Frank Barcley – Something (Old New Borrowed Blue) Vol. 3 (1956)

FrontCover1.jpgBent Fabricius-Bjerre (born 7 December 1924), better known internationally as Bent Fabric or Frank Barcley , is a Danish pianist and composer.

Bent Fabricius-Bjerre was born in Frederiksberg, Denmark. He started a jazz ensemble after World War II and founded a label, Metronome Records, in 1950. However, he is best known for his 1961 instrumental “Omkring et flygel” (literally, “Around a Piano”) which became a hit in Denmark. The song was re-released worldwide under the name “Alley Cat” on Atco Records the following year, and went to #1 in Australia and #49 in Germany. The tune also became a hit in the United States; the song hit #2 on the AC chart and #7 on the Billboard Hot 100,[2] and the LP of the same name hit #13 on the Billboard 200.[3] “Alley Cat” also won a Grammy Award for Best Instrumental.[4] It sold over one million copies, and was awarded a gold disc. The follow-up single, “Chicken Feed”, hit #63 in the U.S.

FrankBarley02.jpgFabricius-Bjerre had done extensive work in film scores prior to the success of his singles, and continued to work in film for decades after. In 2003, Fabricius-Bjerre returned to the charts, this time in his native Denmark. He released the album Jukebox as Bent Fabric, where he worked with critically acclaimed Danish musicians. The singles “Jukebox” hit #3 in Denmark and “Shake” hit #10 that year. In 2006, a remix of “Jukebox” was released, and the title track became a dance music hit, peaking at #7 on the US Dance/Club Play charts. The album was also re-released in the United States, this time featuring a remix of his famous instrumental song “Alley Cat”, among others.

In 2005 he released the compilation album, Kan du kende melodien (literally Do you recognize the melody) featuring some of his most famous and recognized film and TV scores.

On 6 December 2009, the day before his 85th birthday, Fabricius-Bjerre played host to a gala-performance of a theatrical concert featuring 24 of his songs. It was performed at the Royal Danish Theatre by a cast of 12 performers, all of whom graduated from the Danish Academy for Musical Theatre. It was developed under The Danish New Works Development Center, Uterus, and directed and choreographed by Tim Zimmermann. (by wikipedia)

And here´s a rare EP from the Fifties … an if you like jazzy piano fro a small bar, with a great lady on your side … then are these recordings perfect for you !

And yes, i´s a great feeling to present this vinyl rip from my record collection in nearly mint condition !

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Personnel:
Bent  “Frank Barcley” Fabricius-Bjerre  (piano)
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unknown bass and drums player

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Tracklist:
01. Melody In F (Rubinstein) 2.44
02. You´re Breaking My Heart (Genara/Skylar) 3.11
03. My Blue Heaven (Donaldson/Whiting) 1.58
04. Blue Moon (Rodgers) 2.28

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Tony Joe White – Tony Joe (1970)

LPFrontCover1.jpgTony Joe White (July 23, 1943 – October 24, 2018) was an American singer-songwriter and guitarist, best known for his 1969 hit “Polk Salad Annie” and for “Rainy Night in Georgia”, which he wrote but was first made popular by Brook Benton in 1970. He also wrote “Steamy Windows” and “Undercover Agent for the Blues”, both hits for Tina Turner in 1989; those two songs came by way of Turner’s producer at the time, Mark Knopfler, who was a friend of White. “Polk Salad Annie” was also recorded by Elvis Presley and Tom Jones.

Tony Joe White was the youngest of seven children who grew up on a cotton farm near Oak Grove, Louisiana. He first began performing music at school dances, and after graduating from high school he performed in night clubs in Texas and Louisiana.

In 1967, White signed with Monument Records, which operated from a recording studio in the Nashville suburb of Hendersonville, Tennessee, and produced a variety of sounds, including rock and roll, country and western, and rhythm and blues. Billy Swan was his producer.

Over the next three years, White released four singles with no commercial success in the U.S., although “Soul Francisco” was a hit in France. “Polk Salad Annie” had been released for nine months and written off as a failure by his record label, when it finally entered the U.S. charts in July 1969. It climbed to the Top Ten by early August, and eventually reached No. 8, becoming White’s biggest hit.

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White’s first album, 1969’s Black and White, was recorded with Muscle Shoals/Nashville musicians David Briggs, Norbert Putnam, and Jerry Carrigan, and featured “Willie and Laura Mae Jones” and “Polk Salad Annie”, along with a cover of Jimmy Webb’s “Wichita Lineman”. “Willie and Laura Mae Jones” was covered by Dusty Springfield and released as a single, later added to reissues of her 1969 album Dusty in Memphis.

Three more singles quickly followed, all minor hits, and White toured with Steppenwolf, Anne Murray, Sly & the Family Stone, Creedence Clearwater Revival and other major rock acts of the 1970s, playing in France, Germany, Belgium, Sweden and England.

In 1973, White appeared in the film Catch My Soul, a rock-opera adaption of Shakespeare’s Othello. White played and sang four and composed seven songs for the musical.

