to my childhood, learning about the traditions of Christmas around the world.

There is more noise on these rips than I would have liked, but it’s the best I could do without losing too much of the range. Even with a bit of noise, this is still a very enjoyable record.

I hope you enjoy it as much as I do! (by merryandbright.blogspot)

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Tracklist:
01. Prof. Karl Walter: Silent Night, Holy Night (Austria) (Gruber) 3.09
02. Der Bendersche Kinderchor: O Tannenbaum (Germany)  (Anschütz) 1.39
03. J.P.Kroder Orchestra: La Noël Passée (France) (Traditional) 4.17
04. Di Zampogna: Piva Piva  (Italy) (Traditional) 2.05
05. Wally Scott Orchestra: Good King Wenceslas (England) (Neale) 2.36
06. Raymonda Davat: Tout Dort Dans La Nuit Sombre (Switzerland) (Cholsy) 2.48
07. Cantores de Madrid: El Belén Tocan A Fuego (Spain) (Traditional) 2.46
08. Mastraechter Staar: Adeste Fideles (The Netherlands) (Traditional) 2.51
09. De Leeuweriken: De Herdertjes Lagen Bij Nachte O, Hoe Heerlijk (The Netherlands) (Traditional) 1.42
10. J.P.Kroder Orchestra: Oh Que De Gens (France) (Traditional) 2.17
11. Der Bendersche Kinderchor: Ihr Kinderlein kommet (Germany) (Schulz/Schmidt) 1.38
12. Muriel Smith: Away In A Manger (England) (Luther/Kirkpatrick) 2.43
13. The Belen Choir: Rin Rin )Spain) (Traditional) 2.02
14. Lilian Fugman + Arne Lamberth Orchestra: Du Kaere Gamle Julemand  (Denmark) (Loulguy/Krogh) 2.45
15. Rasegone Alpince Chorus: Tu Scendi Dalle Stellq (Italy) (Traditional) 3.10
16. Der Bendersche Kinderchor: Süsser die Glocken nie klingen (Germany) (Traditional) 2.35
17 . Churchbell of the Stephansdom, Vienna: The Sound Of The “Pummerin” (Austria) 0.33

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