Lee Michaels – Same (1969)

LPFrontCover1An eclectic singer, songwriter, and performer, Lee Michaels made music that had the physical impact of hard rock, the creative ambition of psychedelia and progressive rock, and the passion and grit of rhythm & blues, the latter facet reinforced by Michaels’ vocals, which could swing from sweet to soulfully gritty at a moment’s notice. Michaels was also a gifted keyboard player, and often played full concerts at the organ with only a drummer to accompany him. (Michaels was also a sure hand at the piano and harpsichord.) One could argue that Michaels’ wide-ranging sound was one of the reasons he didn’t enjoy greater commercial success despite the loyalty of his audience, though Michaels did enjoy a Top Ten hit in 1971 with “Do You Know What I Mean.”

Lee Eugene Michaels was born on November 24, 1945, in Los Angeles, California. By the mid-’60s, Michaels was already a fixture on the California music scene; he was playing keyboards with the Sentinels, a surf rock band with an R&B influence that also featured John Barbata (who later played with the Turtles), and he wrote a tune that appeared on LeeMichaels04the debut album of the sunshine pop band the Holy Mackerel (featuring songwriter and media personality Paul Williams). Michaels later moved on to play in the band the Strangers, led by future Canned Heat guitarist Joel Scott Hill. Michaels soon bowed out of the Strangers, and his tenure in the Family Tree, a San Francisco band featuring future power pop icon Bob Segarini, was also short-lived, though Michaels opted to stay in the Bay Area. In time, Michaels struck out as a solo artist, and he landed a record deal with A&M Records, which released his debut album, Carnival of Life, in 1968. The psychedelic-influenced effort produced only marginal sales, and Michaels returned with the tougher-sounding Recital before the year was out.

Musically, Michaels hit his stride with his self-titled third album, released in 1969, which paired him with drummer Barry “Frosty” Smith and featured “Heighty Hi,” which became an FM radio staple, and Michaels’ signature cover of “Stormy Monday.” Frosty became Michaels’ on-stage foil, and his super-amped organ setup and Frosty’s drumming LeeMichaels03made for a power duo with enough muscle to share stages with the leading hard rock acts of the day. (by Mark Deming)

One of the masterpieces of the period, Lee Michaels was essentially recorded live in the studio by only Michaels (organ/bass pedals) and Frosty on drums. It’s a fabulous performance and one of the finest R&B/rock sets of the period. The first side is comprised of a medley of soulful workouts that come out sounding not unlike Led Zeppelin. Here, Michaels pulls out all the stops (literally) and showcases the organ as a bona fide rock instrument. Despite the lengthy drum solo, it’s one of the finest sides of Los Angeles rock & roll. Michaels also reprises “My Friends,” a song from his first album, to great effect. Lee Michaels is also home to the good-time, pro-drug anthem “Highty Hi,” as well as an awesome cover of “Stormy Monday.” A true party platter. (by Matthew Greenwald)

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Personnel:
Lee Michaels (keyboards, vocals, bass)
Bartholomew Smith Frost (drums, percussion)

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Tracklist:
01. Tell Me How Do You Feel (Mayfield/Charles) 5.59
02. (Don’t Want No) Woman (Smith-Frost) 1.57
03. My Friends (Smith-Frost) 5.59
04. Frosty’s + Think I’ll Go Back (Smih-Frost/Michaels) 9.14
05. Stormy Monday (Walker) 5.11
06. Who Could Want More (Michaels) 3.41
07. Want My Baby (Michaels) 2.56
08. Heighty Hi (Michaels) 5.57
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09. Tell Me How Do You Feel (complete session uncut version) 20.2

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Single from Germany (1969)

More Lee Michaels:

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Marla Glen – Love & Respect (1995)

FrontCover1Marla Glen (born January 3, 1960, in Chicago) is an American singer who since 1998 has been based in Germany.