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In late September 1973, White was recruited by record producer Huey Meaux to sit in on the Memphis sessions that became Jerry Lee Lewis’s Southern Roots album.[citation needed] By all accounts,[citation needed] these sessions were a three-day, around-the-clock party, which not only reunited the original MGs (Steve Cropper, Donald “Duck” Dunn and Al Jackson, Jr. of Booker T. and the MGs fame) for the first time in three years, but also featured Carl Perkins, Mark Lindsay (of Paul Revere & the Raiders), and Wayne Jackson plus The Memphis Horns.

From 1976 to 1983, White released three more albums, each on a different label. Trying to combine his own swamp-rock sound with the popular disco music at the time, the results were not met with success and White gave up his career as a singer and concentrated on writing songs. During this time frame, he collaborated with American expat Joe Dassin on his only English-language album, Home Made Ice Cream, and its French-language counterpart Blue Country.

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In 1989, White produced one non-single track on Tina Turner’s Foreign Affair album, the rest of the album was produced by Dan Hartman. Playing a variety of instruments on the album, he also wrote four songs, including the title song and the hit single “Steamy Windows”. As a result of this he became managed by Roger Davies, who was Turner’s manager at the time, and he obtained a new contract with Polydor.

The resulting album, 1991’s Closer to the Truth, was a commercial success[citation needed] and put White back in the spotlight. He released two more albums for Polydor; The Path of a Decent Groove and Lake Placid Blues which was co-produced by Roger Davies.

In the 1990s, White toured Germany and France with Joe Cocker and Eric Clapton, and in 1992 he played the Montreux Festival.

In 1996, Tina Turner released the song “On Silent Wings” written by White.

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In 2000, Hip-O Records released One Hot July in the U.S., giving White his first new major-label domestic release in 17 years. The critically acclaimed The Beginning appeared on Swamp Records in 2001, followed by Heroines, featuring several duets with female vocalists including Jessi Colter, Shelby Lynne, Emmylou Harris, Lucinda Williams, and Michelle White, on Sanctuary in 2004, and a live Austin City Limits concert, Live from Austin, TX, on New West Records in 2006. In 2004, White was the featured guest artist in an episode of the Legends Rock TV Show and Concert Series, produced by Megabien Entertainment.

In 2007, White released another live recording, Take Home the Swamp, as well as the compilation Introduction to Tony Joe White. Elkie Brooks recorded one of White’s songs, “Out of The Rain”, on her 2005 Electric Lady album. On July 14, 2006, in Magny-Cours, France, White performed as a warm-up act for Roger Waters’ The Dark Side of the Moon concert. White’s album, entitled Uncovered, was released in September 2006 and featured collaborations with Mark Knopfler, Michael McDonald, Eric Clapton, and J.J. Cale.

The song “Elements and Things” from the 1969 album …Continued features prominently during the horse-racing scenes in the 2012 HBO television series “Luck”.

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In 2013, White signed to Yep Roc Records and released Hoodoo. Mother Jones called the album “Steamy, Irresistible” and No Depression noted Tony Joe White is “the real king of the swamp.”  He also made his Live…with Jools Holland debut in London, playing songs from Hoodoo.

On October 15, 2014, White appeared on The Late Show with David Letterman alongside the Foo Fighters to perform “Polk Salad Annie”. Pointing to White, Letterman told his TV audience, “Holy cow! … If I was this guy, you could all kiss my ass. And I mean that.”

In May 2016, Tony Joe White released Rain Crow on Yep Roc Records. The lead track “Hoochie Woman” was co-written with his wife, Leann. The track “Conjure Child” is a follow up to an earlier song, “Conjure Woman.”

The album Bad Mouthin’ was released in September 2018 again on Yep Roc Records. The album contains six self-penned songs and five blues standards written by, amongst others, Charley Patton and John Lee Hooker. On the album White also performs a cover of the Elvis Presley song “Heartbreak Hotel”. White plays acoustic and electric guitar on the album which was produced by his son Jody White and has a signature Tony Joe White laid back sound.

White died of a heart attack on October 24, 2018, at the age of 75 (by wikipedia)

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Alternate front + back cover

Tony Joe was the third studio album released by Tony Joe White. It was released on Monument Records and contained the singles “High Sheriff of Calhoun Parrish” and “Save Your Sugar For Me” It was recorded at RCA Victor Studios, Nashville and Lyn-Lou Studios, Memphis in 1970. It was produced by Billy Swan. A mixture of original recordings and covers, it featured White’s versions of “Hard To Handle” made popular by Otis Redding and “Boom Boom” by John Lee Hooker. (by wikipedia)

A true icon of swamp rock, Tony Joe White parlayed his songwriting talent and idiosyncratic vocals into a modestly successful country and rock career in Europe as well as America. And on this album you can hear, why I will call him a criminally underrated musician … he was one of the finest in the white boy blues scene …

Various single sleeves (“Groupie Girl”) from all over the world:

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Personnel:
David Briggs (organ)
Jerry Carrigan (drums)
Sammy Creason (drums)
Tommy McClure (bass)
Norbert Putnam (bass)
Mike Utley (organ)
Tony Joe White (vocals, guitar, harmonica)
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The Nashville Horns & Strings

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Tracklist:
01. Stud-Spider (White) 5.36
02. High Sheriff Of Calhoun Parrish (White) 3.50
03. Widow Wimberly (White) 3.41
04. Conjure Woman (White) 3.58
05. Save Your Sugar For Me (White) 2.20
06. Groupie Girl (White) 3.04
07. Hard To Handle (Redding/Isbell/Jones) 2.52
08. What Does It Take (Bullock/Bristol/Fuqua) 3.40
09. My Friend (Fritts/Oldham) 3.09
10. Stockholm Blues (White) 3.27
11. Boom Boom (Hooker) 7.56

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Tony Joe White (July 23, 1943 – October 24, 2018)

REST IN PEACE !

Ed Harcourt – From Every Sphere (2003)

FrontCover1.jpgEd Harcourt (born 14 August 1977) is an English singer-songwriter. To date, he has released six studio albums, two EPs, and thirteen singles. His debut album, Here Be Monsters, was nominated for the 2001 Mercury Prize. Since 2007 he has been writing for other artists, including Sophie Ellis-Bextor, Paloma Faith and performed with Marianne Faithfull and the Libertines. His music is influenced by Tom Waits, Nick Cave, and Jeff Buckley, among others.

From Every Sphere is the second album by British singer-songwriter Ed Harcourt, released in 2003. Heavenly Records labelmate Jimi Goodwin of Doves plays tambourine on the first single “All of Your Days Will Be Blessed.” (by wikipedia)

On his stylish and refined sophomore album From Every Sphere, Ed Harcourt waives the murky soundscapes that overshadowed his 2001 Mercury Music Prize-nominated album Here Be Monsters, for a stripped-down, intimate effort. Instead of fighting adolescence’s last days and ignoring adulthood like he did on his first album, Harcourt embraces the fact that he’s growing up. Only 25, he’s a touch wiser and enjoys his newfound confidence as an individual and as an artist. From Every Sphere, which was initially planned to be a conceptual double album entitled The Ghost Parade, is heavy in spirit while Harcourt relishes in his personal and professional growth. The Bono-like inflections and the quasi-Nick Cave growl are relieved by an inquisitive croon and Tchad Blake’s basic approach from the production seat gives From Every Sphere the time and space to simply arrive.

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The swanky power pop number “Watching the Sun Come Up” is soaking in space rock threads and a polished brass section, while pianos slowly take shape in the beautiful paranoia of “The Birds Will Sing for Us” and the heart-rending “Bleed a River Deep.” When “Ghostwriter” saunters in with its sexy wannabe Tom Waits impression and jazzy abstracts, From Every Sphere doesn’t lose ground. Harcourt experiments in more ways than one on this album, never overindulgent in the process. He works with what he knows from personal experience without being redundant and in today’s business you have to have beaucoup talent to pull that off. From Every Sphere affirms Ed Harcourt’s potential. (by MacKenzie Wilson)

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Personnel:
Leo Abrahams (guitar, slide-guitar, piano)
Tchad Blake (percussion)
Jo Cackett -(bassoon)
Hadrian Garrard (trumpet, trombone, organ, percussion)
Lisa Germano (viola, background vocals)
Jimi Goodwin (tambourine)
Matt Gunner (french horn)
Ed Harcourt (vocals, keyboards, guitar, slide-guitar, drums, percussion, bass, clavinet, harmonica,  synthesizer)
Dominic Kelly (oboe)
Claire Lewis (programming)
Arnulf Lindner (bass, percussion)
Chris Richards (clarinet)
Rowland Sutherland (flute)
Nick Yeatman (drums, percussion)
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Wrecking Crew Orchestra:

Violin:
Howard Gott – Ruth Gottlieb – Lucy Wilkins – Natalia Bonner – Tim Myall – Jackie Norrie – Sally Herbert – Wendy De St Paer – Anna Morris – Alison Blunt – Gillon Cameron – Claire Raybould – Louise Peacock
Viola:
Sophie Sirota – Rob Spriggs – Vince Greene – Amanda Drummond – Naomi Fairhurst
Cello:
Sarah Willson – Oli Kraus – Andy Nice – Chris Mansell

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Tracklist:
01. Bittersweetheart (Harcourt) 4.32
02. All Of Your Days Will Be Blessed (Harcourt) 3.43
03. Ghost Writer (Harcourt) 4.18
04. The Birds Will Sing For Us (Harcourt) 4.27
05. Sister Reneé (Harcourt) 4.44
06. Undertaker Strut (Harcourt) 3.42
07. Bleed A River Deep (Harcourt) 4.48
08. Jetsetter (Harcourt) 3.56
09. Watching The Sun Come Up (Garrard/Harcourt) 5.45
10. Fireflies Take Flight (Harcourt) 4.37
11. Metaphorically Yours (Harcourt) 4.46
12. From Every Sphere (Harcourt) 7.33

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