Marla grew up on the South Side of Chicago, the daughter of Dell Glen (American-Jamaican) and Cortez Glen (Mexican-American). Glen’s father was a blues guitarist, her grandmother a gospel singer, and her mother was friends with the legendary blues guitarist BB King. Her mother Dell graduated from the University of Chicago and went on to become a successful banker who worked for Merrill Lynch. Glen’s father, an American patriot who joined the military at a young age, became an engineer based in Frankfurt, Germany. Like many other children in Chicago’s historic Bronzeville neighborhood (also known as the Black Metropolis) who received gifts and inspiration from folks like Muddy Waters and BB King, Marla was given a toy harmonica as a child, and her musical talent became immediately apparent. She was only 11 years old when she wrote her first song, “Repertoire”, a title that has won three gold records and one platinum, and appears on her 1996 release, Love and Respect.

Since 1998, she has lived in Heilbronn in Germany. On July 2, 2004, she entered a civil union with Sabrina Conley at the local Rathaus. In the meantime, they got divorced.

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Singer Roberto Blanco, his girlfriend Luzandra Strassburg, singer Marla Glen and wife Sabrina Conley attend the ‘UNICEF-Gala’ at Park Hotel on September 5, 2009 in Bremen, Germany.

As a teenager, Marla Glen set out to pursue her musical career. The story of her early days “taking a gamble” on her musical abilities is recorded in the lyrics of “Travel,” a song that appears on her first breakthrough album, This Is Marla Glen.

The gamble paid off: Glen won first prize performing at a local Jam-session in New Orleans and was rewarded with a trip to France, where she first performed before a European audience. When invited to stay in Europe, she did, and formed the Marla Glen Band in Niort, France. In 1993, she catapulted to stardom overnight with her debut album This Is Marla Glen (two-time gold, two-time platinum).

Glen was ruthlessly exploited by the music industry, and spent a period in deep reflection, which she talks about in a 2002 interview with Jakob Buhre (in German). The interview is accompanied by a spectacular series of photos, which may say as much to the English-language reader as the German words can barely convey.

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In 1998, Glen went on tour with her 1997 release Our World, and made a strong comeback in 2003, with Friends.

Glen is known for her haunting lyrics, for her fierce commitment to social change and the cause of human unity. Most recently, she has dedicated her time and efforts to the education of children, and was declared the “patron saint” of the Knowledge Festival, organized by Bildung ohne Grenzen (Education without Barriers) in Hamburg, Germany (2007). (by wikipedia)

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Marla Glen possesses one of the most intense voices I’ve ever heard. She is a true artist devoted to her music and delivering a message in a most powerful and deeply felt manner.
She is probably one of the most popular soul artists in Europe and given the fact that she is an American national living in Paris makes it hard to believe that she is not more well known in her own home country.
This was her second album and although not as strong as her first and third it still is a masterpiece.
I can only strongly recommend her work to anyone. Listen to her and you’ll understand. (Philipp Kessler)

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Personnel:
Gary Barnacle (saxophone)
Patrick Clahar (saxophone)
Michel Crosio (piano, flute)
Marla Glen (vocals, harmonica)
Peter Gordino (organ)
Chris Jarrett (guitar)
Dominic ‘Ski’ Oakenfull (piano, clavinet)

Tony Remy (guitar)
Crispin ‘Spry’ Robinson (percussion)
Kevin Robinson (trumpet, flugelhorn)

Paul Robinson (drums)
Fayyaz Virgi (trombone)

Steve Walters (bass)
Andy Wright (keyboards)
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background vocals:
Beverly Skeete – Morris Michael – Sylvia Mason James – Mason James – Judith Nicholas

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Tracklist:
01. Ain’t That A Shame (Glen) 7.15
02. Also Love You (Glen/Crosio) 4-50
03. Break Free (Glen/Crosio) 5.28
04. Repertoire (Glen) 6.12
05. You Got Me (Glen/Crosio) 4.07
06. Love & Respect (Glen/Crosio) 4.47
07. What About Our Kids (Glen/Crosio) 3.46
08. City Love (Glen) 4.08
09. Other Plans (Glen/Crosio) 4.44
10. Not Really Easy (Glen/Crosio) 3.57

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